Here's yet another thing I meant to post about ages ago and was only just reminded of: Tonight I am going to see In Solitude/The Devil's Blood/Watain in Seattle. Guitarist Henrik Palm currently plays with In Solitude and also (used to?) front Sonic Ritual. Sonic Ritual also features guitarist Linnéa Olsson whose new band is Crucifix in a Death Hand, together with Janne Jarvis (ex-Warrior Soul, Hate Gallery). "Do androids play electric guitars?" is the band's debut 3-song EP and it's a great example of heavy, hook-laden rock'n'roll. It's also now available for free download via Bandcamp, so hook it up! And to add an extra layer of spooky coincidence, I also just happened to sell my last distro copy of Sonic Ritual's debut 7" via Discogs as I was doing this writeup. Perhaps I need to talk up my dead stock more often?

I have been following P3 Guld/P3 Gold, Sveriges Radio/Swedish Radio's annual awards ceremony, for a long time now, almost as long as the event has existed. Which also happens to be about as long as I've been seriously following Swedish/Scandinavian music and running this site. There's no doubt that SR has been a huge part of my Swedish musical education over these years, both due to their outstanding website and online streaming offerings, but also because of their devotion to quality programming and the promotion of domestic acts. Of course, Sweden's outstanding music scene makes the latter a no-brainer, but you know that if someone's gonna mess it up, it's gonna be a state-run institution. Anyhow, I usually try to listen in to the show's audio broadcast every year (Swedish Television/SVT's live stream is blocked for international users), but never in my life did I ever expect the opportunity to attend in-person. The idea never even occurred to me. So as soon as I received an email asking me if I wanted to go, I immediately jumped at it. Who wouldn't? Even with a scarce one-week notice, I would be a fool to pass up the offer.

So off I went, spirited halfway 'round the world in some sort of fever-dream, all for a gala previously thought unaccessible. But before we get into my personal experience of the event, let us first take a history lesson.

P3 Guld was started by Swedish Radio nine years ago, evolving out of and superceding the then-current Popstad (Pop City) live music event. "So we have Grammy awards in Sweden as well and this was a year that there was some controversy surrounding them," says SR's Pia Kalischer, the official "mother" of P3 Guld, "They said they would no longer have anything to do with quality, they would only be based on sales and we thought that was kind of dumb so I saw a gap in market and I figured, well we should do something that's an event that will have to do with new music and also live music, as we broadcast a lot of concerts [see P3 Live for example]. So I figured it would be fun if we could do something that was open to an audience with live music and let's throw in a few awards to have a reason to throw this thing."

"Today I'm the Commissioner of Music and Events at Sveriges Radio, before that I was Head of Music for P3 for ten years. I was also a program manager and before that I was a producer and I've always had my heart in the music and for as long as I was working as Head of Music, I was continuously working with the P3 brands musically so that it would be connected to new Swedish music. That was the whole idea that people would associate P3 with new Swedish music."

And so P3 Guld came to be. The first year was small and humble, taking place at a tiny theater in Växjö (home of The Ark, Melody Club and uh, Birdflesh) before relocating permanently to its current home in Göteborg, Sweden's second city. Pia explains: "The city of Gothenburg came to us and said, "Please, come over, we'll help you. We have a very strong music scene in this city and all kinds of genres as well." It's the home of Swedish heavy metal and also lots of indiepop and also hip-hop, it's got everything basically. And a good organization within the city that helped us to get connected with the venues, the arenas, the people... so we grew from a small theater to a little bit of a bigger theater which seated 900 people, to [another] which seated maybe 1000 and then suddenly our partners said "Let's do this big" so we went to Scandinavium which is a huge arena that usually has hockey games. So went from 900 to 3000 people in a couple years. And we did that for 2 years in Scandinavium and that was huge." This year, however, the event has been scaled back and moved to the slightly smaller Lisebergshallen at the Liseberg amusement park. Seating approximately 2,500 with the complex, multi-tiered stage setup to allow for quick set changes, this is the first time the event was slated to include a standing audience. As to whether it was a fully conscious choice or rather the result of Scandinavium being booked for the European handball championships, nobody seemed too daunted or disappointed by the switch. "I personally feel that it was wonderful and it was fun and it just suddenly exploded, but for me," says Pia, "I've always wanted the P3 Guld to be sort of intimate. I want it to have a club feel so that audience gets closer to the bands and the bands get close to the audience. When the bands and audience connect that's when you get that certain electrical feel that really makes for good radio and good television. When it's real. That sounds so trite, but I really mean it."

All the same by me, as a newcomer to the P3 Guld live experience. I'm more than happy to play the part of the humble guest, letting myself get shuffled here and there for whatever pre-arranged activities my hosts have in mind. Well, except for the P3 Live-sponsored pre-pre-party on Friday night -- I really don't need to see some (ex?) cokehead pop-music producer's feeble attempt at playing in a rock band, so I opted out for a quality evening with my local friends, exploring the exciting, burgeoning world of Swedish craft beer. So then on Saturday, after a slow day of recovery and light window-shopping around Haga, we're spirited away to the official pre-party at the Brew House, a swirling mess of tabloid photographers snapping shots of the various pop artists who decide to make an appearance, mixed in among far greater numbers of industry reps and hanger-ons. I say hellos to the few folks I recognize and am introduced to many more, including a project manager from Music Export Norway down from Oslo to check things out (Øyvind, I'm ready to come over anytime!). Then there's also Watain, lurking on the fringes, looking seriously bummed and out of place. And intimidating -- no way am I going to attempt to introduce myself though a picture with the band would've surely been awesome. My fellow guest DJ Grace and I do a short interview on the air for the pre-show (I manage to be coherent enough to give props to the year's current best single, "Coming from you" by Paper) and we're off again, following a trail of torch-wielding sentries on our way to the venue.

As for the show itself, the live broadcast (on both P3 and SVT) demands a strict schedule. Pia has prepared us: "Some other award shows like the Swedish Grammis they have 21 prizes to give out. So you have to sit there for what? 3 hours? And they can only fit in 4 or 5 musical acts. So we do it in 90 minutes, 9 prizes and I think we have 10 bands this year. So it's very fast-paced. And there are always some of the big acts [who] really like to debut new songs... we don't only do the big hits of last year, we want them to play new music." Once things start moving, they stay moving and there is no downtime whatsoever.

The actual array of categories at P3 Guld is an interesting sidenote. Unlike every other music award, there are very few niches. "P3 Guld is really just a segment of the Swedish music business because we felt that we wanted to do something that reflects the music format of P3," Pia tells me, "The Grammis also gives out awards for, y'know, new children's music, classical music, jazz, every genre... which I really personally think is great. I think they should concentrate on being a very grand prize. And we basically do a rock show. [laughs] So it's pop, rock, some soul and hip-hop, some heavier stuff, but it's one piece of the cake of the whole musical landscape. So there's no jazz award, there's no opera award." And more importantly, there's also no longer an award based on gender. "We used to have two prizes for the best female artist of the year and the best male and we changed that two years ago," Pia informs me, a decision that apparently did not come without unintended consequences. "Last year we got lots of criticism because [P3 Guld] didn't feature enough females. Now it's hard for us to change the recording business where men seem to have an easier time than women, but we really tried to think about that this year. We really worked very hard to change and we also decided to joke around a bit with it." As we would later discover. Furthermore: "Part of the reason I'm afraid that we didn't have enough women solo artists last year, because not a lot of women released records. Or rather there were so many men last year who released records that were really good, that it was hard. But this year there are more females that have had a stronger... that have put their foot down I suppose."

"Is that just on stage or behind the scenes as well?" I ask.

"Well the thing is with P3 Guld is that behind the scenes, it's 98% women. I think that's due to me actually. Without thinking about it I appointed a female producer, we have female bookers and one of the TV producers is a woman and so in the production team, as it comes to the people who make the decisions, 70% are women."

"So do you think that's reflected in other parts of Sweden or do you think that this is a special thing you've created?"

"I don't know, I just know that... of course I'm a feminist. Yes I am. But I'm maybe not the most conventional one, I don't always count heads. I think that there's different ways of gaining equality, but I do think it was a good thing we were criticized last year and I do think we've really shaped up. There's a big discussion and I think the discussion in itself makes for change. What's been interesting is that you've seen all these women who've gone solo, women in the indie bands like Jenny Wilson, Sophia Somayo. They've decided to do everything by themselves as a way of being empowered and I think that's interesting. So that's kind of specific to the Swedish scene -- lots of women working and doing everything every step of the way, writing the songs, into the production, and gaining full control of the final product. Which I think is amazing."

Not to mention artists such as Marit Bergman and Robyn, I might add. The intersection of gender and music is an ever-evolving, fascinating subject, so it's especially interesting to see a prominent event such as P3 Guld tackle the issue head-on.

Which doesn't mean I could necessarily follow the discussion every step of the way during the actual show. I could understand when Howlin' Pelle of The Hives awarded Robyn the Guldmicken for Sweden's "2nd best" live act, I could understand host Kitty Jutbring's recurring references to Ace of Base thanks to the musical cue, but as far as gender-relations go, I could only really pick up on Kitty's vagina dress and her coinciding use of the word "fitta", which apparently is totally acceptable for broadcast. Not that I wasn't fully entertained. Like I said above, the show was action-packed and unrelenting and my language barrier did little to interfere.

Local fave Håkan Hellström kicked things off in style with "River en vacker dröm".

Säkert! performed an exceptional take on the song "Influensa".

Those Dancing Days killed it with "Reaching forward", as previously mentioned.

Awards were given, speeches were made. There were also a few surprises, a rarity for such a highly-scripted, high profile event. The biggest and most obvious: This Is Head winning Best Pop over Robyn. Another: Skudge winning Best Dance over the far more popular Swedish House Mafia, though it must be reiterated, P3 Guld is not necessarily a popularity contest. While some categories are decided by audience votes, the specialist genres are done by jury. Once again, Pia gladly fills in the details: "We have one jury that takes out the nominees for the audience to vote for and those are made up of the music editors that work within P3 and a couple of people from outside; we have one person from SVT [Per Sinding Larsen], so he's with us to do the five open categories. And then when it comes to specialist juries, there's a head of jury who's always that person who has that type of specialist program [at P3] and the brief to them was to select people that are experts in their field. So it's either very senior music editors and music journalists or very genre-specific experts [so we] have quality before the quantity or sales, which is not a parameter in this at all. But of course sometimes those things sort of match." As is the case with Robyn, who has deservedly won almost every award she's been nominated for this year.

Another highlight: the unexpected collaborations. Hello Saferide and Detektivbyrån from 2009 is a definite standout in my memory, Pia cites Anna Ternheim's collaboration with Max Peezay as hers. She says, "I like all the stuff that really goes under your skin and becomes exclusive for this event, things that touch people." As for 2011's best song medley by Orup and Spiderdogs, well, it was certainly nothing I expected, though I'm not so sure it will go down in history. What was far better however, was Tove Styrke doing "Million pieces" together with Familjen:

See, now that's the kind of perfect collaboration I'm talking about.

As with all major events, P3 Guld comes in three stages. We had the pre-party, the party itself and then of course, what remains at last is the after-party. Once Robyn brought the house down with her 3-song medley/finale (thankfully, rumors of a surprise Roxette appearance did not come to pass), we gathered our coats and made our way back through the cold to the Hotel Elite where, as with most large gatherings in Sweden, I felt like a fish out of water and about a foot shorter than everyone else, a feeling most easily remedied by the consumption of alcohol. Which is exactly the point -- the post-show party is when everyone finally starts to relax and feel comfortable enough to simply hang out and enjoy themselves. Free from expectations, they were all smiles and I was excited to reacquaint myself with numerous people I have met on previous trips over the years, or merely communicated with via email. And rub elbows with bonafide Swedish popstars: somehow I ended up getting my picture taken with a member of Kent, no fooling. Not at all what I expected, but more than welcome. Beyond that, what goes on at the after-party is off the record as far as I'm concerned, though it's not as if anything scandalous went down in my presence (besides the telling of tales from previous years). Perhaps everyone was holding out for the after-after-party, but with me scheduled for an early flight home only hours away, that was not even a remote possibility. The bar shut down, I went to bed, I was happy. Even if I never get a chance for a repeat visit, I'm more than content with my experience.

Best album: Robyn - Body Talk
Best artist: Robyn
Best song: Robyn - Dancing On my Own
Best group: Johnossi - Mavericks
Best folk/visa: Blandade Artister - Sonja Åkesson Tolkad Av
Best hardrock/metal: Watain - Lawless Darkness
Best jazz: Dan Berglunds Tonbruket - Tonbruket
Best songwriter: Klas Åhlund & Robyn - Body Talk
Best female artist: Robyn - Body Talk
Best male artist: Håkan Hellström - 2 Steg Från Paradise
Best newcomer Oskar Linnros - Vilja Bli
Best producer: Red One
Best international success: Red One
Best lyrics: Håkan Hellström - 2 Steg Från Paradise
Best urban/dance: Familjen - Mänskligheten
Best Innovator: Iamamiwhoami

Pop:
Anna von Hausswolff - Singing from the grave (Kning Disk/Playground)
jj - jj No 3 (Sincerely Yours)
CEO - White Magic (Sincerely Yours)
Nicolas Makelberge - The Unforgettable Planet (Emotion)

Dance:
Cloud - Hökarängen Space Program (Hökarängen Space Program)
Dmitry Fyodorov - Shapeless (Adrian Recordings)
Jarl & Fotmeijer - Lifesigns (Innertrax)
Skudge - Samlad produktion (Skudge Records)

Synth:
Code 64 - Trialogue (Progress Productions)
Cryo - Hidden Aggression (Progress Productions)
Page - Nu (BAM / Cosmos Music Group)
Social Ambitions - Almost gone (Electric Fantastic Sound)

Hardrock/Metal:
Ghost - Opus Eponymous (Rise Above)
Watain - Lawless Darkness (Season of Mist)
Khoma - A final storm (Selective notes)
Dark Tranquility - We are the void (Century Media)

Rhythm:
Haci Tekbilek - Türlü (Country & Eastern)
Helt Off - Marknadens Soldat (Pope Records)
Million Stylez - Everyday (Adonai Music)
Serengeti - Standing Steady (Illegyal Records)

Jazz:
Elin Larsson Group - Live and Alive (Playing With Music)
Lekverk - Everyday (Parallell)
NEO (Nässjö Extreme Orchestra) - NEO (Johannes Nästejö - LIV Produktion)
The Country - The Country (Found You Recordings)

Punk/Hardcore
Antipati - Frågor som rör det allmänna (Kjell Hell Records)
Hårda Tider - Gatan Kallar (Hårda Skivor)
Old Fashioned Ideas - We're in this shit together (Old Fashioned Ideas)
The Baboon Show - Punk Rock harbour (National)

Hip-Hop:
Academics - Tare Lugnt 4 (Random Bastards)
Carlito - Guldburen (Redline Records)
PH3 - Löser ett fall (Pope Records)
Zacke - Visst är det vackert (BD Pop)

Rock:
Bad Hands - Take The Money And Run (NONS Records/3NO Music AB)
Dundertåget - Dom feta åren är förbi (Razzia)
Pascal - Orkanen närmar sig (Novoton/3NO Music AB)
The Bear Quartet - Monty Python (Adrian Recordings)

Folk/Visa:
Anders Svensson, Magnus Gustafsson, Susanne Gustafsson, Anders Löfberg, Jörgen Svensson - Bålgetingen, Låtar efter August Strömberg (Giga Folkmusik)
Mats Edén, Daniel Sandén-Warg, Leif Stinnerbom, Magnus Stinnerbom - Anno 2010 (Giga Folkmusik)
OK Star Orchestra - Sound Classique (Dreamboat Music)
Ola Magnell - Rolös (National)

Experimental:
Ombudsman - And His Father Was A Great Machine (Substream/Mareld)
Erik Enocksson - Man tänker sitt (Kning Disk)
Leif Jordansson - The Comet / The Doll Maker (Brus & Knaster)
New Tango Orquesta - Vesper (HOOB Records)

Singer/Songwriter:
I'm Kingfisher - Arctic (Playground)
Daniel Norgren - Horrifying Death Eating Blood Spider (Superpuma Records)
The Tarantula Waltz - Did Not Leave To Find But To Forget, To Leave Behind (Brus & Knaster)
The Tallest Man On Earth - Wild Hunt (Gravitation)

Best live act:
Anna Von Hausswolff
The Tallest Man On Earth
Masshysteri
Robyn

Best unsigned act (in collaboration w/P3 Lab):
Alice B
Katakomb
Ascend
Broken Boys

Winners will be announced at a ceremony on February 4 at Nalen in Stockholm. More info: http://www.manifestgalan.se/

Best album:
Håkan Hellström - 2 Steg Från Paradise
Oskar Linnros - Vilja Bli
Robyn - Body Talk
Säkert! - Facit
The Radio Dept. - Clinging To a Scheme

Best artist:
Håkan Hellström
Johnossi
Oskar Linnros
Petter
Robyn

Best song:
Anna Bergendahl - This Is My Life
Daniel Adams-Ray - Gubben I Lådan
Eric Saade - Manboy
Erik Grönwall - Higher
Johnossi - What's The Point
Mohombi - Bumpy Ride
Oskar Linnros - Från Och Med Du
Robyn - Dancing On my Own
Salem Al Fakir - Keep On Walking
Swedish House Mafia – One

Best group:
Dungen - Skit I Allt
Hästpojken - Från Där Jag Ropar
Johnossi - Mavericks
Kent - En Plats I Solen
The Radio Dept. - Clinging To A Scheme

Best folk/visa:
Blandade Artister - Sonja Åkesson Tolkad Av
First Aid Kit - The Big Black & The Blue
Jonas Knutsson - Blåslåtar
Ola Magnell - Rolös
Toni Holgersson - Ibland Kallar Jag Det Kärlek

Best hardrock/metal:
Ghost - Opus Eponymous
Khoma - A Final Storm
Pascal - Orkanen Närmar Sig
Sabaton - Coat Of Arms
Watain - Lawless Darkness

Best jazz:
Dan Berglunds Tonbruket - Tonbruket
Goran Kajfes - X/Y
Magnus Carlson & The Moon Ray Quintet - Echoes
Oddjob - Clint
Peter Asplund Quartet - Asplund Meets Bernstein

Best songwriter:
Annika Norlin & Henrik Oja - Facit
Håkan Hellström - 2 Steg Från Paradise
Klas Åhlund & Robyn - Body Talk
Oskar Linnros - Vilja Bli
Pernilla Andersson - Ö

Best female artist:
Anna Von Hausswolff - Singing FromThe Grave
Britta Persson - Current Affair Medium Rare
Pernilla Andersson - Ö
Robyn - Body Talk
Säkert! - Facit

Best male artist:
Daniel Adams-Ray - Svart Vitt Och Allt Däremellan
Håkan Hellström - 2 Steg Från Paradise
Oskar Linnros - Vilja Bli
Salem Al Fakir - Ignore This
The Tallest Man On Earth - The Wild Hunt

Best newcomer:
Anna Von Hausswolff - Singing From The Grave
Ceo - White Magic
First Aid Kit - The Big Black & The Blue
Oskar Linnros - Vilja Bli
Swedish House Mafia - Until One

Best producer:
Adrian Lux
Joakim Åhlund & Håkan Hellström
Klas Åhlund
Max Martin
Red One

Best international success:
Dungen
Max Martin
Red One
Robyn
Swedish House Mafia

Best lyrics:
Annika Norlin - Facit
Håkan Hellström - 2 Steg Från Paradise
Ola Magnell - Rolös
Oskar Linnros - Vilja Bli
Plura Jonsson - Kärlekens Väg - En Mässa

Best urban/dance:
Boeoes Kaelstigen - Tanum Teleport
Familjen - Mänskligheten
Petter - En Räddare I Nöden
PH3 - PH3 Löser Ett Fall
Swedish House Mafia - Until One

Best Innovator:
Johnossi
Robyn
Nomy
Magnus Weideskog
Iamamiwhoami

Winners will be announced at a ceremony at Kungliga Operan in Stockholm on January 17.

As a standalone black metal album this is damn fine stuff, standing head and shoulders above much of the material currently saturating the scene. As a Watain album it's... slightly unexpected. It's definitely a grower and it's definitely s(l)ick stuff, it just doesn't quite reek of the 666-year-old pig's blood that "Sworn to the dark" or "Casus luciferi" did. The sparse leads on the album, I don't think work. Most of the time they knock whatever true menace is currently growing off kilter and generally deaden the impact of the song. The most enigmatic of the tracks on offer is without a doubt the 14-minute closer, "Waters of ain". Throughout its duration it displays Watain at their most venomous, yet, equally, at their most mainstream. It's a great track. It's an odd track. Part of it is a Watain track. Part of it isn't. For the most part, "Lawless darkness" is a great album that I'll return to when I'm in the mood for some quality black metal, but If it's a true sense of impending doom I'm after, I'll just blast "Casus luciferi" instead.]]> Mon, 09 Aug 2010 13:18:30 -0700 reviews http://www.itsatrap.com/n/34753-watain-back-in-north-america http://www.itsatrap.com/n/34753-watain-back-in-north-america http://www.itsatrap.com/n/34753-watain-back-in-north-america#comments Watain will be coming back to North America in November to support Behemoth on what they're calling the "Lawless States of Heretika Tour". Dates:

11/04 - Club Soda, Montreal, QC
11/05 - Opera House, Toronto, ON
11/06 - Mr. Smalls, Pittsburgh, PA
11/07 - Bottom Lounge, Chicago, IL
11/08 - Station Four, Minneapolis, MN
11/09 - Granada Theatre, Lawrence, KS
11/10 - Marquis Theatre, Denver, CO
11/12 - Hawthorne Theater, Portland, OR
11/13 - El Corazon, Seattle, WA
11/14 - Rickshaw, Vancouver, BC
11/16 - Boardwalk, Sacramento, CA
11/17 - Slims, San Francisco, CA
11/18 - House of Blues, Los Angeles, CA
11/19 - Ramona Main Stage, San Diego, CA
11/20 - Marquee Theatre, Phoenix, AZ
11/21 - Sunshine Theater, Albuquerque, NM
11/22 - Palladium Showroom, Dallas, TX
11/23 - Warehouse Live, Houston, TX
11/24 - White Rabbit, San Antonio, TX
11/26 - Masquerade, Atlanta, GA
11/27 - Revolution, Ft. Lauderdale, FL
11/28 - Club @ Firestone, Orlando, FL
11/30 - Jaxx, West Springfield, VA
12/01 - Peabody's, Cleveland, OH
12/02 - Irving Plaza, New York, NY
12/03 - Trocadero Theatre, Philadelphia, PA
12/04 - Toad's Place, New Haven, CT

Might as well keep on posting more videos, especially since I'm stumbling across a lot of good ones. This is Watain performing a tribute to Swedish metal legends Bathory from Sweden Rock Fest this past weekend. Quorthon's father Börje "Boss" Forsberg gives the intro speech. As the poster of the clip says, "the picture is a bit shitty in the beginning and starts working after the song starts for some unknown reason. Sound is ok." Wish I could've been there!
Direct link: http://www.youtube.com/watch?v=XdTHFe6-qg8

01. Lasse Stefanz - Texas
02. Erik Grönwall - Somewhere between a rock and a hard place
03. Eric Saade - Masquerade
04. Kalle Mmoraeus - Underbart
05. Sabaton - Coat of arms
06. Imperial State Electric - Imperial State Electric
07. Salem al Fakir - Ignore this
08. Timoteij - Längtan
09. Melissa Horn - Säg ingenting till mig
10. Anna Bergendahl - Yours sincerely
11. The Playtones - Rock'n roll dance party
12. Titanix - Drömmar får liv
13. Johnossi - Mavericks
14. Scotts - Vi gör det igen
15. The Ark - In full regalia
16. Watain - Lawless darkness
17. Lars Winnerbäck - Tänk om jag ångrar mig och sen ångrar mig igen
18. Mikael Wiehe - Ta det tillbaka!
19. Cookies n Beans - Beg, borrow and steal
20. Amanda Jenssen - Happyland - International version

I paraphrase, but that's more or less the discussion I had with a friend on the subject of "Lawless darkness", Watain's latest album. As I was saying earlier in the first part of my examination of black metal in 2010, I often wonder if my disinterest has more to do with me than it has to do with the actual music. I've been actively listening to the album for a couple weeks now and while I'm still not that into it, there's nothing definitely wrong with it either, at least not that I can pinpoint. But it does also play into the subject I brought up before: modern BM's lack of mystery. They still sport some of the best corpse paint around, looking more like the rotting undead than evil clowns, but then again, I'm looking at their spread in Terrorizer and thinking, god, this is all so corny. Not that everyone should emulate Portal all of a sudden, but that band is pretty much the only BM act I can think of whose image is as creepy/fearsome as their music. Like I've been saying: the element of mystery is crucial! Also, though Watain frontman Erik Danielsson no longer goes by the letter E, I kinda wish they would just shed the artifice entirely at this point. It's not necessary, it's distracting and arguably, seeing as how they are currently the most popular black metal band in the world right now who still managed to retain their cred, they could easily get away with it. Still, I suppose it could be me. I'll keep listening and hoping that it eventually clicks.

Rhythm:
Kapten röd - Stjärnorna finns här (SwingKids/Border)
Million stylez - From a far (Bonnier Music/Bonnier Amigo)
Governor Andy – Underhållningsmaskinen (KBC Music/Border)
Livelihood - Sagans Sånger (SwingKids/Border)

Pop/Electronica:
Jens Lekman - Night Falls Over Kortedala (Service/Border)
The Honeydrips - Here Comes The Future (Sincerely Yours/Playground Music)
Erik de Vahl - Oh! My Spine
The Mary Onettes - The Mary Onettes (Labrador/Border)

Rock/Rockabilly/Blues/Garage:
Murder by Guitar - On Parade (Human audio recordings/Sounds of Subterrania)
Maharajas - In Pure Spite (Low Impact Recordings/Sound Pollution)
Alex Face - Smell Like A Woman (Alleycat/Sound Pollution)
High Hats - Too Much Is Never Enough (Alleycat/Sound Pollution)

Hardrock/Metal:
Arch Enemy - Rise of the tyrant (Century Media/EMI)
Dark Tranquillity - Fiction (Century Media/EMI)
Hardcore Superstar - Dreamin' in a casket (Gain/Sony BMG)
Watain - Sworn to the dark (Season Of Mist/Sound Pollution)

Hiphop/R&B/Soul:
Timbuktu - Oberoendeframkallande (Juju Records/Playground Music)
Adam Tensta - It's A Tensta Thing (K-Werks/Border)
Ken - Äntligen hemma (Pope/Playground Music)
Basutbudet - Startpaketet/Pluspaketet (Devrim/V2/Bonnier Amigo)

Experimental:
Jean-Louis Huhta - Halfway Between the World and Death (Slottet Records/Dotshop.se)
Mårten Falk - Eclectric Guitar Experience (dB Productions/CDA)
Rolf Enström - Quarks (Caprice Records/CDA)
Tape & Minamo - Birds of a Feather (Headz/Dotshop.se)

Dance:
Mikael Stavöstrand - Various productions 2007
The Field - From here we go sublime (Kompakt)
Minilogue – Orglar (Minilogue Rec)
Hug - Heroes (Kompakt)

Folk/Ballad:
Ale Möller Band - Djef Djel (Amigo/Bonnier Amigo)
Various Artists - Poem, ballader och lite blues - Återbesöket (Amigo/Bonnier Amigo)
Lisa Rydberg och Gunnar Idenstam - Bach på svenska (Gazell Records AB/Bonnier Amigo)
Sofia Karlsson - Visor från vinden (Amigo/Bonnier Amigo)

Jazz:
Ludvig Berghe Trio - An unplayed venue (Moserobie Music Production/Bonnier Amigo)
e.s.t. (Esbjörn Svensson Trio) - e.s.t Live in Hamburg (ACT/Bonnier Amigo)
Adåker, Milder, Stenson, Danielsson, Öström - Miles by Five (Touché Music AB/CDA)
Lennart Åberg & Norrbotten Big Band - Up north (Caprice Records/CDA)

Synth:
Emmon - The art and the evil (Wonderland records)
Endless Shame - Price of Devotion (KTOWN Records/Misty Music)
Mr Jones Machine – Återvändsgränd (Progress Productions/Border Music)
Terror Punk Syndicate - Extended Playtime (Progress Productions/Border Music)

Punk/Hardcore:
Wolfbrigade - Prey to the world (Agipunk/Unrest/MCR/Sound Pollution)
The Accidents - Summer dreams (Burning Heart/Epitaph/Bonnier Amigo)
Auktion - Spader ess (Cage Match Federation/Border)
The Mockingbirds - Always late and not even close (HepTown Records/Sound Pollution)

Singer/Songwriter:
Christian Kjellvander - I Saw Her From Here/I Saw Here From Her (Startracks/V2/Bonnier Amigo)
Kristofer Åström - Rainaway Town (Startracks/V2/Bonnier Amigo)
José González - In Our Nature (Imperial/Playground Music)
Mattias Bärjed - Originalmusiken till Upp till kamp! (Razzia/Bonnier Amigo)

Best Live Artist:
Familjen
Säkert!
Maia Hirashawa
Laakso

Digfi-prize (unsigned act):
Cocoanut Groove (Umeå)
Emily McWilliam's Desert Soul (Stockholm)
Cartwall (Piteå)
Knivderby (Jönköping)

Read more: http://www.manifestgalan.se/122.aspx

01. Lars Winnerbäck - Innan mörkret faller
02. TALK 1
03. TIAC - Boredom
04. Brainbombs - Who can you trust
05. Ted Gärdestad - Helena
06. TALK 2
07. Björn Kleinhenz - China Blue
08. Viktor Sjöberg - The sensation of your head on my chest
09. Marvins Revolt - Deliberate deeds
10. TALK 3
11. Abalone Dots - Under the rain
12. The Bear Quartet - The lost kid office
13. Lo-Fi-Fnk - Wake up
14. Watain - Underneath the cenotaph
15. TALK 4
16. The Tiny - Closer
17. Supersilent - 8.4
18. Anna Ternheim - Today is a good day
19. TALK 5
20. The Skull Defekts - The secret
21. Lukestar - White shade
22. Pay TV - Fashion report
23. Wolfpack - Enter the gates
24. TALK 6
25. Tigerbombs - Shaking the tree
26. Familjen - Ivanhoe & Rebecca
27. Giant Robot - Public = shopping
28. Eskju Divine - Hold on
29. TALK 7
30. The Bell - On and on
31. DHG - The snuff dreams are made of
32. Trio Mediaeval - Det lisle bånet
33. TALK 8
34. Peter Bjorn and John - It beats me every time
35. Margaret Berger - Seek I'll hide
36. Kaizers Orchestra - Kontroll på kontinentet
37. TALK 9
38. Darkthrone - F.O.A.D.
]]> Sun, 14 Oct 2007 10:47:08 -0700 news sirius http://www.itsatrap.com/n/456 http://www.itsatrap.com/n/456 http://www.itsatrap.com/n/456#comments Swedish black-metal horde Watain will tour Europe in October as part of their ongoing 'Fuck the World Tour'. Dates and details: http://216.32.73.154/watain/ftw/fucktheworldtour.html]]> Wed, 15 Aug 2007 00:00:00 -0700 news http://www.itsatrap.com/n/654 http://www.itsatrap.com/n/654 http://www.itsatrap.com/n/654#comments Global Domination talks to Erik Danielsson (aka E) of Watain: http://www.globaldomination.se/interviews/watain-erik-danielsson
Naturally, he is far too grim a black metal musician to take kindly to GD's juvenile brand of humor.]]> Tue, 24 Jul 2007 00:00:00 -0700 news http://www.itsatrap.com/n/998 http://www.itsatrap.com/n/998 http://www.itsatrap.com/n/998#comments PopMatters likes the new Watain album "Sworn to the dark": http://www.popmatters.com/pm/music/reviews/42007/watain-sworn-to-the-dark/]]> Tue, 19 Jun 2007 00:00:00 -0700 news http://www.itsatrap.com/n/1051 http://www.itsatrap.com/n/1051 http://www.itsatrap.com/n/1051#comments Watain are finished with the American leg of their "Fuck the World" tour and have updated their website with links to all sorts of live video footage and more: http://www.templeofwatain.com/
All accounts I've read say that this was a killer tour and I'm sorry I couldn't see it myself.]]> Thu, 14 Jun 2007 00:00:00 -0700 news http://www.itsatrap.com/n/1214 http://www.itsatrap.com/n/1214 http://www.itsatrap.com/n/1214#comments The playlist for my radio show on Sirius this week:

01. Beyond Dawn - Far from showbiz
02. TALK 1
03. Superfamily - The radio has expressed concerns about what you did last night
04. The Fine Arts Showcase - Dance with your shadow
05. Pan Sonic - Hinaaja / Tugboat
06. TALK 2
07. Mixtapes & Cellmates - Hold
08. The Bear Quartet - I don't wanna
09. Dead Letters Spell Out Dead Words - When she's GONE
10. TALK 3
11. Laakso - High drama
12. Park Hotell - The guest who stayed forever
13. Fun - Hold it close
14. TALK 4
15. The Book of Daniel - Rabbit boy
16. Watain - Storm of the Antichrist
17. Viktor Sjöberg - w/Nothing
18. Kristofer Åström - Fallen
19. TALK 5
20. Mainliners - Olivia
21. Oddjob - Kings are walking out
22. Lemonator - Heart burns
23. TALK 6
24. Tobias Hellkvist - Slowly but surely
25. Attrap - Just a word away
26. Sahara Hotnights - Visit to Vienna
27. TALK 7
28. The Leather Nun - No rule
29. Alog - Son of king
30. Thunder Express - Vegas
31. TALK 8
32. Closer - Sensing the wake]]> Sat, 02 Jun 2007 00:00:00 -0700 news http://www.itsatrap.com/n/1461 http://www.itsatrap.com/n/1461 http://www.itsatrap.com/n/1461#comments Blodårstid on the new Watain album "Sworn to the dark": http://www.holyterror.com/blod/2007/05/14/watain-sworn-to-the-dark-cd/
As I said last week, I find this album to be one of the best Swedish black metal releases I've heard in years. I cannot at all agree with the assertation that their older material is better.]]> Mon, 14 May 2007 00:00:00 -0700 news http://www.itsatrap.com/n/1472 http://www.itsatrap.com/n/1472 http://www.itsatrap.com/n/1472#comments This week's playlist for my show on Sirius:

01. Kristofer Åström - The dark
02. TALK 1
03. Amandine - Better soil
04. Christel Alsos - What you gotta do
05. Tarantula - Two arrows
06. TALK 2
07. Kristin Asbjørnsen - I'm on my way
08. Thomas Denver Jonsson - Dreams at the film club
09. Tenderloud - Texas down
10. TALK 3
11. Hyacinth House - Ghost town
12. Strayfolk - I'll be a-goin'
13. The First Miles - Bottle, don't let me down
14. TALK 4
15. Hello Saferide - I was definitely made for these times
16. Hederos & Hellberg - I can't hold myself in line
17. Two Times the Trauma - I fell in love with an ocean
18. David Sandström Overdrive - The Fatville Treaty
19. HGH - Stupid song
20. TALK 5
21. Gorgoroth - Procreating Satan
22. Enslaved - The voices
23. Invocator - Breed of sin
24. TALK 6
25. Seance - Post mortem
26. Watain - Underneath the cenotaph
27. Dark Tranquility - Icipher
28. TALK 7
29. Eucharist - The Eucharist
30. At the Gates - Slaughter of the soul
31. Wolfbrigade - EU (European Union)
32. TALK 8
33. Katatonia - Had to (leave)
34. Bloodbath - Soul evisceration
35. Cult of Luna - The revelation embodied
36. TALK 9
37. Finntroll - Slaget vid blodsälv]]> Sat, 12 May 2007 00:00:00 -0700 news http://www.itsatrap.com/n/27732-mp3-watain-storm-of-the-antichrist http://www.itsatrap.com/n/27732-mp3-watain-storm-of-the-antichrist http://www.itsatrap.com/n/27732-mp3-watain-storm-of-the-antichrist#comments Watain's new record "Sworn to the dark" sounds like the comeback that many people hoped Dissection would accomplish. Swedish black metal hasn't sounded this good in... forever. Not only is the music 100% killer, so is the recording. The drums could still be a bit more dynamic and natural, but you can actually hear the bass! As I kind of alluded to in my Dark Tranquility post last Friday, I don't keep up with metal nearly as much as I used to and recording quality factors highly in our falling out. BM doesn't need to sound like a swarm of bees wrapped in a blanket. Haven't we moved past the point of where being "grim" and "necro" is all-important? What came off as otherworldly and inhuman 15-20 years ago doesn't work anymore and really, verges on Manowar-levels of self-parody. As for Watain, they may put off a bit of that vibe, but at least they've got the music to back it up.]]> Thu, 10 May 2007 00:00:00 -0700 mp3s http://www.itsatrap.com/n/1626 http://www.itsatrap.com/n/1626 http://www.itsatrap.com/n/1626#comments Dark Dose on the new Watain album "Sworn to the dark": http://darkdose.com/?p=156]]> Tue, 01 May 2007 00:00:00 -0700 news