Label: Plastilina Records

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Hari and Aino - s/tHari and Aino
s/t
Plastilina Records

6

To me, Andrea Dahlkild, lead vocals in Hari and Aino, is a blend between Duffy, Maja Ivarsson and Nina Persson. She is edgy in a sophisticated & balanced way. I ain't eager to go to one of their shows since I don't think that will be needed to change my impression. The Cardigans are not a secretly professional band, but it sometimes falls flat; Hari and Aino reminds me of that. You know when there is a possibility to listen too much of something effecting in sickness to your ears. The album withholds 10 songs, a perfect number! This is sweet indie pop, not cocky, political, heartbreaking songs; no, we are talking about a hint of shyness and pulsating sympathetic music that are feeding your hungry music veins. Finland apparently has a big influence on them (see "Finland") and I really have to ask them why; going on talking about their other songs, I must say that "Seasons" is causing good vibrations and is unquestionably their best hit. Also, I recommend "Your heartache and mine". This Stockholm based band has very good potential, I just want them get wild here and there, to surprise. I wish them my best and think y'all out there should give this little twee beautiful album a listen.
- Therese Buxfäldt

Stars In Coma - You're still frozen in timeStars In Coma
You're still frozen in time
Music Is My Girlfriend/Plastilina Records

5

Think back to the time when The Field Mice released their EP "Sensitive", add some melancholic electro beat, the 80's synth and a thinner version of Pelle Almquvist's voice, with a tiny flashback to London, to The Beatles. This is Stars In Coma. Not flashy or classy. "You're still frozen in time" ain't giving that wow feeling, but rather a conclusion of alright pop music with a general positive impression and a few hits. When listening to "I saw my heart passing by" I had to look at the playlist, to make sure it wasn't Andreas Jonsson's "Sing for me", parenthesis: meaning high quality, therefore their best track. Vocalist André Brorsson has, sadly, a too fragile and ordinary voice, sometimes too whiny, to reach the top. Chris Martin is fragile and whiny, but importantly eccentric. Maybe André needs to twist it up to make his sound more tweepoppy, more special. Well, I think of London when I listen to this. I bet my head that this will be suitable to the taste of 'Londoners'. Right now I'm wondering if the lath in Sweden is placed high up above, coming to the scene of pop and indie.
- Therese Buxfäldt