Our train arrived Thursday afternoon and were whisked away to the Rockparty HQ for a quick seminar and a whirlwind tour of the Swedish Rock Arkiv (something I would love to revisit when I have more time). Unfortunately, these meetings meant missing the first acts of the festival: Anti-Flag, Markus Krunegård and Parken. Once we finally made it to the festival grounds, I decided to take it easy and start off slow by catching up with old friends such as the dudes from Dagensskiva before watching my first band of the day, Shiloh. And what a great start that was! Pure over-the-top melodrama in fine Svenska tradition. Not many bands can pull that off convincingly, but Shiloh has the exact attitude to make it work. Kudos!

After retreating back to the backstage bar area, we were treated to an encore performance by the adorable Little Marbles, which was cute (are they old enough to be back here, I wondered), but otherwise unexceptional. I'm not sure if they're a band better suited to their peers or what, but it's not for me.

There's a ton of other worthwhile acts I probably should've checked out after that, but again I opted for socialization over the foreign imports and mediocre hip-hop (ie, Adam Tensta and Lazee). No, I decided to wait it out for Familjen at 1:30am and I'm glad I did because it was worth it. Now that was a proper finish for day 1: bright lights and dancing until the sun started to rise in the wee hours. I couldn't quite muster the stamina to catch Özgur Can at quarter-till 3, but I assume it was great. Uh, maybe next time?

Day 2 started off fairly similar to the first. Early (relatively) seminars at Rockparty HQ followed by a tardy festival arrival. Sorry to Palpitation, Raised Fist and The Process; you were on my to-see list, but it wasn't meant to be. Instead, my first act of the day was Billie the Vision and the Dancers. I can't say that I'm that big of a fan to be honest, but they are awfully charming in-person and the packed Teater crowd was loving every minute. Undeniably fun, I must admit. Up next: Säkert!. The band opened the big stage Hawaii and attempted to recreate a living room atmosphere on stage, but it ended up kind of pathetic compared to The Hives' massive neon backdrop which would fill the stage later that evening. Still, the band gave it their all and sounded great. A guest spot from Markus Krunegård and the now-traditional encore of The Wannadies' "My hometown" på Svenska ("Min hemstad") were bonus for those who stuck it out.

Timo Räisänen, on the other hand, had no trouble getting the crowd riled up with a powerhouse lineup that included two drummers. I forget that he used to be a lead guitarist before striking out on his own, so his heroics were all the more surprising and impressive. Maybe not quite my favorite act of the fest, but a strong contender. (also worth noting, this quip which I only caught half of at the time)

A short beer-break later and it was time for the aforementioned Hives to take the stage and show everyone what it takes to a headliner act. Having seen them wow a festival audience before, their usual shtick was comforting and familiar and entertaining as always, so it wasn't until they covered "(Gotta get some action) Now!" by The Hellacopters that my excitement level was peaked. I expected complacent consistency, but that was something special.

Looptroop Rockers were next on my list and they brought a set full of hits, but had a hard time holding my attention. Instead, I found that Afasi & Filthy put on a much better show later that evening at the Teater stage. They weren't an act I expected to catch, so file that one under pleasant surprises. I'm very glad I let my friends drag me along to see them.

Unfortunately, I didn't have time to catch more than three songs from Witchcraft, but what little I did see was awesome. It also marked the first (and last) time I smelled dope at the fest, something that seemed very appropriate considering their heavy stonerrock sound. No, three songs were all I had time for as my presence was required at Pampas for Mustasch, an absolute must-see band I've wanted to catch for a long, long time. People tell me it wasn't their best performance, but whatever it was, I was plenty satisfied. Nice Hasselhoff altar dudes!

Day 3 was far more relaxed than the previous two. No rushing off to seminars, just an easy morning catching up on email and the like before strolling over around mid-afternoo to catch Ane Brun who, I must say, sounded marvelous. I can imagine that she'd be absolutely stunning in a proper theater-type venue, but the Pampas stage was still a nice start for my 3rd and final day of the fest. What a great backing band too! I slipped away after a bit to see a few songs from Herbrightskies, but quickly discovered that was a terrible idea, so it was back to the backstage bar until The Deer Tracks took over Stora Dans. Now this was what I wanted to see: a small band with no expectations who ended up totally flooring me. The core duo of David and Elin was augmented by a small ensemble and the fullness of their sound was amazing. Really looking forward to their new album when it finally comes out now - this is a band to watch out for.

Heeding the advice of IAT contributor Nancy, I made my way across the festival grounds to Atlantis for Miss Li who proved to be every bit as charming as I had hoped. It's worth noting that she held on to her sizable audience even after the football game started also! Firefox AK fared reasonably well too, despite said game. The band might tell you different considering the various technical problems they encountered, but I found the show to be great -- even better than the intimate gig I attended at Kafé 44 earlier in the week. Everything came together in just the right way as far as I was concerned.

After watching lots of dudes get very upset due to Team Sverige's loss (I watched the viewers more than the game), I caught a bit of Those Dancing Days, a band with far more moxie than actual talent for the time being. I don't wish them ill, I just hope they are able to persevere long enough to get good because I think they have the potential. Following that, I took a break and eventually wandered over to catch Denmark's The Blue Foundation, but after waiting 30 minutes with no show, I gave up. You blew it guys.

Otherwise, forget Lykke Li -- she'll tour the US again -- next on my agenda was Håkan Hellström, the one artist I absolutely knew I had see! I made sure I placed myself among the throng for the full fan experience and was rewarded justly. The man is a great entertainer with a great band and he put on a fantastic show. As I said on my blog report, the encore probably should've ended with "Kom igen Lena", but I still walked away more than happy. That was the Swedish festival experience I came for and I didn't dare taint it with any more bands so with that I said goodnight! Back to the bar for final farewells and well-wishing. Until next year?

How long have you lived in Gbg? What brought you there and why do you stick around?

Myself and Markus Tiljander (guitar) have lived here for nearly two years now. Jesper (drums) and Staffan (bass) have lived here their whole lives. Me and Markus wanted to get a fresh start somewhere and we ended up in Gbg. We moved from Karlstad, Värmland to find some new interesting people to make music with. Personally, I found Gbg a quite mellow and easy living city. The summertime is great but the winters sucks, the rain just keeps pouring down. But you got to have black to have white, Yin & Yang etc.

What makes Gbg such an artist-friendly city?

Is it? No but actually Gbg is a cool city with loads of great bands/artists.
I think that since there is a great tradition of good music and fascinating artists, people are always hungry for new good music. It is interesting that the music buisness just goes worse and worse, but still people are making more music than ever and some of it are really good too. But there isn't any "one for all - all for one" feeling here, it becomes what you make of it, but so far most people we've meet have been extremely friendly.

If you could change 1 thing about Gbg, what would it be?

Nothing really, the weather during wintertime maybe, but that is a hard nut to crack.

Shiloh's sound isn't immediately comparable to Gbg bands of yore - how do you fit in the current local indie scene? Is it hard finding acceptance?

We just want to make music that we like and are satisfied with ourselves. If others like it we become very happy. But we don't seek any acceptance, who will accept us? Promoters, bands, ordinary people? We just want to do our thing and if others like it we get very happy as said before.

Since you moved to Gbg from elsewhere, how would you say the city has influenced or changed you? Is it reflected in your music?

I would say that the city has influenced us for sure. Personally I have met loads of cool people with great taste in music and life that I really wasn't aware of before. It's a great thing to move somewhere, then you leave the shit behind you and open your eyes more.
Of course it has influenced the writing and feeling of the music.

Finally, got a song you want to share? Tell me about it.

The name of the song is "The ship". It is a song that we wrote about two years ago, we still like it a lot. It is quite dreamy and saga-like with powerful contrasts.