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<title>IT'S A TRAP! Scandinavian Music Journal</title> 

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<pubDate>Sun, 18 Oct 2026 23:59:35 -0700</pubDate> 

<copyright>2026</copyright> 

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	<description><![CDATA[I really don't know much about Seamonster¹ at all. The Huskvarna, Sweden-based duo started around '97 and put out a few records before dissolving in 2004 or thereabouts and then the two of them (Mustafa Knastr and Kompjotr Eplektrika) each began creating music on their own. I don't think I would've ever bothered seeking them out if it wasn't for the recommendation of a friend who considers them to be one of Sweden's greatest hidden musical treasures. It's certainly surprising that a band this goods perseveres for so long with barely any recognition. I suspect that's partially because they were a bit too early for their own good. I don't think that their style of spaced-out instrumental post-rock had really caught on much back when this particular track was released in '99. Most people probably didn't even know what "post-rock" meant. Not that everyone understands it now, but I think the label's implication is accepted in much wider cirlces. People will nod and pretend like they know - always a winning strategy. But are they really one of Sweden's best undiscovered acts? Listen for yourself.]]></description>
	<content:encoded><![CDATA[<p>I really don't know much about <b>Seamonster¹</b> at all. The Huskvarna, Sweden-based duo started around '97 and put out a few records before dissolving in 2004 or thereabouts and then the two of them (<b>Mustafa Knastr</b> and <b>Kompjotr Eplektrika</b>) each began creating music on their own. I don't think I would've ever bothered seeking them out if it wasn't for the recommendation of a friend who considers them to be one of Sweden's greatest hidden musical treasures. It's certainly surprising that a band this goods perseveres for so long with barely any recognition. I suspect that's partially because they were a bit too early for their own good. I don't think that their style of spaced-out instrumental post-rock had really caught on much back when this particular track was released in '99. Most people probably didn't even know what "post-rock" meant. Not that everyone understands it now, but I think the label's implication is accepted in much wider cirlces. People will nod and pretend like they know - always a winning strategy. But are they really one of Sweden's best undiscovered acts? Listen for yourself.]]></content:encoded>
	<pubDate>Fri, 17 Feb 2006 00:00:00 -0800</pubDate>
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	<title>MP3: Seamonster¹ - The second generation defunctioned technology for the sound industry</title>
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	<description><![CDATA[I really don't know much about Seamonster¹ at all. The Huskvarna, Sweden-based duo started around '97 and put out a few records before dissolving in 2004 or thereabouts and then the two of them (Mustafa Knastr and Kompjotr Eplektrika) each began creating music on their own. I don't think I would've ever bothered seeking them out if it wasn't for the recommendation of a friend who considers them to be one of Sweden's greatest hidden musical treasures. It's certainly surprising that a band this goods perseveres for so long with barely any recognition. I suspect that's partially because they were a bit too early for their own good. I don't think that their style of spaced-out instrumental post-rock had really caught on much back when this particular track was released in '99. Most people probably didn't even know what "post-rock" meant. Not that everyone understands it now, but I think the label's implication is accepted in much wider circles. People will nod and pretend like they know - always a winning strategy. But are they really one of Sweden's best undiscovered acts? Listen for yourself.]]></description>
	<content:encoded><![CDATA[<p>I really don't know much about <b>Seamonster¹</b> at all. The Huskvarna, Sweden-based duo started around '97 and put out a few records before dissolving in 2004 or thereabouts and then the two of them (<b>Mustafa Knastr</b> and <b>Kompjotr Eplektrika</b>) each began creating music on their own. I don't think I would've ever bothered seeking them out if it wasn't for the recommendation of a friend who considers them to be one of Sweden's greatest hidden musical treasures. It's certainly surprising that a band this goods perseveres for so long with barely any recognition. I suspect that's partially because they were a bit too early for their own good. I don't think that their style of spaced-out instrumental post-rock had really caught on much back when this particular track was released in '99. Most people probably didn't even know what "post-rock" meant. Not that everyone understands it now, but I think the label's implication is accepted in much wider circles. People will nod and pretend like they know - always a winning strategy. But are they really one of Sweden's best undiscovered acts? Listen for yourself.]]></content:encoded>
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	<pubDate>Fri, 17 Feb 2006 00:00:00 -0800</pubDate>
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