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<title>IT'S A TRAP! Scandinavian Music Journal</title> 

<link>http://www.itsatrap.com/</link> 

<description>Scandinavian music news, daily mp3 downloads, reviews, interviews and more</description>

<pubDate>Sat, 24 Oct 2026 17:31:29 -0700</pubDate> 

<copyright>2026</copyright> 

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	<title>IT'S A TRAP! Scandinavian Music Journal</title> 

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<item>
	<title>Cobolt - Postume</title>
	<link>http://www.itsatrap.com/n/40901-cobolt-postume</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/40901-cobolt-postume</guid>
	<comments>http://www.itsatrap.com/n/40901-cobolt-postume#comments</comments>
	<description><![CDATA[
For most folks, the band Cobolt is, at best, a forgotten footnote from the Umeå music scene of yore. For nerds like me who pursued every thread until exhausted, they were a revelation, an eye-opening glimpse into the vast and varied expanse of the Norrland music scene in a post-Refused world. And now, at long last, Refused bassist Magnus Björklund has posted his old band's final unreleased recordings for public consumption. I've had semi-illicit copies of a number of these tracks for many years now and am glad they are finally getting a proper chance to find an audience -- very recommended!]]></description>
	<content:encoded><![CDATA[<iframe width="100%" height="350" scrolling="no" frameborder="no" src="http://w.soundcloud.com/player/?url=http%3A%2F%2Fapi.soundcloud.com%2Fplaylists%2F2467976&show_artwork=true"></iframe>
<p>For most folks, the band <b>Cobolt</b> is, at best, a forgotten footnote from the Umeå music scene of yore. For nerds like me who pursued every thread until exhausted, they were a revelation, an eye-opening glimpse into the vast and varied expanse of the Norrland music scene in a post-<b>Refused</b> world. And now, at long last, <b>Refused</b> bassist <b>Magnus Björklund</b> has posted his old band's final unreleased recordings for public consumption. I've had semi-illicit copies of a number of these tracks for many years now and am glad they are finally getting a proper chance to find an audience -- very recommended!</p>]]></content:encoded>
	<pubDate>Tue, 11 Sep 2012 11:47:23 -0700</pubDate>
	<category>news</category>
	<category>multimedia</category>
	<category>general</category>
</item>
<item>
	<title>New West Coast dates for Refused</title>
	<link>http://www.itsatrap.com/n/40476-new-west-coast-dates-for-refused</link>
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	<comments>http://www.itsatrap.com/n/40476-new-west-coast-dates-for-refused#comments</comments>
	<description><![CDATA[Refused will swing back through the West Coast in August:
08/22 - Ogden Theater, Denver, CO
08/28 - Paramount Theater, Seattle, WA w/Sleigh Bells
08/29 - Roseland Theater, Portland, OR w/Sleigh Bells
08/31 - Bill Graham Civic Auditorium, San Francisco, CA w/Sleigh Bells
I'll gladly accept an invite to the Seattle or Portland show, should one be forthcoming.]]></description>
	<content:encoded><![CDATA[<p><b>Refused</b> will swing back through the West Coast in August:</p>
<p class="indent">08/22 - Ogden Theater, Denver, CO<br/>
08/28 - Paramount Theater, Seattle, WA w/<b>Sleigh Bells</b><br/>
08/29 - Roseland Theater, Portland, OR w/<b>Sleigh Bells</b><br/>
08/31 - Bill Graham Civic Auditorium, San Francisco, CA w/<b>Sleigh Bells</b></p>
<p>I'll gladly accept an invite to the Seattle or Portland show, should one be forthcoming.</p>]]></content:encoded>
	<pubDate>Wed, 13 Jun 2012 15:08:58 -0700</pubDate>
	<category>news</category>
	<category>live</category>
</item>
<item>
	<title>Kristofer Steen takes to the stage</title>
	<link>http://www.itsatrap.com/n/40317-kristofer-steen-takes-to-the-stage</link>
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	<comments>http://www.itsatrap.com/n/40317-kristofer-steen-takes-to-the-stage#comments</comments>
	<description><![CDATA[Refused guitarist Kristofer Steen will be making his debut as a Stage Director next February when he stages his interpretation of Puccini's opera "La Bohème" at NorrlandsOperan in his old hometown of Umeå, Sweden. Read the full press release: http://www.norrlandsoperan.se/sve/press/pressmeddelanden/refused-gitarrist-operadebuterar (English + Swedish)]]></description>
	<content:encoded><![CDATA[<p><b>Refused</b> guitarist <b>Kristofer Steen</b> will be making his debut as a Stage Director next February when he stages his interpretation of Puccini's opera <i>"La Bohème"</i> at NorrlandsOperan in his old hometown of Umeå, Sweden. Read the full press release: <a href="http://www.norrlandsoperan.se/sve/press/pressmeddelanden/refused-gitarrist-operadebuterar" target="_blank">http://www.norrlandsoperan.se/sve/press/pressmeddelanden/refused-gitarrist-operadebuterar</a> (English + Swedish)</p>]]></content:encoded>
	<pubDate>Fri, 25 May 2012 12:23:24 -0700</pubDate>
	<category>news</category>
	<category>general</category>
	<category>live</category>
</item>
<item>
	<title>Refused in the NYT</title>
	<link>http://www.itsatrap.com/n/40098-refused-in-the-nyt</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/40098-refused-in-the-nyt</guid>
	<comments>http://www.itsatrap.com/n/40098-refused-in-the-nyt#comments</comments>
	<description><![CDATA[The New York Times reports back from seeing Refused live at Terminal 5 (but not at the afterparty): http://www.nytimes.com/2012/04/25/arts/music/swedish-punk-band-refused-at-terminal-5.html?_r=2]]></description>
	<content:encoded><![CDATA[<p>The New York Times reports back from seeing <b>Refused</b> live at Terminal 5 (but not at the <a href="http://youtu.be/fN9RK4lAuWY" target="_blank">afterparty</a>): <a href="http://www.nytimes.com/2012/04/25/arts/music/swedish-punk-band-refused-at-terminal-5.html?_r=2" target="_blank">http://www.nytimes.com/2012/04/25/arts/music/swedish-punk-band-refused-at-terminal-5.html?_r=2</a></p>]]></content:encoded>
	<pubDate>Wed, 25 Apr 2012 11:48:23 -0700</pubDate>
	<category>news</category>
	<category>reviews</category>
</item>
<item>
	<title>Refused - It&#039;s clobberin&#039; time + Injustice system (live video)</title>
	<link>http://www.itsatrap.com/n/40082-refused-its-clobberin-time-injustice-system-live-video</link>
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	<comments>http://www.itsatrap.com/n/40082-refused-its-clobberin-time-injustice-system-live-video#comments</comments>
	<description><![CDATA[
Refused cover Sick of It All with help from Lou Koller live in NYC.]]></description>
	<content:encoded><![CDATA[<iframe width="560" height="315" src="http://www.youtube.com/embed/Pih1OghG9Z0" frameborder="0" allowfullscreen></iframe>
<p><b>Refused</b> cover <b>Sick of It All</b> with help from <b>Lou Koller</b> live in NYC.</p>]]></content:encoded>
	<pubDate>Mon, 23 Apr 2012 19:22:53 -0700</pubDate>
	<category>news</category>
	<category>multimedia</category>
</item>
<item>
	<title>Refused - Live at Coachella (audio)</title>
	<link>http://www.itsatrap.com/n/40061-refused-live-at-coachella-audio</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/40061-refused-live-at-coachella-audio</guid>
	<comments>http://www.itsatrap.com/n/40061-refused-live-at-coachella-audio#comments</comments>
	<description><![CDATA[
Full audio of Refused's live set from Coachella: part 1 / part 2]]></description>
	<content:encoded><![CDATA[<iframe frameborder="0" width="320" height="240" src="http://www.dailymotion.com/embed/video/xq570p"></iframe>
<p>Full audio of <b>Refused</b>'s live set from Coachella: <a href="http://www.dailymotion.com/video/xq570p_refused-live-at-coachella-2012-part-1-audio-only_music" target="_blank">part 1</a> / <a href="http://www.dailymotion.com/video/xq57u7_refused-live-at-coachella-2012-part-2-audio-only_music" target="_blank">part 2</a></p>]]></content:encoded>
	<pubDate>Thu, 19 Apr 2012 16:39:00 -0700</pubDate>
	<category>news</category>
	<category>multimedia</category>
</item>
<item>
	<title>Refused: Boredom is not on the table</title>
	<link>http://www.itsatrap.com/n/39976-refused-boredom-is-not-on-the-table</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/39976-refused-boredom-is-not-on-the-table</guid>
	<comments>http://www.itsatrap.com/n/39976-refused-boredom-is-not-on-the-table#comments</comments>
	<description><![CDATA[Some words from Refused on the band and their reunion tour: http://officialrefused.com.preview.binero.se/2012/04/boredom-is-not-on-the-table/]]></description>
	<content:encoded><![CDATA[<p>Some words from <b>Refused</b> on the band and their reunion tour: <a href="http://officialrefused.com.preview.binero.se/2012/04/boredom-is-not-on-the-table/" target="_blank">http://officialrefused.com.preview.binero.se/2012/04/boredom-is-not-on-the-table/</a></p>]]></content:encoded>
	<pubDate>Tue, 10 Apr 2012 16:39:04 -0700</pubDate>
	<category>news</category>
	<category>general</category>
</item>
<item>
	<title>Refused to appear on Jimmy Fallon</title>
	<link>http://www.itsatrap.com/n/39951-refused-to-appear-on-jimmy-fallon</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/39951-refused-to-appear-on-jimmy-fallon</guid>
	<comments>http://www.itsatrap.com/n/39951-refused-to-appear-on-jimmy-fallon#comments</comments>
	<description><![CDATA[Refused will be making their TV debut on "Late Night with Jimmy Fallon" on April 23.]]></description>
	<content:encoded><![CDATA[<p><b>Refused</b> will be making their TV debut on "Late Night with Jimmy Fallon" on April 23.</p>]]></content:encoded>
	<pubDate>Thu, 05 Apr 2012 12:26:37 -0700</pubDate>
	<category>news</category>
	<category>general</category>
</item>
<item>
	<title>Refused - Rather be dead (live video)</title>
	<link>http://www.itsatrap.com/n/39916-refused-rather-be-dead-live-video</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/39916-refused-rather-be-dead-live-video</guid>
	<comments>http://www.itsatrap.com/n/39916-refused-rather-be-dead-live-video#comments</comments>
	<description><![CDATA[
As hinted at the other day, Refused played another "secret" gig of sorts this past weekend at Debaser Medis in Stockholm and course there's plenty of footage online for everyone who missed it.]]></description>
	<content:encoded><![CDATA[<iframe width="560" height="315" src="http://www.youtube.com/embed/6mf5RdXFXNk" frameborder="0" allowfullscreen></iframe>
<p>As hinted at <a href="http://www.itsatrap.com/n/39885-more-dates-for-refused">the other day</a>, <b>Refused</b> played another "secret" gig of sorts this past weekend at Debaser Medis in Stockholm and course there's plenty of footage online for everyone who missed it.</p>]]></content:encoded>
	<pubDate>Mon, 02 Apr 2012 14:39:18 -0700</pubDate>
	<category>news</category>
	<category>multimedia</category>
</item>
<item>
	<title>More dates for Refused</title>
	<link>http://www.itsatrap.com/n/39885-more-dates-for-refused</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/39885-more-dates-for-refused</guid>
	<comments>http://www.itsatrap.com/n/39885-more-dates-for-refused#comments</comments>
	<description><![CDATA[Refused have announced a new batch of US/North American dates for July:
07/15 - Masquerade Music Park, Atlanta, GA
07/16 - The Fillmore, Silver Spring, MD
07/18 - Williamsburg Waterfront, New York, NY
07/19 - Riot Fest East, Philadelphia, PA
07/20 - House of Blues, Boston, MA
07/21 - Metropolis, Montreal, Canada
07/22 - Sound Academy, Toronto, Canada
07/23 - Sound Academy, Toronto, Canada
07/25 - Royal Oak Music Theater, Royal Oak, MI
07/26 - Congress Theater, Chicago, IL
I also understand that they'll be playing another "secret" show somewhere in Sweden this weekend, but my lips are sealed.]]></description>
	<content:encoded><![CDATA[<p><b>Refused</b> have announced a new batch of US/North American dates for July:</p>
<p class="indent">07/15 - Masquerade Music Park, Atlanta, GA<br/>
07/16 - The Fillmore, Silver Spring, MD<br/>
07/18 - Williamsburg Waterfront, New York, NY<br/>
07/19 - Riot Fest East, Philadelphia, PA<br/>
07/20 - House of Blues, Boston, MA<br/>
07/21 - Metropolis, Montreal, Canada<br/>
07/22 - Sound Academy, Toronto, Canada<br/>
07/23 - Sound Academy, Toronto, Canada<br/>
07/25 - Royal Oak Music Theater, Royal Oak, MI<br/>
07/26 - Congress Theater, Chicago, IL</p>
<p>I also understand that they'll be playing another "secret" show somewhere in Sweden this weekend, but my lips are sealed.</p>]]></content:encoded>
	<pubDate>Wed, 28 Mar 2012 13:42:16 -0700</pubDate>
	<category>news</category>
	<category>live</category>
</item>
<item>
	<title>New Noise - Old Kids</title>
	<link>http://www.itsatrap.com/n/39691-new-noise-old-kids</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/39691-new-noise-old-kids</guid>
	<comments>http://www.itsatrap.com/n/39691-new-noise-old-kids#comments</comments>
	<description><![CDATA[
Tour doc: José Saxlund (ex-Abhinanda, Out of Vogue) and Fredrik Holmgren (Startracks) travel from Stockholm to Umeå for Refused's secret reunion warmup gig. Many misspelled English subtitles are provided for the Swedish illiterate.]]></description>
	<content:encoded><![CDATA[<iframe width="560" height="315" src="http://www.youtube.com/embed/rgnIcZcwJI8" frameborder="0" allowfullscreen></iframe>
<p>Tour doc: <b>José Saxlund</b> (ex-<b>Abhinanda</b>, <b>Out of Vogue</b>) and <b>Fredrik Holmgren</b> (<label>Startracks</label>) travel from Stockholm to Umeå for <b>Refused</b>'s secret reunion warmup gig. Many misspelled English subtitles are provided for the Swedish illiterate.</p>]]></content:encoded>
	<pubDate>Tue, 06 Mar 2012 16:18:06 -0800</pubDate>
	<category>news</category>
	<category>multimedia</category>
</item>
<item>
	<title>Hårda Tider vs Umeå HC</title>
	<link>http://www.itsatrap.com/n/39655-harda-tider-vs-umea-hc</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/39655-harda-tider-vs-umea-hc</guid>
	<comments>http://www.itsatrap.com/n/39655-harda-tider-vs-umea-hc#comments</comments>
	<description><![CDATA[
I know the Refused reunion has everyone's attention n' all, but howabout a trio of Umeå Hard Core classics backed by Hårda Tider?]]></description>
	<content:encoded><![CDATA[<iframe width="560" height="315" src="http://www.youtube.com/embed/ORegFAakWRU" frameborder="0" allowfullscreen></iframe>
<p>I know the <b>Refused</b> reunion has everyone's attention n' all, but howabout a trio of Umeå Hard Core classics backed by <b>Hårda Tider</b>?</p>]]></content:encoded>
	<pubDate>Thu, 01 Mar 2012 17:01:03 -0800</pubDate>
	<category>news</category>
	<category>multimedia</category>
</item>
<item>
	<title>Refused live in Umeå (more)</title>
	<link>http://www.itsatrap.com/n/39651-refused-live-in-umea-more</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/39651-refused-live-in-umea-more</guid>
	<comments>http://www.itsatrap.com/n/39651-refused-live-in-umea-more#comments</comments>
	<description><![CDATA[

Christoffer "138" Röstlund reports back from Refused's hometown reunion gig in Umeå last night: http://www.aftonbladet.se/nojesbladet/musik/rockbjornen/article14453693.ab (in English!)
More here: http://www.aftonbladet.se/webbtv/noje/musik/article14455592.ab]]></description>
	<content:encoded><![CDATA[<iframe width="560" height="315" src="http://www.youtube.com/embed/vjwLJBQijYA" frameborder="0" allowfullscreen></iframe>
<iframe width="560" height="315" src="http://www.youtube.com/embed/CeEtkTYZibM" frameborder="0" allowfullscreen></iframe>
<p><b>Christoffer "138" Röstlund</b> reports back from <b>Refused</b>'s hometown reunion gig in Umeå last night: <a href="http://www.aftonbladet.se/nojesbladet/musik/rockbjornen/article14453693.ab" target="_blank">http://www.aftonbladet.se/nojesbladet/musik/rockbjornen/article14453693.ab</a> (in English!)<br/>
More here: <a href="http://www.aftonbladet.se/webbtv/noje/musik/article14455592.ab" target="_blank">http://www.aftonbladet.se/webbtv/noje/musik/article14455592.ab</a></p>]]></content:encoded>
	<pubDate>Thu, 01 Mar 2012 11:36:50 -0800</pubDate>
	<category>news</category>
	<category>multimedia</category>
	<category>general</category>
</item>
<item>
	<title>Refused live in Umeå</title>
	<link>http://www.itsatrap.com/n/39644-refused-live-in-umea</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/39644-refused-live-in-umea</guid>
	<comments>http://www.itsatrap.com/n/39644-refused-live-in-umea#comments</comments>
	<description><![CDATA[Refused played/is playing a "secret" show at Scharinska in Umeå tonight alongside Hårda Tider and UX Vileheads. No doubt the internet will explode with pics and video tomorrow, if it hasn't already (along with many complaints from locals that couldn't get in).]]></description>
	<content:encoded><![CDATA[<p><b>Refused</b> played/is playing a "secret" show at Scharinska in Umeå tonight alongside <b>Hårda Tider</b> and <b>UX Vileheads</b>. No doubt the internet will explode with pics and video tomorrow, if it hasn't already (along with many complaints from locals that couldn't get in).</p>]]></content:encoded>
	<pubDate>Wed, 29 Feb 2012 18:20:41 -0800</pubDate>
	<category>news</category>
	<category>general</category>
	<category>live</category>
</item>
<item>
	<title>Refused bassist revealed</title>
	<link>http://www.itsatrap.com/n/39591-refused-bassist-revealed</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/39591-refused-bassist-revealed</guid>
	<comments>http://www.itsatrap.com/n/39591-refused-bassist-revealed#comments</comments>
	<description><![CDATA[In case you were wondering (I was), Magnus Flagge (nee Björklund, from Cobolt) will be rejoining Refused as their bassist for the upcoming reunion tour: http://officialrefused.com.preview.binero.se/2012/02/we-want-to-present-the-bassplayer/]]></description>
	<content:encoded><![CDATA[<p>In case you were wondering (I was), <b>Magnus Flagge</b> (nee Björklund, from <b>Cobolt</b>) will be rejoining <b>Refused</b> as their bassist for the upcoming reunion tour: <a href="http://officialrefused.com.preview.binero.se/2012/02/we-want-to-present-the-bassplayer/" target="_blank">http://officialrefused.com.preview.binero.se/2012/02/we-want-to-present-the-bassplayer/</a></p>]]></content:encoded>
	<pubDate>Wed, 22 Feb 2012 20:01:07 -0800</pubDate>
	<category>news</category>
	<category>general</category>
</item>
<item>
	<title>Refused coming to SF</title>
	<link>http://www.itsatrap.com/n/39304-refused-coming-to-sf</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/39304-refused-coming-to-sf</guid>
	<comments>http://www.itsatrap.com/n/39304-refused-coming-to-sf#comments</comments>
	<description><![CDATA[It sold out in 10 minutes, but just so you're aware: Refused and The Hives are playing The Warfield in SF on April 18.]]></description>
	<content:encoded><![CDATA[<p>It sold out in 10 minutes, but just so you're aware: <b>Refused</b> and <b>The Hives</b> are playing The Warfield in SF on April 18.</p>]]></content:encoded>
	<pubDate>Fri, 20 Jan 2012 16:43:36 -0800</pubDate>
	<category>news</category>
	<category>live</category>
</item>
<item>
	<title>More Refused dates</title>
	<link>http://www.itsatrap.com/n/39246-more-refused-dates</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/39246-more-refused-dates</guid>
	<comments>http://www.itsatrap.com/n/39246-more-refused-dates#comments</comments>
	<description><![CDATA[More dates are starting to be confirmed for Refused's upcoming reunion tour: http://officialrefused.com.preview.binero.se/tour/]]></description>
	<content:encoded><![CDATA[<p>More dates are starting to be confirmed for <b>Refused</b>'s upcoming reunion tour: <a href="http://officialrefused.com.preview.binero.se/tour/" target="_blank">http://officialrefused.com.preview.binero.se/tour/</a></p>]]></content:encoded>
	<pubDate>Sat, 14 Jan 2012 11:01:16 -0800</pubDate>
	<category>news</category>
	<category>live</category>
</item>
<item>
	<title>SWEHC on the Refused reunion</title>
	<link>http://www.itsatrap.com/n/39232-swehc-on-the-refused-reunion</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/39232-swehc-on-the-refused-reunion</guid>
	<comments>http://www.itsatrap.com/n/39232-swehc-on-the-refused-reunion#comments</comments>
	<description><![CDATA[SWEHC speaks their mind on the Refused reunion and are less than pleased: http://www.swehc.com/2012/01/10/thoughts-on-the-refused-thing/]]></description>
	<content:encoded><![CDATA[<p>SWEHC speaks their mind on the <b>Refused</b> reunion and are less than pleased: <a href="http://www.swehc.com/2012/01/10/thoughts-on-the-refused-thing/" target="_blank">http://www.swehc.com/2012/01/10/thoughts-on-the-refused-thing/</a></p>]]></content:encoded>
	<pubDate>Wed, 11 Jan 2012 19:39:32 -0800</pubDate>
	<category>news</category>
	<category>general</category>
</item>
<item>
	<title>More Refused reunion stuff</title>
	<link>http://www.itsatrap.com/n/39204-more-refused-reunion-stuff</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/39204-more-refused-reunion-stuff</guid>
	<comments>http://www.itsatrap.com/n/39204-more-refused-reunion-stuff#comments</comments>
	<description><![CDATA[The official Refused reunion press release: http://officialrefused.com.preview.binero.se/
More dates will be announced besides Coachella, keep an eye out.]]></description>
	<content:encoded><![CDATA[<p>The official <b>Refused</b> reunion press release: <a href="http://officialrefused.com.preview.binero.se/" target="_blank">http://officialrefused.com.preview.binero.se/</a><br/>
More dates will be announced besides Coachella, keep an eye out.</p>]]></content:encoded>
	<pubDate>Mon, 09 Jan 2012 19:53:11 -0800</pubDate>
	<category>news</category>
	<category>general</category>
	<category>live</category>
</item>
<item>
	<title>Refused to reunite for Coachella</title>
	<link>http://www.itsatrap.com/n/39202-refused-to-reunite-for-coachella</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/39202-refused-to-reunite-for-coachella</guid>
	<comments>http://www.itsatrap.com/n/39202-refused-to-reunite-for-coachella#comments</comments>
	<description><![CDATA[Looks like the Refused reunion you pretty much expected to happen someday will indeed occur at this year's Coachella Festival: http://pitchfork.com/news/44978-coachella-announces-lineup/
Maybe they'll even tour with At the Drive-in to rake in some serious cash from dudes who grew up in the 90s. Anyhow, other Scandinavians playing the fest include Swedish House Mafia, Miike Snow, The Hives and First Aid Kit.]]></description>
	<content:encoded><![CDATA[<p>Looks like the <b>Refused</b> reunion you pretty much expected to happen someday will indeed occur at this year's Coachella Festival: <a href="http://pitchfork.com/news/44978-coachella-announces-lineup/" target="_blank">http://pitchfork.com/news/44978-coachella-announces-lineup/</a><br/>
Maybe they'll even tour with <b>At the Drive-in</b> to rake in some serious cash from dudes who grew up in the 90s. Anyhow, other Scandinavians playing the fest include <b>Swedish House Mafia</b>, <b>Miike Snow</b>, <b>The Hives</b> and <b>First Aid Kit</b>.</p>]]></content:encoded>
	<pubDate>Mon, 09 Jan 2012 19:11:50 -0800</pubDate>
	<category>news</category>
	<category>general</category>
	<category>live</category>
</item>
<item>
	<title>MP3: A Heavy Feather - Caitlin Mooney</title>
	<link>http://www.itsatrap.com/n/38807-mp3-a-heavy-feather-caitlin-mooney</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/38807-mp3-a-heavy-feather-caitlin-mooney</guid>
	<comments>http://www.itsatrap.com/n/38807-mp3-a-heavy-feather-caitlin-mooney#comments</comments>
	<description><![CDATA[A Heavy Feather is David Sandström and "Caitlin Mooney" is the first single from his album "You're the lotion on darkness knuckles as it punches light in the face". The concept of David taking his hyper-literate rock songwriting (see: David Sandström Overdrive) and applying it to hyper-literate, down-tempo electronica might seem bewildering, but that's because it is. On the other hand, he's done enough stylistic left-turns over the years, from Refused to the "Grandfather" album (my favorite) to collaborating with rapper Adam Tensta, his latest venture probably shouldn't come as a surprise, and yet it's not a direction I had anticipated. I'm really not sure what to make of the song either, especially outside the context of the album as a whole. It seems an odd choice as a single, but perhaps that's by design? I wouldn't put it past him.]]></description>
	<content:encoded><![CDATA[<p><b>A Heavy Feather</b> is <b>David Sandström</b> and <i>"Caitlin Mooney"</i> is the first single from his album <i>"You're the lotion on darkness knuckles as it punches light in the face"</i>. The concept of David taking his hyper-literate rock songwriting (see: <b>David Sandström Overdrive</b>) and applying it to hyper-literate, down-tempo electronica might seem bewildering, but that's because it is. On the other hand, he's done enough stylistic left-turns over the years, from <b>Refused</b> to the "Grandfather" album (my favorite) to <a href="http://www.itsatrap.com/n/36787-david-sandstrom-like-a-punk-indeed">collaborating with rapper <b>Adam Tensta</b></a>, his latest venture probably shouldn't come as a surprise, and yet it's not a direction I had anticipated. I'm really not sure what to make of the song either, especially outside the context of the album as a whole. It seems an odd choice as a single, but perhaps that's by design? I wouldn't put it past him.</p>]]></content:encoded>
	<enclosure url="http://www.itsatrap.com/playlist/a_heavy_feather-caitlin_mooney.mp3" length="8797081" type="audio/mpeg" />
	<pubDate>Mon, 07 Nov 2011 13:45:20 -0800</pubDate>
	<category>mp3s</category>
</item>
<item>
	<title>The shape of classical to come</title>
	<link>http://www.itsatrap.com/n/38631-the-shape-of-classical-to-come</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/38631-the-shape-of-classical-to-come</guid>
	<comments>http://www.itsatrap.com/n/38631-the-shape-of-classical-to-come#comments</comments>
	<description><![CDATA[Coming to Umeå in 2014 as part of their European Capital of Culture celebration: the music of Refused, arranged for symphonic orchestra. No, really: http://www.umea2014.se/arkivnyheter/arstidskonsertermedmusikavrefusedochbeethoven.5.232bb3eb132b9e0c2ca800022365.html (in Swedish)]]></description>
	<content:encoded><![CDATA[<p>Coming to Umeå in 2014 as part of their European Capital of Culture celebration: the music of <b>Refused</b>, arranged for symphonic orchestra. No, really: <a href="http://www.umea2014.se/arkivnyheter/arstidskonsertermedmusikavrefusedochbeethoven.5.232bb3eb132b9e0c2ca800022365.html" target="_blank">http://www.umea2014.se/arkivnyheter/arstidskonsertermedmusikavrefusedochbeethoven.5.232bb3eb132b9e0c2ca800022365.html</a> (in Swedish)</p>]]></content:encoded>
	<pubDate>Wed, 19 Oct 2011 14:11:48 -0700</pubDate>
	<category>news</category>
	<category>general</category>
	<category>live</category>
</item>
<item>
	<title>Dennis Lyxzén to write Refused autobio (video interview)</title>
	<link>http://www.itsatrap.com/n/37222-dennis-lyxzen-to-write-refused-autobio-video-interview</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/37222-dennis-lyxzen-to-write-refused-autobio-video-interview</guid>
	<comments>http://www.itsatrap.com/n/37222-dennis-lyxzen-to-write-refused-autobio-video-interview#comments</comments>
	<description><![CDATA[
Per-Sinding Larsen of PSL interviewing Dennis Lyxzén about his plans to write an autobiography on his years with Refused, complete with English subtitles. Tack SVT!]]></description>
	<content:encoded><![CDATA[<object width="416" height="258"><param name="movie" value="http://svt.se/embededflash/2393165/play.swf"></param><param name="wmode" value="transparent"></param><param name="allowfullscreen" value="true"></param><param name="allowScriptAccess" value="sameDomain"></param><embed src="http://svt.se/embededflash/2393165/play.swf" type="application/x-shockwave-flash" wmode="transparent" allowfullscreen="true" allowScriptAccess="sameDomain" width="416" height="258"></embed></object>
<p><b>Per-Sinding Larsen</b> of PSL interviewing <b>Dennis Lyxzén</b> about his plans to write an autobiography on his years with <b>Refused</b>, complete with English subtitles. Tack SVT!</p>]]></content:encoded>
	<pubDate>Wed, 13 Apr 2011 17:17:09 -0700</pubDate>
	<category>news</category>
	<category>multimedia</category>
	<category>interviews</category>
</item>
<item>
	<title>On the legacy of Refused</title>
	<link>http://www.itsatrap.com/n/36264-on-the-legacy-of-refused</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/36264-on-the-legacy-of-refused</guid>
	<comments>http://www.itsatrap.com/n/36264-on-the-legacy-of-refused#comments</comments>
	<description><![CDATA[SWEHC interviews Micke Persson, the longtime proprietor of Refused fansite refusedfan.com: http://www.swehc.com/2011/01/15/micke-persson-on-refused/]]></description>
	<content:encoded><![CDATA[<p>SWEHC interviews <b>Micke Persson</b>, the longtime proprietor of <b>Refused</b> fansite <a href="http://www.refusedfan.com/" target="_blank">refusedfan.com</a>: <a href="http://www.swehc.com/2011/01/15/micke-persson-on-refused/" target="_blank">http://www.swehc.com/2011/01/15/micke-persson-on-refused/</a></p>]]></content:encoded>
	<pubDate>Mon, 17 Jan 2011 19:27:10 -0800</pubDate>
	<category>news</category>
	<category>interviews</category>
</item>
<item>
	<title>Refused live in Greensboro, NC (video)</title>
	<link>http://www.itsatrap.com/n/35897-refused-live-in-greensboro-nc-video</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/35897-refused-live-in-greensboro-nc-video</guid>
	<comments>http://www.itsatrap.com/n/35897-refused-live-in-greensboro-nc-video#comments</comments>
	<description><![CDATA[Full video footage from one of Refused's final shows: http://www.youtube.com/view_play_list?p=38F72871560DD15E
Two nights later, the band was done.]]></description>
	<content:encoded><![CDATA[<p>Full video footage from one of <b>Refused</b>'s final shows: <a href="http://www.youtube.com/view_play_list?p=38F72871560DD15E" target="_blank">http://www.youtube.com/view_play_list?p=38F72871560DD15E</a><br/>
Two nights later, the band was done.</p>]]></content:encoded>
	<pubDate>Fri, 03 Dec 2010 14:27:23 -0800</pubDate>
	<category>news</category>
	<category>multimedia</category>
</item>
<item>
	<title>Dyno - New noise (video)</title>
	<link>http://www.itsatrap.com/n/34570-dyno-new-noise-video</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/34570-dyno-new-noise-video</guid>
	<comments>http://www.itsatrap.com/n/34570-dyno-new-noise-video#comments</comments>
	<description><![CDATA[
Kind of weird to watch this video without actually hearing Refused, but it does bridge the gap between Dyno and Closer. I dig it! Direct link: http://www.youtube.com/watch?v=7UrEQGuOlSU]]></description>
	<content:encoded><![CDATA[<object width="480" height="385"><param name="movie" value="http://www.youtube.com/v/7UrEQGuOlSU&amp;hl=en_US&amp;fs=1"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/7UrEQGuOlSU&amp;hl=en_US&amp;fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"></embed></object>
<p>Kind of weird to watch this video without actually hearing <b>Refused</b>, but it does bridge the gap between <b>Dyno</b> and <b>Closer</b>. I dig it! Direct link: <a href="http://www.youtube.com/watch?v=7UrEQGuOlSU" target="_blank">http://www.youtube.com/watch?v=7UrEQGuOlSU</a></p>]]></content:encoded>
	<pubDate>Tue, 06 Jul 2010 16:59:29 -0700</pubDate>
	<category>news</category>
	<category>multimedia</category>
</item>
<item>
	<title>Refused are Fucking Dead now streaming</title>
	<link>http://www.itsatrap.com/n/34548-refused-are-fucking-dead-now-streaming</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/34548-refused-are-fucking-dead-now-streaming</guid>
	<comments>http://www.itsatrap.com/n/34548-refused-are-fucking-dead-now-streaming#comments</comments>
	<description><![CDATA[Pitchfork is streaming the Refused doc "Refused are Fucking Dead": http://pitchfork.com/tv/#/episode/2527-refused-are-fucking-dead/1]]></description>
	<content:encoded><![CDATA[<p>Pitchfork is streaming the <b>Refused</b> doc <i>"Refused are Fucking Dead"</i>: <a href="http://pitchfork.com/tv/#/episode/2527-refused-are-fucking-dead/1" target="_blank">http://pitchfork.com/tv/#/episode/2527-refused-are-fucking-dead/1</a></p>]]></content:encoded>
	<pubDate>Fri, 02 Jul 2010 11:47:30 -0700</pubDate>
	<category>news</category>
	<category>multimedia</category>
</item>
<item>
	<title>Pitchfork gives high marks to Refused reissue, more</title>
	<link>http://www.itsatrap.com/n/34395-pitchfork-gives-high-marks-to-refused-reissue-more</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/34395-pitchfork-gives-high-marks-to-refused-reissue-more</guid>
	<comments>http://www.itsatrap.com/n/34395-pitchfork-gives-high-marks-to-refused-reissue-more#comments</comments>
	<description><![CDATA[Pitchfork reviews the expanded reissue of Refused's seminal "The shape of punk to come": http://pitchfork.com/reviews/albums/14330-the-shape-of-punk-to-come-a-chimerical-bombation-in-12-bursts-deluxe-edition/
Also reviewed, the Casiokids album "Topp stemning på lokal bar": http://pitchfork.com/reviews/albums/14303-topp-stemning-pa-lokal-bar/]]></description>
	<content:encoded><![CDATA[<p>Pitchfork reviews the expanded reissue of <b>Refused</b>'s seminal <i>"The shape of punk to come"</i>: <a href="http://pitchfork.com/reviews/albums/14330-the-shape-of-punk-to-come-a-chimerical-bombation-in-12-bursts-deluxe-edition/" target="_blank">http://pitchfork.com/reviews/albums/14330-the-shape-of-punk-to-come-a-chimerical-bombation-in-12-bursts-deluxe-edition/</a><br/>
Also reviewed, the <b>Casiokids</b> album <i>"Topp stemning på lokal bar"</i>: <a href="http://pitchfork.com/reviews/albums/14303-topp-stemning-pa-lokal-bar/" target="_blank">http://pitchfork.com/reviews/albums/14303-topp-stemning-pa-lokal-bar/</a></p>]]></content:encoded>
	<pubDate>Wed, 09 Jun 2010 11:45:10 -0700</pubDate>
	<category>news</category>
	<category>reviews</category>
</item>
<item>
	<title>David Sandström + Mixhell</title>
	<link>http://www.itsatrap.com/n/34020-david-sandstrom-mixhell</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/34020-david-sandstrom-mixhell</guid>
	<comments>http://www.itsatrap.com/n/34020-david-sandstrom-mixhell#comments</comments>
	<description><![CDATA[
David Sandström (Refused, Final Exit, AC4) and Igor Calavera (Mixhell, ex-Sepultura) jamming out at Scharinska in Umeå on May Day. Not the best quality, but still makes me wish I could've been there.
Direct link: http://www.youtube.com/watch?v=ze8a_7lTTQ8]]></description>
	<content:encoded><![CDATA[<object width="560" height="340"><param name="movie" value="http://www.youtube.com/v/ze8a_7lTTQ8&hl=en_US&fs=1&"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/ze8a_7lTTQ8&hl=en_US&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="560" height="340"></embed></object>
<p><b>David Sandström</b> (<b>Refused</b>, <b>Final Exit</b>, <b>AC4</b>) and <b>Igor Calavera</b> (<b>Mixhell</b>, ex-<b>Sepultura</b>) jamming out at Scharinska in Umeå on May Day. Not the best quality, but still makes me wish I could've been there.</p>
<p>Direct link: <a href="http://www.youtube.com/watch?v=ze8a_7lTTQ8" target="_blank">http://www.youtube.com/watch?v=ze8a_7lTTQ8</a></p>]]></content:encoded>
	<pubDate>Mon, 03 May 2010 11:29:53 -0700</pubDate>
	<category>news</category>
	<category>multimedia</category>
</item>
<item>
	<title>After 12 years, The Howard Way to release debut album</title>
	<link>http://www.itsatrap.com/n/33995-after-12-years-the-howard-way-to-release-debut-album</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/33995-after-12-years-the-howard-way-to-release-debut-album</guid>
	<comments>http://www.itsatrap.com/n/33995-after-12-years-the-howard-way-to-release-debut-album#comments</comments>
	<description><![CDATA[The Howard Way, a long-running Americana act from Umeå, Sweden featuring Pelle Henricsson of the famed Tonteknik Studios on drums (he's probably recorded at least a dozen stone-cold classic Swedish records in your collection -- Fireside, Ray Wonder, Refused, Komeda, Starmarket, uh... pretty much every significant Norrland act and then some), will finally release their debut album "Never mind the country" on May 5 via Rootsy. Check out an e-card here: http://formton.se/thehowardway]]></description>
	<content:encoded><![CDATA[<p><b>The Howard Way</b>, a long-running Americana act from Umeå, Sweden featuring <b>Pelle Henricsson</b> of the famed Tonteknik Studios on drums (he's probably recorded at <em>least</em> a dozen stone-cold classic Swedish records in your collection -- <b>Fireside</b>, <b>Ray Wonder</b>, <b>Refused</b>, <b>Komeda</b>, <b>Starmarket</b>, uh... pretty much every significant Norrland act and then some), will finally release their debut album <i>"Never mind the country"</i> on May 5 via <a href="http://www.rootsy.nu/butik/album.php?id=1123" target="_blank">Rootsy</a>. Check out an e-card here: <a href="http://formton.se/thehowardway" target="_blank">http://formton.se/thehowardway</a></p>]]></content:encoded>
	<pubDate>Thu, 29 Apr 2010 12:10:04 -0700</pubDate>
	<category>news</category>
	<category>general</category>
</item>
<item>
	<title>Refused are back! (not really)</title>
	<link>http://www.itsatrap.com/n/33825-refused-are-back-not-really</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/33825-refused-are-back-not-really</guid>
	<comments>http://www.itsatrap.com/n/33825-refused-are-back-not-really#comments</comments>
	<description><![CDATA[Epitaph Records is reissuing Refused's seminal and overrated album "The shape of punk to come" on June 9 in a new expanded edition that will include a previously unreleased live album and a DVD of guitarist Kristofer Steen's documentary "Refused are fucking dead". There will also be a 2LP edition on white vinyl which will include download codes for the live record. More info: http://www.officialrefused.com/]]></description>
	<content:encoded><![CDATA[<p><label>Epitaph Records</label> is reissuing <b>Refused</b>'s seminal and overrated album <i>"The shape of punk to come"</i> on June 9 in a new expanded edition that will include a previously unreleased live album and a DVD of guitarist <b>Kristofer Steen</b>'s documentary <i>"Refused are fucking dead"</i>. There will also be a 2LP edition on white vinyl which will include download codes for the live record. More info: <a href="http://www.officialrefused.com/" target="_blank">http://www.officialrefused.com/</a></p>]]></content:encoded>
	<pubDate>Thu, 08 Apr 2010 11:34:57 -0700</pubDate>
	<category>news</category>
	<category>general</category>
	<category>vinyl</category>
</item>
<item>
	<title>Refused reunion rumors</title>
	<link>http://www.itsatrap.com/n/33742-refused-reunion-rumors</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/33742-refused-reunion-rumors</guid>
	<comments>http://www.itsatrap.com/n/33742-refused-reunion-rumors#comments</comments>
	<description><![CDATA[Apparently there are rumors circulating that Refused will be reuniting and it's pretty much all due to this: http://www.officialrefused.com/
Seriously? Are the words "Coming soon..." all you need to get excited? Dennis was just quoted in Aftonbladet like a week ago talking about how they turned down big money for a US tour, so I highly doubt it.]]></description>
	<content:encoded><![CDATA[<p>Apparently there are rumors circulating that <b>Refused</b> will be reuniting and it's pretty much all due to this: <a href="http://www.officialrefused.com/" target="_blank">http://www.officialrefused.com/</a><br/>
Seriously? Are the words "Coming soon..." all you need to get excited? Dennis was just quoted in Aftonbladet like a week ago talking about how they turned down big money for a US tour, so I highly doubt it.</p>]]></content:encoded>
	<pubDate>Mon, 29 Mar 2010 13:57:52 -0700</pubDate>
	<category>news</category>
	<category>general</category>
</item>
<item>
	<title>More from By:Larm: Lars Christian Olsen recommends</title>
	<link>http://www.itsatrap.com/n/33467-more-from-by-larm-lars-christian-olsen-recommends</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/33467-more-from-by-larm-lars-christian-olsen-recommends</guid>
	<comments>http://www.itsatrap.com/n/33467-more-from-by-larm-lars-christian-olsen-recommends#comments</comments>
	<description><![CDATA[At the By:Larm Scandinavian music festival last week, It's A Trap caught up with Oslo local Lars Christian Olsen –- the man behind Norwegian label Brilliance Records and bassist with the band Leif & The Future –- to ask which bands he thought were hot tips.

"Social Suicide have a great single out on our label. Their melodic hardcore is in the vein of Refused, Some Girls and JR Ewing. They did a shockingly great show, and are definitely growing in my book. But then again, I'm really biased! Check them out on myspace.

The best shows I caught at By:Larm included Kitschy Kitschy Ki-Me-O, a band consisting of members of three known bands to us Norwegians, of which Madrugada is the one you've maybe heard of. I don't know what sparked your mind when you heard the name, but if you thought Quentin Tarantino, you're getting close. It's basically what Black Rebel Motorcycle Club were trying to do with their latest albums, but never quite did. Catchy, riff-laden desert rock infused with gospel, Ennio Morricone background vocals (the soprano version of a theremin). Maybe my new favorite band, if they make records that can match up to that performance. They don't have a myspace I'm afraid, so you're going to have to take my word for it. Their website on the other hand is: www.kitchiekitchiekimeo.com

Another outstanding show was Susanne Sundfør. I've followed her ever since I heard her playing solo with her piano. Solo performances can be dull, but when you have a divine voice unlike any other, and songs in the vein of Radiohead and Björk, the aforementioned is no problem for you. When I heard rumours of her working with Jaga Jazzist's Lars Horntvedt I was pleased, and eagerly anticipating the new material. I was not disappointed, as they had not thought radio hits, they had not thought solely on minimalism, or maximalism for that matter; the concert was a beautiful mesh of electronic beats, string samples, her Rhodes piano, synthesizers, Lars' horns and steel guitars and luscious harmonies by the background vocalists. In the center, always, is Susanne's voice in all its glory. You'll know what I mean when you listen to the track "The brothel" on myspace [or here for our own coverage -Ed.]

My last tip has to be Leif & The Future, which I play the bass in. We released the track "Let you go", which now is on heavy rotation on the radio. It's 80's pop like old U2, Duran Duran, [and] Talk Talk in sweet harmony with Krautrock..."

Interview by Sophy Grimshaw]]></description>
	<content:encoded><![CDATA[<p><em>At the By:Larm Scandinavian music festival last week, It's A Trap caught up with Oslo local <b>Lars Christian Olsen</b> –- the man behind Norwegian label <label>Brilliance Records</label> and bassist with the band <b>Leif & The Future</b> –- to ask which bands he thought were hot tips.</em></p>

<p>"<b>Social Suicide</b> have a great single out on our label. Their melodic hardcore is in the vein of <b>Refused</b>, <b>Some Girls</b> and <b>JR Ewing</b>. They did a shockingly great show, and are definitely growing in my book. But then again, I'm really biased! Check them out on <a href="http://www.myspace.com/socialsuicideweb" target="_blank">myspace</a>.</p>

<p>The best shows I caught at By:Larm included <b>Kitschy Kitschy Ki-Me-O</b>, a band consisting of members of three known bands to us Norwegians, of which <b>Madrugada</b> is the one you've maybe heard of. I don't know what sparked your mind when you heard the name, but if you thought <b>Quentin Tarantino</b>, you're getting close. It's basically what <b>Black Rebel Motorcycle Club</b> were trying to do with their latest albums, but never quite did. Catchy, riff-laden desert rock infused with gospel, <b>Ennio Morricone</b> background vocals (the soprano version of a theremin). Maybe my new favorite band, if they make records that can match up to that performance. They don't have a myspace I'm afraid, so you're going to have to take my word for it. Their website on the other hand is: <a href="http://www.kitchiekitchiekimeo.com/" target="_blank">www.kitchiekitchiekimeo.com</a></p>

<p>Another outstanding show was <b>Susanne Sundfør</b>. I've followed her ever since I heard her playing solo with her piano. Solo performances can be dull, but when you have a divine voice unlike any other, and songs in the vein of <b>Radiohead</b> and <b>Björk</b>, the aforementioned is no problem for you. When I heard rumours of her working with <b>Jaga Jazzist</b>'s <b>Lars Horntvedt</b> I was pleased, and eagerly anticipating the new material. I was not disappointed, as they had not thought radio hits, they had not thought solely on minimalism, or maximalism for that matter; the concert was a beautiful mesh of electronic beats, string samples, her Rhodes piano, synthesizers, Lars' horns and steel guitars and luscious harmonies by the background vocalists. In the center, always, is Susanne's voice in all its glory. You'll know what I mean when you listen to the track <i>"The brothel"</i> on <a href="http://www.myspace.com/susannesundfoer" target="_blank">myspace</a> <em>[or <a href="http://www.itsatrap.com/n/33294-susanne-sundfor-the-brothel">here</a> for our own coverage -Ed.]</em></p>

<p>My last tip has to be <b>Leif & The Future</b>, which I play the bass in. We released the track <em>"Let you go"</em>, which now is on heavy rotation on the radio. It's 80's pop like old <b>U2</b>, <b>Duran Duran</b>, [and] <b>Talk Talk</b> in sweet harmony with Krautrock..."</p>

<p><em>Interview by Sophy Grimshaw</em></p>]]></content:encoded>
	<pubDate>Thu, 04 Mar 2010 11:36:11 -0800</pubDate>
	<category>articles</category>
	<category>interviews</category>
</item>
<item>
	<title>MP3: Meleeh - What I carry with every heartbeat</title>
	<link>http://www.itsatrap.com/n/33454-mp3-meleeh-what-i-carry-with-every-heartbeat</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/33454-mp3-meleeh-what-i-carry-with-every-heartbeat</guid>
	<comments>http://www.itsatrap.com/n/33454-mp3-meleeh-what-i-carry-with-every-heartbeat#comments</comments>
	<description><![CDATA[I've long regarded Meleeh as a decent band, still their new album "To live and die alone" took some time to grow on me. I think it's because it confounded expectations; I thought I'd hear more post-Refused style Swedish hardcore, but what I got was something far looser, darker, rawer and way more in line with 90s screamo, in the best possible way. I should've been tipped off by the song title -- "What I carry with every heartbeat" screams HeartattaCk, bikes, patches, vegan potlucks -- yet, it wasn't until this past weekend that I had my a-ha! moment. Aside from the vocals, which are still the weakest link, the music isn't too far off from Modern Life is War, albeit more burly and driven. Add a few extra bursts of melody and some subtle syncopation and we've got a band doing their best to push their sound forward. And it gets better and better with every listen too.]]></description>
	<content:encoded><![CDATA[<p>I've long regarded <b>Meleeh</b> as a decent band, still their new album <i>"To live and die alone"</i> took some time to grow on me. I think it's because it confounded expectations; I thought I'd hear more post-<b>Refused</b> style Swedish hardcore, but what I got was something far looser, darker, rawer and way more in line with 90s screamo, in the best possible way. I should've been tipped off by the song title -- <i>"What I carry with every heartbeat"</i> screams HeartattaCk, bikes, patches, vegan potlucks -- yet, it wasn't until this past weekend that I had my a-ha! moment. Aside from the vocals, which are still the weakest link, the music isn't too far off from <b>Modern Life is War</b>, albeit more burly and driven. Add a few extra bursts of melody and some subtle syncopation and we've got a band doing their best to push their sound forward. And it gets better and better with every listen too.</p>]]></content:encoded>
	<enclosure url="http://www.itsatrap.com/playlist/meleeh-what_i_carry_with_every_heartbeat.mp3" length="7989248" type="audio/mpeg" />
	<pubDate>Tue, 02 Mar 2010 13:30:16 -0800</pubDate>
	<category>mp3s</category>
</item>
<item>
	<title>Umeå Hardcore, the book</title>
	<link>http://www.itsatrap.com/n/33118-umea-hardcore-the-book</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/33118-umea-hardcore-the-book</guid>
	<comments>http://www.itsatrap.com/n/33118-umea-hardcore-the-book#comments</comments>
	<description><![CDATA[Swedish rocker turned journalist Patrik Wirén (Misery Loves Company, Alpha Safari) is working on a book about the history of the Umeå hardcore scene in the 1990s, which will fortunately not just be a book about Refused as he adamantly states: http://rogertsblogg.blogspot.com/2010/02/boksnack.html
Not sure yet if it will be Swedish-only or what, but I'll post an update as soon as Patrik gets back to me.]]></description>
	<content:encoded><![CDATA[<p>Swedish rocker turned journalist <b>Patrik Wirén</b> (<b>Misery Loves Company</b>, <b>Alpha Safari</b>) is working on a book about the history of the Umeå hardcore scene in the 1990s, which will fortunately not just be a book about <b>Refused</b> as he adamantly states: <a href="http://rogertsblogg.blogspot.com/2010/02/boksnack.html" target="_blank">http://rogertsblogg.blogspot.com/2010/02/boksnack.html</a><br/>
Not sure yet if it will be Swedish-only or what, but I'll post an update as soon as Patrik gets back to me.</p>]]></content:encoded>
	<pubDate>Tue, 02 Feb 2010 15:37:23 -0800</pubDate>
	<category>news</category>
	<category>general</category>
</item>
<item>
	<title>MP3: Java - Smokescreen</title>
	<link>http://www.itsatrap.com/n/32877-mp3-java-smokescreen</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/32877-mp3-java-smokescreen</guid>
	<comments>http://www.itsatrap.com/n/32877-mp3-java-smokescreen#comments</comments>
	<description><![CDATA[The best new music is old, part II. Java was a somewhat short-lived instrumental act from Gävle, Sweden that formed out of the remains of the hardcore act Ashram. A mere footnote perhaps, but re-visitation might suggest otherwise. Also, consider that the 90s was a fertile time in Swedish hardcore, especially up in Norrland where you had acts such as Fireside, Breach, Refused and Starmarket; to say nothing of acts such as The Bear Quartet or Randy -- so many great bands, all from the same set of towns along the Bothnian coast. The year was 1996 and as such, Java embraced the zeitgeist and sought to expand the sound of modern hardcore as fragmented and moved towards postrock, a sound echoed in acts such as Slint, June of 44 and pretty much any Dischord act of that era. The remnants of the 90s 'core remains though, particularly on tracks like "Smokescreen" where you can hear the lingering effects of bands like Groundwork in the subtle mosh. Certainly not as overt as the stuff Desperate Fight was putting out further north, but oh yeah, it's there and it's alright. Java never amounted to much in their day, they never played a show even, but they did record a demotape and Dead Birds Records has seen fit for its rerelease. There is certainly nostalgia for those of us who remember this time in music and saw it firsthand, but I'd assert that Java is simply a good band that never got heard. Until now, that is.]]></description>
	<content:encoded><![CDATA[<p>The best new music is old, <a href="http://www.itsatrap.com/?n=32825">part II</a>. <b>Java</b> was a somewhat short-lived instrumental act from Gävle, Sweden that formed out of the remains of the hardcore act <b>Ashram</b>. A mere footnote perhaps, but re-visitation might suggest otherwise. Also, consider that the 90s was a fertile time in Swedish hardcore, especially up in Norrland where you had acts such as <b>Fireside</b>, <b>Breach</b>, <b>Refused</b> and <b>Starmarket</b>; to say nothing of acts such as <b>The Bear Quartet</b> or <b>Randy</b> -- so many great bands, all from the same set of towns along the Bothnian coast. The year was 1996 and as such, <b>Java</b> embraced the zeitgeist and sought to expand the sound of modern hardcore as fragmented and moved towards postrock, a sound echoed in acts such as <b>Slint</b>, <b>June of 44</b> and pretty much any <label>Dischord</label> act of that era. The remnants of the 90s 'core remains though, particularly on tracks like <i>"Smokescreen"</i> where you can hear the lingering effects of bands like <b>Groundwork</b> in the subtle mosh. Certainly not as overt as the stuff <label>Desperate Fight</label> was putting out further north, but oh yeah, it's there and it's alright. <b>Java</b> never amounted to much in their day, they never played a show even, but they did record a demotape and <label>Dead Birds Records</label> has seen fit for its rerelease. There is certainly nostalgia for those of us who remember this time in music and saw it firsthand, but I'd assert that <b>Java</b> is simply a good band that never got heard. Until now, that is.</p>]]></content:encoded>
	<enclosure url="http://www.itsatrap.com/playlist/java-smokescreen.mp3" length="7019501" type="audio/mpeg" />
	<pubDate>Wed, 13 Jan 2010 17:01:17 -0800</pubDate>
	<category>mp3s</category>
</item>
<item>
	<title>MP3: AC4 - Pigs lose</title>
	<link>http://www.itsatrap.com/n/32503-mp3-ac4-pigs-lose</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/32503-mp3-ac4-pigs-lose</guid>
	<comments>http://www.itsatrap.com/n/32503-mp3-ac4-pigs-lose#comments</comments>
	<description><![CDATA[I had no doubts that AC4's self-titled debut would be decent even if some of David and Dennis' post-Refused/Final Exit meanderings have been sub-standard because I know their hearts are in the right place and they really do truly believe in what they're doing their place in the hardcore/punk/DIY world. And of course, there's no faulting the cred of their bandmates from The Vectors. My only point of contention: Dennis' vocals. His affected screech is pretty tiresome with The (International) Noise Conspiracy (not that Ian Svenonius did much better with Nation of Ullysses or The Make-Up, but I digress), but to hear him raging in full-on hardcore mode... I am satisfied. Still prefer David on the mic, but whatever, give me anti-cop anthem with a catchy chorus and I'm happy. Give me a few more (see also "Fuck the pigs", "Coptown") and what can I say? I love it.]]></description>
	<content:encoded><![CDATA[<p>I had no doubts that <b>AC4</b>'s self-titled debut would be decent even if some of David and Dennis' post-<b>Refused</b>/<b>Final Exit</b> meanderings have been sub-standard because I know their hearts are in the right place and they really do truly believe in what they're doing their place in the hardcore/punk/DIY world. And of course, there's no faulting the cred of their bandmates from <b>The Vectors</b>. My only point of contention: Dennis' vocals. His affected screech is pretty tiresome with <b>The (International) Noise Conspiracy</b> (not that <b>Ian Svenonius</b> did much better with <b>Nation of Ullysses</b> or <b>The Make-Up</b>, but I digress), but to hear him raging in full-on hardcore mode... I am satisfied. Still prefer David on the mic, but whatever, give me anti-cop anthem with a catchy chorus and I'm happy. Give me a few more (see also <i>"Fuck the pigs"</i>, <i>"Coptown"</i>) and what can I say? I love it.</p>]]></content:encoded>
	<enclosure url="http://www.itsatrap.com/playlist/ac4-pigs_lose.mp3" length="0" type="audio/mpeg" />
	<pubDate>Wed, 02 Dec 2009 13:39:33 -0800</pubDate>
	<category>mp3s</category>
</item>
<item>
	<title>AC4 - Assassination</title>
	<link>http://www.itsatrap.com/n/32081-ac4-assassination</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/32081-ac4-assassination</guid>
	<comments>http://www.itsatrap.com/n/32081-ac4-assassination#comments</comments>
	<description><![CDATA[Sound Pollution are streaming a new track from AC4 (ex-Refused/Final Exit/Step Forward) on their myspace page: http://www.myspace.com/soundpollutionstore
This is the sound of old dudes getting back to their roots and it's actually pretty damn good -- far better than you might expect even. There are also new tracks from DLK and Bonafide up there as well, but they are far less exciting.]]></description>
	<content:encoded><![CDATA[<p>Sound Pollution are streaming a new track from <b>AC4</b> (ex-<b>Refused</b>/<b>Final Exit</b>/<b>Step Forward</b>) on their myspace page: <a href="http://www.myspace.com/soundpollutionstore" target="_blank">http://www.myspace.com/soundpollutionstore</a><br/>
This is the sound of old dudes getting back to their roots and it's actually pretty damn good -- far better than you might expect even. There are also new tracks from <b>DLK</b> and <b>Bonafide</b> up there as well, but they are far less exciting.</p>]]></content:encoded>
	<pubDate>Tue, 27 Oct 2009 13:54:44 -0700</pubDate>
	<category>news</category>
	<category>general</category>
	<category>multimedia</category>
</item>
<item>
	<title>AC4 to work with Deranged, release 2 7&quot;s</title>
	<link>http://www.itsatrap.com/n/31991-ac4-to-work-with-deranged-release-2-7s</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/31991-ac4-to-work-with-deranged-release-2-7s</guid>
	<comments>http://www.itsatrap.com/n/31991-ac4-to-work-with-deranged-release-2-7s#comments</comments>
	<description><![CDATA[The new album from AC4, the new band featuring David and Dennis of Refused/Final Exit, is out now via Ny Våg and a North American release is on the way via Deranged. Also look out for a new 6-track 7" and a 7" split before the end of the year.]]></description>
	<content:encoded><![CDATA[<p>The new album from <b>AC4</b>, the new band featuring David and Dennis of <b>Refused</b>/<b>Final Exit</b>, is out now via Ny Våg and a North American release is on the way via Deranged. Also look out for a new 6-track 7" and a 7" split before the end of the year.</p>]]></content:encoded>
	<pubDate>Mon, 19 Oct 2009 11:31:57 -0700</pubDate>
	<category>news</category>
	<category>general</category>
</item>
<item>
	<title>AC4 album on the way, preview track available</title>
	<link>http://www.itsatrap.com/n/31261-ac4-album-on-the-way-preview-track-available</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/31261-ac4-album-on-the-way-preview-track-available</guid>
	<comments>http://www.itsatrap.com/n/31261-ac4-album-on-the-way-preview-track-available#comments</comments>
	<description><![CDATA[AC4, the new band from Dennis and David of Refused/Final Exit, have completed their self-titled debut album and will be releasing it via Ny Våg in the near future. Listen to a track at the label's website: http://www.nyvag.com/]]></description>
	<content:encoded><![CDATA[<p><b>AC4</b>, the new band from Dennis and David of <b>Refused</b>/<b>Final Exit</b>, have completed their self-titled debut album and will be releasing it via Ny Våg in the near future. Listen to a track at the label's website: <a href="http://www.nyvag.com/" target="_blank">http://www.nyvag.com/</a></p>]]></content:encoded>
	<pubDate>Tue, 11 Aug 2009 14:02:44 -0700</pubDate>
	<category>news</category>
	<category>general</category>
</item>
<item>
	<title>MP3: Grace.Will.Fall - New song</title>
	<link>http://www.itsatrap.com/n/30875-mp3-grace-will-fall-new-song</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/30875-mp3-grace-will-fall-new-song</guid>
	<comments>http://www.itsatrap.com/n/30875-mp3-grace-will-fall-new-song#comments</comments>
	<description><![CDATA[I like Refused a lot, but let's be honest: "The shape of punk to come" has not aged well. It was an important document for its time, but it also effectively shut the door of an era of hardcore many folks would prefer to forget. Not everything that followed in its wake has been awful, but it is surely responsible for directly influencing a ton of crap. Grace.Will.Fall toe the line. They tone down the sass and nail the "deadly rhythm", but we've heard it all before. What sounded like the future in 1998 sounds like the past in 2009. I don't doubt that their motivations are pure-hearted, but it's time to move on. Newness is not the imperative, it's inspiration.]]></description>
	<content:encoded><![CDATA[<p>I like <b>Refused</b> a lot, but let's be honest: <i>"The shape of punk to come"</i> has not aged well. It was an important document for its time, but it also effectively shut the door of an era of hardcore many folks would prefer to forget. Not everything that followed in its wake has been awful, but it is surely responsible for directly influencing a ton of crap. <b>Grace.Will.Fall</b> toe the line. They tone down the sass and nail the "deadly rhythm", but we've heard it all before. What sounded like the future in 1998 sounds like the past in 2009. I don't doubt that their motivations are pure-hearted, but it's time to move on. Newness is not the imperative, it's inspiration.</p>]]></content:encoded>
	<enclosure url="http://www.itsatrap.com/playlist/grace_will_fall-new_song.mp3" length="0" type="audio/mpeg" />
	<pubDate>Wed, 24 Jun 2009 12:13:24 -0700</pubDate>
	<category>mp3s</category>
</item>
<item>
	<title>MP3: My God Damn Territory - Used to be</title>
	<link>http://www.itsatrap.com/n/30642-mp3-my-god-damn-territory-used-to-be</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/30642-mp3-my-god-damn-territory-used-to-be</guid>
	<comments>http://www.itsatrap.com/n/30642-mp3-my-god-damn-territory-used-to-be#comments</comments>
	<description><![CDATA[I look at the ever-increasing piles of mediocre CDs crowding my desk and I can't help but feel defeated. There's a few gems in there to be sure, but I'm fully daunted. To say nothing of all the downloads in my incoming directory -- more often than not, I'd much rather listen to all the old-school death metal I've been gathering than some uninspiring no-name wannabees. Like I said though, it's not all bad. Only a few are truly awful, the overwhelming majority are merely forgettable. What's it take to stick? Name recognition helps. My God Damn Territory's bio mentions ex-ex-members from Blithe, Randy and Refused as well as Celestine and, even though I recognize none of the actual personnel names, I figure that at least earns them a cursory listen. Of course I wouldn't be telling you about them if they weren't good, so let me spell it out: My God Damn Territory are a solid band. They've got a ridiculously long roster of musicians who appear on their new self-released album "Between art and failure" and the record's widely varied sound reflects that, though the songwriting remains consistent. They cover a lot of ground from noisy 90s-style indie to postrock and beyond, but you can always tell it's the product of the same mind(s). "Used to be" stands out to me as one of the more driving numbers and the repetitive, overlapping vocal melody is hard to forget, especially with those bendy guitar notes that bookend it. Best of all, it just sounds so different from anything else I've heard as of late. And the whole album is available as a free download. Good enough!]]></description>
	<content:encoded><![CDATA[<p>I look at the ever-increasing piles of mediocre CDs crowding my desk and I can't help but feel defeated. There's a few gems in there to be sure, but I'm fully daunted. To say nothing of all the downloads in my incoming directory -- more often than not, I'd much rather listen to all the old-school death metal I've been gathering than some uninspiring no-name wannabees. Like I said though, it's not all bad. Only a few are truly awful, the overwhelming majority are merely forgettable. What's it take to stick? Name recognition helps. <b>My God Damn Territory</b>'s bio mentions ex-ex-members from <b>Blithe</b>, <b>Randy</b> and <b>Refused</b> as well as <b>Celestine</b> and, even though I recognize none of the actual personnel names, I figure that at least earns them a cursory listen. Of course I wouldn't be telling you about them if they weren't good, so let me spell it out: <b>My God Damn Territory</b> are a solid band. They've got a ridiculously long roster of musicians who appear on their new self-released album <i>"Between art and failure"</i> and the record's widely varied sound reflects that, though the songwriting remains consistent. They cover a lot of ground from noisy 90s-style indie to postrock and beyond, but you can always tell it's the product of the same mind(s). <i>"Used to be"</i> stands out to me as one of the more driving numbers and the repetitive, overlapping vocal melody is hard to forget, especially with those bendy guitar notes that bookend it. Best of all, it just sounds so different from anything else I've heard as of late. And the whole album is available as a <a href="http://www.myspace.com/mygoddamnterritory" target="_blank">free download</a>. Good enough!</p>]]></content:encoded>
	<enclosure url="http://www.itsatrap.com/playlist/my_god_damn_territory-used_to_be.mp3" length="0" type="audio/mpeg" />
	<pubDate>Thu, 04 Jun 2009 14:57:50 -0700</pubDate>
	<category>mp3s</category>
</item>
<item>
	<title>The Crystal Caravan confirm album release, release party</title>
	<link>http://www.itsatrap.com/n/29653-the-crystal-caravan-confirm-album-release-release-party</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/29653-the-crystal-caravan-confirm-album-release-release-party</guid>
	<comments>http://www.itsatrap.com/n/29653-the-crystal-caravan-confirm-album-release-release-party#comments</comments>
	<description><![CDATA[Umeå-based retro-rockers The Crystal Caravan have confirmed that their long-awaited self-titled debut album will be released on April 3 via recently resurrected local label Garageland Records. And keeping it local, the record was produced by Dennis Lyxzén (The (International) Noise Conspiracy, Refused) and mixed/mastered by Pelle Henricsson (too many credits to mention) at Tonteknik. There will be a record release show that night at Scharinska Villan and Dennis will DJ in addition to a full-band performance.
And speaking of Scharinska and Garageland, I understand that the record store is moving to the basement of the Pink House and will be operating with extended evening hours in an attempt to drum up more business. Best of luck to them -- it's tough times out there for retailers.]]></description>
	<content:encoded><![CDATA[<p>Umeå-based retro-rockers <b>The Crystal Caravan</b> have confirmed that their long-awaited self-titled debut album will be released on April 3 via recently resurrected local label Garageland Records. And keeping it local, the record was produced by <b>Dennis Lyxzén</b> (<b>The (International) Noise Conspiracy</b>, <b>Refused</b>) and mixed/mastered by <b>Pelle Henricsson</b> (too many credits to mention) at Tonteknik. There will be a record release show that night at Scharinska Villan and Dennis will DJ in addition to a full-band performance.<br/>
And speaking of Scharinska and Garageland, I understand that the record store is moving to the basement of the Pink House and will be operating with extended evening hours in an attempt to drum up more business. Best of luck to them -- it's tough times out there for retailers.</p>]]></content:encoded>
	<pubDate>Mon, 23 Mar 2009 12:14:12 -0700</pubDate>
	<category>news</category>
	<category>general</category>
</item>
<item>
	<title>David Sandström Overdrive Pigs lose Razzia Records</title>
	<link>http://www.itsatrap.com/n/28584-david-sandstrom-overdrive-pigs-lose-razzia-records</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/28584-david-sandstrom-overdrive-pigs-lose-razzia-records</guid>
	<comments>http://www.itsatrap.com/n/28584-david-sandstrom-overdrive-pigs-lose-razzia-records#comments</comments>
	<description><![CDATA[Quite possibly the only former Refused member still musically relevant, the David Sandström Overdrive have returned with their third album "Pigs lose", their first for indie-stalwart Razzia. Keeping true to his Elvis Costello-inspired garage rock, "Pigs lose" gives us some of David Sandström's best material, but at sixteen tracks in length, also a few that are not. The lamenting balladry of "Lisa, Lisa", the plodding "Happy home" and the sheer epicness of "Tearing through the decades" showcase and hone the songwriting perfectly, whilst "Songs that maybe won't be forgotten" is easily one of the best songs of the year. However, "Dead alive" and "The god thing" are downright hokey and disrupt the album's flow. However, fans will not be disappointed; although a little editing down to ten or eleven songs would have made this album one of the more memorable of the year just past.]]></description>
	<content:encoded><![CDATA[Quite possibly the only former <b>Refused</b> member still musically relevant, the <b>David Sandström Overdrive</b> have returned with their third album <i>"Pigs lose"</i>, their first for indie-stalwart Razzia. Keeping true to his <b>Elvis Costello</b>-inspired garage rock, <i>"Pigs lose"</i> gives us some of <b>David Sandström</b>'s best material, but at sixteen tracks in length, also a few that are not. The lamenting balladry of <i>"Lisa, Lisa"</i>, the plodding <i>"Happy home"</i> and the sheer epicness of <i>"Tearing through the decades"</i> showcase and hone the songwriting perfectly, whilst <i>"Songs that maybe won't be forgotten"</i> is easily one of the best songs of the year. However, <i>"Dead alive"</i> and <i>"The god thing"</i> are downright hokey and disrupt the album's flow. However, fans will not be disappointed; although a little editing down to ten or eleven songs would have made this album one of the more memorable of the year just past.]]></content:encoded>
	<pubDate>Thu, 08 Jan 2009 00:00:00 -0800</pubDate>
	<category>reviews</category>
</item>
<item>
	<title>Top 10s for 2008: It&#039;s a Trap! (albums)</title>
	<link>http://www.itsatrap.com/n/25796-top-10s-for-2008-its-a-trap-albums</link>
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	<description><![CDATA[We liked a lot of albums in 2008, but there weren't so many that we loved. In fact, quite a few of us had trouble filling out a full top 10, myself included. Some of us didn't even bother. Personally, aside from a few notable exceptions as you'll see below, I found myself drawn to the past far more often than the present. And yet, here I am again, with yet another year-end list. Go figure.
So with a rather large grain of salt, let me present to you It's a Trap's 2008 top albums of the year.
- Avi Roig

10. Siena Root - Far from the sun (Transubstans)
Graveyard and Witchcraft get all the acclaim, but Siena Root is the better band.

09. Nitad - Ibland kan man inte hindras sig själv (Kranium/Deranged)
Fucked Up, another band who put out one of 2008's best releases ("The chemistry of commmon life"), have moved far beyond the realms of hardcore. Nitad have stepped up to take their place.

08. Park Hotell - Free for friends (Ultra Radio Records/BD Pop)
I can't stand Morissey, yet somehow some Swedish acts are able to take his influence and turn it into something wonderful. If only more indiepop bands were as good as Park Hotell.

07. Katzenjammer - Le pop (Propeller Recordings)
I fully expected Detektivbyrån to be my favorite folk-crossover act, but these ladies from Norway snuck in ahead of them.

06. Hello Saferide - More modern short stories from Hello Saferide (Razzia)
Even better than I hoped. The perfect follow-up to the first album.

05. Johan Heltne - Vetenskapliga bevis för att Jesus lever (Raffaella)
A beautiful and beguiling album. So weird and mysterious, so absolutely entrancing.

04. Montys Loco - Farewell Mr Happy (NONS)
Of all the bands on my list, these ladies are the only ones to truly create something new and unique sounding. Sweden's most consistently underrated and underappreciated band.

03. Haust - Ride the relapse (Fysisk Format)
If there's a more pissed-off, evil sounding album in 2008, I haven't heard it.

02. Lukestar - Lake Toba (Phone Me Records)
A full year later and I still love this album just as much when it first came out.

01. The Goner - H-Trilogy: Hind hand, Hallartrallar, Haven (Svarta Markaden)
I realize it's pretty lame to put a series of limited cult releases at #1, yet no other artist this year has intrigued me as much as The Goner. "Hind hand" blew me away when I first heard it, the following two were even better.

Jonas Appelqvist
10. Wildbirds & Peacedrums - The Snake (Caprice Records)
This headstrong indie duo got me convinced at a festival gig this summer. And when I heard "The snake" for the first time I was hooked. It's that good.
09. Frida Hyvönen - Silence is wild (Licking Fingers)
Frida goes from strength to strength and with this album she has established her status as one of the finest songwriters in Sweden right now. Don't believe me? I dare you, listen to "Dirty dancing" and you'll know what I'm talking about.
08. Paper - An object (Novoton)
A homage to Suicide, Joy Division and monotonous kraut rock. The mix between The Bear Quartet and Audionom is a win-win. Literally.
07. Satyricon - The age of Nero (Roadrunner)
With massive walls of sound this Norwegian old school combo decided to continue to piss off black metal fans that claim they're not "true" anymore. Hell, when it sounds this good, I couldn't care less.
06. David Sandström Overdrive - Pigs lose (Razzia)
David Sandström and Oskar Sandlund went into the studio and came out with an astounding album only surpassed by early career move Refused.
05. Lack - Saturate every atom (Play/Rec)
2008 turned out to be the year of resignation for Lack. At least they got to resign at the peak of their career; "Saturate every atom" is proof of that.
04. Britta Persson - Kill Hollywood me (Amigo)
Britta released this album with a somewhat secluded approach and it was received with open arms by almost everyone. Sounds contradictory? It's not, just pure genius.
03. Cult of Luna - Eternal kingdom (Earache)
It just goes to show, these guys don't know how to fail. Top notch!
02. Division of Laura Lee - Violence is timeless (I Made This)
Göteborg's finest spent three years in the studio. The result, Fugazi-esque punk rock, shows that it was worth the wait.
01. Lukestar - Lake Toba (Phone Me Records)
Indie rock at its best - edgy, melodic and, at the same time, raw and hard hitting as hell! The number one spot was, even in January, Lukestar's spot all along.

Matt Giordano
06. Vapnet - Döda fallet (Hybris)
Their track record has been making consistently good albums, and this is not an exception.
05. Robert Svensson - Young punk are on the never-never (Nomethod)
A fantastic pop album that has me looking even more forward to the next Mixtapes and Cellmates record.
04. The Kid - Transient blood (Hybris)
On their second album, The Kid has transformed themselves into brooding pop masters.
03. Paavoharju - Laulu laakson kukista (Fonal)
A beautiful, cold, meandering album. Not only does this album sound natural, it sounds symbiotic with nature.
02. Markus Krunegård - Markusevangeliet (V2/Universal)
He's made classic albums with Laakso, and a great Hets album. Now Markus is a bonafide solo artist, and, with this maintains that he's one of the best songwriters around.
01. Juvelen - 1 (Hybris)
One of my most anticipated of the year. Ten songs, ten potential singles, yet one cohesive pop statement. Juvelen is here to stay.

Lars Garvey Laing-Peterson
10. Division of Laura Lee - Violence is timeless (I Made This)
This is a total gut decision. Part of me is not okay with this result, but enough of me is perfectly alright ousting at least five other contenders to make room for this dirty, energetic album in my top 10. Despite giving this album only an 8, it has survived in far better standing than a few 9s from this year. "LAX" has been on quite a few of the mixtapes I've made for friends over the past few months, and DoLL launched my brother and I across America this summer... I couldn't imagine 2008 without "Violence is timeless".
09. Robert Svensson - Young punks are on the never-never (Nomethod)
Mr. Svensson lost considerable ground on this list, especially compared to the first draft I worked up a few weeks ago. Still, even at number nine, "Young punks are on the never-never" made it. A wonderful debut solo album from Mixtapes & Cellmates' vocalist, marking the beginning of what is sure to be a fine career.
08. Park Hotell - Free for friends (Ultra Radio/BD Pop)
This top 10 list is populated with a lot of debut records. "Free for friends" is definitely one that I had been waiting for, and it didn't let me down. It's a perfect autumn record: tracts of introspection still fuelled by the reckless hope of summer days.
07. Kiki Pau - Let's rock (Pyramid/Johanna Kustannus)
While I was completely surprised by "Book of Norma", I at least knew who Norma were. Kiki Pau are my favorite surprise this year. Their style of indie rock is confident well beyond their years, harkening back to "Meat is murder"-era Smiths, contemporary NYC garage, The Clash ... and any album with a song titled "Bukowski" (with the lyric: "Steinbeck made me want to get drunk") gets my vote.
06. Convoj - Exceptionnel (Wonderland)
This latecomer also forced me to reconstruct my list. It was all about complete, too. Oh well. Convoj's "Exceptionnel" is a brilliant record, more than deserving of a top 10 spot.
05. Håkan Hellström - För sent för edelweiss (Dolores)
If it weren't for all the summer memories I attach to "Með suð í eyrum við spilum endalaust", Hellström's effort would be in fourth place. The fact that this album is in fifth place is a testament to the creative forces at work in Northern Europe. When I first heard this record, I was pretty sure it would be in my top three albums of the year. How wonderful it is to be so wrong. "För sent för edelweiss" has become my favorite Håkan Hellström album, just edging out "Känn ingen sorg för mig Göteborg".
04. Sigur Rós - Með suð í eyrum við spilum endalaust (XL Recordings/EMI)
The fact that Sigur Rós took risks on this album when they could have skirted by with "Takk pt. II" impresses me. It may not be their finest album, but it's fun, kinetic, and lush; everything we expect from the Icelanders, and yet something quite different, too.
03. Tiger Lou - A partial print (Startracks)
I struggled a little with "A partial print" at first, but it eventually won out. As I wrote in my review, the album is "a collage, a collection of images, all of them darkly beautiful extensions of the emotional landscape of "The loyal", but the connections between these impressions can take some time to present themselves, but they will, and then "A partial print" comes fully into being."
02. Markus Krunegård - Markusevangeliet (V2/Universal)
While I gave "A partial print" higher marks, "Markusevangeliet" has been a valued companion of mine since April -- and there's something to be said about resilience. I said back then that I thought Laakso frontman Markus Krunegård had possibly crafted the best record of the year... and, although I might have proven myself wrong, his accomplishment is by far one of the best solo records in recent memory.
01. Norma - Book of Norma (Novoton)
In a damned impressive year for Scandinavian music, my top prize goes to "Book of Norma". It's been a while since I have been as taken aback by a record as I was with Norma's latest effort, the first album I have ever given a 10 to here on It's A Trap! Just an absolutely brilliant album.

Arnulf Koehncke
10. Ane Brun - Changing of the seasons (DetErMine)
Someone wrote somewhere how well recorded this album is -- I can't help but agree. The songs are good too and it's actually the first Ane Brun record that I can really relate to.
09. Audrey - The fierce and the longing (Tenderversion)
Honestly, this record sounds a lot like their last one. That's a good thing in Audrey's case -- I think it's really rare that a band is this well defined regarding both songwriting and sound-aesthetics.
08. Fredrik - Na na ni (Jezebel)
It surprises me how much I still like this record. I didn't think it would be such a grower -- guess I was wrong.
07. Snöleoparden - Snöleoparden (Rump)
I just like the whole of-the-cuff playfulness and complexity that this record embodies. I dare anyone to listen to the daycare-singalong second track and not smile.
06. Hello Saferide - More modern short stories from Hello Saferide (Razzia)
If you'd asked me in the beginning of the year, I'd probably have predicted this album to top my year-end list. Well, it hasn't completely gotten me hooked yet, though I totally agree with all the praise for Annika's development. And "Lund" has already become a personal favorite of mine.
05. Bobby and Blumm - Everybody loves... (Morr Music)
This record is just so playful -- there's so much to discover in F.S. Blumm's guitar work and Ella's charming voice. It makes me wish I could see them live again.
04. V. Sjöberg New Jazz Ensemble - Do nothing 'til you hear from me (iDEAL)
Another great record, though it needs patience and concentration to really enjoy it as a whole. It's just great how it builds up all this tension with its drones and suspense curves only to then release the listener with a soothing return to tonality in the next to last track.
03. The Radio Dept. - Freddie and the Trojan Horse (Labrador)
Too bad their album was delayed until next year. This EP showed such potential with all its Prefab Sprout'ish moments and melodies. And it even delivered some nostalgia to me as a long-time fan when I listen to the hidden track's distortion and overdrive.
02. Vapnet - Döda fallet (Hybris)
It's amazing: This record is such an instant classic that I almost didn't think of it as a 2008-release. And doesn't that already say all there is to say?
01. Auton - Anywhere out of this world (Structures Sonores)
This record is just so good (which is why my review of it is just so overdue). Incredibly virtuosic yet never overbearing musicians that shift from straight-out jazz to drone to post-rock to Satie-like piano moments with such casualness and grace. My Scandinavian record of the year. Go to the label website now and order copies to give away as christmas presents ;-)

Nancy Baym
10. Don't I wish I could put something here. Like the Caesars. What a bummer that record was.
09. Mikko Singh - Uskotko että siellä on kukkia? (self-released)
An almost-entirely instrumental record that's somewhere between pop and new age, equally well suited to a massage or mellow downtime at home. Very pretty with some nice elements of fun.
08. Violent Years - s/t (Playground)
A fine contribution to the southern gothic alt country genre with many outstanding moments and at least one truly great song.
07. Kusowsky - Något speciellt (self-released)
Kusowsy are so unabashedly singalong guitar pop that I feel a little guilty enjoying them, but everytime a song from this EP showed up on shuffle this year I found myself stopping to smile.
06. The Social Services - It's nothing personal, it's national security (Stereo Test Kit)
Only 1/3 Scandinavian, but she's the singer so she gets extra credit. It's a smart, eclectic, cynical, funny, and loose indie pop album.
05. Tiger Lou - A partial print (Startracks)
I really wanted to love this record, but don't. As background music its dark, hypnotic and self-contradictory sound is stunningly close to perfect, but on close listening its repetitiveness becomes abrasive in ways I don't think were intended.
04. Markus Krunegård - Markusevangeliet (V2/Universal)
On his solo record, Krunegård avoids most of Laakso's glam excesses to deliver a powerful and rich electronically-driven yet organic and seductive sonic environment.
03. Vapnet - Döda fallet (Hybris)
They don't stray too far from the distinctive, poppy, and borderline corny sound of their previous recordings on this one, but that's a good thing because they are one of the most calming make-you-happy bands going today. I highly recommend this as a soundtrack for either hanging out on a warm beach or cleaning house, cooking, and other mundane chores of daily life.
01. Madrugada - s/t (Virgin/EMI)
Faced with the sudden death of their guitarist and an album 80% completed, Madrugada did the right thing by finishing it up. Even without the tragic back story, it's a powerful and mature rock album that I am still listening to regularly almost a year after its release.
01. Detektivbyrån - Wermland (Danarkia)
In a very disappointing musical year, this instrumental genre-collapsing folk album based on accordion and glockenspiel was the one extraordinary surprise. Everyone I've played it for ran out and got it immediately. You should too.

Simon Tagestam
10. Nordpolen - s/t (Sincerely Yours)
09. Joel Alme - A master of ceremonies (Sincerely Yours)
08. Envelopes - Here comes the wind (Brille)
07. Håkan Hellström - För sent för edelweiss (Dolores)
06. Markus Krunegård - Markusevangeliet (V2/Universal)
05. Love Is All - A hundred things keep me up at night (What's Your Rupture?)
04. Afasi & Filthy - Fläcken (P.O.P.E.)
03. Frida Hyvönen - Silence is wild (Licking Fingers)
02. Moto Boy - s/t (Songs I Wish I Had Written)
01. Vapnet - Döda fallet (Hybris)]]></description>
	<content:encoded><![CDATA[<p>We liked a lot of albums in 2008, but there weren't so many that we loved. In fact, quite a few of us had trouble filling out a full top 10, myself included. Some of us didn't even bother. Personally, aside from a few notable exceptions as you'll see below, I found myself drawn to the past far more often than the present. And yet, here I am again, with yet another year-end list. Go figure.</p>
<p>So with a rather large grain of salt, let me present to you It's a Trap's 2008 top albums of the year.<br/>
<i>- Avi Roig</i></p>
<div class="spacer"></div>
<p>10. <b>Siena Root</b> - Far from the sun (Transubstans)<br/>
<b>Graveyard</b> and <b>Witchcraft</b> get all the acclaim, but <b>Siena Root</b> is the better band.</p>

<p>09. <b>Nitad</b> - Ibland kan man inte hindras sig själv (Kranium/Deranged)<br/>
<b>Fucked Up</b>, another band who put out one of 2008's best releases (<i>"The chemistry of commmon life"</i>), have moved far beyond the realms of hardcore. <b>Nitad</b> have stepped up to take their place.</p>

<p>08. <b>Park Hotell</b> - Free for friends (Ultra Radio Records/BD Pop)<br/>
I can't stand <b>Morissey</b>, yet somehow some Swedish acts are able to take his influence and turn it into something wonderful. If only more indiepop bands were as good as <b>Park Hotell</b>.</p>

<p>07. <b>Katzenjammer</b> - Le pop (Propeller Recordings)<br/>
I fully expected <b>Detektivbyrån</b> to be my favorite folk-crossover act, but these ladies from Norway snuck in ahead of them.</p>

<p>06. <b>Hello Saferide</b> - More modern short stories from Hello Saferide (Razzia)<br/>
Even better than I hoped. The perfect follow-up to the first album.</p>

<p>05. <b>Johan Heltne</b> - Vetenskapliga bevis för att Jesus lever (Raffaella)<br/>
A beautiful and beguiling album. So weird and mysterious, so absolutely entrancing.</p>

<p>04. <b>Montys Loco</b> - Farewell Mr Happy (NONS)<br/>
Of all the bands on my list, these ladies are the only ones to truly create something new and unique sounding. Sweden's most consistently underrated and underappreciated band.</p>

<p>03. <b>Haust</b> - Ride the relapse (Fysisk Format)<br/>
If there's a more pissed-off, evil sounding album in 2008, I haven't heard it.</p>

<p>02. <b>Lukestar</b> - Lake Toba (Phone Me Records)<br/>
A full year later and I still love this album just as much when it first came out.</p>

<p>01. <b>The Goner</b> - H-Trilogy: Hind hand, Hallartrallar, Haven (Svarta Markaden)<br/>
I realize it's pretty lame to put a series of limited cult releases at #1, yet no other artist this year has intrigued me as much as <b>The Goner</b>. <i>"Hind hand"</i> blew me away when I first heard it, the following two were even better.</p>

<h3>Jonas Appelqvist</h3>
<p>10. <b>Wildbirds & Peacedrums</b> - The Snake (Caprice Records)<br/>
This headstrong indie duo got me convinced at a festival gig this summer. And when I heard <i>"The snake"</i> for the first time I was hooked. It's that good.</p>
<p>09. <b>Frida Hyvönen</b> - Silence is wild (Licking Fingers)<br/>
Frida goes from strength to strength and with this album she has established her status as one of the finest songwriters in Sweden right now. Don't believe me? I dare you, listen to <i>"Dirty dancing"</i> and you'll know what I'm talking about.</p>
<p>08. <b>Paper</b> - An object (Novoton)<br/>
A homage to <b>Suicide</b>, <b>Joy Division</b> and monotonous kraut rock. The mix between <b>The Bear Quartet</b> and <b>Audionom</b> is a win-win. Literally.</p>
<p>07. <b>Satyricon</b> - The age of Nero (Roadrunner)<br/>
With massive walls of sound this Norwegian old school combo decided to continue to piss off black metal fans that claim they're not "true" anymore. Hell, when it sounds this good, I couldn't care less.</p>
<p>06. <b>David Sandström Overdrive</b> - Pigs lose (Razzia)<br/>
<b>David Sandström</b> and <b>Oskar Sandlund</b> went into the studio and came out with an astounding album only surpassed by early career move <b>Refused</b>.</p>
<p>05. <b>Lack</b> - Saturate every atom (Play/Rec)<br/>
2008 turned out to be the year of resignation for <b>Lack</b>. At least they got to resign at the peak of their career; <i>"Saturate every atom"</i> is proof of that.</p>
<p>04. <b>Britta Persson</b> - Kill Hollywood me (Amigo)<br/>
Britta released this album with a somewhat secluded approach and it was received with open arms by almost everyone. Sounds contradictory? It's not, just pure genius.</p>
<p>03. <b>Cult of Luna</b> - Eternal kingdom (Earache)<br/>
It just goes to show, these guys don't know how to fail. Top notch!</p>
<p>02. <b>Division of Laura Lee</b> - Violence is timeless (I Made This)<br/>
Göteborg's finest spent three years in the studio. The result, <b>Fugazi</b>-esque punk rock, shows that it was worth the wait.</p>
<p>01. <b>Lukestar</b> - Lake Toba (Phone Me Records)<br/>
Indie rock at its best - edgy, melodic and, at the same time, raw and hard hitting as hell! The number one spot was, even in January, <b>Lukestar</b>'s spot all along.</p>

<h3>Matt Giordano</h3>
<p>06. <b>Vapnet</b> - Döda fallet (Hybris)<br/>
Their track record has been making consistently good albums, and this is not an exception.</p>
<p>05. <b>Robert Svensson</b> - Young punk are on the never-never (Nomethod)<br/>
A fantastic pop album that has me looking even more forward to the next <b>Mixtapes and Cellmates</b> record.</p>
<p>04. <b>The Kid</b> - Transient blood (Hybris)<br/>
On their second album, <b>The Kid</b> has transformed themselves into brooding pop masters.</p>
<p>03. <b>Paavoharju</b> - Laulu laakson kukista (Fonal)<br/>
A beautiful, cold, meandering album. Not only does this album sound natural, it sounds symbiotic with nature.</p>
<p>02. <b>Markus Krunegård</b> - Markusevangeliet (V2/Universal)<br/>
He's made classic albums with <b>Laakso</b>, and a great <b>Hets</b> album. Now Markus is a bonafide solo artist, and, with this maintains that he's one of the best songwriters around.</p>
<p>01. <b>Juvelen</b> - 1 (Hybris)<br/>
One of my most anticipated of the year. Ten songs, ten potential singles, yet one cohesive pop statement. <b>Juvelen</b> is here to stay.</p>

<h3>Lars Garvey Laing-Peterson</h3>
<p>10. <b>Division of Laura Lee</b> - Violence is timeless (I Made This)<br/>
This is a total gut decision. Part of me is not okay with this result, but enough of me is perfectly alright ousting at least five other contenders to make room for this dirty, energetic album in my top 10. Despite giving this album <a href="http://www.itsatrap.com/reviews.php?r=799">only an 8</a>, it has survived in far better standing than a few 9s from this year. <i>"LAX"</i> has been on quite a few of the mixtapes I've made for friends over the past few months, and DoLL launched my brother and I across America this summer... I couldn't imagine 2008 without <i>"Violence is timeless"</i>.</p>
<p>09. <b>Robert Svensson</b> - Young punks are on the never-never (Nomethod)<br/>
Mr. Svensson lost considerable ground on this list, especially compared to the first draft I worked up a few weeks ago. Still, even at number nine, <i>"Young punks are on the never-never"</i> made it. A wonderful debut solo album from <b>Mixtapes & Cellmates</b>' vocalist, marking the beginning of what is sure to be a fine career.</p>
<p>08. <b>Park Hotell</b> - Free for friends (Ultra Radio/BD Pop)<br/>
This top 10 list is populated with a lot of debut records. <i>"Free for friends"</i> is definitely one that I had been waiting for, and it didn't let me down. It's a perfect autumn record: tracts of introspection still fuelled by the reckless hope of summer days.</p>
<p>07. <b>Kiki Pau</b> - Let's rock (Pyramid/Johanna Kustannus)<br/>
While I was completely surprised by <i>"Book of Norma"</i>, I at least knew who <b>Norma</b> were. <b>Kiki Pau</b> are my favorite surprise this year. Their style of indie rock is confident well beyond their years, harkening back to <i>"Meat is murder"</i>-era <b>Smiths</b>, contemporary NYC garage, <b>The Clash</b> ... and any album with a song titled <i>"Bukowski"</i> (with the lyric: <i>"Steinbeck made me want to get drunk"</i>) gets my vote.</p>
<p>06. <b>Convoj</b> - Exceptionnel (Wonderland)<br/>
This latecomer also forced me to reconstruct my list. It was all about complete, too. Oh well. <b>Convoj</b>'s <i>"Exceptionnel"</i> is a brilliant record, more than deserving of a top 10 spot.</p>
<p>05. <b>Håkan Hellström</b> - För sent för edelweiss (Dolores)<br/>
If it weren't for all the summer memories I attach to <i>"Með suð í eyrum við spilum endalaust"</i>, Hellström's effort would be in fourth place. The fact that this album is in fifth place is a testament to the creative forces at work in Northern Europe. When I first heard this record, I was pretty sure it would be in my top three albums of the year. How wonderful it is to be so wrong. <i>"För sent för edelweiss"</i> has become my favorite <b>Håkan Hellström</b> album, just edging out <i>"Känn ingen sorg för mig Göteborg"</i>.</p>
<p>04. <b>Sigur Rós</b> - Með suð í eyrum við spilum endalaust (XL Recordings/EMI)<br/>
The fact that <b>Sigur Rós</b> took risks on this album when they could have skirted by with <i>"Takk pt. II"</i> impresses me. It may not be their finest album, but it's fun, kinetic, and lush; everything we expect from the Icelanders, and yet something quite different, too.</p>
<p>03. <b>Tiger Lou</b> - A partial print (Startracks)<br/>
I struggled a little with <i>"A partial print"</i> at first, but it eventually won out. As I wrote in <a href="http://www.itsatrap.com/reviews.php?r=935">my review</a>, the album is <em>"a collage, a collection of images, all of them darkly beautiful extensions of the emotional landscape of "The loyal", but the connections between these impressions can take some time to present themselves, but they will, and then "A partial print" comes fully into being."</em></p>
<p>02. <b>Markus Krunegård</b> - Markusevangeliet (V2/Universal)<br/>
While I gave <i>"A partial print"</i> higher marks, <i>"Markusevangeliet"</i> has been a valued companion of mine since April -- and there's something to be said about resilience. I said back then that I thought <b>Laakso</b> frontman <b>Markus Krunegård</b> had possibly crafted the best record of the year... and, although I might have proven myself wrong, his accomplishment is by far one of the best solo records in recent memory.</p>
<p>01. <b>Norma</b> - Book of Norma (Novoton)<br/>
In a damned impressive year for Scandinavian music, my top prize goes to <i>"Book of Norma"</i>. It's been a while since I have been as taken aback by a record as I was with <b>Norma</b>'s latest effort, the first album I have ever given a 10 to here on It's A Trap! Just an absolutely brilliant album.</p>

<h3>Arnulf Koehncke</h3>
<p>10. <b>Ane Brun</b> - Changing of the seasons (DetErMine)<br/>
Someone wrote somewhere how well recorded this album is -- I can't help but agree. The songs are good too and it's actually the first <b>Ane Brun</b> record that I can really relate to.</p>
<p>09. <b>Audrey</b> - The fierce and the longing (Tenderversion)<br/>
Honestly, this record sounds a lot like their last one. That's a good thing in <b>Audrey</b>'s case -- I think it's really rare that a band is this well defined regarding both songwriting and sound-aesthetics.</p>
<p>08. <b>Fredrik</b> - Na na ni (Jezebel)<br/>
It surprises me how much I still like this record. I didn't think it would be such a grower -- guess I was wrong.</p>
<p>07. <b>Snöleoparden</b> - Snöleoparden (Rump)<br/>
I just like the whole of-the-cuff playfulness and complexity that this record embodies. I dare anyone to listen to the daycare-singalong second track and not smile.</p>
<p>06. <b>Hello Saferide</b> - More modern short stories from Hello Saferide (Razzia)<br/>
If you'd asked me in the beginning of the year, I'd probably have predicted this album to top my year-end list. Well, it hasn't completely gotten me hooked yet, though I totally agree with all the praise for Annika's development. And <i>"Lund"</i> has already become a personal favorite of mine.</p>
<p>05. <b>Bobby and Blumm</b> - Everybody loves... (Morr Music)<br/>
This record is just so playful -- there's so much to discover in <b>F.S. Blumm</b>'s guitar work and Ella's charming voice. It makes me wish I could see them live again.</p>
<p>04. <b>V. Sjöberg New Jazz Ensemble</b> - Do nothing 'til you hear from me (iDEAL)<br/>
Another great record, though it needs patience and concentration to really enjoy it as a whole. It's just great how it builds up all this tension with its drones and suspense curves only to then release the listener with a soothing return to tonality in the next to last track.</p>
<p>03. <b>The Radio Dept.</b> - Freddie and the Trojan Horse (Labrador)<br/>
Too bad their album was delayed until next year. This EP showed such potential with all its <b>Prefab Sprout</b>'ish moments and melodies. And it even delivered some nostalgia to me as a long-time fan when I listen to the hidden track's distortion and overdrive.</p>
<p>02. <b>Vapnet</b> - Döda fallet (Hybris)<br/>
It's amazing: This record is such an instant classic that I almost didn't think of it as a 2008-release. And doesn't that already say all there is to say?</p>
<p>01. <b>Auton</b> - Anywhere out of this world (Structures Sonores)<br/>
This record is just so good (which is why my review of it is just so overdue). Incredibly virtuosic yet never overbearing musicians that shift from straight-out jazz to drone to post-rock to Satie-like piano moments with such casualness and grace. My Scandinavian record of the year. Go to the label website now and order copies to give away as christmas presents ;-)</p>

<h3>Nancy Baym</h3>
<p>10. Don't I wish I could put something here. Like the <strong>Caesars</strong>. What a bummer that record was.</p>
<p>09. <b>Mikko Singh</b> - Uskotko että siellä on kukkia? (self-released)<br/>
An almost-entirely instrumental record that's somewhere between pop and new age, equally well suited to a massage or mellow downtime at home. Very pretty with some nice elements of fun.</p>
<p>08. <b>Violent Years</b> - s/t (Playground)<br/>
A fine contribution to the southern gothic alt country genre with many outstanding moments and at least one truly great song.</p>
<p>07. <b>Kusowsky</b> - Något speciellt (self-released)<br/>
<b>Kusowsy</b> are so unabashedly singalong guitar pop that I feel a little guilty enjoying them, but everytime a song from this EP showed up on shuffle this year I found myself stopping to smile.</p>
<p>06. <b>The Social Services</b> - It's nothing personal, it's national security (Stereo Test Kit)<br/>
Only 1/3 Scandinavian, but she's the singer so she gets extra credit. It's a smart, eclectic, cynical, funny, and loose indie pop album.</p>
<p>05. <b>Tiger Lou</b> - A partial print (Startracks)<br/>
I really wanted to love this record, but don't. As background music its dark, hypnotic and self-contradictory sound is stunningly close to perfect, but on close listening its repetitiveness becomes abrasive in ways I don't think were intended.</p>
<p>04. <b>Markus Krunegård</b> - Markusevangeliet (V2/Universal)<br/>
On his solo record, Krunegård avoids most of <b>Laakso</b>'s glam excesses to deliver a powerful and rich electronically-driven yet organic and seductive sonic environment.</p>
<p>03. <b>Vapnet</b> - Döda fallet (Hybris)<br/>
They don't stray too far from the distinctive, poppy, and borderline corny sound of their previous recordings on this one, but that's a good thing because they are one of the most calming make-you-happy bands going today. I highly recommend this as a soundtrack for either hanging out on a warm beach or cleaning house, cooking, and other mundane chores of daily life.</p>
<p>01. <b>Madrugada</b> - s/t (Virgin/EMI)<br/>
Faced with the sudden death of their guitarist and an album 80% completed, <b>Madrugada</b> did the right thing by finishing it up. Even without the tragic back story, it's a powerful and mature rock album that I am still listening to regularly almost a year after its release.</p>
<p>01. <b>Detektivbyrån</b> - Wermland (Danarkia)<br/>
In a very disappointing musical year, this instrumental genre-collapsing folk album based on accordion and glockenspiel was the one extraordinary surprise. Everyone I've played it for ran out and got it immediately. You should too.</p>

<h3>Simon Tagestam</h3>
<p>10. <b>Nordpolen</b> - s/t (Sincerely Yours)</p>
<p>09. <b>Joel Alme</b> - A master of ceremonies (Sincerely Yours)</p>
<p>08. <b>Envelopes</b> - Here comes the wind (Brille)</p>
<p>07. <b>Håkan Hellström</b> - För sent för edelweiss (Dolores)</p>
<p>06. <b>Markus Krunegård</b> - Markusevangeliet (V2/Universal)</p>
<p>05. <b>Love Is All</b> - A hundred things keep me up at night (What's Your Rupture?)</p>
<p>04. <b>Afasi & Filthy</b> - Fläcken (P.O.P.E.)</p>
<p>03. <b>Frida Hyvönen</b> - Silence is wild (Licking Fingers)</p>
<p>02. <b>Moto Boy</b> - s/t (Songs I Wish I Had Written)</p>
<p>01. <b>Vapnet</b> - Döda fallet (Hybris)</p>]]></content:encoded>
	<pubDate>Mon, 15 Dec 2008 00:00:00 -0800</pubDate>
	<category>articles</category>
	<category>top10s</category>
</item>
<item>
	<title></title>
	<link>http://www.itsatrap.com/n/25046</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/25046</guid>
	<comments>http://www.itsatrap.com/n/25046#comments</comments>
	<description><![CDATA[The video for the new David Sandström Overdrive single "Not a good boy" is now online: http://www.youtube.com/watch?v=4pMjSquuw3Y&fmt=18
Fellow ex-Refused member Kristofer Steen is the director.]]></description>
	<content:encoded><![CDATA[<p>The video for the new <b>David Sandström Overdrive</b> single <i>"Not a good boy"</i> is now online: <a href="http://www.youtube.com/watch?v=4pMjSquuw3Y&fmt=18" target="_blank">http://www.youtube.com/watch?v=4pMjSquuw3Y&fmt=18</a><br/>
Fellow ex-<b>Refused</b> member <b>Kristofer Steen</b> is the director.</p>]]></content:encoded>
	<pubDate>Tue, 25 Nov 2008 13:40:09 -0800</pubDate>
	<category>news</category>
	<category>multimedia</category>
</item>
<item>
	<title>MP3: David Sandström Overdrive - Lisa, Lisa</title>
	<link>http://www.itsatrap.com/n/28412-mp3-david-sandstrom-overdrive-lisa-lisa</link>
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	<comments>http://www.itsatrap.com/n/28412-mp3-david-sandstrom-overdrive-lisa-lisa#comments</comments>
	<description><![CDATA[Razzia Records was kind enough to pass along the brand new David Sandström Overdrive single "Lisa, Lisa" and naturally, I'm more than happy to share it with you. Like a lot of folks, I first became aware of David back when he was in Refused and have been following his career ever since, but of all the post-Refused bands, his solo work shines brightest. I have much respect for The (International) Noise Conspiracy, Text, Cobolt and so on, but they can't hold a candle to David's increasingly diverse catalog. From "Om det inte hånder..." aka The Grandfather Album to this, a slow dance number? Perhaps not so surprisingly when you consider that he now as AC4 as an outlet for his more aggressive side, though you gotta connect a lot of dots to span the difference. It doesn't really matter though 'cuz all it all depends on whether the song is good here and now and guess what? It is. I might be surprised somewhat by the content, but definitely not by the quality.]]></description>
	<content:encoded><![CDATA[<p>Razzia Records was kind enough to pass along the brand new <b>David Sandström Overdrive</b> single <i>"Lisa, Lisa"</i> and naturally, I'm more than happy to share it with you. Like a lot of folks, I first became aware of David back when he was in <b>Refused</b> and have been following his career ever since, but of all the post-<b>Refused</b> bands, his solo work shines brightest. I have much respect for <b>The (International) Noise Conspiracy</b>, <b>Text</b>, <b>Cobolt</b> and so on, but they can't hold a candle to David's increasingly diverse catalog. From <i>"Om det inte hånder..."</i> aka The Grandfather Album to this, a slow dance number? Perhaps not so surprisingly when you consider that he now as <b>AC4</b> as an outlet for his more aggressive side, though you gotta connect a lot of dots to span the difference. It doesn't really matter though 'cuz all it all depends on whether the song is good here and now and guess what? It is. I might be surprised somewhat by the content, but definitely not by the quality.</p>]]></content:encoded>
	<enclosure url="http://www.itsatrap.com/playlist/david_sandstrom_overdrive-lisa_lisa.mp3" length="0" type="audio/mpeg" />
	<pubDate>Mon, 25 Aug 2008 12:14:19 -0700</pubDate>
	<category>mp3s</category>
</item>
<item>
	<title>MP3: Like Rats From A Sinking Ship - Smash the crystal larynx!</title>
	<link>http://www.itsatrap.com/n/28357-mp3-like-rats-from-a-sinking-ship-smash-the-crystal-larynx</link>
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	<comments>http://www.itsatrap.com/n/28357-mp3-like-rats-from-a-sinking-ship-smash-the-crystal-larynx#comments</comments>
	<description><![CDATA[Yesterday's adventure started off nice enough. My hosts and I walked a bit around Malmö in the AM, stopping in at Rundgång to say hello to the Deleted Art crew and such and also stopping to eat some of (what I'm told to be is) Malmö's famous falafel. From there it was off to Copenhagen for a quick trip through the national museum and then a rendezvous with Stytzer from Hits in the Car which meant enjoying a beer on the harbour. See- so far, everything was very, very nice. We even managed to find a decent restaurant for a proper dinner before exploring Christiania and heading to Loppen to see Norwegian act Like Rats From A Sinking Ship. Nothing really bad happened to us I guess, but the other band Haust canceled the show so that meant there were only 18 or so people in attendance. And then there's the Like Rats tour story: robbed twice in 4 days, freaked out and camping in the woods for 3 days, a broken kick pedal. All things considered, they took it in stride and put on a great show, but I think their bad luck rubbed off on us as our train back to Sweden broke down, making our trip home take 3x as long as it should've. Not a nice way to end the evening, y'know? Anyhow, the music of LRFASS is raw, discordant hardcore interspersed with little electronic bits not too unlike "Shape of punk..."-era Refused. Also, the best use of theramin in hardcore I've ever seen. Obviously I haven't had a lot of time to absorb their debut release "Sxy Sxy Gsw EP" yet, but here's a track that I like, especially the slower coda part. Good times!]]></description>
	<content:encoded><![CDATA[<p>Yesterday's adventure started off nice enough. My hosts and I walked a bit around Malmö in the AM, stopping in at <a href="http://www.rundgong.se/" target="_blank">Rundgång</a> to say hello to the <a href="http://www.deletedart.org/" target="_blank">Deleted Art</a> crew and such and also stopping to eat some of (what I'm told to be is) Malmö's famous falafel. From there it was off to Copenhagen for a quick trip through the national museum and then a rendezvous with <b>Stytzer</b> from <a href="http://stytzer.blogspot.com/" target="_blank">Hits in the Car</a> which meant enjoying a beer on the harbour. See- so far, everything was very, very nice. We even managed to find a decent restaurant for a proper dinner before exploring <a href="http://en.wikipedia.org/wiki/Freetown_Christiania" target="_blank">Christiania</a> and heading to Loppen to see Norwegian act <b>Like Rats From A Sinking Ship</b>. Nothing <i>really</i> bad happened to us I guess, but the other band <b>Haust</b> canceled the show so that meant there were only 18 or so people in attendance. And then there's the Like Rats tour story: robbed twice in 4 days, freaked out and camping in the woods for 3 days, a broken kick pedal. All things considered, they took it in stride and put on a great show, but I think their bad luck rubbed off on us as our train back to Sweden broke down, making our trip home take 3x as long as it should've. Not a nice way to end the evening, y'know? Anyhow, the music of LRFASS is raw, discordant hardcore interspersed with little electronic bits not too unlike <i>"Shape of punk..."</i>-era <b>Refused</b>. Also, the best use of theramin in hardcore I've ever seen. Obviously I haven't had a lot of time to absorb their debut release <i>"Sxy Sxy Gsw EP"</i> yet, but here's a track that I like, especially the slower coda part. Good times!</p>]]></content:encoded>
	<enclosure url="http://www.itsatrap.com/playlist/like_rats_from_a_sinking_ship-smash_the_crystal_larynx.mp3" length="0" type="audio/mpeg" />
	<pubDate>Wed, 18 Jun 2008 05:29:12 -0700</pubDate>
	<category>mp3s</category>
</item>
<item>
	<title></title>
	<link>http://www.itsatrap.com/n/22992</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/22992</guid>
	<comments>http://www.itsatrap.com/n/22992#comments</comments>
	<description><![CDATA[Hell yes! Live video footage of the new Umeå hardcore band AC4 featuring ex-Final Exit/Refused members Dennis Lyxzén and David Sandström: http://www.youtube.com/watch?v=oqA8VKySe_0]]></description>
	<content:encoded><![CDATA[<p>Hell yes! Live video footage of the new Umeå hardcore band <b>AC4</b> featuring ex-<b>Final Exit</b>/<b>Refused</b> members <b>Dennis Lyxzén</b> and <b>David Sandström</b>: <a href="http://www.youtube.com/watch?v=oqA8VKySe_0" target="_blank">http://www.youtube.com/watch?v=oqA8VKySe_0</a></p>]]></content:encoded>
	<pubDate>Thu, 05 Jun 2008 13:28:16 -0700</pubDate>
	<category>news</category>
	<category>multimedia</category>
</item>
<item>
	<title></title>
	<link>http://www.itsatrap.com/n/22681</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/22681</guid>
	<comments>http://www.itsatrap.com/n/22681#comments</comments>
	<description><![CDATA[Ex-Refused/Final Exit members Dennis Lyxzén and David Sandström have started a brand new hardcore band together called AC4. The lineup features Dennis on vocals, David on bass, Kalle from The Vectors on guitar and Jens from Regulations on drums.]]></description>
	<content:encoded><![CDATA[<p>Ex-<b>Refused</b>/<b>Final Exit</b> members <b>Dennis Lyxzén</b> and <b>David Sandström</b> have started a brand new hardcore band together called <b>AC4</b>. The lineup features Dennis on vocals, David on bass, <b>Kalle</b> from <b>The Vectors</b> on guitar and <b>Jens</b> from <b>Regulations</b> on drums.</p>]]></content:encoded>
	<pubDate>Tue, 13 May 2008 19:00:23 -0700</pubDate>
	<category>news</category>
	<category>general</category>
</item>
<item>
	<title>Lack Saturate every atom PlayRec</title>
	<link>http://www.itsatrap.com/n/26335-lack-saturate-every-atom-playrec</link>
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	<comments>http://www.itsatrap.com/n/26335-lack-saturate-every-atom-playrec#comments</comments>
	<description><![CDATA[Lack is easily one of the more interesting indie rock acts out there right now. Going from clarity to clarity, I thought that \"Be there pulse\" (2005) was an excellent display of Fugazi-sounding hard-hitting rock, they now release a breathtaking album of furious and melodic punk-/indie rock. In fact, the Danes have found what I\'ve been looking for in their previous albums; a delicate mix of hardcore and hooks. Not many bands accomplish that, At the Drive-In, Refused, Drive Like Jehu and Shellac did it, and here are the Danish heirs. Clocking in under an exemplary 30 minutes \"Saturate every atom\" offer its listeners a concise journey where Denmark\'s asylum policy, male domination, among others are matters of discussion and as an old hardcore dude, my eyes are filled with tears. It\'s been a long time since something this compassionate sounded this good. Produced by Per Cnöeldh (Menfolk), mixed by Lack in true DIY-style and mastered by none other than Bob Weston from Shellac, the simple, yet powerful sound gives the band justice. And speaking of justice, nothing would be more unfair if this doesn\'t lead to further recognition. It is that good. Try it, you\'ll like it! ]]></description>
	<content:encoded><![CDATA[<b>Lack</b> is easily one of the more interesting indie rock acts out there right now. Going from clarity to clarity, I thought that <i>"Be there pulse"</i> (2005) was an excellent display of <b>Fugazi</b>-sounding hard-hitting rock, they now release a breathtaking album of furious and melodic punk-/indie rock. In fact, the Danes have found what I've been looking for in their previous albums; a delicate mix of hardcore and hooks. Not many bands accomplish that, <b>At the Drive-In</b>, <b>Refused</b>, <b>Drive Like Jehu</b> and <b>Shellac</b> did it, and here are the Danish heirs. Clocking in under an exemplary 30 minutes <i>"Saturate every atom"</i> offer its listeners a concise journey where Denmark's asylum policy, male domination, among others are matters of discussion and as an old hardcore dude, my eyes are filled with tears. It's been a long time since something this compassionate sounded this good. Produced by <b>Per Cnöeldh</b> (<b>Menfolk</b>), mixed by <b>Lack</b> in true DIY-style and mastered by none other than <b>Bob Weston</b> from <b>Shellac</b>, the simple, yet powerful sound gives the band justice. And speaking of justice, nothing would be more unfair if this doesn't lead to further recognition. It is that good. Try it, you'll like it!]]></content:encoded>
	<pubDate>Tue, 19 Feb 2008 00:00:00 -0800</pubDate>
	<category>reviews</category>
</item>
<item>
	<title></title>
	<link>http://www.itsatrap.com/n/21231</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/21231</guid>
	<comments>http://www.itsatrap.com/n/21231#comments</comments>
	<description><![CDATA[Supposedly there might be a Refused live album in the works: http://www.refusedfan.com/news2008.html
Kinda pathetic at this point if you ask me, but whatever. Take the money and run! In semi-related news, look for details concerning a new David Sandström Overdrive single + album to be revealed soon.]]></description>
	<content:encoded><![CDATA[<p>Supposedly there might be a <b>Refused</b> live album in the works: <a href="http://www.refusedfan.com/news2008.html" target="_blank">http://www.refusedfan.com/news2008.html</a><br/>
Kinda pathetic at this point if you ask me, but whatever. Take the money and run! In semi-related news, look for details concerning a new <b>David Sandström Overdrive</b> single + album to be revealed soon.</p>]]></content:encoded>
	<pubDate>Fri, 01 Feb 2008 16:19:14 -0800</pubDate>
	<category>news</category>
	<category>general</category>
</item>
<item>
	<title></title>
	<link>http://www.itsatrap.com/n/21141</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/21141</guid>
	<comments>http://www.itsatrap.com/n/21141#comments</comments>
	<description><![CDATA[Two new Matts Katt tracks over at Discobelle, including one with sample riffs from fellow Umeå artists Refused: http://www.discobelle.net/2008/01/27/matts-katt-remixes/]]></description>
	<content:encoded><![CDATA[<p>Two new <b>Matts Katt</b> tracks over at Discobelle, including one with sample riffs from fellow Umeå artists <b>Refused</b>: <a href="http://www.discobelle.net/2008/01/27/matts-katt-remixes/" target="_blank">http://www.discobelle.net/2008/01/27/matts-katt-remixes/</a></p>]]></content:encoded>
	<pubDate>Mon, 28 Jan 2008 13:47:43 -0800</pubDate>
	<category>news</category>
	<category>multimedia</category>
</item>
<item>
	<title>Jennie Abrahamson Lights How Sweet the Sound</title>
	<link>http://www.itsatrap.com/n/26247-jennie-abrahamson-lights-how-sweet-the-sound</link>
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	<comments>http://www.itsatrap.com/n/26247-jennie-abrahamson-lights-how-sweet-the-sound#comments</comments>
	<description><![CDATA[I have a soft spot for talented pop singers. A decent amount of my time is spent enjoying the works of artists like Imogen Heap, Lily Allen, Annie, Gwen Stefani, Robyn, and others, some guilty pleasures, others with no guilt whatsoever. Jennie Abrahamson, a Norrland girl from the same part of Sweden that birthed the Refused and The Perishers (whose singer, Ola Klüft, is featured on \"Wasted heart\"), has crafted a solidly produced, though somewhat lacking pop record. The melancholy sounds okay, but it doesn\'t always feel quite right. Title track \"Lights\" begins to feel like a meandering and lost expedition when it could easily have bore direction and teeth, and that can be said for a number of tracks. On \"Songs we sing\", Abrahamson\'s gorgeous voice sits comfortably alongside a song that has a sense of forward motion. \"Lights\" could have been so much more, and I hope Jennie Abrahamson\'s future recordings are - it would be a shame that such a talented vocalist should be overlooked because of lukewarm songwriting. ]]></description>
	<content:encoded><![CDATA[I have a soft spot for talented pop singers. A decent amount of my time is spent enjoying the works of artists like <b>Imogen Heap</b>, <b>Lily Allen</b>, <b>Annie</b>, <b>Gwen Stefani</b>, <b>Robyn</b>, and others, some guilty pleasures, others with no guilt whatsoever. <b>Jennie Abrahamson</b>, a Norrland girl from the same part of Sweden that birthed the <b>Refused</b> and <b>The Perishers</b> (whose singer, <b>Ola Klüft</b>, is featured on <i>"Wasted heart"</i>), has crafted a solidly produced, though somewhat lacking pop record. The melancholy sounds okay, but it doesn't always feel quite right. Title track <i>"Lights"</i> begins to feel like a meandering and lost expedition when it could easily have bore direction and teeth, and that can be said for a number of tracks. On <i>"Songs we sing"</i>, <b>Abrahamson</b>'s gorgeous voice sits comfortably alongside a song that has a sense of forward motion. <i>"Lights"</i> could have been so much more, and I hope <b>Jennie Abrahamson</b>'s future recordings are - it would be a shame that such a talented vocalist should be overlooked because of lukewarm songwriting.]]></content:encoded>
	<pubDate>Sat, 19 Jan 2008 00:00:00 -0800</pubDate>
	<category>reviews</category>
</item>
<item>
	<title>Royal Downfall These means have no end Luftslott</title>
	<link>http://www.itsatrap.com/n/26190-royal-downfall-these-means-have-no-end-luftslott</link>
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	<description><![CDATA[\"These means have no end\" sounds like one of those records from the late 1990s that was given such significance when Fugazi and Refused were suddenly revisited and proclaimed the \"new black\" as the whole hardcore/indie/emo scene exploded in the early 00s. And, while complementary in many ways, this dated element works both ways - instilling a sense of nostalgia, but also a sense of missed progression. All the components are here: the meandering assault of At the Drive-In paired alongside the more spacey approach of Sparta, the Fugazi bass lines wrapped with Promise Ring-esque guitar lines, and, just like many of those records, \"These means have no end\" grows on your more and more with each listen, but the overall punch is lacking force. That being said, Royal Downfall have made a record that deserves to be placed alongside many of the bands\' works that I\'ve noted here, faults and all. \"A backlash is here\" is anthemic, title track \"These means have no end\" has an ending that puts many electro-indie tracks to shame, and \"March of the musicians\" seems to take stock of the contemporary Swedish indie scene, incorporating some its more easily noticed elements (glockenspiels and all) into the band\'s regimen. My money\'s on the next album, but \"These means have no end\" has a welcome place in my record collection for the foreseeable future.]]></description>
	<content:encoded><![CDATA[<i>"These means have no end"</i> sounds like one of those records from the late 1990s that was given such significance when <b>Fugazi</b> and <b>Refused</b> were suddenly revisited and proclaimed the "new black" as the whole hardcore/indie/emo scene exploded in the early 00s. And, while complementary in many ways, this dated element works both ways - instilling a sense of nostalgia, but also a sense of missed progression. All the components are here: the meandering assault of <b>At the Drive-In</b> paired alongside the more spacey approach of <b>Sparta</b>, the <b>Fugazi</b> bass lines wrapped with <b>Promise Ring</b>-esque guitar lines, and, just like many of those records, <i>"These means have no end"</i> grows on your more and more with each listen, but the overall punch is lacking force. That being said, <b>Royal Downfall</b> have made a record that deserves to be placed alongside many of the bands' works that I've noted here, faults and all. <i>"A backlash is here"</i> is anthemic, title track <i>"These means have no end"</i> has an ending that puts many electro-indie tracks to shame, and <i>"March of the musicians"</i> seems to take stock of the contemporary Swedish indie scene, incorporating some its more easily noticed elements (glockenspiels and all) into the band's regimen. My money's on the next album, but <i>"These means have no end"</i> has a welcome place in my record collection for the foreseeable future.]]></content:encoded>
	<pubDate>Tue, 08 Jan 2008 00:00:00 -0800</pubDate>
	<category>reviews</category>
</item>
<item>
	<title></title>
	<link>http://www.itsatrap.com/n/20864</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/20864</guid>
	<comments>http://www.itsatrap.com/n/20864#comments</comments>
	<description><![CDATA[The Lost Patrol Band, the all-star Norrland powerpop outfit fronted by Dennis Lyxzén (Int'l Noise Conspiracy, ex-Refused) is working on new material including both an English-language and a Swedish language album. The band is also contemplating a name change seeing as how NYC act Lost Patrol owns the US rights for the name, thus stifling all efforts to make inroads in America. More details when I get it.]]></description>
	<content:encoded><![CDATA[<p><b>The Lost Patrol Band</b>, the all-star Norrland powerpop outfit fronted by <b>Dennis Lyxzén</b> (<b>Int'l Noise Conspiracy</b>, ex-<b>Refused</b>) is working on new material including both an English-language and a Swedish language album. The band is also contemplating a name change seeing as how NYC act <b>Lost Patrol</b> owns the US rights for the name, thus stifling all efforts to make inroads in America. More details when I get it.</p>]]></content:encoded>
	<pubDate>Mon, 07 Jan 2008 18:26:04 -0800</pubDate>
	<category>news</category>
	<category>general</category>
</item>
<item>
	<title></title>
	<link>http://www.itsatrap.com/n/20621</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/20621</guid>
	<comments>http://www.itsatrap.com/n/20621#comments</comments>
	<description><![CDATA[According to the Refused fansite, there's a new DVD documentary on the way about David Sandström entitled "Tillflykt". See more here: http://www.refusedfan.com/upcomingreleases.html]]></description>
	<content:encoded><![CDATA[<p>According to the <a href="http://www.refusedfan.com/" target="_blank"><b>Refused</b> fansite</a>, there's a new DVD documentary on the way about <b>David Sandström</b> entitled <i>"Tillflykt"</i>. See more here: <a href="http://www.refusedfan.com/upcomingreleases.html" target="_blank">http://www.refusedfan.com/upcomingreleases.html</a>]]></content:encoded>
	<pubDate>Thu, 13 Dec 2007 17:21:19 -0800</pubDate>
	<category>news</category>
	<category>general</category>
</item>
<item>
	<title></title>
	<link>http://www.itsatrap.com/n/20599</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/20599</guid>
	<comments>http://www.itsatrap.com/n/20599#comments</comments>
	<description><![CDATA[Södra Promenaden is offering up the 1989 demo from pre-Refused/Final Exit/Noise Conspiracy act Garbage Pailkids: http://sirling.blogg.se/1197467618_the_shape_o.html]]></description>
	<content:encoded><![CDATA[<p>Södra Promenaden is offering up the 1989 demo from pre-<b>Refused</b>/<b>Final Exit</b>/<b>Noise Conspiracy</b> act <b>Garbage Pailkids</b>: <a href="http://sirling.blogg.se/1197467618_the_shape_o.html" target="_blank">http://sirling.blogg.se/1197467618_the_shape_o.html</a>]]></content:encoded>
	<pubDate>Wed, 12 Dec 2007 16:08:46 -0800</pubDate>
	<category>news</category>
	<category>general</category>
</item>
<item>
	<title>Ebba Grön We&#039;re only in it for the drugs/Kärlek och uppror/Ebba Grön Mistlur/MNW</title>
	<link>http://www.itsatrap.com/n/26107-ebba-gron-were-only-in-it-for-the-drugs-karlek-och-uppror-ebba-gron-mistlur-mnw</link>
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	<comments>http://www.itsatrap.com/n/26107-ebba-gron-were-only-in-it-for-the-drugs-karlek-och-uppror-ebba-gron-mistlur-mnw#comments</comments>
	<description><![CDATA[Swedish legendary punk band Ebba Grön only recorded three studio albums, but since their demise in 1983 (after being together for 6 years), three compilations, one live album and a four disc box set have all been released (the last compilation was released in 2005). The reason for this is simple - Ebba Grön still sell records in Sweden, due to the simple fact that they were really good (their singer Joakim Thåström also had a successful career after Ebba Grön, both with Imperiet and currently as a solo artist). Earlier this year all of their studio albums were reissued with a couple of bonus singles and b-sides not featured on the original albums stuck onto each disc. Ebba Grön\'s first album \"We\'re only in it for the drugs\" (don\'t let the English title fool you, Ebba Grön, on their records, strictly sang in Swedish, and also - the title is ironic) came out 1979 and it\'s without a doubt their finest work and one of the best Swedish albums of all time. After that they went a bit too soft and acquired too much of that 80s swing that sounds so dated today. If you\'d like to check out some classic Swedish punk, I\'d recommend you to get \"We\'re only...\" or \"Ebba Grön samlingen\". \"We\'re only...\" is raw and energetic whereas with the follow-ups, Ebba Grön became more and more pop and less punk. \"Kärlek och uppror\" is a bit hit and miss and their third (self-titled) album is more miss than hit, despite having classics such as \"Flyktsoda\" on it. The Swedish punk scene in the last 70s and early 80s was perhaps vibrant and some great songs were certainly produced, but overall it didn\'t really make too much of a mark. Ebba Grön are the exception to this, they were in a different league to the rest, a bit like what Refused were to Swedish hardcore in the 90s.

Individual Scores:
We\'re only in it for the drugs: 10
Kärlek och uppror: 7
Ebba Grön: 5]]></description>
	<content:encoded><![CDATA[Swedish legendary punk band <b>Ebba Grön</b> only recorded three studio albums, but since their demise in 1983 (after being together for 6 years), three compilations, one live album and a four disc box set have all been released (the last compilation was released in 2005). The reason for this is simple - <b>Ebba Grön</b> still sell records in Sweden, due to the simple fact that they were really good (their singer <b>Joakim Thåström</b> also had a successful career after <b>Ebba Grön</b>, both with <b>Imperiet</b> and currently as a solo artist). Earlier this year all of their studio albums were reissued with a couple of bonus singles and b-sides not featured on the original albums stuck onto each disc. <b>Ebba Grön</b>'s first album <i>"We're only in it for the drugs"</i> (don't let the English title fool you, <b>Ebba Grön</b>, on their records, strictly sang in Swedish, and also - the title is ironic) came out 1979 and it's without a doubt their finest work and one of the best Swedish albums of all time. After that they went a bit too soft and acquired too much of that 80s swing that sounds so dated today. If you'd like to check out some classic Swedish punk, I'd recommend you to get <i>"We're only..."</i> or <i>"Ebba Grön samlingen"</i>. <i>"We're only..."</i> is raw and energetic whereas with the follow-ups, <b>Ebba Grön</b> became more and more pop and less punk. <i>"Kärlek och uppror"</i> is a bit hit and miss and their third (self-titled) album is more miss than hit, despite having classics such as <i>"Flyktsoda"</i> on it. The Swedish punk scene in the last 70s and early 80s was perhaps vibrant and some great songs were certainly produced, but overall it didn't really make too much of a mark. <b>Ebba Grön</b> are the exception to this, they were in a different league to the rest, a bit like what <b>Refused</b> were to Swedish hardcore in the 90s.

<p><b>Individual Scores:</b><br>
We're only in it for the drugs: 10<br>
Kärlek och uppror: 7<br>
Ebba Grön: 5]]></content:encoded>
	<pubDate>Wed, 05 Dec 2007 00:00:00 -0800</pubDate>
	<category>reviews</category>
</item>
<item>
	<title>MP3: Lack - Achilles and the tortoise</title>
	<link>http://www.itsatrap.com/n/28190-mp3-lack-achilles-and-the-tortoise</link>
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	<comments>http://www.itsatrap.com/n/28190-mp3-lack-achilles-and-the-tortoise#comments</comments>
	<description><![CDATA[Lack, one of my favorite modern hardcore acts, has a new split 7" with Beta Satan (preview clip here) plus a new album on the way early next year. They've progressed an immense over the years, so I figure it's a good time to check in again with where they came from. Their 2001 debut "Blues Moderene: Danois Explosifs" is considered by many to be the finest post-Refused album emulating the Swedes' angular, polyrhythmic style. Personally, I'm a much, much bigger fan of the 2005 follow-up "Be there pulse", a far more melodic and progressive album. The huge gap between records gave them ample time to regroup and reemerge as a band with their own distinctive sound. However, there's certainly something to be said for that first album. I think it actually holds up much better than Refused's "The shape of punk to come" as it's far more streamlined and fierce. The jazzy bits and electronica dabblings that seemed so amazing and groundbreaking at the time of its release, come off as tired now. What Lack manages to do, is refine all the other bits that made Refused so good. Sure, there's tons of other 'core bands that can out-tech them, but that's not the point. That whole riff-salad approach doesn't appeal to me anyhow, especially if you don't have anything to say. For Lack (and Refused too, for that matter), that's not a problem. As to where their career takes them next, guess we'll have to wait and see.]]></description>
	<content:encoded><![CDATA[<p><b>Lack</b>, one of my favorite modern hardcore acts, has a new split 7" with <b>Beta Satan</b> (preview clip <a href="http://www.last.fm/music/Lack/The+Lack+and+Beta+Satan+split+7%22" target="_blank">here</a>) plus a new album on the way early next year. They've progressed an immense over the years, so I figure it's a good time to check in again with where they came from. Their 2001 debut <i>"Blues Moderene: Danois Explosifs"</i> is considered by many to be the finest post-<b>Refused</b> album emulating the Swedes' angular, polyrhythmic style. Personally, I'm a much, much bigger fan of the 2005 follow-up <i>"Be there pulse"</i>, a far more melodic and progressive album. The huge gap between records gave them ample time to regroup and reemerge as a band with their own distinctive sound. However, there's certainly something to be said for that first album. I think it actually holds up much better than <b>Refused</b>'s <i>"The shape of punk to come"</i> as it's far more streamlined and fierce. The jazzy bits and electronica dabblings that seemed so amazing and groundbreaking at the time of its release, come off as tired now. What <b>Lack</b> manages to do, is refine all the other bits that made <b>Refused</b> so good. Sure, there's tons of other 'core bands that can out-tech them, but that's not the point. That whole riff-salad approach doesn't appeal to me anyhow, especially if you don't have anything to say. For <b>Lack</b> (and <b>Refused</b> too, for that matter), that's not a problem. As to where their career takes them next, guess we'll have to wait and see.]]></content:encoded>
	<enclosure url="http://www.itsatrap.com/playlist/lack-achilles_and_the_tortoise.mp3" length="0" type="audio/mpeg" />
	<pubDate>Fri, 30 Nov 2007 11:58:45 -0800</pubDate>
	<category>mp3s</category>
</item>
<item>
	<title></title>
	<link>http://www.itsatrap.com/n/20248</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/20248</guid>
	<comments>http://www.itsatrap.com/n/20248#comments</comments>
	<description><![CDATA[Missing Toof has a bunch of Refused remixes posted for download: http://missingtoof.com/v2/2007/11/15/refused-the-finest-hardcore-punk-of-our-generation-gets-electro-fied-hip-hopd-out-by-shark-attack-hensforth/]]></description>
	<content:encoded><![CDATA[<p>Missing Toof has a bunch of <b>Refused</b> remixes posted for download: <a href="http://missingtoof.com/v2/2007/11/15/refused-the-finest-hardcore-punk-of-our-generation-gets-electro-fied-hip-hopd-out-by-shark-attack-hensforth/" target="_blank">http://missingtoof.com/v2/2007/11/15/refused-the-finest-hardcore-punk-of-our-generation-gets-electro-fied-hip-hopd-out-by-shark-attack-hensforth/</a>]]></content:encoded>
	<pubDate>Mon, 19 Nov 2007 12:06:57 -0800</pubDate>
	<category>news</category>
	<category>multimedia</category>
</item>
<item>
	<title>MP3: Meleeh - Malign</title>
	<link>http://www.itsatrap.com/n/28144-mp3-meleeh-malign</link>
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	<comments>http://www.itsatrap.com/n/28144-mp3-meleeh-malign#comments</comments>
	<description><![CDATA[Musically, I like Meleeh quite a bit. They've got a great balance of aggression and melody and they throw in just enough little rhythmic tricks to keep things interesting without overdoing it. The weak link however, are the vocals. They aren't bad per se, but they're definitely far too screechy for my tastes. Of the many influences they draw from Refused, that's definitely the one I appreciate the least. The syncopated breakdown on "Malign" on the other hand, is pretty damn awesome.]]></description>
	<content:encoded><![CDATA[<p>Musically, I like <b>Meleeh</b> quite a bit. They've got a great balance of aggression and melody and they throw in just enough little rhythmic tricks to keep things interesting without overdoing it. The weak link however, are the vocals. They aren't bad per se, but they're definitely far too screechy for my tastes. Of the many influences they draw from <b>Refused</b>, that's definitely the one I appreciate the least. The syncopated breakdown on <i>"Malign"</i> on the other hand, is pretty damn awesome.]]></content:encoded>
	<enclosure url="http://www.itsatrap.com/playlist/meleeh-malign.mp3" length="0" type="audio/mpeg" />
	<pubDate>Mon, 08 Oct 2007 11:16:02 -0700</pubDate>
	<category>mp3s</category>
</item>
<item>
	<title></title>
	<link>http://www.itsatrap.com/n/269</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/269</guid>
	<comments>http://www.itsatrap.com/n/269#comments</comments>
	<description><![CDATA[Check out Volyo, a Swedish experimental all-star group featuring Mats Gustafsson(The Thing, way too many other groups to list), Jens Nordén (Step Forward), Henrik Oja (Säkert!, The Spacious Mind), and David Sandström (Refused, Final Exit, etc.): http://www.myspace.com/volyoThe group was put together by David for the Made-07 Festival in Umeå and the various tracks posted are live recordings from that show.]]></description>
	<content:encoded><![CDATA[<p>Check out <b>Volyo</b>, a Swedish experimental all-star group featuring <b>Mats Gustafsson</b>(<b>The Thing</b>, way too many other groups to list), <b>Jens Nordén</b> (<b>Step Forward</b>), <b>Henrik Oja</b> (<b>Säkert!</b>, <b>The Spacious Mind</b>), and <b>David Sandström</b> (<b>Refused</b>, <b>Final Exit</b>, etc.): <a href="http://www.myspace.com/volyo" target="_blank">http://www.myspace.com/volyo</a><br>The group was put together by <b>David</b> for the Made-07 Festival in Umeå and the various tracks posted are live recordings from that show.]]></content:encoded>
	<pubDate>Thu, 30 Aug 2007 00:00:00 -0700</pubDate>
	<category>news</category>
</item>
<item>
	<title>Path of No Return The absinthe dreams Burning Heart Records</title>
	<link>http://www.itsatrap.com/n/25812-path-of-no-return-the-absinthe-dreams-burning-heart-records</link>
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	<description><![CDATA[Finally, a record worth noticing from Burning Heart again. After lots of mediocre releases, Path of No Return has, judging by the labels own statement, gone full circle with their metal-/hardcore. And I agree in a way. The debut album \"Black nights coming\", released on the The Mars Volta-label GSR, left me disappointed and indifferent. But after listening to this album, I\'m bound to say that they\'ve gone through a huge improvement and have added new dimensions to the music. It\'s not all about technique and skill anymore; something that was mye overall impression last time around. And from what I\'ve heard, that was the main part to why previous vocalist Adam Hector left the band shortly after the debut.  There\'s a whole different depth to the band nowadays, both when it comes to the music in general, but also in the lyrics and graphics. That is something that I welcome. Musically, it\'s reminiscent to Swedish colleagues Nine, but also American combos such as Himsa and Snapcase. Yeah, remember those dinosaurs? Hardcore with a metal touch is somewhat the new black these days and, sure, it\'s easy to accuse the band of jumping on the bandwagon, but having been around since 2001, Path of No Return can be considered veterans in this genre. Not only that, they\'re veterans with songs! And that\'s something that lots of other bands in the genre lack. That there are also influences from Swedish hardcore trendsetters Refused is not surprising at all, but they\'re not making it into a carbon copy except for the bridge in \"Broken dances\" wherein the guitar melody is similar to the one in Refused\'s \"Last minute pointer\". But where that classic Umeå-band always maintained focus throughout every album, that\'s what this Örebro-band is having problems. A full-length format seems a bit like overkill, instead an EP-release would\'ve probably been in the band\'s best interest.]]></description>
	<content:encoded><![CDATA[Finally, a record worth noticing from Burning Heart again. After lots of mediocre releases, <b>Path of No Return</b> has, judging by the labels own statement, gone full circle with their metal-/hardcore. And I agree in a way. The debut album <i>"Black nights coming"</i>, released on the <b>The Mars Volta</b>-label GSR, left me disappointed and indifferent. But after listening to this album, I'm bound to say that they've gone through a huge improvement and have added new dimensions to the music. It's not all about technique and skill anymore; something that was mye overall impression last time around. And from what I've heard, that was the main part to why previous vocalist <b>Adam Hector</b> left the band shortly after the debut.  There's a whole different depth to the band nowadays, both when it comes to the music in general, but also in the lyrics and graphics. That is something that I welcome. Musically, it's reminiscent to Swedish colleagues <b>Nine</b>, but also American combos such as <b>Himsa</b> and <b>Snapcase</b>. Yeah, remember those dinosaurs? Hardcore with a metal touch is somewhat the new black these days and, sure, it's easy to accuse the band of jumping on the bandwagon, but having been around since 2001, <b>Path of No Return</b> can be considered veterans in this genre. Not only that, they're veterans with songs! And that's something that lots of other bands in the genre lack. That there are also influences from Swedish hardcore trendsetters <b>Refused</b> is not surprising at all, but they're not making it into a carbon copy except for the bridge in <i>"Broken dances"</i> wherein the guitar melody is similar to the one in <b>Refused</b>'s <i>"Last minute pointer"</i>. But where that classic Umeå-band always maintained focus throughout every album, that's what this Örebro-band is having problems. A full-length format seems a bit like overkill, instead an EP-release would've probably been in the band's best interest.]]></content:encoded>
	<pubDate>Mon, 27 Aug 2007 00:00:00 -0700</pubDate>
	<category>reviews</category>
</item>
<item>
	<title>MP3: The Process - Mot Sverige i tiden</title>
	<link>http://www.itsatrap.com/n/27681-mp3-the-process-mot-sverige-i-tiden</link>
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	<comments>http://www.itsatrap.com/n/27681-mp3-the-process-mot-sverige-i-tiden#comments</comments>
	<description><![CDATA[The Process kicks off their debut EP "Taste the knife" with their best Refused impression. Jagged rhythms, screaming vokills, yadda yadda. Considering it's been nine years since "The shape of punk to come", it's finally safe to start resurrecting that style. When bands like Crazy Town are covering them, you know the shit is way played out. Wait a more years though and it's okay again.The Process aren't totally by the book, but they aren't really all that progressive either. They make up for a lack of precision with increased anger. Elsewhere on the disc, they play it more straight, fast and furious, throwing the odd little breakdown in here and there. As much as I'm nostalgic for (bad) mid-90s moshcore (such as early Refused), I'm glad The Process has evolved beyond and does not venture even come remotely close to that territory. For a debut EP, this is a fine start. It's not my idea of the future of hardcore, but it's decent, well-played and well-recorded. Good enough!]]></description>
	<content:encoded><![CDATA[<p><b>The Process</b> kicks off their debut EP <i>"Taste the knife"</i> with their best <b>Refused</b> impression. Jagged rhythms, screaming vokills, yadda yadda. Considering it's been nine years since <i>"The shape of punk to come"</i>, it's finally safe to start resurrecting that style. When bands like <b>Crazy Town</b> are <a href="http://www.youtube.com/watch?v=0V0FAC4UyJ4" target=_blank title="beware!">covering them</a>, you know the shit is way played out. Wait a more years though and it's okay again.<br><b>The Process</b> aren't totally by the book, but they aren't really all that progressive either. They make up for a lack of precision with increased anger. Elsewhere on the disc, they play it more straight, fast and furious, throwing the odd little breakdown in here and there. As much as I'm nostalgic for (bad) mid-90s moshcore (such as early <b>Refused</b>), I'm glad <b>The Process</b> has evolved beyond and does not venture even come remotely close to that territory. For a debut EP, this is a fine start. It's not my idea of the future of hardcore, but it's decent, well-played and well-recorded. Good enough!]]></content:encoded>
	<enclosure url="http://www.itsatrap.com/playlist/the_process-mot_sverige_i_tiden.mp3" length="0" type="audio/mpeg" />
	<pubDate>Mon, 09 Jul 2007 00:00:00 -0700</pubDate>
	<category>mp3s</category>
</item>
<item>
	<title></title>
	<link>http://www.itsatrap.com/n/839</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/839</guid>
	<comments>http://www.itsatrap.com/n/839#comments</comments>
	<description><![CDATA[The Refused fansite finally got their own domain name: http://www.refusedfan.com/]]></description>
	<content:encoded><![CDATA[<p>The <b>Refused</b> fansite finally got their own domain name: <a href="http://www.refusedfan.com/" target=_blank>http://www.refusedfan.com/</a>]]></content:encoded>
	<pubDate>Tue, 03 Jul 2007 00:00:00 -0700</pubDate>
	<category>news</category>
</item>
<item>
	<title>Festival report: Hultsfred 2007 - The year it all broke down (almost)</title>
	<link>http://www.itsatrap.com/n/25699-festival-report-hultsfred-2007-the-year-it-all-broke-down-almost</link>
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	<description><![CDATA[I guess most of you people, at least in Sweden, know by now. This years Hultsfredsfestival was a total failure. More than 5000 tickets remained unsold, and you can tell when there are 5000 people missing. But hey, come on! No one can really be surprised? Even the ancient Greek knew the dangers of hubris, two sold out festivals in a row don't necessarily equal a third. If you raise the cost of the ticket and don't provide enough value for the raise, then you are in it over your head. Especially when the Hultsfredsfestival has a very young audience in general, which teenage kid can afford 1800 SEK [ed: approx. $250 USD], just for the ticket? It was doomed from the beginning. 

Enough of that. Time to get down to business, the music. Even though I thought this year's line up to be quite lame, there where still some goodies to be found. Tingsek for instance. This tall and handsome man of soul played like no man has ever played before and it was absolutely amazing. Great weather, the outdoors and soft tunes of soul, gospel and reggae with a touch of pop, what more can a man want from the first concert of the festival? Speaking of reggae with a touch of pop, Svenska Akademien recently released their new album "Gör det ändå. Gör det ändå". Once again General Knas + Sture Vikingsson and friends prove that there's no limit to how much groove you can fit into one album. Although playing in the middle of the night the first day of the festival, you could tell that they love being on tour again. To help them light up the night they had brought a bunch of people with Bengal lights and lit up sticks and chains being constantly rotated. It sure made me stay awake a little bit longer. 

The Friday set off with a gush of rock'n'roll signed the Swedish rockers Bring Me The Fucking Riot... Man. I enjoyed their first album very much but don't really think they can push things any further. And I was quite right. They played one of the smallest stages and they played no longer than thirty minutes. It was a good thirty minutes though. Sophie Zelmani got a little bit longer than that, much to everyone's delight. All dressed up in a nice white dress and her ever-lasting sidekick Lars Halapi by her side; everything is as it should be. This is the third time I've been to a Sophie Zelmani concert on the Hultsfredsfestival over the years, and I still get amazed by the magical atmosphere this sweet girl creates with her soft whispering and mere presence.  

Taxi, Taxi! also aspires of creating something that is pure magical. Twin sisters Miriam and Johanna Eriksson Berhan have something ordinary mortals don't. Their unique co-singing style and complex, yet simple, songwriting makes them one of the best acts I've seen on the entire festival. A must-see if possible. Laleh on the other hand, is a don't-see, at least when it comes to a festival gig. The Pampas stage is too big for an intimate artist like Laleh and the sound was quite terrible. No, next time I hope she'll get to play one of the smaller stages. A band that should definitely play the larges stages is Mando Diao. Their gig on the main stage only manifests what we already knew for sure, that Mando Diao is one of the best live bands in Sweden right now. 

Still now really satisfied by what I've seen so far on the festival, I went to see Asha Ali first thing the last day. And I'm glad I did. Having released a critically acclaimed EP, "Warm fronts" in 2005, she just recently released her first full-length self-titled album and now she stands ready to take on the world with her striking singer/songwriter-meets-soul music. 

Dennis Lyxzén is a man of many words and projects, I'm sure you've heard about a few of them (Refused, The (International) Noise Conspiracy). The Lost Patrol Band is his take on classic old-school punk rock. Not all that exciting, it's been done before, but still enjoyable. Lisa Miskovsky on the other hand, is hardly exciting at all these days. I never really liked her much laid back (and well produced) country pop songs. It's got no edge what so ever. Sure, I did enjoy a couple of songs laying in the grass in front of the stage, but nothing more. Sadly, I had my hopes up in vain for a duet between Lisa Miskovsky and Dennis Lyxzén in the last song of the set, "Alright". I mean, Dennis was in the neighbourhood after all. 

Turbonegro is still one of rock's most overrated bands. I did enjoy them the first time I saw them on the Hultsfredsfestival, but nowadays they seem to play each and every year on each and every festival there is. Not all things sucked on this year's festival though; there was one artist that totally blew me away. Saving the best to last, Norwegian self proclaimed Queen of the World, Ida-Maria, put up a show that will be remembered for years to come. It was so honest and genuine; she was ready to blow anytime. The voice! The power! And the anthem! "Oh my god" is the best fucking song I've heard in ages. Thank you Ida-Maria for making my festival worth the while.

- Christian Stenbacke]]></description>
	<content:encoded><![CDATA[<p>I guess most of you people, at least in Sweden, know by now. This years Hultsfredsfestival was a total failure. More than 5000 tickets remained unsold, and you can tell when there are 5000 people missing. But hey, come on! No one can really be surprised? Even the ancient Greek knew the dangers of hubris, two sold out festivals in a row don't necessarily equal a third. If you raise the cost of the ticket and don't provide enough value for the raise, then you are in it over your head. Especially when the Hultsfredsfestival has a very young audience in general, which teenage kid can afford 1800 SEK <i>[ed: approx. $250 USD]</i>, just for the ticket? It was doomed from the beginning. 

<p>Enough of that. Time to get down to business, the music. Even though I thought this year's line up to be quite lame, there where still some goodies to be found. <b>Tingsek</b> for instance. This tall and handsome man of soul played like no man has ever played before and it was absolutely amazing. Great weather, the outdoors and soft tunes of soul, gospel and reggae with a touch of pop, what more can a man want from the first concert of the festival? Speaking of reggae with a touch of pop, <b>Svenska Akademien</b> recently released their new album <i>"Gör det ändå. Gör det ändå"</i>. Once again <b>General Knas</b> + <b>Sture Vikingsson</b> and friends prove that there's no limit to how much groove you can fit into one album. Although playing in the middle of the night the first day of the festival, you could tell that they love being on tour again. To help them light up the night they had brought a bunch of people with Bengal lights and lit up sticks and chains being constantly rotated. It sure made me stay awake a little bit longer. 

<p>The Friday set off with a gush of rock'n'roll signed the Swedish rockers <b>Bring Me The Fucking Riot... Man</b>. I enjoyed their first album very much but don't really think they can push things any further. And I was quite right. They played one of the smallest stages and they played no longer than thirty minutes. It was a good thirty minutes though. <b>Sophie Zelmani</b> got a little bit longer than that, much to everyone's delight. All dressed up in a nice white dress and her ever-lasting sidekick <b>Lars Halapi</b> by her side; everything is as it should be. This is the third time I've been to a <b>Sophie Zelmani</b> concert on the Hultsfredsfestival over the years, and I still get amazed by the magical atmosphere this sweet girl creates with her soft whispering and mere presence.  

<p><b>Taxi, Taxi!</b> also aspires of creating something that is pure magical. Twin sisters <b>Miriam</b> and <b>Johanna Eriksson Berhan</b> have something ordinary mortals don't. Their unique co-singing style and complex, yet simple, songwriting makes them one of the best acts I've seen on the entire festival. A must-see if possible. <b>Laleh</b> on the other hand, is a don't-see, at least when it comes to a festival gig. The Pampas stage is too big for an intimate artist like <b>Laleh</b> and the sound was quite terrible. No, next time I hope she'll get to play one of the smaller stages. A band that should definitely play the larges stages is <b>Mando Diao</b>. Their gig on the main stage only manifests what we already knew for sure, that <b>Mando Diao</b> is one of the best live bands in Sweden right now. 

<p>Still now really satisfied by what I've seen so far on the festival, I went to see <b>Asha Ali</b> first thing the last day. And I'm glad I did. Having released a critically acclaimed EP, <i>"Warm fronts"</i> in 2005, she just recently released her first full-length self-titled album and now she stands ready to take on the world with her striking singer/songwriter-meets-soul music. 

<p><b>Dennis Lyxzén</b> is a man of many words and projects, I'm sure you've heard about a few of them (<b>Refused</b>, <b>The (International) Noise Conspiracy</b>). <b>The Lost Patrol Band</b> is his take on classic old-school punk rock. Not all that exciting, it's been done before, but still enjoyable. <b>Lisa Miskovsky</b> on the other hand, is hardly exciting at all these days. I never really liked her much laid back (and well produced) country pop songs. It's got no edge what so ever. Sure, I did enjoy a couple of songs laying in the grass in front of the stage, but nothing more. Sadly, I had my hopes up in vain for a duet between <b>Lisa Miskovsky</b> and <b>Dennis Lyxzén</b> in the last song of the set, <i>"Alright"</i>. I mean, <b>Dennis</b> was in the neighbourhood after all. 

<p><b>Turbonegro</b> is still one of rock's most overrated bands. I did enjoy them the first time I saw them on the Hultsfredsfestival, but nowadays they seem to play each and every year on each and every festival there is. Not all things sucked on this year's festival though; there was one artist that totally blew me away. Saving the best to last, Norwegian self proclaimed Queen of the World, <b>Ida-Maria</b>, put up a show that will be remembered for years to come. It was so honest and genuine; she was ready to blow anytime. The voice! The power! And the anthem! <i>"Oh my god"</i> is the best fucking song I've heard in ages. Thank you <b>Ida-Maria</b> for making my festival worth the while.

<p><i>- Christian Stenbacke</i><br><br>]]></content:encoded>
	<pubDate>Tue, 19 Jun 2007 00:00:00 -0700</pubDate>
	<category>articles</category>
	<category>fest</category>
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	<link>http://www.itsatrap.com/n/1039</link>
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	<comments>http://www.itsatrap.com/n/1039#comments</comments>
	<description><![CDATA[If you liked today's mp3 post, read more Refused reminiscing from Hype Beast: http://www.hypebeast.com/stevenvogel/2007/06/14/the-shape-of-punk-to-come/]]></description>
	<content:encoded><![CDATA[<p>If you liked today's mp3 post, read more <b>Refused</b> reminiscing from Hype Beast: <a href="http://www.hypebeast.com/stevenvogel/2007/06/14/the-shape-of-punk-to-come/" target=_blank>http://www.hypebeast.com/stevenvogel/2007/06/14/the-shape-of-punk-to-come/</a>]]></content:encoded>
	<pubDate>Fri, 15 Jun 2007 00:00:00 -0700</pubDate>
	<category>news</category>
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	<title>MP3: Refused - Sunflower princess</title>
	<link>http://www.itsatrap.com/n/27701-mp3-refused-sunflower-princess</link>
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	<comments>http://www.itsatrap.com/n/27701-mp3-refused-sunflower-princess#comments</comments>
	<description><![CDATA[Frequent contributor Matt Giordano is taking care of this week's Friday post:Remember when Dennis Lyxzén knew how to rock? It's been a while, and it sure is sorely missed. This song is amongst the older of the Refused catalogue, and I really have no idea if this EP is still in print [ed: it is]. The release this is from, "Everlasting", served as a logical connector between their very early-90s hardcore sounding debut album "This just might be... the truth" and the heavier "Songs to fan the flames of discontent". Mixing the punk of the former and the more driving metal-influenced rhythms of the latter, "Everlasting" might just be the best of the bands' early material.]]></description>
	<content:encoded><![CDATA[<p>Frequent contributor <b>Matt Giordano</b> is taking care of this week's Friday post:<p class="indent">Remember when <b>Dennis Lyxzén</b> knew how to rock? It's been a while, and it sure is sorely missed. This song is amongst the older of the <b>Refused</b> catalogue, and I really have no idea if this EP is still in print <i>[ed: it is]</i>. The release this is from, <i>"Everlasting"</i>, served as a logical connector between their very early-90s hardcore sounding debut album <i>"This just might be... the truth"</i> and the heavier <i>"Songs to fan the flames of discontent"</i>. Mixing the punk of the former and the more driving metal-influenced rhythms of the latter, <i>"Everlasting"</i> might just be the best of the bands' early material.]]></content:encoded>
	<enclosure url="http://www.itsatrap.com/playlist/refused-sunflower_princess.mp3" length="0" type="audio/mpeg" />
	<pubDate>Fri, 15 Jun 2007 00:00:00 -0700</pubDate>
	<category>mp3s</category>
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	<title></title>
	<link>http://www.itsatrap.com/n/2597</link>
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	<comments>http://www.itsatrap.com/n/2597#comments</comments>
	<description><![CDATA[Wasted Sounds will be reissuing Final Exit's discography on vinyl. The legendary Umeå-based straight-edge band included both Dennis Lyxzen and David Sandström pre-Refused and will be performing a one-off reunion show at this year's Umeå Open. In other Wasted Sounds news, the label will be sending off new LPs from Knugen Faller, Blinds and Asta Kask to get pressed in the next week or so. For preorder info and tons of tourdates for all Wasted Sounds-affiliated acts, go to their website: http://www.wastedsounds.com/]]></description>
	<content:encoded><![CDATA[<p>Wasted Sounds will be reissuing <b>Final Exit</b>'s discography on vinyl. The legendary Umeå-based straight-edge band included both <b>Dennis Lyxzen</b> and <b>David Sandström</b> pre-<b>Refused</b> and will be performing a one-off reunion show at this year's Umeå Open. In other Wasted Sounds news, the label will be sending off new LPs from <b>Knugen Faller</b>, <b>Blinds</b> and <b>Asta Kask</b> to get pressed in the next week or so. For preorder info and tons of tourdates for all Wasted Sounds-affiliated acts, go to their website: <a href="http://www.wastedsounds.com/" target=_blank>http://www.wastedsounds.com/</a>]]></content:encoded>
	<pubDate>Thu, 15 Feb 2007 00:00:00 -0800</pubDate>
	<category>news</category>
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	<title></title>
	<link>http://www.itsatrap.com/n/3660</link>
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	<comments>http://www.itsatrap.com/n/3660#comments</comments>
	<description><![CDATA[Straight Edge Terror Force strikes in Umeå: http://www.thelocal.se/5530/The band is actually supposed to be Final Exit, the group that David Sandström and Dennis Lyxzén were in before founding Refused.]]></description>
	<content:encoded><![CDATA[<p>Straight Edge Terror Force strikes in Umeå: <a href="http://www.thelocal.se/5530/" target=_blank>http://www.thelocal.se/5530/</a><br>The band is actually supposed to be <b>Final Exit</b>, the group that <b>David Sandström</b> and <b>Dennis Lyxzén</b> were in before founding <b>Refused</b>.]]></content:encoded>
	<pubDate>Thu, 16 Nov 2006 00:00:00 -0800</pubDate>
	<category>news</category>
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<item>
	<title></title>
	<link>http://www.itsatrap.com/n/3712</link>
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	<comments>http://www.itsatrap.com/n/3712#comments</comments>
	<description><![CDATA[This week's It's a trap! Last.fm/Audioscrobbler listening group top 10 tracks of the week: 01. Damien Rice – 9 Crimes02. Bloc Party – Banquet03. The Radio Dept. – It's Personal04. The Magic Numbers – Take A Chance05. The Magic Numbers – This Is A Song06. Damien Rice – Elephant07. The Shins – Sleeping Lessons08. Refused – New Noise 09. Damien Rice – Rootless Tree10. The Knife – NeverlandAnd the top 10 albums of the week:01. The Arcade Fire – Funeral02. The Radio Dept. – Pet Grief03. The Postal Service – Give Up04. The Knife – Silent Shout05. Thom Yorke – The Eraser06. Beirut – Gulag Orkestar07. Bloc Party – Silent Alarm08. Tiger Lou – The Loyal09. Hot Chip – The Warning10. The Magic Numbers – The Magic NumbersWant to make your own playlist count? Join us! Go here to learn more: http://www.last.fm/help/]]></description>
	<content:encoded><![CDATA[<p>This week's <a href="http://www.last.fm/group/itsatrap" target=_blank>It's a trap! Last.fm/Audioscrobbler listening group</a> top 10 tracks of the week: <p class="indent">01. <b>Damien Rice</b> – 9 Crimes<br>02. <b>Bloc Party</b> – Banquet<br>03. <b>The Radio Dept.</b> – It's Personal<br>04. <b>The Magic Numbers</b> – Take A Chance<br>05. <b>The Magic Numbers</b> – This Is A Song<br>06. <b>Damien Rice</b> – Elephant<br>07. <b>The Shins</b> – Sleeping Lessons<br>08. <b>Refused</b> – New Noise <br>09. <b>Damien Rice</b> – Rootless Tree<br>10. <b>The Knife</b> – Neverland<br><p>And the top 10 albums of the week:<p class="indent">01. <b>The Arcade Fire</b> – Funeral<br>02. <b>The Radio Dept.</b> – Pet Grief<br>03. <b>The Postal Service</b> – Give Up<br>04. <b>The Knife</b> – Silent Shout<br>05. <b>Thom Yorke</b> – The Eraser<br>06. <b>Beirut</b> – Gulag Orkestar<br>07. <b>Bloc Party</b> – Silent Alarm<br>08. <b>Tiger Lou</b> – The Loyal<br>09. <b>Hot Chip</b> – The Warning<br>10. <b>The Magic Numbers</b> – The Magic Numbers<br><p>Want to make your own playlist count? Join us! Go here to learn more: <a href="http://www.last.fm/help/" target=_blank>http://www.last.fm/help/</a>]]></content:encoded>
	<pubDate>Mon, 13 Nov 2006 00:00:00 -0800</pubDate>
	<category>news</category>
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	<title></title>
	<link>http://www.itsatrap.com/n/3913</link>
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	<comments>http://www.itsatrap.com/n/3913#comments</comments>
	<description><![CDATA[Cobolt, the Umeå-based slowcore act featuring ex-Refused bassist Magnus Björklund, is now on myspace: http://www.myspace.com/coboltmusic]]></description>
	<content:encoded><![CDATA[<p><b>Cobolt</b>, the Umeå-based slowcore act featuring ex-<b>Refused</b> bassist <b>Magnus Björklund</b>, is now on myspace: <a href="http://www.myspace.com/coboltmusic" target=_blank>http://www.myspace.com/coboltmusic</a>]]></content:encoded>
	<pubDate>Wed, 25 Oct 2006 00:00:00 -0700</pubDate>
	<category>news</category>
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	<title></title>
	<link>http://www.itsatrap.com/n/4017</link>
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	<comments>http://www.itsatrap.com/n/4017#comments</comments>
	<description><![CDATA[Swedish music show Musikbyrån celebrates 10 years with a marathon of programming on October 20, including many classic performances from bands such as Refused, Bob Hund and The Hives. Read more: http://svt.se/musikbyran]]></description>
	<content:encoded><![CDATA[<p>Swedish music show Musikbyrån celebrates 10 years with a marathon of programming on October 20, including many classic performances from bands such as <b>Refused</b>, <b>Bob Hund</b> and <b>The Hives</b>. Read more: <a href="http://svt.se/musikbyran" target=_blank>http://svt.se/musikbyran</a>]]></content:encoded>
	<pubDate>Thu, 19 Oct 2006 00:00:00 -0700</pubDate>
	<category>news</category>
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	<title></title>
	<link>http://www.itsatrap.com/n/4773</link>
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	<comments>http://www.itsatrap.com/n/4773#comments</comments>
	<description><![CDATA[Ny Våg, the Swedish punk label run by Dennis of Refused/(Int'l) Noise Conspiracy, has started podcasting: pcast://nyvag.com/Podcast/NyVagPodcast.xml]]></description>
	<content:encoded><![CDATA[<p>Ny Våg, the Swedish punk label run by <b>Dennis</b> of <b>Refused</b>/<b>(Int'l) Noise Conspiracy</b>, has started podcasting: <a href="http://nyvag.com/Podcast/NyVagPodcast.xml" target=_blank>pcast://nyvag.com/Podcast/NyVagPodcast.xml</a>]]></content:encoded>
	<pubDate>Thu, 17 Aug 2006 00:00:00 -0700</pubDate>
	<category>news</category>
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	<title>Video mix: A-ha, A Camp, Fidget, Vapnet, The Psyke Project, Timbuktu, more...</title>
	<link>http://www.itsatrap.com/n/25596-video-mix-a-ha-a-camp-fidget-vapnet-the-psyke-project-timbuktu-more</link>
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	<comments>http://www.itsatrap.com/n/25596-video-mix-a-ha-a-camp-fidget-vapnet-the-psyke-project-timbuktu-more#comments</comments>
	<description><![CDATA[Thanks to the modern miracle of YouTube, we now have video on-demand twenty-four hours a day, seven days a week. No longer are Scandinavian music videos the sole domain of MTV Nordic, ZTV and the like. Now it's for everyone, everywhere, anytime. Hopefully this will be the first of many posts where we can share in the bounty just waiting to be discovered.

A-ha - Take on me

Certified classic. Great song made even better by an amazing video. An obvious first choice. (AR)

A Camp – I can buy you

I don't watch that many videos these days, but when this came out I lived with my parents (a time for sitting on the couch, watching MTV and drinking chocolate milk) and I remember being swept away by the cunning use of two polar opposite Ninas! Shame that the rest of the A Camp album wasn't as good. (ST)

Fidget - Living on video

Although the video does not come close to the original (Trans-X, 1982) it is still a grand cover. (PA)

The Knife - Handy-man

Despite the extremely bright colors and goofball lyrics, this video still totally creeps me out. (AR)
 
Teh funneh Immortal

Everything is better when it's set to the Benny Hill music. And I actually really like Immortal. (AR)

Vapnet – Thoméegränd

Here's another well made video with a nice little storyline. It's difficult to not be biased though, when the song is my favourite one of the year. (ST)

Refused - New noise

What's with the bunny suites? Anyway, this video makes me want to dance... (PA)

The Psyke Project - In the mist

There's no way that a video matching the brutality of the music would get aired anywhere, so we've got to settle for a performance clip on an empty soundstage. Works for me. (AR)

Timbuktu – The botten is nådd

This is Swedish hip-hop, which would mean nothing to you if you don't speak Swedish, but thanks to the brilliance of videos, everyone should be able to understand the message of hangover and regrets from the previous night, that this song by Timbuktu so masterfully conveys. (ST)

Tiger Lou - Sam

A brilliantly dark video from a brilliant artist. I feel so honored to be working with Tiger Lou on the "Until I'm there" 7" that I'm putting out. (AR)
 
The Embassy - Stage persona

Say what you will about the band, this video is brilliant! (PA)

Last Days of April – Playerin

An awful and shoddy video for a... no wait a minute, this is indeed a horrible video, but it's a great song and it features a guy running, something that the director of The Embassy's video obviously stole and made into a visual feast. (ST)


.:Who's who?
AR: Avi Roig
PA: Per Apelqvist
ST: Simon Tagestam]]></description>
	<content:encoded><![CDATA[<p>Thanks to the modern miracle of YouTube, we now have video on-demand twenty-four hours a day, seven days a week. No longer are Scandinavian music videos the sole domain of MTV Nordic, ZTV and the like. Now it's for everyone, everywhere, anytime. Hopefully this will be the first of many posts where we can share in the bounty just waiting to be discovered.<br><br>

<p><b>A-ha</b> - Take on me<br>
<object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/3NxTCk-o0U0"></param><embed src="http://www.youtube.com/v/3NxTCk-o0U0" type="application/x-shockwave-flash" width="425" height="350"></embed></object><br>
Certified classic. Great song made even better by an amazing video. An obvious first choice. (AR)<br><br>

<p><b>A Camp</b> – I can buy you<br>
<object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/S8PN7l4TEYs"></param><embed src="http://www.youtube.com/v/S8PN7l4TEYs" type="application/x-shockwave-flash" width="425" height="350"></embed></object><br>
I don't watch that many videos these days, but when this came out I lived with my parents (a time for sitting on the couch, watching MTV and drinking chocolate milk) and I remember being swept away by the cunning use of two polar opposite <b>Nina</b>s! Shame that the rest of the <b>A Camp</b> album wasn't as good. (ST)<br><br>

<p><b>Fidget</b> - Living on video<br>
<object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/Fla4VCphxPQ"></param><embed src="http://www.youtube.com/v/Fla4VCphxPQ" type="application/x-shockwave-flash" width="425" height="350"></embed></object><br>
Although the video does not come close to the original (<b>Trans-X</b>, 1982) it is still a grand cover. (PA)<br><br>

<p><b>The Knife</b> - Handy-man<br>
<object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/WGUFfa2iDHg"></param><embed src="http://www.youtube.com/v/WGUFfa2iDHg" type="application/x-shockwave-flash" width="425" height="350"></embed></object><br>
Despite the extremely bright colors and goofball lyrics, this video still totally creeps me out. (AR)<br><br>
 
<p>Teh funneh <b>Immortal</b><br>
<object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/ehnRt3LaLUc"></param><embed src="http://www.youtube.com/v/ehnRt3LaLUc" type="application/x-shockwave-flash" width="425" height="350"></embed></object><br>
Everything is better when it's set to the Benny Hill music. And I actually really like <b>Immortal</b>. (AR)<br><br>

<p><b>Vapnet</b> – Thoméegränd
<object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/ZuqmePGfz1Y"></param><embed src="http://www.youtube.com/v/ZuqmePGfz1Y" type="application/x-shockwave-flash" width="425" height="350"></embed></object><br>
Here's another well made video with a nice little storyline. It's difficult to not be biased though, when the song is my favourite one of the year. (ST)<br><br>

<p><b>Refused</b> - New noise<br>
<object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/31EMSCNZzU8"></param><embed src="http://www.youtube.com/v/31EMSCNZzU8" type="application/x-shockwave-flash" width="425" height="350"></embed></object><br>
What's with the bunny suites? Anyway, this video makes me want to dance... (PA)<br><br>

<p><b>The Psyke Project</b> - In the mist<br>
<object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/NMUBAQ4tlhk"></param><embed src="http://www.youtube.com/v/NMUBAQ4tlhk" type="application/x-shockwave-flash" width="425" height="350"></embed></object><br>
There's no way that a video matching the brutality of the music would get aired anywhere, so we've got to settle for a performance clip on an empty soundstage. Works for me. (AR)<br><br>

<p><b>Timbuktu</b> – The botten is nådd<br>
<object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/PLvQbkj-exE"></param><embed src="http://www.youtube.com/v/PLvQbkj-exE" type="application/x-shockwave-flash" width="425" height="350"></embed></object><br>
This is Swedish hip-hop, which would mean nothing to you if you don't speak Swedish, but thanks to the brilliance of videos, everyone should be able to understand the message of hangover and regrets from the previous night, that this song by <b>Timbuktu</b> so masterfully conveys. (ST)<br><br>

<p><b>Tiger Lou</b> - Sam<br>
<object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/4Nps8w2HkMU"></param><embed src="http://www.youtube.com/v/4Nps8w2HkMU" type="application/x-shockwave-flash" width="425" height="350"></embed></object><br>
A brilliantly dark video from a brilliant artist. I feel so honored to be working with <b>Tiger Lou</b> on the <i>"Until I'm there"</i> 7" that I'm putting out. (AR)<br><br>
 
<p><b>The Embassy</b> - Stage persona<br>
<object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/xymYyMqwFiU"></param><embed src="http://www.youtube.com/v/xymYyMqwFiU" type="application/x-shockwave-flash" width="425" height="350"></embed></object><br>
Say what you will about the band, this video is brilliant! (PA)<br><br>

<p><b>Last Days of April</b> – Playerin<br>
<object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/EUoeQVN4pEc"></param><embed src="http://www.youtube.com/v/EUoeQVN4pEc" type="application/x-shockwave-flash" width="425" height="350"></embed></object><br>
An awful and shoddy video for a... no wait a minute, this is indeed a horrible video, but it's a great song and it features a guy running, something that the director of <b>The Embassy</b>'s video obviously stole and made into a visual feast. (ST)<br><br>

<br>
<p class=date>.:<b>Who's who?</b></p>
<p>AR: <b>Avi Roig</b><br>
PA: <b>Per Apelqvist</b><br>
ST: <b>Simon Tagestam</b><br><br>]]></content:encoded>
	<pubDate>Thu, 03 Aug 2006 00:00:00 -0700</pubDate>
	<category>articles</category>
	<category>videos</category>
</item>
<item>
	<title></title>
	<link>http://www.itsatrap.com/n/5644</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/5644</guid>
	<comments>http://www.itsatrap.com/n/5644#comments</comments>
	<description><![CDATA[Indieworkshop on the Refused DVD: http://www.indieworkshop.com/film.php?id=149]]></description>
	<content:encoded><![CDATA[<p>Indieworkshop on the <b>Refused</b> DVD: <a href="http://www.indieworkshop.com/film.php?id=149" target=_blank>http://www.indieworkshop.com/film.php?id=149</a>]]></content:encoded>
	<pubDate>Thu, 25 May 2006 00:00:00 -0700</pubDate>
	<category>news</category>
</item>
<item>
	<title></title>
	<link>http://www.itsatrap.com/n/5692</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/5692</guid>
	<comments>http://www.itsatrap.com/n/5692#comments</comments>
	<description><![CDATA[Drowned in Sound talks to Kristofer Steen about the legacy of Refused and the new DVD: http://drownedinsound.com/content/view/777156]]></description>
	<content:encoded><![CDATA[<p>Drowned in Sound talks to <b>Kristofer Steen</b> about the legacy of <b>Refused</b> and the new DVD: <a href="http://drownedinsound.com/content/view/777156" target=_blank>http://drownedinsound.com/content/view/777156</a>]]></content:encoded>
	<pubDate>Mon, 22 May 2006 00:00:00 -0700</pubDate>
	<category>news</category>
</item>
<item>
	<title>MP3: Text - Those kids are gone</title>
	<link>http://www.itsatrap.com/n/27995-mp3-text-those-kids-are-gone</link>
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	<comments>http://www.itsatrap.com/n/27995-mp3-text-those-kids-are-gone#comments</comments>
	<description><![CDATA[Happy Friday everyone! This week's flashback post belongs to Matt Giordano:For my first mp3 posting of an older track I chose "Those kids are gone" by Text. For those who are unaware, Text was a collective featuring most of the Refused members (Dennis being the one absent). Whilst most of the disc is spoken word, this track really sticks out. Not only is it the catchiest song on the record, but also because of its production quality. It's one of the rawest acoustic tracks I have ever heard, and David Sandström's melody is quite beautiful. And since this track was only performed by him, it, at the time, was giving you hints at what to expect from his solo work, as well as David Sandström Overdrive.The whole album used to be available for free download at the Demonbox site, but the links are broken. However, you can still go there to read more about the band.]]></description>
	<content:encoded><![CDATA[<p>Happy Friday everyone! This week's flashback post belongs to <b>Matt Giordano</b>:<p class="indent">For my first mp3 posting of an older track I chose <i>"Those kids are gone"</i> by <b>Text</b>. For those who are unaware, <b>Text</b> was a collective featuring most of the <b>Refused</b> members (<b>Dennis</b> being the one absent). Whilst most of the disc is spoken word, this track really sticks out. Not only is it the catchiest song on the record, but also because of its production quality. It's one of the rawest acoustic tracks I have ever heard, and <b>David Sandström</b>'s melody is quite beautiful. And since this track was only performed by him, it, at the time, was giving you hints at what to expect from his solo work, as well as <b>David Sandström Overdrive</b>.<p>The whole album used to be available for free download <a href="http://demonbox.com/text" target=_blank>at the Demonbox site</a>, but the links are broken. However, you can still go there to read more about the band.]]></content:encoded>
	<enclosure url="http://www.itsatrap.com/playlist/text-those_kids_are_gone.mp3" length="0" type="audio/mpeg" />
	<pubDate>Fri, 19 May 2006 00:00:00 -0700</pubDate>
	<category>mp3s</category>
</item>
<item>
	<title>Live report: Marit Bergman + Firefox AK @ Tack! Tack! Tack!, London UK 05/15/06</title>
	<link>http://www.itsatrap.com/n/25580-live-report-marit-bergman-firefox-ak-tack-tack-tack-london-uk-05-15-06</link>
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	<description><![CDATA[London's only truly international club night: flies acts in from abroad, plays music from abroad (or from cyberspace), truly cuts the mustard tonight, matching the amazing with the sublime. The bill was the most exciting to-date, however T!T!T! actually came undone tonight. Marit Bergman put T!T!T! to shame. And why you ask?

Okay, the pre-gig press-ups were one thing, the raw diet of love another, the wicked anecdotes and vivid descriptions in her songs just too good.

You must put into context: Marit Bergman draws on over 10+ years experience, has played everywhere [okay not ev-erywhere...but you know!), according to one on the night: "This is wild, in Sweden Marit can play to 7000 people at the Kalas tours [think: Lollapalooza]". She has a name. But she is much much more than a name, she is an artist, correctly described in the Guardian as "Scandinavia's finest Chanteuse". We agree. Drawing on new material, not relying on old, save "This is the year". It was sold out - and for many it worked, for some not, they needed smash hits/productions not constructions with performance. 

In a band? Follow this line carefully: Marit thanked the sound technician, for being a very sound-technican. Magdeline was really pleased that she got a mention / compliment from Marit. Note the attention to detail at such an oft-forgotten level, then think how much is paid to the master task of music? Yes, she is on point Marit is.

Then It's a trap! DJ Per Apelqvist pitches in with: "At some point during her performance Marit made a reference to the bathrooms behind her, the very same bathroom indoctrinated as the back stage, by The Embassy."

Up steps Firefox AK for a super solid, completely confident show. Then someone asked: "have you got a light", of course I said: "over there mate, she is on fire." It went down as well as the subject. Firefox AK worked the crowd, the first stadium-esque handclap sequence, and she bowed to the the backstage toilet area!

It need be said that "The Draft" duet with Rasmus Kellerman (Tiger Lou) is top-ten material. The dynamic, the posture, the delivery, the electric static coming from their cold interaction on stage as they compete for perfection on this song makes for pivitol inclusion. Just brilliant. More than one fashion student in the back moving their hips.

Guest DJ Sweden Made Me Rob was on good lash and form. An hour for T!T!T! and SMM to unite for the night. 

There is no other place in London you can go and see great live performances coming out of Sweden that you did last night with DJ's mixing everything from Familjen, Refused, Speaker, Robyn and on and on and on. 

What a Monday night shrups and shizzle.

T!T!T! shouts to: La Tour, The Rushes, Consequences, Ruth Moog, Daniel Hansson (Art), Nicolia (Print), Sigmacon (Print), The Social, and SwedenMadeMe Rob, Piers SSS Productions and the mighty dope film crew they are, plus extended Hello's! to: Sounds Of Sweden (good luck!), Razzia Recs, Adrian Recs, and MySpazzers new and old: it snurrar babe it snurrar.
- Jason Christie]]></description>
	<content:encoded><![CDATA[<p>London's only truly international club night: flies acts in from abroad, plays music from abroad (or from cyberspace), truly cuts the mustard tonight, matching the amazing with the sublime. The bill was the most exciting to-date, however T!T!T! actually came undone tonight. <b>Marit Bergman</b> put T!T!T! to shame. And why you ask?

<p>Okay, the pre-gig press-ups were one thing, the raw diet of love another, the wicked anecdotes and vivid descriptions in her songs just too good.

<p>You must put into context: <b>Marit Bergman</b> draws on over 10+ years experience, has played everywhere [okay not ev-erywhere...but you know!), according to one on the night: "This is wild, in Sweden <b>Marit</b> can play to 7000 people at the Kalas tours [think: Lollapalooza]". She has a name. But she is much much more than a name, she is an artist, correctly described in the Guardian as "Scandinavia's finest Chanteuse". We agree. Drawing on new material, not relying on old, save <i>"This is the year"</i>. It was sold out - and for many it worked, for some not, they needed smash hits/productions not constructions with performance. 

<p>In a band? Follow this line carefully: <b>Marit</b> thanked the sound technician, for being a very sound-technican. <b>Magdeline</b> was really pleased that she got a mention / compliment from <b>Marit</b>. Note the attention to detail at such an oft-forgotten level, then think how much is paid to the master task of music? Yes, she is on point <b>Marit</b> is.

<p>Then It's a trap! DJ <b>Per Apelqvist</b> pitches in with: <i>"At some point during her performance <b>Marit</b> made a reference to the bathrooms behind her, the very same bathroom indoctrinated as the back stage, by <b>The Embassy</b>."</i>

<p>Up steps <b>Firefox AK</b> for a super solid, completely confident show. Then someone asked: <i>"have you got a light"</i>, of course I said: <i>"over there mate, she is on fire."</i> It went down as well as the subject. <b>Firefox AK</b> worked the crowd, the first stadium-esque handclap sequence, and she bowed to the the backstage toilet area!

<p>It need be said that <i>"The Draft"</i> duet with <b>Rasmus Kellerman</b> (<b>Tiger Lou</b>) is top-ten material. The dynamic, the posture, the delivery, the electric static coming from their cold interaction on stage as they compete for perfection on this song makes for pivitol inclusion. Just brilliant. More than one fashion student in the back moving their hips.

<p>Guest DJ Sweden Made Me <b>Rob</b> was on good lash and form. An hour for T!T!T! and SMM to unite for the night. 

<p>There is no other place in London you can go and see great live performances coming out of Sweden that you did last night with DJ's mixing everything from <b>Familjen</b>, <b>Refused</b>, <b>Speaker</b>, <b>Robyn</b> and on and on and on. 

<p>What a Monday night shrups and shizzle.<br><br>

<p>T!T!T! shouts to: <b>La Tour</b>, <b>The Rushes</b>, <b>Consequences</b>, <b>Ruth Moog</b>, <b>Daniel Hansson</b> (Art), <b>Nicolia</b> (Print), Sigmacon (Print), The Social, and SwedenMadeMe <b>Rob</b>, Piers SSS Productions and the mighty dope film crew they are, plus extended Hello's! to: Sounds Of Sweden (good luck!), Razzia Recs, Adrian Recs, and MySpazzers new and old: it snurrar babe it snurrar.<br>
<i>- Jason Christie</i><br><br>]]></content:encoded>
	<pubDate>Tue, 16 May 2006 00:00:00 -0700</pubDate>
	<category>articles</category>
	<category>reviews</category>
</item>
<item>
	<title>Refused Refused are fucking dead DVD Burning Heart Records</title>
	<link>http://www.itsatrap.com/n/26212-refused-refused-are-fucking-dead-dvd-burning-heart-records</link>
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	<comments>http://www.itsatrap.com/n/26212-refused-refused-are-fucking-dead-dvd-burning-heart-records#comments</comments>
	<description><![CDATA[\"The \'Chinese Democracy\' of punkrock\". The statement in the press release from Burning Heart couldn\'t be more right. The waiting has been long and the expectations incredibly high. But the comparisons with the Axl Rose-monster stops there. While he seems to be more and more of a shadow of his former self, most Refused-members have great musical careers apart from the old band (Dennis in The (International) Noise Conspiracy, David in David Sandström Overdrive and Jon as Jon F. Kennedy [ed: and don\'t forget ex-bassist Magnus and Cobolt]). Lots of us grew up with Refused. We went to their gigs, bought every record and sought extrication from other punkbands often lousy records and live shows. When Refused got up on stage or went into the studio we knew magic would come out of it. And that\'s what makes it so hard to watch this DVD. Sure, the music and photography is brilliant and ex-guitarist Kristofer Steen has made this movie with love, I can tell; but the story about why the band broke up and the feelings evolving around that is never deeply penetrated. My feeling is that they are just scratching the surface. The band broke up during the USA-tour following the masterpiece \"The shape of punk to come\". All members get interviewed thoroughly and they\'re giving answers to some things never mentioned before, but when I watch \"Refused are fucking dead\" I can\'t help but think \"I know this already, I know about the whole scenario. I want to get under their skins and really know how they felt about each other.\" That makes me wonder one other thing: who is this movie really made for? If you\'re like me, there\'s nothing new under the sun in these 38 minutes. And if you\'re someone who\'s just interested in what Refused was, the movie can seem a bit too self-centered, as if the filmmakers think it\'s obvious that people know who this band was. And believe me, as much as I\'d like that everyone should know, not all people do know the Refused-story. The extra material is two videos (\"New noise\" and \"Rather be dead\") and live clips of every song featured on \"The shape of punk to come\". Oh, and speaking of liveclips; it\'s not ok to edit a livegig for a DVD-release. I happen to know for a fact that the samples in \"New noise\" weren\'t present during the Popstad-gig in the movie. It\'s not ok to pretend that everything\'s alright. At least we can take comfort in that no matter how much I dislike this DVD, \"Chinese Democracy\" will be even worse. Time will tell.]]></description>
	<content:encoded><![CDATA[<i>"The 'Chinese Democracy' of punkrock"</i>. The statement in the press release from Burning Heart couldn't be more right. The waiting has been long and the expectations incredibly high. But the comparisons with the <b>Axl Rose</b>-monster stops there. While he seems to be more and more of a shadow of his former self, most <b>Refused</b>-members have great musical careers apart from the old band (<b>Dennis</b> in <b>The (International) Noise Conspiracy</b>, <b>David</b> in <b>David Sandström Overdrive</b> and <b>Jon</b> as <b>Jon F. Kennedy</b> <i>[ed: and don't forget ex-bassist <b>Magnus</b> and <b>Cobolt</b></i>]). Lots of us grew up with <b>Refused</b>. We went to their gigs, bought every record and sought extrication from other punkbands often lousy records and live shows. When <b>Refused</b> got up on stage or went into the studio we knew magic would come out of it. And that's what makes it so hard to watch this DVD. Sure, the music and photography is brilliant and ex-guitarist <b>Kristofer Steen</b> has made this movie with love, I can tell; but the story about why the band broke up and the feelings evolving around that is never deeply penetrated. My feeling is that they are just scratching the surface. The band broke up during the USA-tour following the masterpiece <i>"The shape of punk to come"</i>. All members get interviewed thoroughly and they're giving answers to some things never mentioned before, but when I watch <i>"Refused are fucking dead"</i> I can't help but think "I know this already, I know about the whole scenario. I want to get under their skins and really know how they felt about each other." That makes me wonder one other thing: who is this movie really made for? If you're like me, there's nothing new under the sun in these 38 minutes. And if you're someone who's just interested in what <b>Refused</b> was, the movie can seem a bit too self-centered, as if the filmmakers think it's obvious that people know who this band was. And believe me, as much as I'd like that everyone should know, not all people do know the <b>Refused</b>-story. The extra material is two videos (<i>"New noise"</i> and <i>"Rather be dead"</i>) and live clips of every song featured on <i>"The shape of punk to come"</i>. Oh, and speaking of liveclips; it's not ok to edit a livegig for a DVD-release. I happen to know for a fact that the samples in <i>"New noise"</i> weren't present during the Popstad-gig in the movie. It's not ok to pretend that everything's alright. At least we can take comfort in that no matter how much I dislike this DVD, <i>"Chinese Democracy"</i> will be even worse. Time will tell.]]></content:encoded>
	<pubDate>Fri, 05 May 2006 00:00:00 -0700</pubDate>
	<category>reviews</category>
</item>
<item>
	<title></title>
	<link>http://www.itsatrap.com/n/5996</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/5996</guid>
	<comments>http://www.itsatrap.com/n/5996#comments</comments>
	<description><![CDATA[Many people consider them to be Sweden's most overrated band, but Refused's influence is undeniable. I personally go back and forth on my feelings with regards to their legacy, but I cannot deny that "The shape of punk to come" blew me away when it first came out. I have yet to see the "Refused are fucking dead" DVD, but I'm still quite curious even though almost all of what I've heard about it has been less than positive. As an aside, the title is a reference to a song by Born Against, possibly the greatest hardcore act of the 90s. Or at least one of the most important. I'm not sure about all the backstory, but it involves beef with the dudes from Sick of it All and I'd imagine there's a good summation of events somewhere out there. Anyhow, for today's Friday mp3 post I've dug up an old version of Refused's "New noise from the "Straight edge as fuck III" compilation released back in 1997 by xDesperate Fightx, the label that defined the zeitgeist of the legendary hardcore scene in Umeå in the 90s. Enjoy!]]></description>
	<content:encoded><![CDATA[<p>Many people consider them to be Sweden's most overrated band, but <b>Refused</b>'s influence is undeniable. I personally go back and forth on my feelings with regards to their legacy, but I cannot deny that <i>"The shape of punk to come"</i> blew me away when it first came out. I have yet to see the <i>"Refused are fucking dead"</i> DVD, but I'm still quite curious even though almost all of what I've heard about it has been less than positive. As an aside, the title is a reference to a song by <b>Born Against</b>, possibly the greatest hardcore act of the 90s. Or at least one of the most important. I'm not sure about all the backstory, but it involves beef with the dudes from <b>Sick of it All</b> and I'd imagine there's a good summation of events somewhere out there. Anyhow, for today's Friday mp3 post I've dug up an old version of <b>Refused</b>'s <i>"New noise</i> from the <i>"Straight edge as fuck III"</i> compilation released back in 1997 by xDesperate Fightx, the label that defined the zeitgeist of the legendary hardcore scene in Umeå in the 90s. Enjoy!]]></content:encoded>
	<pubDate>Fri, 28 Apr 2006 00:00:00 -0700</pubDate>
	<category>news</category>
</item>
<item>
	<title>MP3: Refused - New noise</title>
	<link>http://www.itsatrap.com/n/28010-mp3-refused-new-noise</link>
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	<comments>http://www.itsatrap.com/n/28010-mp3-refused-new-noise#comments</comments>
	<description><![CDATA[Many people consider them to be Sweden's most overrated band, but Refused's influence is undeniable. I personally go back and forth on my feelings with regards to their legacy, but I cannot deny that "The shape of punk to come" blew me away when it first came out. I have yet to see the "Refused are fucking dead" DVD, but I'm still quite curious even though almost all of what I've heard about it has been less than positive. As an aside, the title is a reference to a song by Born Against, possibly the greatest hardcore act of the 90s. Or at least one of the most important. I'm not sure about all the backstory, but it involves beef with the dudes from Sick of it All and I'd imagine there's a good summation of events somewhere out there. Anyhow, for today's Friday mp3 post I've dug up an old version of Refused's "New noise from the "Straight edge as fuck III" compilation released back in 1997 by xDesperate Fightx, the label that defined the zeitgeist of the legendary hardcore scene in Umeå in the 90s. Enjoy!]]></description>
	<content:encoded><![CDATA[<p>Many people consider them to be Sweden's most overrated band, but <b>Refused</b>'s influence is undeniable. I personally go back and forth on my feelings with regards to their legacy, but I cannot deny that <i>"The shape of punk to come"</i> blew me away when it first came out. I have yet to see the <i>"Refused are fucking dead"</i> DVD, but I'm still quite curious even though almost all of what I've heard about it has been less than positive. As an aside, the title is a reference to a song by <b>Born Against</b>, possibly the greatest hardcore act of the 90s. Or at least one of the most important. I'm not sure about all the backstory, but it involves beef with the dudes from <b>Sick of it All</b> and I'd imagine there's a good summation of events somewhere out there. Anyhow, for today's Friday mp3 post I've dug up an old version of <b>Refused</b>'s <i>"New noise</i> from the <i>"Straight edge as fuck III"</i> compilation released back in 1997 by xDesperate Fightx, the label that defined the zeitgeist of the legendary hardcore scene in Umeå in the 90s. Enjoy!]]></content:encoded>
	<enclosure url="http://www.itsatrap.com/playlist/refused-new_noise.mp3" length="0" type="audio/mpeg" />
	<pubDate>Fri, 28 Apr 2006 00:00:00 -0700</pubDate>
	<category>mp3s</category>
</item>
<item>
	<title></title>
	<link>http://www.itsatrap.com/n/6458</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/6458</guid>
	<comments>http://www.itsatrap.com/n/6458#comments</comments>
	<description><![CDATA[The trailer for the long-awaiting Refused DVD is now online: http://www.myspace.com/refused]]></description>
	<content:encoded><![CDATA[<p>The trailer for the long-awaiting <b>Refused</b> DVD is now online: <a href="http://www.myspace.com/refused" target=_blank>http://www.myspace.com/refused</a>]]></content:encoded>
	<pubDate>Mon, 27 Mar 2006 00:00:00 -0800</pubDate>
	<category>news</category>
</item>
<item>
	<title></title>
	<link>http://www.itsatrap.com/n/7101</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/7101</guid>
	<comments>http://www.itsatrap.com/n/7101#comments</comments>
	<description><![CDATA[Check out the brand new official Refused website for full details on the forthcoming posthumous DVD: http://www.burningheart.com/refused/]]></description>
	<content:encoded><![CDATA[<p>Check out the brand new official <b>Refused</b> website for full details on the forthcoming posthumous DVD: <a href="http://www.burningheart.com/refused/" target=_blank>http://www.burningheart.com/refused/</a>]]></content:encoded>
	<pubDate>Thu, 09 Feb 2006 00:00:00 -0800</pubDate>
	<category>news</category>
</item>
<item>
	<title></title>
	<link>http://www.itsatrap.com/n/7156</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/7156</guid>
	<comments>http://www.itsatrap.com/n/7156#comments</comments>
	<description><![CDATA[Burning Heart has finally confirmed the release dates for the long-awaited Refused DVD "Refused are fucking dead":04/15 - AUS04/19 - Scandinavia04/21 - DE, AT, IT04/24 - EUR04/25 - US]]></description>
	<content:encoded><![CDATA[<p>Burning Heart has finally confirmed the release dates for the long-awaited <b>Refused</b> DVD <i>"Refused are fucking dead"</i>:<p class="indent">04/15 - AUS<br>04/19 - Scandinavia<br>04/21 - DE, AT, IT<br>04/24 - EUR<br>04/25 - US]]></content:encoded>
	<pubDate>Tue, 07 Feb 2006 00:00:00 -0800</pubDate>
	<category>news</category>
</item>
<item>
	<title></title>
	<link>http://www.itsatrap.com/n/7736</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/7736</guid>
	<comments>http://www.itsatrap.com/n/7736#comments</comments>
	<description><![CDATA[Of all the post-Refused bands, I like David Sandström's stuff the best. He made one brilliant Scandinavian folk-inspired album ("Om det inte händer nåt innan i morgon så kommer jag") and then reinvented himself as a singer/songwriter. Quite a distance from his beginnings as Final Exit's frontman, eh? His latest album "Go down" almost made it into my top 10 for the year, but I listened to it too much and burnt myself out. It's still a great record, we just need some time apart y'know? Today's track is David's take on Stina Nordenstam's lead single from her last record "The world is saved". It's interesting to note how well the song works in a rock context - even with all of Stina's pop artifice stripped away, you still have a great song.]]></description>
	<content:encoded><![CDATA[<p>Of all the post-<b>Refused</b> bands, I like <b>David Sandström</b>'s stuff the best. He made one brilliant Scandinavian folk-inspired album (<i>"Om det inte händer nåt innan i morgon så kommer jag"</i>) and then reinvented himself as a singer/songwriter. Quite a distance from his beginnings as <b>Final Exit</b>'s frontman, eh? His latest album <i>"Go down"</i> almost made it into my top 10 for the year, but I listened to it too much and burnt myself out. It's still a great record, we just need some time apart y'know? Today's track is <b>David</b>'s take on <b>Stina Nordenstam</b>'s lead single from her last record <i>"The world is saved"</i>. It's interesting to note how well the song works in a rock context - even with all of <b>Stina</b>'s pop artifice stripped away, you still have a great song.]]></content:encoded>
	<pubDate>Wed, 28 Dec 2005 00:00:00 -0800</pubDate>
	<category>news</category>
</item>
<item>
	<title>MP3: David Sandström Overdrive - Get on with your life</title>
	<link>http://www.itsatrap.com/n/28071-mp3-david-sandstrom-overdrive-get-on-with-your-life</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/28071-mp3-david-sandstrom-overdrive-get-on-with-your-life</guid>
	<comments>http://www.itsatrap.com/n/28071-mp3-david-sandstrom-overdrive-get-on-with-your-life#comments</comments>
	<description><![CDATA[Of all the post-Refused bands, I like David Sandström's stuff the best. He made one brilliant Scandinavian folk-inspired album ("Om det inte händer nåt innan i morgon så kommer jag") and then reinvented himself as a singer/songwriter. Quite a distance from his beginnings as Final Exit's frontman, eh? His latest album "Go down" almost made it into my top 10 for the year, but I listened to it too much and burnt myself out. It's still a great record, we just need some time apart y'know? Today's track is David's take on Stina Nordenstam's lead single from her last record "The world is saved". It's interesting to note how well the song works in a rock context - even with all of Stina's pop artifice stripped away, you still have a great song.]]></description>
	<content:encoded><![CDATA[<p>Of all the post-<b>Refused</b> bands, I like <b>David Sandström</b>'s stuff the best. He made one brilliant Scandinavian folk-inspired album (<i>"Om det inte händer nåt innan i morgon så kommer jag"</i>) and then reinvented himself as a singer/songwriter. Quite a distance from his beginnings as <b>Final Exit</b>'s frontman, eh? His latest album <i>"Go down"</i> almost made it into my top 10 for the year, but I listened to it too much and burnt myself out. It's still a great record, we just need some time apart y'know? Today's track is <b>David</b>'s take on <b>Stina Nordenstam</b>'s lead single from her last record <i>"The world is saved"</i>. It's interesting to note how well the song works in a rock context - even with all of <b>Stina</b>'s pop artifice stripped away, you still have a great song.]]></content:encoded>
	<enclosure url="http://www.itsatrap.com/playlist/david_sandstrom_overdrive-get_on_with_your_life.mp3" length="4915200" type="audio/mpeg" />
	<pubDate>Wed, 28 Dec 2005 00:00:00 -0800</pubDate>
	<category>mp3s</category>
</item>
<item>
	<title></title>
	<link>http://www.itsatrap.com/n/7780</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/7780</guid>
	<comments>http://www.itsatrap.com/n/7780#comments</comments>
	<description><![CDATA[Burning Heart swears that the long-awaited Refused DVD "Refused are fucking dead" will be out in April.]]></description>
	<content:encoded><![CDATA[<p>Burning Heart swears that the long-awaited <b>Refused</b> DVD <i>"Refused are fucking dead"</i> will be out in April.]]></content:encoded>
	<pubDate>Fri, 23 Dec 2005 00:00:00 -0800</pubDate>
	<category>news</category>
</item>
<item>
	<title></title>
	<link>http://www.itsatrap.com/n/8161</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/8161</guid>
	<comments>http://www.itsatrap.com/n/8161#comments</comments>
	<description><![CDATA[Randy has a new album that just came out, but I'm not going to post a track from it. It's not because it isn't great, because it is (Simon Tagestam reviewed it here), but instead I'm going to reminisce about the record that got me into the band: 2001's "The human atom bombs". Every couple years or so, just about when I'm about to totally give up on punk-rock, along comes a record that breathes new life into the genre. Refused did it to me in the late 90s and Randy did it again with this record. It's not even that they were doing anything all that original - it's that they were doing it with such enthusiasm and vitality that it was impossible not to stand up and take notice. "The human atom bombs" is fun and funny, energetic and entertaining and just all around amazing. So here's a track from that record that'll hopefully help brighten up your Friday.]]></description>
	<content:encoded><![CDATA[<p><b>Randy</b> has a new album that just came out, but I'm not going to post a track from it. It's not because it isn't great, because it is (<b>Simon Tagestam</b> reviewed it <a href="http://www.itsatrap.com/index.php?article=104">here</a>), but instead I'm going to reminisce about the record that got me into the band: 2001's <i>"The human atom bombs"</i>. Every couple years or so, just about when I'm about to totally give up on punk-rock, along comes a record that breathes new life into the genre. <b>Refused</b> did it to me in the late 90s and <b>Randy</b> did it again with this record. It's not even that they were doing anything all that original - it's that they were doing it with such enthusiasm and vitality that it was impossible not to stand up and take notice. <i>"The human atom bombs"</i> is fun and funny, energetic and entertaining and just all around amazing. So here's a track from that record that'll hopefully help brighten up your Friday.]]></content:encoded>
	<pubDate>Fri, 25 Nov 2005 00:00:00 -0800</pubDate>
	<category>news</category>
</item>
<item>
	<title>MP3: Randy - I don&#039;t need love</title>
	<link>http://www.itsatrap.com/n/28086-mp3-randy-i-dont-need-love</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/28086-mp3-randy-i-dont-need-love</guid>
	<comments>http://www.itsatrap.com/n/28086-mp3-randy-i-dont-need-love#comments</comments>
	<description><![CDATA[Randy has a new album that just came out, but I'm not going to post a track from it. It's not because it isn't great, because it is (Simon Tagestam reviewed it here), but instead I'm going to reminisce about the record that got me into the band: 2001's "The human atom bombs". Every couple years or so, just about when I'm about to totally give up on punk-rock, along comes a record that breathes new life into the genre. Refused did it to me in the late 90s and Randy did it again with this record. It's not even that they were doing anything all that original - it's that they were doing it with such enthusiasm and vitality that it was impossible not to stand up and take notice. "The human atom bombs" is fun and funny, energetic and entertaining and just all around amazing. So here's a track from that record that'll hopefully help brighten up your Friday.]]></description>
	<content:encoded><![CDATA[<p><b>Randy</b> has a new album that just came out, but I'm not going to post a track from it. It's not because it isn't great, because it is (<b>Simon Tagestam</b> reviewed it <a href="http://www.itsatrap.com/index.php?article=104">here</a>), but instead I'm going to reminisce about the record that got me into the band: 2001's <i>"The human atom bombs"</i>. Every couple years or so, just about when I'm about to totally give up on punk-rock, along comes a record that breathes new life into the genre. <b>Refused</b> did it to me in the late 90s and <b>Randy</b> did it again with this record. It's not even that they were doing anything all that original - it's that they were doing it with such enthusiasm and vitality that it was impossible not to stand up and take notice. <i>"The human atom bombs"</i> is fun and funny, energetic and entertaining and just all around amazing. So here's a track from that record that'll hopefully help brighten up your Friday.]]></content:encoded>
	<enclosure url="http://www.itsatrap.com/playlist/randy-i_dont_need_love.mp3" length="0" type="audio/mpeg" />
	<pubDate>Fri, 25 Nov 2005 00:00:00 -0800</pubDate>
	<category>mp3s</category>
</item>
<item>
	<title>Frivolvol Frivolous volume II: the false security program If Society</title>
	<link>http://www.itsatrap.com/n/26444-frivolvol-frivolous-volume-ii-the-false-security-program-if-society</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/26444-frivolvol-frivolous-volume-ii-the-false-security-program-if-society</guid>
	<comments>http://www.itsatrap.com/n/26444-frivolvol-frivolous-volume-ii-the-false-security-program-if-society#comments</comments>
	<description><![CDATA[Fierce and \"professional\" hardcore – what a great way to wake up in the morning on the bus while rubbing shoulders with foul-smelling weirdos. If hardcore and Refused are your thing, then it\'s worth giving these Finnish dudes a closer look. Personally, I think the album wears a bit thin after the first 4 or 5 songs.]]></description>
	<content:encoded><![CDATA[Fierce and "professional" hardcore – what a great way to wake up in the morning on the bus while rubbing shoulders with foul-smelling weirdos. If hardcore and <b>Refused</b> are your thing, then it's worth giving these Finnish dudes a closer look. Personally, I think the album wears a bit thin after the first 4 or 5 songs.]]></content:encoded>
	<pubDate>Sun, 25 Sep 2005 00:00:00 -0700</pubDate>
	<category>reviews</category>
</item>
<item>
	<title></title>
	<link>http://www.itsatrap.com/n/9004</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/9004</guid>
	<comments>http://www.itsatrap.com/n/9004#comments</comments>
	<description><![CDATA[The Refused movie finally had its premiere in Umeå last night and, sad to say, the reports are not good. It's a shame that something so many people have waited so long for has turned out to be a pretentious, laughable mess, but I can't say I'm terribly surprised either. So it goes. On the brighter side, the movie they showed immediately afterwards "Umeå the hardcore city" is supposed to be much, much better. The film covers the Norrland punkscene and features bands like Step Forward, Garbage Pail Kids and Randy as well as interviews with many people active during the height of the scene in the 90s. Of course I suspect I'll have to wait three years for a subtitled version on DVD, but who knows?]]></description>
	<content:encoded><![CDATA[<p>The <b>Refused</b> movie finally had its premiere in Umeå last night and, sad to say, the reports are not good. It's a shame that something so many people have waited so long for has turned out to be a pretentious, laughable mess, but I can't say I'm terribly surprised either. So it goes. On the brighter side, the movie they showed immediately afterwards <i>"Umeå the hardcore city"</i> is supposed to be much, much better. The film covers the Norrland punkscene and features bands like <b>Step Forward</b>, <b>Garbage Pail Kids</b> and <b>Randy</b> as well as interviews with many people active during the height of the scene in the 90s. Of course I suspect I'll have to wait three years for a subtitled version on DVD, but who knows?]]></content:encoded>
	<pubDate>Tue, 20 Sep 2005 00:00:00 -0700</pubDate>
	<category>news</category>
</item>
<item>
	<title></title>
	<link>http://www.itsatrap.com/n/9248</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/9248</guid>
	<comments>http://www.itsatrap.com/n/9248#comments</comments>
	<description><![CDATA[New track today from Regulations, whose self-titled debut album was recently released on Dennis Lyxzén's (The (Int'l) Noise Conspiracy, Refused) new label Ny Våg. Along with Knugen Faller, these dudes are putting Umeå on the map as the place to go for quality punk-rock. And we're talking classic 80s So-Cal style punk, not the kind of stuff that passes for punk on the radio or MTV. This is way more gruff and raw than any of that bullshit. Which is not to say that it's totally lacking in pop flavor. There's still tons of hooks and worthy sing-alongs. I listen to this stuff and I feel like I did when I was twelve years old and just discovering punk for the first time. It's not that they're tackling big issues with the lyrics or anything (they most definitely aren't), but they've got the spirit and that's enough to move me. I often get sour about how bad the scene has become, but then I hear stuff like this and I realize once again that it's not so bad. Can't wait to see 'em when they tour the US this fall. Go here for the latest dates.]]></description>
	<content:encoded><![CDATA[<p>New track today from <b>Regulations</b>, whose self-titled debut album was recently released on <b>Dennis Lyxzén</b>'s (<b>The (Int'l) Noise Conspiracy</b>, <b>Refused</b>) new label Ny Våg. Along with <b>Knugen Faller</b>, these dudes are putting Umeå on the map as the place to go for quality punk-rock. And we're talking classic 80s So-Cal style punk, not the kind of stuff that passes for punk on the radio or MTV. This is way more gruff and raw than any of that bullshit. Which is not to say that it's totally lacking in pop flavor. There's still tons of hooks and worthy sing-alongs. I listen to this stuff and I feel like I did when I was twelve years old and just discovering punk for the first time. It's not that they're tackling big issues with the lyrics or anything (they most definitely aren't), but they've got the spirit and that's enough to move me. I often get sour about how bad the scene has become, but then I hear stuff like this and I realize once again that it's not so bad. Can't wait to see 'em when they tour the US this fall. <a href="http://www.havocrex.com/tours/" target=_blank>Go here</a> for the latest dates.]]></content:encoded>
	<pubDate>Wed, 31 Aug 2005 00:00:00 -0700</pubDate>
	<category>news</category>
</item>
<item>
	<title>MP3: Regulations - Fashion girl</title>
	<link>http://www.itsatrap.com/n/28124-mp3-regulations-fashion-girl</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/28124-mp3-regulations-fashion-girl</guid>
	<comments>http://www.itsatrap.com/n/28124-mp3-regulations-fashion-girl#comments</comments>
	<description><![CDATA[New track today from Regulations, whose self-titled debut album was recently released on Dennis Lyxzén's (The (Int'l) Noise Conspiracy, Refused) new label Ny Våg. Along with Knugen Faller, these dudes are putting Umeå on the map as the place to go for quality punk-rock. And we're talking classic 80s So-Cal style punk, not the kind of stuff that passes for punk on the radio or MTV. This is way more gruff and raw than any of that bullshit. Which is not to say that it's totally lacking in pop flavor. There's still tons of hooks and worthy sing-alongs. I listen to this stuff and I feel like I did when I was twelve years old and just discovering punk for the first time. It's not that they're tackling big issues with the lyrics or anything (they most definitely aren't), but they've got the spirit and that's enough to move me. I often get sour about how bad the scene has become, but then I hear stuff like this and I realize once again that it's not so bad. Can't wait to see 'em when they tour the US this fall. Go here for the latest dates.]]></description>
	<content:encoded><![CDATA[<p>New track today from <b>Regulations</b>, whose self-titled debut album was recently released on <b>Dennis Lyxzén</b>'s (<b>The (Int'l) Noise Conspiracy</b>, <b>Refused</b>) new label Ny Våg. Along with <b>Knugen Faller</b>, these dudes are putting Umeå on the map as the place to go for quality punk-rock. And we're talking classic 80s So-Cal style punk, not the kind of stuff that passes for punk on the radio or MTV. This is way more gruff and raw than any of that bullshit. Which is not to say that it's totally lacking in pop flavor. There's still tons of hooks and worthy sing-alongs. I listen to this stuff and I feel like I did when I was twelve years old and just discovering punk for the first time. It's not that they're tackling big issues with the lyrics or anything (they most definitely aren't), but they've got the spirit and that's enough to move me. I often get sour about how bad the scene has become, but then I hear stuff like this and I realize once again that it's not so bad. Can't wait to see 'em when they tour the US this fall. <a href="http://www.havocrex.com/tours/" target=_blank>Go here</a> for the latest dates.]]></content:encoded>
	<enclosure url="http://www.itsatrap.com/playlist/regulations-fashion_girl.mp3" length="0" type="audio/mpeg" />
	<pubDate>Wed, 31 Aug 2005 00:00:00 -0700</pubDate>
	<category>mp3s</category>
</item>
<item>
	<title>Podcast: The sound of Umeå</title>
	<link>http://www.itsatrap.com/n/25488-podcast-the-sound-of-umea</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/25488-podcast-the-sound-of-umea</guid>
	<comments>http://www.itsatrap.com/n/25488-podcast-the-sound-of-umea#comments</comments>
	<description><![CDATA[DATE ADDED : 08.04.05LENGTH : 31:08 minDOWNLOAD : itsatrap_podcast_08042005.mp3 (21.9mb)RSS : [click here]

Tracklist:
01. Knugen Faller - Inte som ni
02. Refused - New noise
03. KVLR - Capitol city child
04. David Sandström Overdrive - Puppet arms
05. The Spacious Mind - Rotvälta 5
06. Meshuggah - Shed
07. Isolation Years - Cover the distance]]></description>
	<content:encoded><![CDATA[<p>DATE ADDED : <b>08.04.05</b><br>LENGTH : 31:08 min<br>DOWNLOAD : <a href="http://www.itsatrap.com/radio/itsatrap_podcast_08042005.mp3">itsatrap_podcast_08042005.mp3</a> (21.9mb)<br>RSS : <a href="http://www.itsatrap.com/podcast.php">[click here]</a><br>
<br>
Tracklist:<br>
01. <b>Knugen Faller</b> - Inte som ni<br>
02. <b>Refused</b> - New noise<br>
03. <b>KVLR</b> - Capitol city child<br>
04. <b>David Sandström Overdrive</b> - Puppet arms<br>
05. <b>The Spacious Mind</b> - Rotvälta 5<br>
06. <b>Meshuggah</b> - Shed<br>
07. <b>Isolation Years</b> - Cover the distance<br><br>]]></content:encoded>
	<pubDate>Thu, 04 Aug 2005 00:00:00 -0700</pubDate>
	<category>articles</category>
	<category>podcast</category>
</item>
<item>
	<title></title>
	<link>http://www.itsatrap.com/n/10263</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/10263</guid>
	<comments>http://www.itsatrap.com/n/10263#comments</comments>
	<description><![CDATA[A little bird has informed me that time has been booked at Tonteknik Studios in Umeå to mix the sound for the long-promised Refused DVD. That means the film has actually been compiled and is ready to go. Finally! It should be 100% finished by midsommar.]]></description>
	<content:encoded><![CDATA[<p>A little bird has informed me that time has been booked at Tonteknik Studios in Umeå to mix the sound for the long-promised <b>Refused</b> DVD. That means the film has actually been compiled and is ready to go. Finally! It should be 100% finished by midsommar.]]></content:encoded>
	<pubDate>Fri, 03 Jun 2005 00:00:00 -0700</pubDate>
	<category>news</category>
</item>
<item>
	<title>The Lost Patrol Band s/t Burning Heart Records</title>
	<link>http://www.itsatrap.com/n/26547-the-lost-patrol-band-s-t-burning-heart-records</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/26547-the-lost-patrol-band-s-t-burning-heart-records</guid>
	<comments>http://www.itsatrap.com/n/26547-the-lost-patrol-band-s-t-burning-heart-records#comments</comments>
	<description><![CDATA[I loved Refused. I found The (International) Noise Conspiracy intriguing in the very beginning of their career, before they turned extremely boring. I liked the first Lost Patrol album and wasn\'t too keen on the second one. What about this new album from the ever-so-creative Dennis Lyxzén then? Well, there\'s none of the slower beautiful stuff that can be found on \"Songs in the key of resistance\", and too many songs sound like something by T(I)NC. Surprisingly enough, there are 5 fantastic pop songs on this album, that in a fair world should all be released simultaneously worldwide, then all entering the top 5 all over the globe (with \"Golden times\" occupying the #1 spot everywhere, of course).]]></description>
	<content:encoded><![CDATA[I loved <b>Refused</b>. I found <b>The (International) Noise Conspiracy</b> intriguing in the very beginning of their career, before they turned extremely boring. I liked the first <b>Lost Patrol</b> album and wasn't too keen on the second one. What about this new album from the ever-so-creative <b>Dennis Lyxzén</b> then? Well, there's none of the slower beautiful stuff that can be found on <i>"Songs in the key of resistance"</i>, and too many songs sound like something by <b>T(I)NC</b>. Surprisingly enough, there are 5 fantastic pop songs on this album, that in a fair world should all be released simultaneously worldwide, then all entering the top 5 all over the globe (with <i>"Golden times"</i> occupying the #1 spot everywhere, of course).]]></content:encoded>
	<pubDate>Mon, 23 May 2005 00:00:00 -0700</pubDate>
	<category>reviews</category>
</item>
<item>
	<title>David Sandström Overdrive Go down! Mofab Teg</title>
	<link>http://www.itsatrap.com/n/26548-david-sandstrom-overdrive-go-down-mofab-teg</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/26548-david-sandstrom-overdrive-go-down-mofab-teg</guid>
	<comments>http://www.itsatrap.com/n/26548-david-sandstrom-overdrive-go-down-mofab-teg#comments</comments>
	<description><![CDATA[If musical differences were a part of Refused breaking up, it\'s funny how, now sever years after the split, Dennis Lyxzén (with The Lost Patrol Band) and David Sandström are making pretty similar music (melodic rock). David and Dennis should really re-ignite their partnership and form a new band, Dennis would surely benefit from David\'s impressive songwriting ability, and Dennis could bring his \"commercial appeal\" to the table. Enough of this wishful thinking now and let\'s review this album - David Sandström\'s third album is in the same vein as his last great album, but whereas \"The dominant need for the needy soul\" shot of in all directions, \"Go down!\" feels more like a proper and solid album. This aspect alone makes \"Go down!\", in my opinion, an even better record than its predecessor.]]></description>
	<content:encoded><![CDATA[If musical differences were a part of <b>Refused</b> breaking up, it's funny how, now sever years after the split, <b>Dennis Lyxzén</b> (with <b>The Lost Patrol Band</b>) and <b>David Sandström</b> are making pretty similar music (melodic rock). David and Dennis should really re-ignite their partnership and form a new band, Dennis would surely benefit from <b>David</b>'s impressive songwriting ability, and Dennis could bring his "commercial appeal" to the table. Enough of this wishful thinking now and let's review this album - <b>David Sandström</b>'s third album is in the same vein as his last great album, but whereas <i>"The dominant need for the needy soul"</i> shot of in all directions, <i>"Go down!"</i> feels more like a proper and solid album. This aspect alone makes <i>"Go down!"</i>, in my opinion, an even better record than its predecessor.]]></content:encoded>
	<pubDate>Mon, 23 May 2005 00:00:00 -0700</pubDate>
	<category>reviews</category>
</item>
<item>
	<title></title>
	<link>http://www.itsatrap.com/n/10575</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/10575</guid>
	<comments>http://www.itsatrap.com/n/10575#comments</comments>
	<description><![CDATA[The UK's Stereo Test Kit Records will be releasing a new EP from Sweden's We Are Soldiers We Have Guns this coming fall. The band started as the solo project of Malin Dahlberg from Douglas Heart and Laurel Music and now includes Robert Tenevall (Royal Downfall, Knugen Faller) and Pontus Wallgren (Franke, Douglas Heart, Afraid of Stairs) as backing musicians. The recording will be handled by Jon Brännström (ex-Refused, JFK) and you can hear samples of older home-recorded material at the band's website: http://www.wearesoldiers.net/]]></description>
	<content:encoded><![CDATA[<p>The UK's Stereo Test Kit Records will be releasing a new EP from Sweden's <b>We Are Soldiers We Have Guns</b> this coming fall. The band started as the solo project of <b>Malin Dahlberg</b> from <b>Douglas Heart</b> and <b>Laurel Music</b> and now includes <b>Robert Tenevall</b> (<b>Royal Downfall</b>, <b>Knugen Faller</b>) and <b>Pontus Wallgren</b> (<b>Franke</b>, <b>Douglas Heart</b>, <b>Afraid of Stairs</b>) as backing musicians. The recording will be handled by <b>Jon Brännström</b> (ex-<b>Refused</b>, <b>JFK</b>) and you can hear samples of older home-recorded material at the band's website: <a href="http://www.wearesoldiers.net/" target=_blank>http://www.wearesoldiers.net/</a>]]></content:encoded>
	<pubDate>Tue, 10 May 2005 00:00:00 -0700</pubDate>
	<category>news</category>
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