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<title>IT'S A TRAP! Scandinavian Music Journal</title> 

<link>http://www.itsatrap.com/</link> 

<description>Scandinavian music news, daily mp3 downloads, reviews, interviews and more</description>

<pubDate>Fri, 14 Aug 2026 20:04:43 -0700</pubDate> 

<copyright>2026</copyright> 

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<item>
	<title>Gaffa SE top 30 Swedish album highlights</title>
	<link>http://www.itsatrap.com/n/39004-gaffa-se-top-30-swedish-album-highlights</link>
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	<description><![CDATA[Swedish highlights from Gaffa SE's top 30 albums of 2011:
3. Mattias Alkberg - Anarkist (Teg Publishing/Playground)
4. Anna Järvinen - Anna själv tredje (Stranded/Universal)
5. Skriet - Det Beslutande Organet (Novoton/Border)
8. Invasionen - Saker som jag sagt till natten (Sony Music/Sony)
12. Graveyard - Hisingen Blues (Stranded/Universal)
14. Deportees - Islands & Shores (Universal/Universal)
16. I Break Horses - Hearts (Bella Union/Cosmos)
18. The Field - Looping State of Mind (Kompakt/Border)
20. Syket - With Love (Baseline Music/Sony Music)
21. Jonathan Johansson - Klagomuren (Hybris/Border)
28. Movits! - Ut ur min skalle (Universal/Universal)
29. Det Vackra Livet - Det Vackra Livet (Labrador/Border)
30. Ison & Fille - För evigt (Hemmalaget/Playground)
See the full list: http://gaffa.se/artikel/55303 (in Swedish)]]></description>
	<content:encoded><![CDATA[<p>Swedish highlights from Gaffa SE's top 30 albums of 2011:</p>
<p class="indent">3. <b>Mattias Alkberg</b> - Anarkist (Teg Publishing</label>/<label>Playground</label>)<br/>
4. <b>Anna Järvinen</b> - Anna själv tredje (<label>Stranded</label>/<label>Universal</label>)<br/>
5. <b>Skriet</b> - Det Beslutande Organet (<label>Novoton</label>/<label>Border</label>)<br/>
8. <b>Invasionen</b> - Saker som jag sagt till natten (<label>Sony Music</label>/<label>Sony</label>)<br/>
12. <b>Graveyard</b> - Hisingen Blues (<label>Stranded</label>/<label>Universal</label>)<br/>
14. <b>Deportees</b> - Islands & Shores (<label>Universal</label>/<label>Universal</label>)<br/>
16. <b>I Break Horses</b> - Hearts (<label>Bella Union</label>/<label>Cosmos</label>)<br/>
18. <b>The Field</b> - Looping State of Mind (<label>Kompakt</label>/<label>Border</label>)<br/>
20. <b>Syket</b> - With Love (<label>Baseline Music</label>/<label>Sony Music</label>)<br/>
21. <b>Jonathan Johansson</b> - Klagomuren (<label>Hybris</label>/<label>Border</label>)<br/>
28. <b>Movits!</b> - Ut ur min skalle (<label>Universal</label>/<label>Universal</label>)<br/>
29. <b>Det Vackra Livet</b> - Det Vackra Livet (<label>Labrador</label>/<label>Border</label>)<br/>
30. <b>Ison & Fille</b> - För evigt (<label>Hemmalaget</label>/<label>Playground</label>)</p>
<p>See the full list: <a href="http://gaffa.se/artikel/55303" target="_blank">http://gaffa.se/artikel/55303</a> (in Swedish)</p>]]></content:encoded>
	<pubDate>Mon, 05 Dec 2011 13:12:35 -0800</pubDate>
	<category>news</category>
	<category>general</category>
</item>
<item>
	<title>Manifest 2011 nominees are go</title>
	<link>http://www.itsatrap.com/n/36244-manifest-2011-nominees-are-go</link>
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	<description><![CDATA[The nominees for the 2011 Manifest Awards, Sweden's indie/alternative Grammy, have been announced:
Pop:
Anna von Hausswolff - Singing from the grave (Kning Disk/Playground)
jj - jj No 3 (Sincerely Yours)
CEO - White Magic (Sincerely Yours)
Nicolas Makelberge - The Unforgettable Planet (Emotion)
Dance:
Cloud - Hökarängen Space Program (Hökarängen Space Program)
Dmitry Fyodorov - Shapeless (Adrian Recordings)
Jarl & Fotmeijer - Lifesigns (Innertrax)
Skudge - Samlad produktion (Skudge Records)
Synth:
Code 64 - Trialogue (Progress Productions)
Cryo - Hidden Aggression (Progress Productions)
Page - Nu (BAM / Cosmos Music Group)
Social Ambitions - Almost gone (Electric Fantastic Sound)
Hardrock/Metal:
Ghost - Opus Eponymous (Rise Above)
Watain - Lawless Darkness (Season of Mist)
Khoma - A final storm (Selective notes)
Dark Tranquility - We are the void (Century Media)
Rhythm:
Haci Tekbilek - Tu&#776;rlu&#776; (Country & Eastern)
Helt Off - Marknadens Soldat (Pope Records)
Million Stylez - Everyday (Adonai Music)
Serengeti - Standing Steady (Illegyal Records)
Jazz:
Elin Larsson Group - Live and Alive (Playing With Music)
Lekverk - Everyday (Parallell)
NEO (Nässjö Extreme Orchestra) - NEO (Johannes Nästejö - LIV Produktion)
The Country - The Country (Found You Recordings)
Punk/Hardcore
Antipati - Frågor som rör det allmänna (Kjell Hell Records)
Hårda Tider - Gatan Kallar (Hårda Skivor)
Old Fashioned Ideas - We're in this shit together (Old Fashioned Ideas)
The Baboon Show - Punk Rock harbour (National)
Hip-Hop:
Academics - Tare Lugnt 4 (Random Bastards)
Carlito - Guldburen (Redline Records)
PH3 - Löser ett fall (Pope Records)
Zacke - Visst är det vackert (BD Pop)
Rock:
Bad Hands - Take The Money And Run (NONS Records/3NO Music AB)
Dundertåget - Dom feta åren är förbi (Razzia)
Pascal - Orkanen närmar sig (Novoton/3NO Music AB)
The Bear Quartet - Monty Python (Adrian Recordings)
Folk/Visa:
Anders Svensson, Magnus Gustafsson, Susanne Gustafsson, Anders Löfberg, Jörgen Svensson - Bålgetingen, Låtar efter August Strömberg (Giga Folkmusik)
Mats Edén, Daniel Sandén-Warg, Leif Stinnerbom, Magnus Stinnerbom - Anno 2010 (Giga Folkmusik)
OK Star Orchestra - Sound Classique (Dreamboat Music)
Ola Magnell - Rolös (National)
Experimental:
Ombudsman - And His Father Was A Great Machine (Substream/Mareld)
Erik Enocksson - Man tänker sitt (Kning Disk)
Leif Jordansson - The Comet / The Doll Maker (Brus & Knaster)
New Tango Orquesta - Vesper (HOOB Records)
Singer/Songwriter:
I'm Kingfisher - Arctic (Playground)
Daniel Norgren - Horrifying Death Eating Blood Spider (Superpuma Records)
The Tarantula Waltz - Did Not Leave To Find But To Forget, To Leave Behind (Brus & Knaster)
The Tallest Man On Earth - Wild Hunt (Gravitation)
Best live act:
Anna Von Hausswolff
The Tallest Man On Earth
Masshysteri
Robyn
Best unsigned act (in collaboration w/P3 Lab):
Alice B
Katakomb
Ascend
Broken Boys
Winners will be announced at a ceremony on February 4 at Nalen in Stockholm. More info: http://www.manifestgalan.se/]]></description>
	<content:encoded><![CDATA[<p>The nominees for the 2011 Manifest Awards, Sweden's indie/alternative Grammy, have been announced:</p>
<p class="indent">Pop:<br/>
<b>Anna von Hausswolff</b> - Singing from the grave (<label>Kning Disk</label>/<label>Playground</label>)<br/>
<b>jj</b> - jj No 3 (<label>Sincerely Yours</label>)<br/>
<b>CEO</b> - White Magic (<label>Sincerely Yours</label>)<br/>
<b>Nicolas Makelberge</b> - The Unforgettable Planet (<label>Emotion</label>)</p>
<p class="indent">Dance:<br/>
<b>Cloud</b> - Hökarängen Space Program (<label>Hökarängen Space Program</label>)<br/>
<b>Dmitry Fyodorov</b> - Shapeless (<label>Adrian Recordings</label>)<br/>
<b>Jarl & Fotmeijer</b> - Lifesigns (<label>Innertrax</label>)<br/>
<b>Skudge</b> - Samlad produktion (<label>Skudge Records</label>)</p>
<p class="indent">Synth:<br/>
<b>Code 64</b> - Trialogue (<label>Progress Productions</label>)<br/>
<b>Cryo</b> - Hidden Aggression (<label>Progress Productions</label>)<br/>
<b>Page</b> - Nu (<label>BAM / Cosmos Music Group</label>)<br/>
<b>Social Ambitions</b> - Almost gone (<label>Electric Fantastic Sound</label>)</p>
<p class="indent">Hardrock/Metal:<br/>
<b>Ghost</b> - Opus Eponymous (<label>Rise Above</label>)<br/>
<b>Watain</b> - Lawless Darkness (<label>Season of Mist</label>)<br/>
<b>Khoma</b> - A final storm (<label>Selective notes</label>)<br/>
<b>Dark Tranquility</b> - We are the void (<label>Century Media</label>)</p>
<p class="indent">Rhythm:<br/>
<b>Haci Tekbilek</b> - Tu&#776;rlu&#776; (<label>Country & Eastern</label>)<br/>
<b>Helt Off</b> - Marknadens Soldat (<label>Pope Records</label>)<br/>
<b>Million Stylez</b> - Everyday (<label>Adonai Music</label>)<br/>
<b>Serengeti</b> - Standing Steady (<label>Illegyal Records</label>)</p>
<p class="indent">Jazz:<br/>
<b>Elin Larsson Group</b> - Live and Alive (<label>Playing With Music</label>)<br/>
<b>Lekverk</b> - Everyday (<label>Parallell</label>)<br/>
<b>NEO (Nässjö Extreme Orchestra)</b> - NEO (<label>Johannes Nästejö - LIV Produktion</label>)<br/>
<b>The Country</b> - The Country (<label>Found You Recordings</label>)</p>
<p class="indent">Punk/Hardcore<br/>
<b>Antipati</b> - Frågor som rör det allmänna (<label>Kjell Hell Records</label>)<br/>
<b>Hårda Tider</b> - Gatan Kallar (<label>Hårda Skivor</label>)<br/>
<b>Old Fashioned Ideas</b> - We're in this shit together (<label>Old Fashioned Ideas</label>)<br/>
<b>The Baboon Show</b> - Punk Rock harbour (<label>National</label>)</p>
<p class="indent">Hip-Hop:<br/>
<b>Academics</b> - Tare Lugnt 4 (<label>Random Bastards</label>)<br/>
<b>Carlito</b> - Guldburen (<label>Redline Records</label>)<br/>
<b>PH3</b> - Löser ett fall (<label>Pope Records</label>)<br/>
<b>Zacke</b> - Visst är det vackert (<label>BD Pop</label>)</p>
<p class="indent">Rock:<br/>
<b>Bad Hands</b> - Take The Money And Run (<label>NONS Records/3NO Music AB</label>)<br/>
<b>Dundertåget</b> - Dom feta åren är förbi (<label>Razzia</label>)<br/>
<b>Pascal</b> - Orkanen närmar sig (<label>Novoton/3NO Music AB</label>)<br/>
<b>The Bear Quartet</b> - Monty Python (<label>Adrian Recordings</label>)</p>
<p class="indent">Folk/Visa:<br/>
<b>Anders Svensson, Magnus Gustafsson, Susanne Gustafsson, Anders Löfberg, Jörgen Svensson</b> - Bålgetingen, Låtar efter August Strömberg (<label>Giga Folkmusik</label>)<br/>
<b>Mats Edén, Daniel Sandén-Warg, Leif Stinnerbom, Magnus Stinnerbom</b> - Anno 2010 (<label>Giga Folkmusik</label>)<br/>
<b>OK Star Orchestra</b> - Sound Classique (<label>Dreamboat Music</label>)<br/>
<b>Ola Magnell</b> - Rolös (<label>National</label>)</p>
<p class="indent">Experimental:<br/>
<b>Ombudsman</b> - And His Father Was A Great Machine (<label>Substream/Mareld</label>)<br/>
<b>Erik Enocksson</b> - Man tänker sitt (<label>Kning Disk</label>)<br/>
<b>Leif Jordansson</b> - The Comet / The Doll Maker (<label>Brus & Knaster</label>)<br/>
<b>New Tango Orquesta</b> - Vesper (<label>HOOB Records</label>)</p>
<p class="indent">Singer/Songwriter:<br/>
<b>I'm Kingfisher</b> - Arctic (<label>Playground</label>)<br/>
<b>Daniel Norgren</b> - Horrifying Death Eating Blood Spider (<label>Superpuma Records</label>)<br/>
<b>The Tarantula Waltz</b> - Did Not Leave To Find But To Forget, To Leave Behind (<label>Brus & Knaster</label>)<br/>
<b>The Tallest Man On Earth</b> - Wild Hunt (<label>Gravitation</label>)</p>
<p class="indent">Best live act:<br/>
<b>Anna Von Hausswolff</b><br/>
<b>The Tallest Man On Earth</b><br/>
<b>Masshysteri</b><br/>
<b>Robyn</b></p>
<p class="indent">Best unsigned act (in collaboration w/P3 Lab):<br/>
<b>Alice B</b><br/>
<b>Katakomb</b><br/>
<b>Ascend</b><br/>
<b>Broken Boys</b></p>
<p>Winners will be announced at a ceremony on February 4 at Nalen in Stockholm. More info: <a href="http://www.manifestgalan.se/" target="_blank">http://www.manifestgalan.se/</a></p>]]></content:encoded>
	<pubDate>Mon, 17 Jan 2011 12:01:37 -0800</pubDate>
	<category>news</category>
	<category>general</category>
	<category>awards</category>
</item>
<item>
	<title>The Violent Years s/t Playground</title>
	<link>http://www.itsatrap.com/n/26480-the-violent-years-s-t-playground</link>
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	<description><![CDATA[Mandal may be the southernmost town in Norway, but if this debut EP from The Violent Years is any indication, it still gets plenty dark there. The band has been compared to acts such as Willard Grant Conspiracy, 16 Horsepower and the obligatory Nick Cave, and with good reason. The five songs revel in a southern gothic atmosphere that would have made Flannery O\'Connor proud. Songs start off with lines like: \"Caroline was the oldest of three/she ruled the world/and then she blew her head off.\" Even when the guitars get boisterous, the mood is unflinchingly solemn. It\'s hard not to think of small towns, hot sticky nights, deranged characters, and overgrown vegetation.
All that can get a little heavy, and at times it does. For the most part, though, The Violent Years usually find a middle ground between over-the-top melodrama and dull gloom. They\'re particularly effective in their use of piano to add both lighthearted moments and drama. There are passages on here that are truly beautiful. All in all, it\'s a remarkably mature, confident and very impressive debut.]]></description>
	<content:encoded><![CDATA[Mandal may be the southernmost town in Norway, but if this debut EP from <b>The Violent Years</b> is any indication, it still gets plenty dark there. The band has been compared to acts such as <b>Willard Grant Conspiracy</b>, <b>16 Horsepower</b> and the obligatory <b>Nick Cave</b>, and with good reason. The five songs revel in a southern gothic atmosphere that would have made <b>Flannery O'Connor</b> proud. Songs start off with lines like: <i>"Caroline was the oldest of three/she ruled the world/and then she blew her head off."</i> Even when the guitars get boisterous, the mood is unflinchingly solemn. It's hard not to think of small towns, hot sticky nights, deranged characters, and overgrown vegetation.</p>
<p>All that can get a little heavy, and at times it does. For the most part, though, <b>The Violent Years</b> usually find a middle ground between over-the-top melodrama and dull gloom. They're particularly effective in their use of piano to add both lighthearted moments and drama. There are passages on here that are truly beautiful. All in all, it's a remarkably mature, confident and very impressive debut.]]></content:encoded>
	<pubDate>Fri, 18 Jul 2008 00:00:00 -0700</pubDate>
	<category>reviews</category>
</item>
<item>
	<title>The Kissaway Trail s/t Playground</title>
	<link>http://www.itsatrap.com/n/25820-the-kissaway-trail-s-t-playground</link>
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	<description><![CDATA[Drawing as much from the layered swells of bands like Decibully and Broken Social Scene, as from the anthemic approach of Arcade Fire, this is a fine, if not damned accomplished debut album. While there are touches of bands like The National, another band oft quoted as having \'jumped on the Arcade Fire bandwagon,\' there is as much of the lost, jangled melodies reminiscent of indie music from the late 90s to give The Kissaway Trail an oddly nostalgic quality while simultaneously being placing themselves alongisde contemporary artists presently in the public mind. \"Forever turned out to be too long\" is everything an opening track should be: elusive and alluring, bringing to mind bands that garnered our love of music, and obviously influenced the band\'s delivery, though composed of unique strata that give the compositions an original tangibility. Bleeding out of the opener in one of the finest transitions on record, \"Smother + evil = hurt\" brings the pulse of record to bear for the first time, and pushes this wonderful album off on its way. \"La la song\" and \"Eloquence and elixir\" are yet more examples of their brilliance as artists, and provide as much energy in the latter minutes of the album as the opening tracks instilled. As a proud half-Swede who used to call Stockholm my home, I\'m once again forced to admit that Denmark has unveiled yet another talented band.]]></description>
	<content:encoded><![CDATA[Drawing as much from the layered swells of bands like <b>Decibully</b> and <b>Broken Social Scene</b>, as from the anthemic approach of <b>Arcade Fire</b>, this is a fine, if not damned accomplished debut album. While there are touches of bands like <b>The National</b>, another band oft quoted as having 'jumped on the <b>Arcade Fire</b> bandwagon,' there is as much of the lost, jangled melodies reminiscent of indie music from the late 90s to give <b>The Kissaway Trail</b> an oddly nostalgic quality while simultaneously being placing themselves alongisde contemporary artists presently in the public mind. <i>"Forever turned out to be too long"</i> is everything an opening track should be: elusive and alluring, bringing to mind bands that garnered our love of music, and obviously influenced the band's delivery, though composed of unique strata that give the compositions an original tangibility. Bleeding out of the opener in one of the finest transitions on record, <i>"Smother + evil = hurt"</i> brings the pulse of record to bear for the first time, and pushes this wonderful album off on its way. <i>"La la song"</i> and <i>"Eloquence and elixir"</i> are yet more examples of their brilliance as artists, and provide as much energy in the latter minutes of the album as the opening tracks instilled. As a proud half-Swede who used to call Stockholm my home, I'm once again forced to admit that Denmark has unveiled yet another talented band.]]></content:encoded>
	<pubDate>Fri, 17 Aug 2007 00:00:00 -0700</pubDate>
	<category>reviews</category>
</item>
<item>
	<title>The Slaves Save me from yesterday Playground</title>
	<link>http://www.itsatrap.com/n/26195-the-slaves-save-me-from-yesterday-playground</link>
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	<description><![CDATA[The Slaves aren\'t that bad (in fact, they\'re sort of mediocre), but I don\'t really see the point with them when there are other (Swedish) bands such as Caesars, Suburban Kids With Biblical Names, Pet Politics, etc around doing this type of music, but with much more finesse and less clichés. I might listen to the odd track from \"Save me from yesterday\" in the future, since a nice melody pops up here and there, but overall I find it unexciting.]]></description>
	<content:encoded><![CDATA[<b>The Slaves</b> aren't that bad (in fact, they're sort of mediocre), but I don't really see the point with them when there are other (Swedish) bands such as <b>Caesars</b>, <b>Suburban Kids With Biblical Names</b>, <b>Pet Politics</b>, etc around doing this type of music, but with much more finesse and less clichés. I might listen to the odd track from <i>"Save me from yesterday"</i> in the future, since a nice melody pops up here and there, but overall I find it unexciting.]]></content:encoded>
	<pubDate>Sun, 04 Jun 2006 00:00:00 -0700</pubDate>
	<category>reviews</category>
</item>
<item>
	<title>The Teenage Idols Something wicked Playground</title>
	<link>http://www.itsatrap.com/n/26589-the-teenage-idols-something-wicked-playground</link>
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	<description><![CDATA[The Teenage Idols are straight forward rock\'n\'roll. It\'s difficult not to like them. With half of the songs from \"Something wicked\" under the three minute mark, TTI prove they\'re about compressed and intensive rock music. Loud guitars, driving drumbeats, fat bass lines and a screaming, panting voice makes for good entertainment. All of this probably also qualifies TTI as an excellent live band. I can imagine experiencing them in a smaller venue being quite an exciting and sweaty adrenaline kick. The only time they lose my interest is during the closing tune; \"12:15\". It\'s not so much the Hendrix-esque guitars I mind, but the out-of-control banging on drums and excessive screaming that does my head in. TTI is right. This is something wicked, at least in the east London sense of the word. I just wish they would have the common sense of changing their band name before they make it big.]]></description>
	<content:encoded><![CDATA[<b>The Teenage Idols</b> are straight forward rock'n'roll. It's difficult not to like them. With half of the songs from <i>"Something wicked"</i> under the three minute mark, <b>TTI</b> prove they're about compressed and intensive rock music. Loud guitars, driving drumbeats, fat bass lines and a screaming, panting voice makes for good entertainment. All of this probably also qualifies TTI as an excellent live band. I can imagine experiencing them in a smaller venue being quite an exciting and sweaty adrenaline kick. The only time they lose my interest is during the closing tune; <i>"12:15"</i>. It's not so much the <b>Hendrix</b>-esque guitars I mind, but the out-of-control banging on drums and excessive screaming that does my head in. <b>TTI</b> is right. This is something wicked, at least in the east London sense of the word. I just wish they would have the common sense of changing their band name before they make it big.]]></content:encoded>
	<pubDate>Wed, 20 Apr 2005 00:00:00 -0700</pubDate>
	<category>reviews</category>
</item>
<item>
	<title>Strip Music s/t Playground</title>
	<link>http://www.itsatrap.com/n/26602-strip-music-s-t-playground</link>
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	<description><![CDATA[Strip Music are a new Swedish synth pop band, who have risen out of the ashes of Yvonne. However, describing them as \"pop\" is a bit of a misnomer. Although Strip Music use the synth as a device to drop as many hooks as possible within each song, the overall sound of the band races along at a speed and urgency that is perhaps too epic to be merely described as pop music. Songs like album opener \"2.75\" have vocalist Henric delivering vocals with such intensity that they lay genuine claim to the Joy Division comparisons, creating a sound that is both melancholic and uplifting at the same time. Forming a new band with the synth as the core of your sound is a tricky and obvious thing to do in 2005, what with the recent successes of The Bravery and The Killers. However, somehow Strip Music have managed to carry this off successfully without sounding cheesy, whilst being able to retain a human element to their overall sound.]]></description>
	<content:encoded><![CDATA[<b>Strip Music</b> are a new Swedish synth pop band, who have risen out of the ashes of <b>Yvonne</b>. However, describing them as "pop" is a bit of a misnomer. Although <b>Strip Music</b> use the synth as a device to drop as many hooks as possible within each song, the overall sound of the band races along at a speed and urgency that is perhaps too epic to be merely described as pop music. Songs like album opener <i>"2.75"</i> have vocalist <b>Henric</b> delivering vocals with such intensity that they lay genuine claim to the <b>Joy Division</b> comparisons, creating a sound that is both melancholic and uplifting at the same time. Forming a new band with the synth as the core of your sound is a tricky and obvious thing to do in 2005, what with the recent successes of <b>The Bravery</b> and <b>The Killers</b>. However, somehow <b>Strip Music</b> have managed to carry this off successfully without sounding cheesy, whilst being able to retain a human element to their overall sound.]]></content:encoded>
	<pubDate>Sun, 20 Mar 2005 00:00:00 -0800</pubDate>
	<category>reviews</category>
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