Artist: Dead Letters Spell Out Dead Words
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If I had the time or money to put together a new compilation, chances are high it would look awfully similar to Fang Bomb's "Gothenburg 08". The particular scene it explores is one of big reasons I started this weekly Gbg-spotlight series, so naturally I'm very excited to have the opportunity to talk to label-head Peter Ottosson about the comp, among other relevant subjects. Read on!
So you're putting out this new compilation, "Gothenburg 08" - what's the inspiration? What is it about the current scene that merits this sort of documentation?
The idea of putting together a compilation with only Gothenburg based artists, was initially born from a feeling I had about what is going on in the city, the sense of something great happening, a unique scene that deserved to be compiled and documented. It's been growing for a number of years now, with a lot of great artists, labels such as iDEAL, Kning Disk, Release The Bats, and ourselves, galleries and vital concert bookers. It feels like Gothenburg has risen again, in a way. The cultural climate now quite similar to what was going on 20 or 25 years ago. Free, experimental, deep.
And that takes us to were I went to complete the concept. To 1984 to be specific, when Radium 226.05 released a compilation LP entitled "Gothenburg 84". This is now a legendary record, showcasing the fresh talent connected to the Radium organization at that time. CM von Hausswolff was on it, and so were Jean-Louis Huhta, Zbigniew Karkowski and Freddie Wadling - all of whom today are busy people, well respected and regarded as pioneers also from a worldwide perspective.
My conviction is that the Gothenburg scene once again allows for such a manifestation. And that is what "Gothenburg 08" is supposed to be.
Of the musicians you have selected, what is it that they have in common, beyond their chosen city of residence? A sound? An attitude? Can you put a label on it?
There is a sound and there is an attitude. But there is not only one style – rather, I think there is a kind of "anything is possible" approach going on here, and that can be heard in most of the recordings on "Gothenburg 08". For instance, when Anders Dahl mixes bird sounds with elements of noise, it fits! This attitude creates some unique artists. I guess we could call that attitude "punk", if the word hadn't already been used too much.
The thing is, many of the artists know each other well and have done so for a long time. They have collaborated, released records on each others labels, toured together, performed together. That binds it all together, that is what creates the "scene".
A number of the artists you are working with are active in other artistic endeavors, such as the visual arts- how much connection do you see between these various forms? Do you think that it's important for them to remain connected or can they each coexist on their own?
Man, you ask some tough questions ... No, I don't think that is necessary, even if they do feed off each other. But the same message can be encoded into either one of these media, and Thomas Ekelund of Dead Letters Spell Out Dead Words, who is also a skilled art director and graphic artist, might be the perfect example. He does most of his own artwork (I think all of it, from now on) and he is incredibly stringent, faithful to his concept to the end. What you hear in his music, you can also see in his graphic art.
One thing that troubles me about the experimental/noise music scene, is that it tends to be very male dominated. Do you find this to be the case in Gbg? What do think can be done to address it?
It is, just as everywhere else. Right now, from the top of my head and keeping the local perspective, I can really only think of one female artist that would fit your genre description - Variam, the solo/side project of Mariam Wallentin of Wildbirds & Peacedrums. And if we want to go a little bit softer, there's always Midaircondo.
I'm not sure what to do about the situation. I guess men are generally more into the nerdier aspects of life, and at least one part of the experimental music scene is synonymous to stamp collecting– hunting for still sealed Industrial Recordings releases from 1979, and brand new releases limited to 8 copies that you buy but never play, that sort of thing... Not that there's anything wrong with that, I do it too.
Also, I suspect that for as long as there are no, or very few, women at concerts, the male-to-female artist ratio will remain virtually unchanged. If something can be done, I'm not sure what it is. Maybe as the industrial iconography develops, a lesser amount of skulls would be a good idea?
Is there a particular song you would like to share, either from 84 or 08? Tell me about it.
It's hard to pick one song to represent the entire "Gothenburg 08" CD - it develops from soft to loud, from noise to dense drones to tracks that are almost "modern classical" in nature - so I've decided to just go with the first one. The track, composed and performed by Viktor Sjöberg and Jonas Lindgren, is entitled "Guldheden", which is also the name of one of the burroughs of Gothenburg. It's a solemn, beautiful piece and unintentionally, at least I assume it is unintentionally, it manages to connect with the very start of electronic and experimental music in Gothenburg, the muffled voices in the background being a reminder of Rune Lindblad's "Party" from 1953, the first ever recording by the city's earliest shining star in the world experimental music. Enjoy!
Viktor Sjöberg and Jonas Lindgren - Guldheden
If you've been following our weekly Göteborg spotlight feature, no doubt you picked up on the news that Fang Bomb is putting out a new compilation entitled "Gothenburg 08". I'll have detailed information about the collection on Saturday, assuming my interview with label head Petter Ottosson goes as planned, but I can confirm the tracklist for you now:
01. Viktor Sjöberg & Jonas Lindgren - "Guldheden"
02. Anders Dahl - "Strätta, Flockblomstriga 4"
03. Porn Sword Tobacco - "Feminin Arkitektur"
04. Sewer Election - "Mot Döden"
05. Dead Letters Spell Out Dead Words - "Facelessness Erases Every Trace Of Humanity"
06. Jasper TX - "And I Closed My Eyes"
07. The Skull Defekts - "Invocation Of Brother Rune Lindblad"
08. Tsukimono - "Moan Jar"
09. Joel Brindefalk - "Monitoring My Own Death"
10. Porn Sword Tobacco - "Ett Jaläger Och Ett Nejläger"
I don't have a confirmed release date yet, but it has been sent off to be pressed, so copies should hopefully be available soon. I for one am very excited -- it's a stellar lineup.
I was just about to check out of my hotel room and head to the airport when the answers to this week's Göteborg feature showed up in my inbox. This week's guest: Matthias Andersson from Release the Bats, one of Sweden's preeminent underground labels.
How long have you lived in Gbg? What brought you there and what keeps you hanging around?
I moved here in summer 2003 so I have been living in GBG for close to 5 years now. I used to live in a small village in middle of the dark forests of the region Småland, later moved on to the nearest city and then spent one year in Jönköping. I guess I was longing for something more, something else, and eventually decided to go for GBG. In many ways there are only 3 options for young people in Sweden that want to escape the small town boredom: GBG, Stockholm and Malmö. Stockholm was never really an option for me for various reasons and Malmö always seemed a bit too small and boring. Since I already had friends and so on in GBG there wasn't really anywhere else to go at that point. 5 years later I have no intentions on leaving anytime soon, I love this city and for the moment I wouldn't trade it for anything.
I know you work with a lot of int'l acts, but you also seem to always have something going on w/the local scene. Do you see yourself as a regional label at all? How important do you think regional labels are in this day and age?
I actually really didn't release anything GBG-based until last year with the The Skull Defekts album ["Skkull"]. Ok, Tar... Feathers was kind of based in GBG for a while, but has to me always been more of a Stockholm-thing. I never really had the need to cover the music in this town before since other local labels like iDEAL and Kning Disk already did a very good job with that. But recently there has been sooo many amazing things happening here that it has been kind of impossible to not participate in one way or another! So yeah, RTB will definitely be exploring the current activities here a little bit more in the future than in the past with upcoming releases from Tsukimono, Dead Letters Spell Out Dead Words, The Skull Defekts etc. Is it important with regional labels? Honestly I don't think labels are that important at all nowdays. Still I can see a purpose with regional labels, acting like some kind of centre of the scene with lots of things going on besides just releasing local acts (iDEAL being a way better example than RTB on that with club nights, festivals and so on).
Do you think there's a particular Gbg sound or attitude? Also, how do Gbg artists differ from those in other cities within Sweden?
GBG is known for having a very distinct sound when it comes to both Death Metal and Pop music for an example, but when it comes to the kind of music that RTB is releasing (whatever you want to call it, it's not like I even have a "typical" sound for the label...) I would say no. In that sense that I don't think anyone would be able to "hear" that a certain artist is from GBG when listening to it, just based on the actual sound. Attitude... I don't think this city differs from other Swedish towns really, but I know that outsiders tends to think that people in GBG are very open minded and easy to be around for some reason? If you should compare GBG to other Swedish towns when it comes to music and related activities, I think it's safe to say that no other town is even close to what's currently happening here! So many shows, new projects, new awesome releases and so on all the time! I also think musicians in GBG are usually a bit ahead of other places in Sweden, it seems like new impressions and ways to do things hits GBG first most of the time.
How's the health of the Gbg scene right now? Any particular artists that you're exciting about? What releases do you have planned? Also, anyone else you want to work with/wish you had signed?
Truly amazing things are happening here right now, I haven't been this excited about the local scene since I moved here, that's for sure. I don't know where to start... One of the best and most promising new acts is definitely the 3-piece Leafes. I put out a tape with them in December 2006 when they still lived in Jönköping and only had been a band for a few weeks. Then they put out a CD-R last year which is really, really good, moved to GBG and now they have just finished their debut album "Seedland" which will be put out on tape only! Kind of folky pretty song-based free jams for most of the time, usually arranged around acoustic instruments with a sparse use of electronics... In the vein of Sunburned Hand Of The Man and the likes, but with more melancholy. I really recommend everyone to check them out, and you will be hearing way more about them in the future for sure! Everything Dan of Sewer Election is doing is golden. Put out a Sewer Election/Altar Of Flies LP on RTB a few months ago. Another amazing project from Dan is White. Filthy lo-fi basement dwellings, disturbing shit. Modorra is great underground metal with my neighbour Jon on drums, haven't heard that much yet but it sure seems promising! Prostitute Finger is another new project, members from a few "famous" GBG acts. Rough feedback-mayhem, beautiful stuff. Relic was probably the most promising new band this town had seen in years but unfortunately it seems like they've just broke up? A damn shame if you ask me, the rehearsal tapes was some scary out there stuff and I could only imagine what this beast would have become in the future. Then there is the more well-known acts that is always doing brilliant stuff no matter what: Dead Letters Spell Out Dead Words, Tsukimono, Viktor Sjöberg, Gloomy Sunday, The Skull Defekts and so on. Plus the whole DJ/club-scene with Studio, Tiedye etc. Current favorite local labels: Harsh Head Rituals and Pillowscars. Upcoming GBG-related releases on RTB this year: Dead Letters Spell Out Dead Words - Lost in reflections LP + 7" (split release with iDEAL, Fang Bomb and When Skies Are Grey, a minor masterpiece!), The Skull Defekts - The drone drug CD (natural follow up to last years "Skkull", minamalistic and nasty drone-filth with an industrial edge, grim sounding stuff!) and the vinyl version of Tsukimono's stunning "Time Canvas" (originally released as a limited CD-R on Kning Disk last year). All these 3 releases will hopefully be ready early summer. Kind of happy with the current RTB release schedule I must say, but it would definitely be fun to do something more with Leafes in the future. While I'm at it, the label Fang Bomb is putting out a Gothenburg 2008 compilation soon with the The Skull Defekts, Anders Dahl, Dead Letters Spell Out Dead Words, Sewer Election, Viktor Sjöberg, Jasper TX etc...
Got a song to share to rep Gbg? Tell us about it.
It has to be "This room seems empty without you", the opening track from "Lost in reflections", the upcoming Dead Letters Spell Out Dead Words album! A bit different from the rest of the album, and also a bit different from the previous DLSODW sound. Still one of the most underrated GBG-acts in my opinion, why last year's amazing "Fall, fall, falling" (Kalligrammofon) didn't get more attention is a mystery to me.
It's a mystery to me too, especially since I count it as one of my favorite albums of 2007. And now, listening to this, it looks like there's a strong chance of a repeat. Amazing stuff, to be sure...
Dead Letters Spell Out Dead Words - This room seems empty without you
I heard some inkling of this before, but now it's confirmed: the first edition of the upcoming Tiger Lou album "A partial print" will include a bonus remix disc. Here's the lineup:
01. Dead Letters Spell Out Dead Words (SWE)
02. Aril Brikha (SWE)
03. Özgur Can (SWE)
04. Error Error (NL)
05. BJ Nielsen (SWE)
06. Daso (GER)
07. John Dahlbäck (SWE)
08. Pär Grindvik (SWE)
09. Mikael Jonasson (SWE)
10. Bodycode (PT)
Download an excerpt of the Mikael Jonasson remix of "Crushed by a crowd": http://www.rkellerman.com/crushedbyacrowd.mp3
Fukk Tapes Let Erase, the cassette-only label run by Jeff Surak (Violet/Zeromoon) and Thomas Ekelund
(Dead Letters Spell Out Dead Words), is back in action with new releases from Marhaug Bad Kharma and a split with Gbg-based noise acts Cutiefuck and Tight Meat. Details: http://www.fukktapes.org/
In other Dead Letters Spell Out Dead Words-related news, check out the newly created profile at Virb for samples from upcoming releases: http://virb.com/dread
Here's the playlist for this week's radio show:
01. Franke - Jag älskar dig
02. TALK 1
03. White Knives - Welcome transplants
04. Bobby and Blumm - Drow a bow
05. Anna Leong - Guillotine
06. TALK 2
07. Juvelen - Don't mess
08. Eucharist - The Eucharist
09. Sophie Rimheden - Go away (ft. Aaron Phiri)
10. TALK 3
11. Form One - Money (ft. Vincent)
12. Tape - Augustan chateau
13. Moneybrother - They're building walls around us
14. TALK 4
15. Lapko - Killer whales
16. The State of Floral Beings - Bad broker
17. Opération Zéro - Grand Pere
18. TALK 5
19. Pistol Disco - Beat of the tune
20. Kusowsky - Jonny
21. Motorhomes - Into the night
22. TALK 6
23. They Live By Night - Endless summer
24. Cleaning Women - Clean up your body
25. Kaka - What a frame
26. Gorgoroth - Krig
27. TALK 7
28. Markus Krunegård - Samma nätter väntar alla
29. Snöleoparden - Waterpuppet theatre
30. Oskar Schönning - Stoner
31. TALK 8
32. Tellu - Tuulet
33. Convoj - Cultural legacy
34. Lukestar - White shade
35. Silver - The personal decay
36. TALK 9
37. Brick - Labrador
38. Callisto - Anastasis
39. Dead Letters Spell Out Dead Words - When she's GONE
40. TALK 10
41. Magyar Posse - Singlesparks are spectral fires
This week's guest in our ongoing Göteborg spotlight series is Johan Gustavsson. Besides being a triumphant Guitar Hero player (seriously!), he keeps himself very, very busy performing music solo under the alias Tsukimono, as well as playing with groups such as Scraps of Tape, Viktor Sjöberg New Jazz Ensemble, Alina, the new band The VIII Arms Around You and tons more. Keeping track of 'em all is near-impossible. Anyhow, I had questions and he was happy to supply some answers:
How long have you lived in GBG?
I've basically been living here for a year now. The first 6-7 months I kept working in Skåne, the south of Sweden, where I'm from. That meant a lot of driving and more or less living in my car, traveling between 3 different cities all the time.
But now I'm here and have been here full time since August 07.
Where did you move from and why?
I moved up here from Malmö for love. I met the greatest person and we decided to try and make it work out together. I was also losing my apartment in Malmö and I needed to get out of the situation I was stuck in at the time. Things have
worked out for the better.
Favorite part about the city? Least favorite?
I really like Gbg in general, I like walking in the city even though I do it a lot less than I'd like. I live in Majorna and
there is just a lot of nice things to look at and to take to heart.
Least favourite? The weather... for sure. Windy and rainy... but it's ok.
Do you think that there's a particular Gbg sound? If so, how would you describe it?
Nah, I think what's so good about the music from Gbg is that it's all really diverse. You can find anything here, and
most of the time it's pretty damn good too. And with people like Christian Pallin/Koloni around who organizes shows and happenings all year-round, you get pretty spoiled with
opportunities to see interesting and odd bands/artists from all over the world.
How would you say the city inspired you?
I've been getting more back into punk and hardcore/metal again... which is great! There's a good scene here.
Started a few new bands, played with great people, met wonderful people with a real desire to do good and who have their
hearts 100% in what they do. It's pretty hard to not get inspired by stuff like that. I've also been getting better at saying no
and to not go everywhere and not do everything. To have the ability to not do things is very liberating.
Is there a particular piece that you've done that you feel was directly influenced by and/or provides a good reflection of the city?
Well, there's also a compilation coming out entitled "Gothenburg 08", which will be released by Fang Bomb... it'll feature me, Viktor Sjöberg, Dead Letters Spell Out Dead Words and many others... the track on there is about Gbg but since it's not released yet I'm not sure that's a good idea.
However, my new album coming out on Kalligrammofon, the "Heart attack money" cd, kinda touches on Gbg a lot too, so let's go for "Gloomy Sunday". It's being mastered this week Henrik Oja (The Spacious Mind, Säkert!) and Jonas Rosén (Female Anchor Of Sade, Asterisk*) so I'm super-psyched to hear the results soon.
Look for the album to receive a proper release soon, but in the meantime, here's the unmastered version of "Gloomy Sunday" to whet your thirst. Highly recommended!
Tsukimono - Gloomy Sunday
7
Two steps forward, one step back? Fans of the elegant dronepop majesty of "Fall, fall falling" will see this CDR release as a disappointing regression, but those of us who are familiar and appreciative of earlier Dead Letters works will not be daunted. Consisting of three dark and dingy long-form pieces for a grand total of forty-nine minutes, "A line: align" is in fact a throwback to Thomas Ekelund's roots and it is not without its rewards as there are definitely moments of great beauty rising from within the filth. Opener "At Keiller's Park (Summer 2006)" is the weakest of the bunch in that takes far too long to get going, often abandoning themes just as soon as they begin to take hold. Patience is eventually rewarded, though not nearly as well as I'd like. The other two however, fare much better in comparison by adhering to a far more concise narrative arc, not to mention a vastly increased level of volume. As much as I appreciate the subtle crackle of processed field recordings, it's the dull, aching throb of pure noise that affects me most, both mentally and physically. When a melody emerges from the squall and I can feel it tingling all the way down to my toes, that's magic. Ultimately, "A line: align" doesn't compete with any of the "proper" Dead Letters full-lengths, but I don't think it intends to. As a way station to whatever comes next, it'll do just fine.
- Avi Roig
Saturdays in 2008 are devoted to the music of Göteborg. This week's guest: Joachim Nordwall aka The Idealist, head of iDEAL Recordings, also a member of The Skull Defekts. When I think about the new sound of Gbg, iDEAL Recordings and their contemporaries such as Kning Disk are exactly what come to mind. This is where art and music intersect to create something bold and innovative, something that hasn't been done before.
So how long have you lived in Gbg?
I've had Gothenburg as my base since 1996, but lived in London for a while in 1998 and traveled a lot.
Where did you move from and why?
I had lived in Paris and Umeå in the north of Sweden. Paris was great and I still see it as home when I go there and Umeå was kind of a disaster, so after one year of studies up there I needed to go south again and somehow ended up here. I didn't intend to stay for long, but accidentaly got stuck. It's quite easy to fall in love with Gothenburg.
Do you think that there's a particular Gbg sound or feeling? How would you describe it?
Yeah sure. Gbg is friendly, rough sometimes and very democratic. It's a harbour town which and the second biggest in Sweden, similar in size to Oslo I guess.
What advantages does living in Gbg offer artists? Disadvantages?
The music scene has always been pretty good here, especially punk and rock, but also experimental stuff and dance. There's clubs to play, plenty of rehearsal space and we fool ourselves that we are close to Europe since we're only a few hours north from Copenhagen. Berlin is close too, you can drive there in ten hours if you're fast and sober. Disadvantages are that Gbg is small, not much new blood is coming in and the art scene sucks. We have very few good galleries here even though some known international visual artists live here. But then again, there's plenty of bars and illegal techno parties going down. Good ways to get loaded.
I know you work with a lot of scene veterans, but who do you think are the up-and-coming talents in Gbg right now?
Sure - there are a few of course. I like Pistol Disco - a duo doing Suicide-like dark electronic crack pop. The Extended Head seems to be doing some great stuff, his latest demo was a killer old skool dance punk thing. Other than that, some of my fav acts are from here. Like Studio, José González, Dead Letters Spell Out Dead Words and Contemporary Punk Unit.
Lastly, how has the city inspired you? Are there are any particular pieces from The Skull Defekts/The Idealist/iDEAL that provide a good sonic reflection of the city?
I am finding inspiration in loads of places. I live here, but travel a lot so my inspiration is honestly coming more from other places. Home is where I rest and work. I rarely lift my head to actually enjoy the view if you know what I mean. Gbg is a good place to be left alone and I leave it alone too hahaha. The Skull Defekts are recording and rehearsing in a hidden part of the hospital here which is of course extremely inspirational. We're there at night time only and it's a rather weird atmosphere up there. It's hard to name something but if I would choose one GBG anthem on iDEAL I'd probably name Henrik Rylander's "Traditional arrangements of feedback" but maybe more that Henrik is very Gothenburg to me than an actual sound to the damn thing.
Unfortunately, you'll have to go elsewhere to hear that Rylander piece, as Joachim specifically requested that The Skull Defekts accompany this post. And really, who am I to argue? Especially when the selected track is so good.
The Skull Defekts - The secret
LJUD is putting on a special iDEAL Recordings showcase on February 2 at Musikcafeen in Copenhagen featuring live performances from The Skull Defekts, Sewer Election, Dead Letters Spell Out Dead Words and more. Details: http://www.ljud.dk/news/default.asp?action=news&id=173
The Hwem netlabel has a brand new release from GBG-based drone artist and IAT favorite Dead Letters Spell Out Dead Words: http://www.hwem.net/
Scroll down for info on a new Dead Letters split cassette release with We Were Dancing out now via Hwem/Namenlos.
Anyone out there? Being as we are now in the dead zone between Christmas and New Year's, I figure I should probably hold off on new music for another week so here's another selection from one of my favorite albums of the year, Dead Letters Spell Out Dead Words' "Fall, fall, falling". Actually, this is perfect music for a day like today, especially here where it's a crisp blue day and the world is coated with ice. The earth is still and time moves slowly. It's a tranquil sort of beauty, but vaguely threatening too - there's sunshine, but it's too low in the sky to provide much warmth. Rather, it's still cold and bracing outdoors, a tease. It's the beauty of winter, of retreating into your home, into yourself. Of hibernation. Not in silence or resignation, but rest and rejuvenation. To emerge stronger on the other side.
Dead Letters Spell Out Dead Words - I could have sworn I heard them SING
Release the Bats will be putting out new records from a wide range of excellent Swedish acts such as Skull Defekts, Dead Letters Spell Out Dead Words, Tsukimono, Tar... Feathers, Sewer Election and much more in 2008. Details: http://www.releasethebats.com/rtb.html
Here's the playlist for this week's radio show:
01. The Bombettes - I wanna
02. TALK 1
03. Anna Järvinen - Helsinki
04. Leütenhaven - Still life (trompe l'oeil)
05. Pay TV - Fashion report
06. TALK 2
07. Timo Räisänen - My valentine
08. Jonna Lee - And your love
09. José González - Killing for love
10. The Bear Quartet - It only takes a flashlight to create a monster
11. TALK 3
12. Kristofer Åström - The dark
13. Munck//Johnson - The streets
14. Bertine Zetlitz - Draggin' me down
15. Dieter Schöön - Warm hearts
16. TALK 4
17. Superfamily - The radio has expressed concerns about what you did last night
18. Dead Letters Spell Out Dead Words - Ashen like the sky
19. Kazakstan - Song to the past
20. TALK 5
21. Marvins Revolt - Bugs in time
22. Menfolk - Ghosts
23. Pelle Carlberg - I love you, you imbecile
24. TALK 6
25. Sambassadeur - Subtle changes
26. Stina Nordenstam - So Lee
27. Tobias Hellkvist - Abomination
28. TALK 7
29. Marybell Katastrophy - Slabiak
30. Sinikka Langeland - Høstnatt på Fjellskogen
31. David Åhlén - Wasted breaths
32. Printer - Minds out
33. TALK 8
34. Montys Loco - Wasteland
35. Lampshade - Fjäril
36. NEI - Trip to Luleå
37. Laakso - Hang me in the Christmas tree
38. TALK 9
39. Honey Is Cool - Drums and boys
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Dead Letters Spell Out Dead Words