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<title>IT'S A TRAP! Scandinavian Music Journal</title> 

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<pubDate>Thu, 11 Jun 2026 16:19:27 -0700</pubDate> 

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	<title>Top 10s for 2009: It&#039;s a Trap!</title>
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	<description><![CDATA[Avi Roig, Editor-in-Chief

10. [ingenting] - Tomhet, idel tomhet (Labrador Records)
A record that is expansive in sound, but still very direct in feeling. [ingenting] aimed for the stars with this one and nailed it.

09. Agent Side Grinder - Irish recording tape/The transatlantic tape project (Enfant Terrible)
Enjoyable as separate entities, though far better when considered as a matched pair. This band has not only mastered the sound of old-school industrial, they can also write great catchy songs (see: "Irish recording tape") and create engrossing abstract soundscapes ("The transatlantic tape project").

08. Pistol Disco - Evergreen (Celebrity Lifestyle)
This group gets better and better with every release and now, with the addition of live drums, they've soared to new heights of brain-roasting awesomeness. Listen LOUD!

07. The Bear Quartet - 89 (Adrian Recordings)
A no-brainer. Still reigning as Sweden's best band.

06. The Fine Arts Showcase - Dolophine smile (Adrian Recordings)
The rawest of breakup records, the grandest of pop. Gustaf Kjellvander's defining moment as an artist (thus far).

05. Wadruna - Runaljod - gap var Ginnunga (Indie Recordings/Fimbulljóð Productions)
Pure pagan beauty, performed in the old ways to appease the old gods. If you don't like this, you're no fan of Scandinavian music.

04.  Björn Kleinhenz - B.U.R.M.A./Head held high on fearsome pride (DevilDuck Records/SellOut! Music/Tomt Recordings/Eget Bevåg Grammofon)
Another twofer, except this time I've listened to all these songs on shuffle so many times I can't separate them anymore. 2009 was the year that Björn Kleinhenz dedicated himself to his art 100% and it shows. I always have high expectations for his work, but these two records blew me away.

03. Samuraj Cities - Mixed up record collections (Imperial Recordings)
The music reflects the title; a brazen mix of different sounds and ideas, leading the way for the future of Swedish indierock. Sometimes it's a noisy mess, but that's also what makes it so great.

02. David Åhlén - We sprout in thy soil (Compunctio)
Devotional music is incredibly powerful when performed with such fervent conviction and grace as this. There is a new strain of inspirational music coming out of Sweden right now and its artists are creating some of the most exciting music I've heard in years.

01. Elmo - Once (BD Pop)
Far and away my absolute favorite album of 2009. Elmo takes the melodramatic teen-angst pop of Broder Daniel and ups it to near-farcial levels of hysteria, but they never ever falter. When frontman Magnus Ekelund said that this was the "ultimate Elmo album", he was telling the absolute truth. You can't go up from here.



Honorable mentions
2009 was a very good year for music and there are many worthwhile albums that didn't quite make the cut. Here's 5 more in alphabetical order:
Pintandwefall - Hong Kong, baby! (Supersounds Music)
Thåström - Kärlek är för dom (Universal)
C.Aarmé - World music (Spegel)
Turboweekend - Ghost of a chance (Mermaid Records)
Dear Euphoria - Heal my violence (La Paloma)



Heard too late
These records would've made the list if I had properly heard them at their time of release:
The Scrags - s/t (Alleycat Records)
Dead Letters Spell Out Dead Words - Lost in reflection (Fang Bomb/iDEAL Recordings/Release the Bats/When Skies Are Grey)
Tyrant - The rebirth (reclaim the flame) (Listenable Records/Hells Cargo)




Contributor Lists



Simon Tagestam

Albums
01. Samtidigt Som - Flykt, kärlek & broderskap (Luxury)
02. jj - jj n° 2 (Sincerely Yours)
03. Fever Ray – s/t (Rabid)
04. Lorentz & M.Sakarias - Vi mot världen (Epic)
05. Frida Hyvönen – Silence is wild (Licking Fingers)
06. Maskinen – Boys II Men (Pope Records)
07. Taken By Trees – East of Eden (Rough Trade)
08. Körsbärsfettera - Alla ska ha linne (self-released)
09. Sad Day For Puppets - Unknown colors (HaHa Fonogram)
10. Christopher Sander - Hej hå! (Vesper Records)



Songs
01. Montt Mardié – Gloria
02. jj – Are you still in Valda?
03. Anna Järvinen – Äppelöga
04. Samtidigt Som – Tienes mi corazón
06. Maskinen – Pengar
06. Alexis Weak – Disney på is
07. Lorentz & M.Sakarias - Unicorn
08. Christopher Sander - Fattig bonddräng
09. [ingenting] – Halleluja!
10. Makthaverskan - German boy



Arnulf Koehncke



01. Moritz von Oswald Trio - Vertical ascent (Honest Jon's Records)
While technically hardly a Scandinavian album (percussion is handled by Finn Vladislav Delay, electronics and programming by German techno- and dub-mastermind Moritz von Oswald plus modular synths by German Max Loderbauer), I just can't not list this record here. For me, it's this year's equivalent to last year's highlights by Auton or Viktor Sjöberg New Jazz Ensemble: A demanding record that pulls you in with its hypnotic patterns and movements, makes you smile at its more obvious moments, and makes you miss it when you're without the beautiful gatefold vinyl and a record player.

02. Kings of Convenience - Declaration of dependence (Virgin/EMI)
I was looking forward to this album and the accompanying gig this fall. The gig did not disappoint -- like always, Erlend still wants to own the stage while Erik charmingly stresses his storytelling-skills and seems to divide his time between his baby and the gym nowadays. But the album surprised me at first. Judging from the last record, I had expected more sixties pop and less starkness and quietude. But I like how this album is less easily had, doesn't let the listener in as easily, but will grow on you nonetheless.

03. [ingenting] - Tomhet, idel tomhet (Labrador Records)
This records sees [ingenting] exchange the more obvious references in their music for more subtle nods to pop music's giants paired with impressively direct lyrics and straight-to-the-point arrangements. If maturity didn't have such negative connotations, one could call the album just that. And "classic" of course, like 80's indiepop is classic, or Sibiria and Vapnet maybe, though in more cynical ways than this record. It seems only fitting that [ingenting] chose to finally drop those "nothing"-puns from their album titles.

04. Frida Hyvönen - Silence is wild (Licking Fingers)
I've always been unsure about the reference points of year-end lists. Is it calender years or more likely personal years? I'm in favor of personal, so I list this album because to me, despite technically being from 2008, it's really a 2009 record. Somehow, the album's full potential -- its melodies, its power, and most of all, its soul (in the secular, Phil Spector meaning of the word)---had passed me by until I saw Frida and her bandmates play live in Berlin in the spring of 2009. So I'm only making up now for not listing it in 2008.

05. The Whitest Boy Alive - Rules (Bubbles)
A friend of mine once compared TWBA to IKEA. They make highly functional music that's devoid of any ornaments and goes straight to the point. And like IKEA-furniture, TWBA's music works extremely well for its purpose: I've seen them play in a gallery's shopwindow for more than 1000 dancing people gathered in the February-cold street before them, and their songs never fail to fill any indie-dancefloor. I guess I'd rather have IKEA than the "next big thing" from England then.



Singles

01. [ingenting] - Dina händer är fulla av blommor
From the first time I heard this song when [ingenting] performed it on Nyhetsmorgon, I was struck with its directness, the way it seems to speak to every single listener. I really like how non-cynical popmusic can do that sometimes!

02. The Fine Arts Showcase - Friday on my knees
It's great how Gustaf and his bandmates deconstruct this song about two-thirds through, dropping riff and chorus for 120 gloomy seconds of noisy guitar and bass, only to shortly resurrect it all before the end. Who needs radio-oriented hits when we can have this instead?

03. The Radio Dept. - David
Yet another year without an album by The Radio Dept. And still I consider them my favorite Scandinavian band. I'm left hoping the new album will sound more like this single and less like its unfocused b-sides. Still, allowing myself a nostalgic moment, they most probably just won't make another "Lesser matters".

04. The Whitest Boy Alive - 1517
We all need our functional dancefloor-fix from time to time, don't we? Especially when it's this well-done.

05. Kommun - Death of a CEO
I've been looking forward to the Kommun-record ever since the people behind Vapnet and Sibiria announced that, since everyone was making "serious" Swedish records now, they'd make a "non-serious" English record instead. And while I haven't fully connected with the album yet, I can't really escape this deeply political singalong about a businessman's afterlife.

Less obvious non-scandi mentions (besides those Grizzly Bears, Animal Collectives, and Pains of Being Pure at Heart): My friend's sister's project Music for Your Heart, Brooklyn's giddy Uninhabitable Mansions, the new Au Revoir Simone record, that Thom Yorke song on the "New Moon" Soundtrack (less movie, more music), and finally moving to and living in Phnom Penh.



Matt Giordano



01. [ingenting] - Tomhet, idel tomhet (Labrador Records)
It was always going to be difficult to follow up "Mycket väsen för ingenting", and for a while I thought that this one fell short. The one day it clicked, I could not even compare the two. This is another stellar release for the band.

02. The Bear Quartet - 89 (Adrian Recordings)
A triumph, but honestly I did not even expect less. The Bear Quartet have returned in the only way they could -- a bludgeoning, brooding album that closes their decade of output by making the audience reconsider what The Bear Quartet is once again.

03. Markus Krunegård - Prinsen av Peking / Lev som en gris dö som en hund (V2)
I try to imagine what pop music in English would sound like if we had an artist like Markus Krunegård. But then I realize that the industry here is exponentially more vapid, someone like Markus would be swept into the corners of dimly lit rooms, never to see his due.

04. Asha Ali - Hurricane (3NO)
Three years after her magnificent debut, Asha Ali gave us a devastating album of loss and internal strife. This album is so personal and fragile it must have been difficult to release it.

05. The Fine Arts Showcase - Dolophine smile (Adrian Recordings)
Another album of loss, but with a very different approach. Gustaf Kjellvander gives us an outside view of the degradation of his relationship, which is always quite to difficult to do. However, in typical TFAS fashion, he succeeds greatly.

06. Pistol Disco - Evergreen (Celebrity Lifestyle)
Falling into the category of noise and shoegaze, which I've been listening to a lot lately, Pistol Disco reach amongst the highs. Put this record on and just ease your mind, and it will take your imagination places.

07. Kristofer Åström - Sinkadus (Startracks)
A new Kristofer Åström album always yields quality. This time, he has rotated three backing bands on record, and it adds so much to his already well-honed songwriting craft.

08. Jonathan Johansson - En hand i himlen (Hyrbis)
What a way to start a career. Jonathan Johansson created one of the better pure-pop albums of the year.

09. jj - jj n° 2 (Sincerely Yours)
Another very good debut, and another very good pop album. jj borderlines on twee, yet mixes soft beats and great vocals.

10. Montt Mardié - Skaizerkite (Hyrbis)
David Pagmar keeps getting more bombastic with each release. Top-notch songwriting and arranging keeps Montt Mardié fans guessing where he'll take his sound next.



Songs:
01. Peter Bjorn and John - Stay this way
02. Elias and the Wizzkids - Mr. Right Guy
03. Montt Mardié - Bang bang (An echo in Warsaw)
04. Asha Ali - The contract
05. The Bear Quartet - Northern
06. Ingenting - Lång våg
07. Markus Krungegård - Prinsessan av Peking
08. The Fine Arts Showcase - London, my town
09. Kristofer Åström - A song for while I'm away
10. Markus Krunegård - Kär i en borderline]]></description>
	<content:encoded><![CDATA[<h5>Avi Roig, Editor-in-Chief</h5>

<p>10. <b>[ingenting]</b> - Tomhet, idel tomhet (<label>Labrador Records</label>)<br/>
A record that is expansive in sound, but still very direct in feeling. <b>[ingenting]</b> aimed for the stars with this one and nailed it.</p>

<p>09. <b>Agent Side Grinder</b> - Irish recording tape/The transatlantic tape project (<label>Enfant Terrible</label>)<br/>
Enjoyable as separate entities, though far better when considered as a matched pair. This band has not only mastered the sound of old-school industrial, they can also write great catchy songs (see: <i>"Irish recording tape"</i>) and create engrossing abstract soundscapes (<i>"The transatlantic tape project"</i>).</p>

<p>08. <b>Pistol Disco</b> - Evergreen (<label>Celebrity Lifestyle</label>)<br/>
This group gets better and better with every release and now, with the addition of live drums, they've soared to new heights of brain-roasting awesomeness. Listen LOUD!</p>

<p>07. <b>The Bear Quartet</b> - 89 (<label>Adrian Recordings</label>)<br/>
A no-brainer. Still reigning as Sweden's best band.</p>

<p>06. <b>The Fine Arts Showcase</b> - Dolophine smile (<label>Adrian Recordings</label>)<br/>
The rawest of breakup records, the grandest of pop. <b>Gustaf Kjellvander</b>'s defining moment as an artist (thus far).</p>

<p>05. <b>Wadruna</b> - Runaljod - gap var Ginnunga (<label>Indie Recordings</label>/<label>Fimbulljóð Productions</label>)<br/>
Pure pagan beauty, performed in the old ways to appease the old gods. If you don't like this, you're no fan of Scandinavian music.</p>

<p>04.  <b>Björn Kleinhenz</b> - B.U.R.M.A./Head held high on fearsome pride (<label>DevilDuck Records</label>/<label>SellOut! Music</label>/<label>Tomt Recordings</label>/<label>Eget Bevåg Grammofon</label>)<br/>
Another twofer, except this time I've listened to all these songs on shuffle so many times I can't separate them anymore. 2009 was the year that <b>Björn Kleinhenz</b> dedicated himself to his art 100% and it shows. I always have high expectations for his work, but these two records blew me away.</p>

<p>03. <b>Samuraj Cities</b> - Mixed up record collections (<label>Imperial Recordings</label>)<br/>
The music reflects the title; a brazen mix of different sounds and ideas, leading the way for the future of Swedish indierock. Sometimes it's a noisy mess, but that's also what makes it so great.</p>

<p>02. <b>David Åhlén</b> - We sprout in thy soil (<label>Compunctio</label>)<br/>
Devotional music is incredibly powerful when performed with such fervent conviction and grace as this. There is a new strain of inspirational music coming out of Sweden right now and its artists are creating some of the most exciting music I've heard in years.</p>

<p>01. <b>Elmo</b> - Once (<label>BD Pop</label>)<br/>
Far and away my absolute favorite album of 2009. <b>Elmo</b> takes the melodramatic teen-angst pop of <b>Broder Daniel</b> and ups it to near-farcial levels of hysteria, but they never ever falter. When frontman <b>Magnus Ekelund</b> <a href="http://www.itsatrap.com/?n=31156">said</a> that this was the "ultimate <b>Elmo</b> album", he was telling the absolute truth. You can't go up from here.</p>

<div class="spacer"></div>

<p><strong>Honorable mentions</strong></p>
<p>2009 was a very good year for music and there are many worthwhile albums that didn't quite make the cut. Here's 5 more in alphabetical order:<br/>
<b>Pintandwefall</b> - Hong Kong, baby! (<label>Supersounds Music</label>)<br/>
<b>Thåström</b> - Kärlek är för dom (<label>Universal</label>)<br/>
<b>C.Aarmé</b> - World music (<label>Spegel</label>)<br/>
<b>Turboweekend</b> - Ghost of a chance (<label>Mermaid Records</label>)<br/>
<b>Dear Euphoria</b> - Heal my violence (<label>La Paloma</label>)</p>

<div class="spacer"></div>

<p><strong>Heard too late</strong></p>
<p>These records would've made the list if I had properly heard them at their time of release:<br/>
<b>The Scrags</b> - s/t (<label>Alleycat Records</label>)<br/>
<b>Dead Letters Spell Out Dead Words</b> - Lost in reflection (<label>Fang Bomb</label>/<label>iDEAL Recordings</label>/<label>Release the Bats</label>/<label>When Skies Are Grey</label>)<br/>
<b>Tyrant</b> - The rebirth (reclaim the flame) (<label>Listenable Records</label>/<label>Hells Cargo</label>)</p>

<div class="spacer"></div>
<div class="spacer"></div>

<h4>Contributor Lists</h4>

<div class="spacer"></div>

<h5>Simon Tagestam</h5>

<p><strong>Albums</strong></p>
<p>01. <b>Samtidigt Som</b> - Flykt, kärlek & broderskap (<label>Luxury</label>)</p>
<p>02. <b>jj</b> - jj n° 2 (<label>Sincerely Yours</label>)</p>
<p>03. <b>Fever Ray</b> – s/t (<label>Rabid</label>)</p>
<p>04. <b>Lorentz & M.Sakarias</b> - Vi mot världen (<label>Epic</label>)</p>
<p>05. <b>Frida Hyvönen</b> – Silence is wild (<label>Licking Fingers</label>)</p>
<p>06. <b>Maskinen</b> – Boys II Men (<label>Pope Records</label>)</p>
<p>07. <b>Taken By Trees</b> – East of Eden (<label>Rough Trade</label>)</p>
<p>08. <b>Körsbärsfettera</b> - Alla ska ha linne (self-released)</p>
<p>09. <b>Sad Day For Puppets</b> - Unknown colors (<label>HaHa Fonogram</label>)</p>
<p>10. <b>Christopher Sander</b> - Hej hå! (<label>Vesper Records</label>)</p>

<div class="spacer"></div>

<p><strong>Songs</strong></p>
<p>01. <b>Montt Mardié</b> – Gloria</p>
<p>02. <b>jj</b> – Are you still in Valda?</p>
<p>03. <b>Anna Järvinen</b> – Äppelöga</p>
<p>04. <b>Samtidigt Som</b> – Tienes mi corazón</p>
<p>06. <b>Maskinen</b> – Pengar</p>
<p>06. <b>Alexis Weak</b> – Disney på is</p>
<p>07. <b>Lorentz & M.Sakarias</b> - Unicorn</p>
<p>08. <b>Christopher Sander</b> - Fattig bonddräng</p>
<p>09. <b>[ingenting]</b> – Halleluja!</p>
<p>10. <b>Makthaverskan</b> - German boy</p>

<div class="spacer"></div>

<h5>Arnulf Koehncke</h5>

<div class="spacer"></div>

<p>01. <b>Moritz von Oswald Trio</b> - Vertical ascent (<label>Honest Jon's Records</label>)<br/>
While technically hardly a Scandinavian album (percussion is handled by Finn <b>Vladislav Delay</b>, electronics and programming by German techno- and dub-mastermind <b>Moritz von Oswald</b> plus modular synths by German <b>Max Loderbauer</b>), I just can't not list this record here. For me, it's this year's equivalent to last year's highlights by <b>Auton</b> or <b>Viktor Sjöberg New Jazz Ensemble</b>: A demanding record that pulls you in with its hypnotic patterns and movements, makes you smile at its more obvious moments, and makes you miss it when you're without the beautiful gatefold vinyl and a record player.</p>

<p>02. <b>Kings of Convenience</b> - Declaration of dependence (<label>Virgin/EMI</label>)<br/>
I was looking forward to this album and the accompanying gig this fall. The gig did not disappoint -- like always, Erlend still wants to own the stage while Erik charmingly stresses his storytelling-skills and seems to divide his time between his baby and the gym nowadays. But the album surprised me at first. Judging from the last record, I had expected more sixties pop and less starkness and quietude. But I like how this album is less easily had, doesn't let the listener in as easily, but will grow on you nonetheless.</p>

<p>03. <b>[ingenting]</b> - Tomhet, idel tomhet (<label>Labrador Records</label>)<br/>
This records sees <b>[ingenting]</b> exchange the more obvious references in their music for more subtle nods to pop music's giants paired with impressively direct lyrics and straight-to-the-point arrangements. If maturity didn't have such negative connotations, one could call the album just that. And "classic" of course, like 80's indiepop is classic, or <b>Sibiria</b> and <b>Vapnet</b> maybe, though in more cynical ways than this record. It seems only fitting that <b>[ingenting]</b> chose to finally drop those "nothing"-puns from their album titles.</p>

<p>04. <b>Frida Hyvönen</b> - Silence is wild (<label>Licking Fingers</label>)<br/>
I've always been unsure about the reference points of year-end lists. Is it calender years or more likely personal years? I'm in favor of personal, so I list this album because to me, despite technically being from 2008, it's really a 2009 record. Somehow, the album's full potential -- its melodies, its power, and most of all, its soul (in the secular, <b>Phil Spector</b> meaning of the word)---had passed me by until I saw Frida and her bandmates play live in Berlin in the spring of 2009. So I'm only making up now for not listing it in 2008.</p>

<p>05. <b>The Whitest Boy Alive</b> - Rules (<label>Bubbles</label>)<br/>
A friend of mine once compared TWBA to IKEA. They make highly functional music that's devoid of any ornaments and goes straight to the point. And like IKEA-furniture, TWBA's music works extremely well for its purpose: I've seen them play in a gallery's shopwindow for more than 1000 dancing people gathered in the February-cold street before them, and their songs never fail to fill any indie-dancefloor. I guess I'd rather have IKEA than the "next big thing" from England then.</p>

<div class="spacer"></div>

<p><strong>Singles</strong></p>

<p>01. <b>[ingenting]</b> - Dina händer är fulla av blommor<br/>
From the first time I heard this song when [ingenting] performed it on Nyhetsmorgon, I was struck with its directness, the way it seems to speak to every single listener. I really like how non-cynical popmusic can do that sometimes!</p>

<p>02. <b>The Fine Arts Showcase</b> - Friday on my knees<br/>
It's great how Gustaf and his bandmates deconstruct this song about two-thirds through, dropping riff and chorus for 120 gloomy seconds of noisy guitar and bass, only to shortly resurrect it all before the end. Who needs radio-oriented hits when we can have this instead?</p>

<p>03. <b>The Radio Dept.</b> - David<br/>
Yet another year without an album by <b>The Radio Dept.</b> And still I consider them my favorite Scandinavian band. I'm left hoping the new album will sound more like this single and less like its unfocused b-sides. Still, allowing myself a nostalgic moment, they most probably just won't make another <i>"Lesser matters"</i>.</p>

<p>04. <b>The Whitest Boy Alive</b> - 1517<br/>
We all need our functional dancefloor-fix from time to time, don't we? Especially when it's this well-done.</p>

<p>05. <b>Kommun</b> - Death of a CEO<br/>
I've been looking forward to the Kommun-record ever since the people behind Vapnet and Sibiria announced that, since everyone was making "serious" Swedish records now, they'd make a "non-serious" English record instead. And while I haven't fully connected with the album yet, I can't really escape this deeply political singalong about a businessman's afterlife.</p>

<p>Less obvious non-scandi mentions (besides those Grizzly Bears, Animal Collectives, and Pains of Being Pure at Heart): My friend's sister's project <b>Music for Your Heart</b>, Brooklyn's giddy <b>Uninhabitable Mansions</b>, the new <b>Au Revoir Simone</b> record, that <b>Thom Yorke</b> song on the <em>"New Moon"</em> Soundtrack (less movie, more music), and finally moving to and living in Phnom Penh.</p>

<div class="spacer"></div>

<h5>Matt Giordano</h5>

<div class="spacer"></div>

<p>01. <b>[ingenting]</b> - Tomhet, idel tomhet (<label>Labrador Records</label>)<br/>
It was always going to be difficult to follow up <i>"Mycket väsen för ingenting"</i>, and for a while I thought that this one fell short. The one day it clicked, I could not even compare the two. This is another stellar release for the band.</p>

<p>02. <b>The Bear Quartet</b> - 89 (<label>Adrian Recordings</label>)<br/>
A triumph, but honestly I did not even expect less. <b>The Bear Quartet</b> have returned in the only way they could -- a bludgeoning, brooding album that closes their decade of output by making the audience reconsider what <b>The Bear Quartet</b> is once again.</p>

<p>03. <b>Markus Krunegård</b> - Prinsen av Peking / Lev som en gris dö som en hund (<label>V2</label>)<br/>
I try to imagine what pop music in English would sound like if we had an artist like <b>Markus Krunegård</b>. But then I realize that the industry here is exponentially more vapid, someone like Markus would be swept into the corners of dimly lit rooms, never to see his due.</p>

<p>04. <b>Asha Ali</b> - Hurricane (<label>3NO</label>)<br/>
Three years after her magnificent debut, <b>Asha Ali</b> gave us a devastating album of loss and internal strife. This album is so personal and fragile it must have been difficult to release it.</p>

<p>05. <b>The Fine Arts Showcase</b> - Dolophine smile (<label>Adrian Recordings</label>)<br/>
Another album of loss, but with a very different approach. <b>Gustaf Kjellvander</b> gives us an outside view of the degradation of his relationship, which is always quite to difficult to do. However, in typical TFAS fashion, he succeeds greatly.</p>

<p>06. <b>Pistol Disco</b> - Evergreen (<label>Celebrity Lifestyle</label>)<br/>
Falling into the category of noise and shoegaze, which I've been listening to a lot lately, <b>Pistol Disco</b> reach amongst the highs. Put this record on and just ease your mind, and it will take your imagination places.</p>

<p>07. <b>Kristofer Åström</b> - Sinkadus (<label>Startracks</label>)<br/>
A new <b>Kristofer Åström</b> album always yields quality. This time, he has rotated three backing bands on record, and it adds so much to his already well-honed songwriting craft.</p>

<p>08. <b>Jonathan Johansson</b> - En hand i himlen (<label>Hyrbis</label>)<br/>
What a way to start a career. <b>Jonathan Johansson</b> created one of the better pure-pop albums of the year.</p>

<p>09. <b>jj</b> - jj n° 2 (<label>Sincerely Yours</label>)<br/>
Another very good debut, and another very good pop album. <b>jj</b> borderlines on twee, yet mixes soft beats and great vocals.</p>

<p>10. <b>Montt Mardié</b> - Skaizerkite (<label>Hyrbis</label>)<br/>
<b>David Pagmar</b> keeps getting more bombastic with each release. Top-notch songwriting and arranging keeps <b>Montt Mardié</b> fans guessing where he'll take his sound next.</p>

<div class="spacer"></div>

<p><strong>Songs:</strong></p>
<p>01. <b>Peter Bjorn and John</b> - Stay this way</p>
<p>02. <b>Elias and the Wizzkids</b> - Mr. Right Guy</p>
<p>03. <b>Montt Mardié</b> - Bang bang (An echo in Warsaw)</p>
<p>04. <b>Asha Ali</b> - The contract</p>
<p>05. <b>The Bear Quartet</b> - Northern</p>
<p>06. <b>Ingenting</b> - Lång våg</p>
<p>07. <b>Markus Krungegård</b> - Prinsessan av Peking</p>
<p>08. <b>The Fine Arts Showcase</b> - London, my town</p>
<p>09. <b>Kristofer Åström</b> - A song for while I'm away</p>
<p>10. <b>Markus Krunegård</b> - Kär i en borderline</p>]]></content:encoded>
	<pubDate>Wed, 16 Dec 2009 00:00:00 -0800</pubDate>
	<category>articles</category>
	<category>top10s</category>
</item>
<item>
	<title>Friendly Noise, the magazine (issue #1)</title>
	<link>http://www.itsatrap.com/n/32124-friendly-noise-the-magazine-issue-1</link>
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	<description><![CDATA[Friendly Noise has launched a magazine and issue one is up now: http://www.friendlynoise.se/fzn/1
It's in Swedish which is bad for me, but the layout + navigation is fantastic. Artists featured include Liminals, Auton and Studio (among others) and there's also a huge Friendly Noise sampler for download (see the "Friendly Noise Survival Kit").]]></description>
	<content:encoded><![CDATA[<p>Friendly Noise has launched a magazine and issue one is up now: <a href="http://www.friendlynoise.se/fzn/1" target="_blank">http://www.friendlynoise.se/fzn/1</a><br/>
It's in Swedish which is bad for me, but the layout + navigation is fantastic. Artists featured include <b>Liminals</b>, <b>Auton</b> and <b>Studio</b> (among others) and there's also a huge Friendly Noise sampler for download (see the <i>"Friendly Noise Survival Kit"</i>).</p>]]></content:encoded>
	<pubDate>Fri, 30 Oct 2009 14:42:44 -0700</pubDate>
	<category>news</category>
	<category>general</category>
	<category>industry</category>
	<category>interviews</category>
</item>
<item>
	<title>Viktor Sjöberg confirms details for &#039;Breakfast in America&#039;</title>
	<link>http://www.itsatrap.com/n/29787-viktor-sjoberg-confirms-details-for-breakfast-in-america</link>
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	<description><![CDATA[Viktor Sjöberg has just about finalized his new record "Breakfast in America": http://elefanten.blogspot.com/2009/03/writing-it-all-down.html
Lots of great guests, including Jens Lekman (naturally), Jonas Odhner (Sonores) and Douglas Holmqvist (Auton, Testbild!).]]></description>
	<content:encoded><![CDATA[<p><b>Viktor Sjöberg</b> has just about finalized his new record <i>"Breakfast in America"</i>: <a href="http://elefanten.blogspot.com/2009/03/writing-it-all-down.html" target="_blank">http://elefanten.blogspot.com/2009/03/writing-it-all-down.html</a><br/>
Lots of great guests, including <b>Jens Lekman</b> (naturally), <b>Jonas Odhner</b> (<b>Sonores</b>) and <b>Douglas Holmqvist</b> (<b>Auton</b>, <b>Testbild!</b>).</p>]]></content:encoded>
	<pubDate>Mon, 30 Mar 2009 16:45:08 -0700</pubDate>
	<category>news</category>
	<category>general</category>
</item>
<item>
	<title>Auton Any where out of the world Structures Sonores</title>
	<link>http://www.itsatrap.com/n/28534-auton-any-where-out-of-the-world-structures-sonores</link>
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	<description><![CDATA[This first album by Swedish trio Auton, "Any where out of the world", had been in the works for several years before it finally got its proper release on Viktor Sjöberg's Structures Sonores label. All the time that went into its production really shows in the multi-faceted approach to music that is represented here. The three musicians shift from straight-out jazz to drone to postrock to Satie-like piano moments with such casualness and grace. All the while, tone colors remain uniformly warm and inviting with keyboard instruments and the occasional guitar dominating the picture. It all sounds very analog and "vintage" indeed, and there is even room for some humor along the way (say, a short handclap "solo", for example). Yet, despite its sometimes rampant diversity, the record is unified by countless repeating small melodies for the listener to hold onto. All in all, Auton have used their impressive, yet never overbearing virtuosity to create a dramatic journey through everything that contemporary music could and should be. My Scandinavian record of the year.]]></description>
	<content:encoded><![CDATA[This first album by Swedish trio <b>Auton</b>, <em>"Any where out of the world"</em>, had been in the works for several years before it finally got its proper release on <b>Viktor Sjöberg</b>'s Structures Sonores label. All the time that went into its production really shows in the multi-faceted approach to music that is represented here. The three musicians shift from straight-out jazz to drone to postrock to <b>Satie</b>-like piano moments with such casualness and grace. All the while, tone colors remain uniformly warm and inviting with keyboard instruments and the occasional guitar dominating the picture. It all sounds very analog and "vintage" indeed, and there is even room for some humor along the way (say, a short handclap "solo", for example). Yet, despite its sometimes rampant diversity, the record is unified by countless repeating small melodies for the listener to hold onto. All in all, <b>Auton</b> have used their impressive, yet never overbearing virtuosity to create a dramatic journey through everything that contemporary music could and should be. My Scandinavian record of the year.]]></content:encoded>
	<pubDate>Mon, 05 Jan 2009 21:21:06 -0800</pubDate>
	<category>reviews</category>
</item>
<item>
	<title>Sirius playlist week #52</title>
	<link>http://www.itsatrap.com/n/28503-sirius-playlist-week-52</link>
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	<description><![CDATA[Here's the playlist for last week's radio show on 12/28, a special all-jazz program to close out the year:
01. TALK 1
02. Jan Johansson - Visa från Utanmyra
03. Saft - Marching for no. 1
04. Auton - El Dorado
05. TALK 2
06. The Splendor - Canary Islands
07. Kornstad/Opsvik - Happy house (live)
08. TALK 3
09. Yttling Jazz - Konstant krease
10. Jonas Knutsson - Glaciär
11. Moha! - Teknosangen
12. Oskar Schönning - Faustine
13. TALK 4
14. E.S.T. (Esbjörn Svensson Trio) - Leucocyte (ad initio)
And in case you happened to catch it, here also is my Sirius XMU top 10 most important albums of 2008 playlist:
#10 - Fucked Up - Days of last
#09 - Commando M Pigg - Baby doll
BEST COVER SONG - The Kid - Mayhem troopers (Cortex)
#08 - Katzenjammer - Le pop
#07 - Tobias Hellkvist - Wintervarm
#06 - The Goner - Field ceremony
BEST REMIX OF 2008 - Firefox AK vs Laid - Once I was like you
#05 - Haust - Ugly fucking Oslo
#04 - Eddy Current Suppression Ring - Which way to go
#03 - Sort Sol - White shirt
BEST LIVE ACT OF 2008 - Sex Vid - Cleansing
#02 - Montys Loco - Farewell Mr Happy
#01 - Lukestar - White shade
Reminder: my show airs every week on Sundays and Mondays at 11pm ET on Sirius XMU. That's channel 26 on Sirius, 43 on XM and 831 for DirecTV subscribers.]]></description>
	<content:encoded><![CDATA[<p>Here's the playlist for last week's radio show on 12/28, a special all-jazz program to close out the year:</p>
<p class="indent">01. TALK 1<br/>
02. <b>Jan Johansson</b> - Visa från Utanmyra<br/>
03. <b>Saft</b> - Marching for no. 1<br/>
04. <b>Auton</b> - El Dorado<br/>
05. TALK 2<br/>
06. <b>The Splendor</b> - Canary Islands<br/>
07. <b>Kornstad/Opsvik</b> - Happy house (live)<br/>
08. TALK 3<br/>
09. <b>Yttling Jazz</b> - Konstant krease<br/>
10. <b>Jonas Knutsson</b> - Glaciär<br/>
11. <b>Moha!</b> - Teknosangen<br/>
12. <b>Oskar Schönning</b> - Faustine<br/>
13. TALK 4<br/>
14. <b>E.S.T. (Esbjörn Svensson Trio)</b> - Leucocyte (ad initio)</p>
<p>And in case you happened to catch it, here also is my Sirius XMU top 10 most important albums of 2008 playlist:</p>
<p class="indent">#10 - <b>Fucked Up</b> - Days of last<br/>
#09 - <b>Commando M Pigg</b> - Baby doll<br/>
BEST COVER SONG - <b>The Kid</b> - Mayhem troopers (<b>Cortex</b>)<br/>
#08 - <b>Katzenjammer</b> - Le pop<br/>
#07 - <b>Tobias Hellkvist</b> - Wintervarm<br/>
#06 - <b>The Goner</b> - Field ceremony<br/>
BEST REMIX OF 2008 - <b>Firefox AK</b> vs <b>Laid</b> - Once I was like you<br/>
#05 - <b>Haust</b> - Ugly fucking Oslo<br/>
#04 - <b>Eddy Current Suppression Ring</b> - Which way to go<br/>
#03 - <b>Sort Sol</b> - White shirt<br/>
BEST LIVE ACT OF 2008 - <b>Sex Vid</b> - Cleansing<br/>
#02 - <b>Montys Loco</b> - Farewell Mr Happy<br/>
#01 - <b>Lukestar</b> - White shade</p>
<p>Reminder: my show airs every week on Sundays and Mondays at 11pm ET on Sirius XMU. That's channel 26 on Sirius, 43 on XM and 831 for DirecTV subscribers.</p>]]></content:encoded>
	<pubDate>Mon, 05 Jan 2009 00:35:42 -0800</pubDate>
	<category>news</category>
	<category>sirius</category>
</item>
<item>
	<title>Sirius playlist week #51</title>
	<link>http://www.itsatrap.com/n/25390-sirius-playlist-week-51</link>
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	<description><![CDATA[Here's the playlist for this week's (all-punk/hardcore) radio show:
01. Darkthrone - Hiking metal punks
02. TALK 1
03. Ebba Grön - Staten & kapitalet
04. Massgrav - Jävla fittor
05. Disfear - Live the storm
06. Samtidigt Som - För jag tror att ingen annan kan känna såhär för dig
07. TALK 2
08. We Live In Trenches - Autonomy clinic
09. MABD - Kom kom
10. Black Sheep - Crazy world
11. C.Aarmé - Ti ca tu a
12. Sods - Television sect
13. TALK 3
14. No Hope for the Kids - Rainy day
15. Frivolvol - Take it from the beginning
16. Hanna Hirsch - Ingen kommer sakna oss
17. Silver - Drenched in comfort
18. TALK 4
19. Randy - Win or lose
20. Victims - Your division
21. Smalltown - Warning
22. Lögnhalsmottagningen - Bodybuilder
23. M:40 - Sista tiden
24. TALK 5
25. Hebosagil - Cosmic
Reminder: my show airs every week on Sundays and Mondays at 11pm ET on Sirius XM U. That's channel 26 on Sirius, 43 on XM and 831 for DirecTV subscribers. Next week's show (December 28/29) will be all jazz.]]></description>
	<content:encoded><![CDATA[<p>Here's the playlist for this week's (all-punk/hardcore) radio show:</p>
<p class="indent">01. <b>Darkthrone</b> - Hiking metal punks<br/>
02. TALK 1<br/>
03. <b>Ebba Grön</b> - Staten & kapitalet<br/>
04. <b>Massgrav</b> - Jävla fittor<br/>
05. <b>Disfear</b> - Live the storm<br/>
06. <b>Samtidigt Som</b> - För jag tror att ingen annan kan känna såhär för dig<br/>
07. TALK 2<br/>
08. <b>We Live In Trenches</b> - Autonomy clinic<br/>
09. <b>MABD</b> - Kom kom<br/>
10. <b>Black Sheep</b> - Crazy world<br/>
11. <b>C.Aarmé</b> - Ti ca tu a<br/>
12. <b>Sods</b> - Television sect<br/>
13. TALK 3<br/>
14. <b>No Hope for the Kids</b> - Rainy day<br/>
15. <b>Frivolvol</b> - Take it from the beginning<br/>
16. <b>Hanna Hirsch</b> - Ingen kommer sakna oss<br/>
17. <b>Silver</b> - Drenched in comfort<br/>
18. TALK 4<br/>
19. <b>Randy</b> - Win or lose<br/>
20. <b>Victims</b> - Your division<br/>
21. <b>Smalltown</b> - Warning<br/>
22. <b>Lögnhalsmottagningen</b> - Bodybuilder<br/>
23. <b>M:40</b> - Sista tiden<br/>
24. TALK 5<br/>
25. <b>Hebosagil</b> - Cosmic</p>
<p>Reminder: my show airs every week on Sundays and Mondays at 11pm ET on Sirius XM U. That's channel 26 on Sirius, 43 on XM and 831 for DirecTV subscribers. Next week's show (December 28/29) will be all jazz.</p>]]></content:encoded>
	<pubDate>Mon, 22 Dec 2008 11:18:19 -0800</pubDate>
	<category>news</category>
	<category>sirius</category>
</item>
<item>
	<title>Textura reviews Auton</title>
	<link>http://www.itsatrap.com/n/25313-textura-reviews-auton</link>
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	<description><![CDATA[Textura reviews Auton: http://www.textura.org/reviews/auton.htm]]></description>
	<content:encoded><![CDATA[<p>Textura reviews <b>Auton</b>: <a href="http://www.textura.org/reviews/auton.htm" target="_blank">http://www.textura.org/reviews/auton.htm</a></p>]]></content:encoded>
	<pubDate>Mon, 15 Dec 2008 15:16:50 -0800</pubDate>
	<category>news</category>
	<category>reviews</category>
</item>
<item>
	<title>Top 10s for 2008: It&#039;s a Trap! (albums)</title>
	<link>http://www.itsatrap.com/n/25796-top-10s-for-2008-its-a-trap-albums</link>
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	<description><![CDATA[We liked a lot of albums in 2008, but there weren't so many that we loved. In fact, quite a few of us had trouble filling out a full top 10, myself included. Some of us didn't even bother. Personally, aside from a few notable exceptions as you'll see below, I found myself drawn to the past far more often than the present. And yet, here I am again, with yet another year-end list. Go figure.
So with a rather large grain of salt, let me present to you It's a Trap's 2008 top albums of the year.
- Avi Roig

10. Siena Root - Far from the sun (Transubstans)
Graveyard and Witchcraft get all the acclaim, but Siena Root is the better band.

09. Nitad - Ibland kan man inte hindras sig själv (Kranium/Deranged)
Fucked Up, another band who put out one of 2008's best releases ("The chemistry of commmon life"), have moved far beyond the realms of hardcore. Nitad have stepped up to take their place.

08. Park Hotell - Free for friends (Ultra Radio Records/BD Pop)
I can't stand Morissey, yet somehow some Swedish acts are able to take his influence and turn it into something wonderful. If only more indiepop bands were as good as Park Hotell.

07. Katzenjammer - Le pop (Propeller Recordings)
I fully expected Detektivbyrån to be my favorite folk-crossover act, but these ladies from Norway snuck in ahead of them.

06. Hello Saferide - More modern short stories from Hello Saferide (Razzia)
Even better than I hoped. The perfect follow-up to the first album.

05. Johan Heltne - Vetenskapliga bevis för att Jesus lever (Raffaella)
A beautiful and beguiling album. So weird and mysterious, so absolutely entrancing.

04. Montys Loco - Farewell Mr Happy (NONS)
Of all the bands on my list, these ladies are the only ones to truly create something new and unique sounding. Sweden's most consistently underrated and underappreciated band.

03. Haust - Ride the relapse (Fysisk Format)
If there's a more pissed-off, evil sounding album in 2008, I haven't heard it.

02. Lukestar - Lake Toba (Phone Me Records)
A full year later and I still love this album just as much when it first came out.

01. The Goner - H-Trilogy: Hind hand, Hallartrallar, Haven (Svarta Markaden)
I realize it's pretty lame to put a series of limited cult releases at #1, yet no other artist this year has intrigued me as much as The Goner. "Hind hand" blew me away when I first heard it, the following two were even better.

Jonas Appelqvist
10. Wildbirds & Peacedrums - The Snake (Caprice Records)
This headstrong indie duo got me convinced at a festival gig this summer. And when I heard "The snake" for the first time I was hooked. It's that good.
09. Frida Hyvönen - Silence is wild (Licking Fingers)
Frida goes from strength to strength and with this album she has established her status as one of the finest songwriters in Sweden right now. Don't believe me? I dare you, listen to "Dirty dancing" and you'll know what I'm talking about.
08. Paper - An object (Novoton)
A homage to Suicide, Joy Division and monotonous kraut rock. The mix between The Bear Quartet and Audionom is a win-win. Literally.
07. Satyricon - The age of Nero (Roadrunner)
With massive walls of sound this Norwegian old school combo decided to continue to piss off black metal fans that claim they're not "true" anymore. Hell, when it sounds this good, I couldn't care less.
06. David Sandström Overdrive - Pigs lose (Razzia)
David Sandström and Oskar Sandlund went into the studio and came out with an astounding album only surpassed by early career move Refused.
05. Lack - Saturate every atom (Play/Rec)
2008 turned out to be the year of resignation for Lack. At least they got to resign at the peak of their career; "Saturate every atom" is proof of that.
04. Britta Persson - Kill Hollywood me (Amigo)
Britta released this album with a somewhat secluded approach and it was received with open arms by almost everyone. Sounds contradictory? It's not, just pure genius.
03. Cult of Luna - Eternal kingdom (Earache)
It just goes to show, these guys don't know how to fail. Top notch!
02. Division of Laura Lee - Violence is timeless (I Made This)
Göteborg's finest spent three years in the studio. The result, Fugazi-esque punk rock, shows that it was worth the wait.
01. Lukestar - Lake Toba (Phone Me Records)
Indie rock at its best - edgy, melodic and, at the same time, raw and hard hitting as hell! The number one spot was, even in January, Lukestar's spot all along.

Matt Giordano
06. Vapnet - Döda fallet (Hybris)
Their track record has been making consistently good albums, and this is not an exception.
05. Robert Svensson - Young punk are on the never-never (Nomethod)
A fantastic pop album that has me looking even more forward to the next Mixtapes and Cellmates record.
04. The Kid - Transient blood (Hybris)
On their second album, The Kid has transformed themselves into brooding pop masters.
03. Paavoharju - Laulu laakson kukista (Fonal)
A beautiful, cold, meandering album. Not only does this album sound natural, it sounds symbiotic with nature.
02. Markus Krunegård - Markusevangeliet (V2/Universal)
He's made classic albums with Laakso, and a great Hets album. Now Markus is a bonafide solo artist, and, with this maintains that he's one of the best songwriters around.
01. Juvelen - 1 (Hybris)
One of my most anticipated of the year. Ten songs, ten potential singles, yet one cohesive pop statement. Juvelen is here to stay.

Lars Garvey Laing-Peterson
10. Division of Laura Lee - Violence is timeless (I Made This)
This is a total gut decision. Part of me is not okay with this result, but enough of me is perfectly alright ousting at least five other contenders to make room for this dirty, energetic album in my top 10. Despite giving this album only an 8, it has survived in far better standing than a few 9s from this year. "LAX" has been on quite a few of the mixtapes I've made for friends over the past few months, and DoLL launched my brother and I across America this summer... I couldn't imagine 2008 without "Violence is timeless".
09. Robert Svensson - Young punks are on the never-never (Nomethod)
Mr. Svensson lost considerable ground on this list, especially compared to the first draft I worked up a few weeks ago. Still, even at number nine, "Young punks are on the never-never" made it. A wonderful debut solo album from Mixtapes & Cellmates' vocalist, marking the beginning of what is sure to be a fine career.
08. Park Hotell - Free for friends (Ultra Radio/BD Pop)
This top 10 list is populated with a lot of debut records. "Free for friends" is definitely one that I had been waiting for, and it didn't let me down. It's a perfect autumn record: tracts of introspection still fuelled by the reckless hope of summer days.
07. Kiki Pau - Let's rock (Pyramid/Johanna Kustannus)
While I was completely surprised by "Book of Norma", I at least knew who Norma were. Kiki Pau are my favorite surprise this year. Their style of indie rock is confident well beyond their years, harkening back to "Meat is murder"-era Smiths, contemporary NYC garage, The Clash ... and any album with a song titled "Bukowski" (with the lyric: "Steinbeck made me want to get drunk") gets my vote.
06. Convoj - Exceptionnel (Wonderland)
This latecomer also forced me to reconstruct my list. It was all about complete, too. Oh well. Convoj's "Exceptionnel" is a brilliant record, more than deserving of a top 10 spot.
05. Håkan Hellström - För sent för edelweiss (Dolores)
If it weren't for all the summer memories I attach to "Með suð í eyrum við spilum endalaust", Hellström's effort would be in fourth place. The fact that this album is in fifth place is a testament to the creative forces at work in Northern Europe. When I first heard this record, I was pretty sure it would be in my top three albums of the year. How wonderful it is to be so wrong. "För sent för edelweiss" has become my favorite Håkan Hellström album, just edging out "Känn ingen sorg för mig Göteborg".
04. Sigur Rós - Með suð í eyrum við spilum endalaust (XL Recordings/EMI)
The fact that Sigur Rós took risks on this album when they could have skirted by with "Takk pt. II" impresses me. It may not be their finest album, but it's fun, kinetic, and lush; everything we expect from the Icelanders, and yet something quite different, too.
03. Tiger Lou - A partial print (Startracks)
I struggled a little with "A partial print" at first, but it eventually won out. As I wrote in my review, the album is "a collage, a collection of images, all of them darkly beautiful extensions of the emotional landscape of "The loyal", but the connections between these impressions can take some time to present themselves, but they will, and then "A partial print" comes fully into being."
02. Markus Krunegård - Markusevangeliet (V2/Universal)
While I gave "A partial print" higher marks, "Markusevangeliet" has been a valued companion of mine since April -- and there's something to be said about resilience. I said back then that I thought Laakso frontman Markus Krunegård had possibly crafted the best record of the year... and, although I might have proven myself wrong, his accomplishment is by far one of the best solo records in recent memory.
01. Norma - Book of Norma (Novoton)
In a damned impressive year for Scandinavian music, my top prize goes to "Book of Norma". It's been a while since I have been as taken aback by a record as I was with Norma's latest effort, the first album I have ever given a 10 to here on It's A Trap! Just an absolutely brilliant album.

Arnulf Koehncke
10. Ane Brun - Changing of the seasons (DetErMine)
Someone wrote somewhere how well recorded this album is -- I can't help but agree. The songs are good too and it's actually the first Ane Brun record that I can really relate to.
09. Audrey - The fierce and the longing (Tenderversion)
Honestly, this record sounds a lot like their last one. That's a good thing in Audrey's case -- I think it's really rare that a band is this well defined regarding both songwriting and sound-aesthetics.
08. Fredrik - Na na ni (Jezebel)
It surprises me how much I still like this record. I didn't think it would be such a grower -- guess I was wrong.
07. Snöleoparden - Snöleoparden (Rump)
I just like the whole of-the-cuff playfulness and complexity that this record embodies. I dare anyone to listen to the daycare-singalong second track and not smile.
06. Hello Saferide - More modern short stories from Hello Saferide (Razzia)
If you'd asked me in the beginning of the year, I'd probably have predicted this album to top my year-end list. Well, it hasn't completely gotten me hooked yet, though I totally agree with all the praise for Annika's development. And "Lund" has already become a personal favorite of mine.
05. Bobby and Blumm - Everybody loves... (Morr Music)
This record is just so playful -- there's so much to discover in F.S. Blumm's guitar work and Ella's charming voice. It makes me wish I could see them live again.
04. V. Sjöberg New Jazz Ensemble - Do nothing 'til you hear from me (iDEAL)
Another great record, though it needs patience and concentration to really enjoy it as a whole. It's just great how it builds up all this tension with its drones and suspense curves only to then release the listener with a soothing return to tonality in the next to last track.
03. The Radio Dept. - Freddie and the Trojan Horse (Labrador)
Too bad their album was delayed until next year. This EP showed such potential with all its Prefab Sprout'ish moments and melodies. And it even delivered some nostalgia to me as a long-time fan when I listen to the hidden track's distortion and overdrive.
02. Vapnet - Döda fallet (Hybris)
It's amazing: This record is such an instant classic that I almost didn't think of it as a 2008-release. And doesn't that already say all there is to say?
01. Auton - Anywhere out of this world (Structures Sonores)
This record is just so good (which is why my review of it is just so overdue). Incredibly virtuosic yet never overbearing musicians that shift from straight-out jazz to drone to post-rock to Satie-like piano moments with such casualness and grace. My Scandinavian record of the year. Go to the label website now and order copies to give away as christmas presents ;-)

Nancy Baym
10. Don't I wish I could put something here. Like the Caesars. What a bummer that record was.
09. Mikko Singh - Uskotko että siellä on kukkia? (self-released)
An almost-entirely instrumental record that's somewhere between pop and new age, equally well suited to a massage or mellow downtime at home. Very pretty with some nice elements of fun.
08. Violent Years - s/t (Playground)
A fine contribution to the southern gothic alt country genre with many outstanding moments and at least one truly great song.
07. Kusowsky - Något speciellt (self-released)
Kusowsy are so unabashedly singalong guitar pop that I feel a little guilty enjoying them, but everytime a song from this EP showed up on shuffle this year I found myself stopping to smile.
06. The Social Services - It's nothing personal, it's national security (Stereo Test Kit)
Only 1/3 Scandinavian, but she's the singer so she gets extra credit. It's a smart, eclectic, cynical, funny, and loose indie pop album.
05. Tiger Lou - A partial print (Startracks)
I really wanted to love this record, but don't. As background music its dark, hypnotic and self-contradictory sound is stunningly close to perfect, but on close listening its repetitiveness becomes abrasive in ways I don't think were intended.
04. Markus Krunegård - Markusevangeliet (V2/Universal)
On his solo record, Krunegård avoids most of Laakso's glam excesses to deliver a powerful and rich electronically-driven yet organic and seductive sonic environment.
03. Vapnet - Döda fallet (Hybris)
They don't stray too far from the distinctive, poppy, and borderline corny sound of their previous recordings on this one, but that's a good thing because they are one of the most calming make-you-happy bands going today. I highly recommend this as a soundtrack for either hanging out on a warm beach or cleaning house, cooking, and other mundane chores of daily life.
01. Madrugada - s/t (Virgin/EMI)
Faced with the sudden death of their guitarist and an album 80% completed, Madrugada did the right thing by finishing it up. Even without the tragic back story, it's a powerful and mature rock album that I am still listening to regularly almost a year after its release.
01. Detektivbyrån - Wermland (Danarkia)
In a very disappointing musical year, this instrumental genre-collapsing folk album based on accordion and glockenspiel was the one extraordinary surprise. Everyone I've played it for ran out and got it immediately. You should too.

Simon Tagestam
10. Nordpolen - s/t (Sincerely Yours)
09. Joel Alme - A master of ceremonies (Sincerely Yours)
08. Envelopes - Here comes the wind (Brille)
07. Håkan Hellström - För sent för edelweiss (Dolores)
06. Markus Krunegård - Markusevangeliet (V2/Universal)
05. Love Is All - A hundred things keep me up at night (What's Your Rupture?)
04. Afasi & Filthy - Fläcken (P.O.P.E.)
03. Frida Hyvönen - Silence is wild (Licking Fingers)
02. Moto Boy - s/t (Songs I Wish I Had Written)
01. Vapnet - Döda fallet (Hybris)]]></description>
	<content:encoded><![CDATA[<p>We liked a lot of albums in 2008, but there weren't so many that we loved. In fact, quite a few of us had trouble filling out a full top 10, myself included. Some of us didn't even bother. Personally, aside from a few notable exceptions as you'll see below, I found myself drawn to the past far more often than the present. And yet, here I am again, with yet another year-end list. Go figure.</p>
<p>So with a rather large grain of salt, let me present to you It's a Trap's 2008 top albums of the year.<br/>
<i>- Avi Roig</i></p>
<div class="spacer"></div>
<p>10. <b>Siena Root</b> - Far from the sun (Transubstans)<br/>
<b>Graveyard</b> and <b>Witchcraft</b> get all the acclaim, but <b>Siena Root</b> is the better band.</p>

<p>09. <b>Nitad</b> - Ibland kan man inte hindras sig själv (Kranium/Deranged)<br/>
<b>Fucked Up</b>, another band who put out one of 2008's best releases (<i>"The chemistry of commmon life"</i>), have moved far beyond the realms of hardcore. <b>Nitad</b> have stepped up to take their place.</p>

<p>08. <b>Park Hotell</b> - Free for friends (Ultra Radio Records/BD Pop)<br/>
I can't stand <b>Morissey</b>, yet somehow some Swedish acts are able to take his influence and turn it into something wonderful. If only more indiepop bands were as good as <b>Park Hotell</b>.</p>

<p>07. <b>Katzenjammer</b> - Le pop (Propeller Recordings)<br/>
I fully expected <b>Detektivbyrån</b> to be my favorite folk-crossover act, but these ladies from Norway snuck in ahead of them.</p>

<p>06. <b>Hello Saferide</b> - More modern short stories from Hello Saferide (Razzia)<br/>
Even better than I hoped. The perfect follow-up to the first album.</p>

<p>05. <b>Johan Heltne</b> - Vetenskapliga bevis för att Jesus lever (Raffaella)<br/>
A beautiful and beguiling album. So weird and mysterious, so absolutely entrancing.</p>

<p>04. <b>Montys Loco</b> - Farewell Mr Happy (NONS)<br/>
Of all the bands on my list, these ladies are the only ones to truly create something new and unique sounding. Sweden's most consistently underrated and underappreciated band.</p>

<p>03. <b>Haust</b> - Ride the relapse (Fysisk Format)<br/>
If there's a more pissed-off, evil sounding album in 2008, I haven't heard it.</p>

<p>02. <b>Lukestar</b> - Lake Toba (Phone Me Records)<br/>
A full year later and I still love this album just as much when it first came out.</p>

<p>01. <b>The Goner</b> - H-Trilogy: Hind hand, Hallartrallar, Haven (Svarta Markaden)<br/>
I realize it's pretty lame to put a series of limited cult releases at #1, yet no other artist this year has intrigued me as much as <b>The Goner</b>. <i>"Hind hand"</i> blew me away when I first heard it, the following two were even better.</p>

<h3>Jonas Appelqvist</h3>
<p>10. <b>Wildbirds & Peacedrums</b> - The Snake (Caprice Records)<br/>
This headstrong indie duo got me convinced at a festival gig this summer. And when I heard <i>"The snake"</i> for the first time I was hooked. It's that good.</p>
<p>09. <b>Frida Hyvönen</b> - Silence is wild (Licking Fingers)<br/>
Frida goes from strength to strength and with this album she has established her status as one of the finest songwriters in Sweden right now. Don't believe me? I dare you, listen to <i>"Dirty dancing"</i> and you'll know what I'm talking about.</p>
<p>08. <b>Paper</b> - An object (Novoton)<br/>
A homage to <b>Suicide</b>, <b>Joy Division</b> and monotonous kraut rock. The mix between <b>The Bear Quartet</b> and <b>Audionom</b> is a win-win. Literally.</p>
<p>07. <b>Satyricon</b> - The age of Nero (Roadrunner)<br/>
With massive walls of sound this Norwegian old school combo decided to continue to piss off black metal fans that claim they're not "true" anymore. Hell, when it sounds this good, I couldn't care less.</p>
<p>06. <b>David Sandström Overdrive</b> - Pigs lose (Razzia)<br/>
<b>David Sandström</b> and <b>Oskar Sandlund</b> went into the studio and came out with an astounding album only surpassed by early career move <b>Refused</b>.</p>
<p>05. <b>Lack</b> - Saturate every atom (Play/Rec)<br/>
2008 turned out to be the year of resignation for <b>Lack</b>. At least they got to resign at the peak of their career; <i>"Saturate every atom"</i> is proof of that.</p>
<p>04. <b>Britta Persson</b> - Kill Hollywood me (Amigo)<br/>
Britta released this album with a somewhat secluded approach and it was received with open arms by almost everyone. Sounds contradictory? It's not, just pure genius.</p>
<p>03. <b>Cult of Luna</b> - Eternal kingdom (Earache)<br/>
It just goes to show, these guys don't know how to fail. Top notch!</p>
<p>02. <b>Division of Laura Lee</b> - Violence is timeless (I Made This)<br/>
Göteborg's finest spent three years in the studio. The result, <b>Fugazi</b>-esque punk rock, shows that it was worth the wait.</p>
<p>01. <b>Lukestar</b> - Lake Toba (Phone Me Records)<br/>
Indie rock at its best - edgy, melodic and, at the same time, raw and hard hitting as hell! The number one spot was, even in January, <b>Lukestar</b>'s spot all along.</p>

<h3>Matt Giordano</h3>
<p>06. <b>Vapnet</b> - Döda fallet (Hybris)<br/>
Their track record has been making consistently good albums, and this is not an exception.</p>
<p>05. <b>Robert Svensson</b> - Young punk are on the never-never (Nomethod)<br/>
A fantastic pop album that has me looking even more forward to the next <b>Mixtapes and Cellmates</b> record.</p>
<p>04. <b>The Kid</b> - Transient blood (Hybris)<br/>
On their second album, <b>The Kid</b> has transformed themselves into brooding pop masters.</p>
<p>03. <b>Paavoharju</b> - Laulu laakson kukista (Fonal)<br/>
A beautiful, cold, meandering album. Not only does this album sound natural, it sounds symbiotic with nature.</p>
<p>02. <b>Markus Krunegård</b> - Markusevangeliet (V2/Universal)<br/>
He's made classic albums with <b>Laakso</b>, and a great <b>Hets</b> album. Now Markus is a bonafide solo artist, and, with this maintains that he's one of the best songwriters around.</p>
<p>01. <b>Juvelen</b> - 1 (Hybris)<br/>
One of my most anticipated of the year. Ten songs, ten potential singles, yet one cohesive pop statement. <b>Juvelen</b> is here to stay.</p>

<h3>Lars Garvey Laing-Peterson</h3>
<p>10. <b>Division of Laura Lee</b> - Violence is timeless (I Made This)<br/>
This is a total gut decision. Part of me is not okay with this result, but enough of me is perfectly alright ousting at least five other contenders to make room for this dirty, energetic album in my top 10. Despite giving this album <a href="http://www.itsatrap.com/reviews.php?r=799">only an 8</a>, it has survived in far better standing than a few 9s from this year. <i>"LAX"</i> has been on quite a few of the mixtapes I've made for friends over the past few months, and DoLL launched my brother and I across America this summer... I couldn't imagine 2008 without <i>"Violence is timeless"</i>.</p>
<p>09. <b>Robert Svensson</b> - Young punks are on the never-never (Nomethod)<br/>
Mr. Svensson lost considerable ground on this list, especially compared to the first draft I worked up a few weeks ago. Still, even at number nine, <i>"Young punks are on the never-never"</i> made it. A wonderful debut solo album from <b>Mixtapes & Cellmates</b>' vocalist, marking the beginning of what is sure to be a fine career.</p>
<p>08. <b>Park Hotell</b> - Free for friends (Ultra Radio/BD Pop)<br/>
This top 10 list is populated with a lot of debut records. <i>"Free for friends"</i> is definitely one that I had been waiting for, and it didn't let me down. It's a perfect autumn record: tracts of introspection still fuelled by the reckless hope of summer days.</p>
<p>07. <b>Kiki Pau</b> - Let's rock (Pyramid/Johanna Kustannus)<br/>
While I was completely surprised by <i>"Book of Norma"</i>, I at least knew who <b>Norma</b> were. <b>Kiki Pau</b> are my favorite surprise this year. Their style of indie rock is confident well beyond their years, harkening back to <i>"Meat is murder"</i>-era <b>Smiths</b>, contemporary NYC garage, <b>The Clash</b> ... and any album with a song titled <i>"Bukowski"</i> (with the lyric: <i>"Steinbeck made me want to get drunk"</i>) gets my vote.</p>
<p>06. <b>Convoj</b> - Exceptionnel (Wonderland)<br/>
This latecomer also forced me to reconstruct my list. It was all about complete, too. Oh well. <b>Convoj</b>'s <i>"Exceptionnel"</i> is a brilliant record, more than deserving of a top 10 spot.</p>
<p>05. <b>Håkan Hellström</b> - För sent för edelweiss (Dolores)<br/>
If it weren't for all the summer memories I attach to <i>"Með suð í eyrum við spilum endalaust"</i>, Hellström's effort would be in fourth place. The fact that this album is in fifth place is a testament to the creative forces at work in Northern Europe. When I first heard this record, I was pretty sure it would be in my top three albums of the year. How wonderful it is to be so wrong. <i>"För sent för edelweiss"</i> has become my favorite <b>Håkan Hellström</b> album, just edging out <i>"Känn ingen sorg för mig Göteborg"</i>.</p>
<p>04. <b>Sigur Rós</b> - Með suð í eyrum við spilum endalaust (XL Recordings/EMI)<br/>
The fact that <b>Sigur Rós</b> took risks on this album when they could have skirted by with <i>"Takk pt. II"</i> impresses me. It may not be their finest album, but it's fun, kinetic, and lush; everything we expect from the Icelanders, and yet something quite different, too.</p>
<p>03. <b>Tiger Lou</b> - A partial print (Startracks)<br/>
I struggled a little with <i>"A partial print"</i> at first, but it eventually won out. As I wrote in <a href="http://www.itsatrap.com/reviews.php?r=935">my review</a>, the album is <em>"a collage, a collection of images, all of them darkly beautiful extensions of the emotional landscape of "The loyal", but the connections between these impressions can take some time to present themselves, but they will, and then "A partial print" comes fully into being."</em></p>
<p>02. <b>Markus Krunegård</b> - Markusevangeliet (V2/Universal)<br/>
While I gave <i>"A partial print"</i> higher marks, <i>"Markusevangeliet"</i> has been a valued companion of mine since April -- and there's something to be said about resilience. I said back then that I thought <b>Laakso</b> frontman <b>Markus Krunegård</b> had possibly crafted the best record of the year... and, although I might have proven myself wrong, his accomplishment is by far one of the best solo records in recent memory.</p>
<p>01. <b>Norma</b> - Book of Norma (Novoton)<br/>
In a damned impressive year for Scandinavian music, my top prize goes to <i>"Book of Norma"</i>. It's been a while since I have been as taken aback by a record as I was with <b>Norma</b>'s latest effort, the first album I have ever given a 10 to here on It's A Trap! Just an absolutely brilliant album.</p>

<h3>Arnulf Koehncke</h3>
<p>10. <b>Ane Brun</b> - Changing of the seasons (DetErMine)<br/>
Someone wrote somewhere how well recorded this album is -- I can't help but agree. The songs are good too and it's actually the first <b>Ane Brun</b> record that I can really relate to.</p>
<p>09. <b>Audrey</b> - The fierce and the longing (Tenderversion)<br/>
Honestly, this record sounds a lot like their last one. That's a good thing in <b>Audrey</b>'s case -- I think it's really rare that a band is this well defined regarding both songwriting and sound-aesthetics.</p>
<p>08. <b>Fredrik</b> - Na na ni (Jezebel)<br/>
It surprises me how much I still like this record. I didn't think it would be such a grower -- guess I was wrong.</p>
<p>07. <b>Snöleoparden</b> - Snöleoparden (Rump)<br/>
I just like the whole of-the-cuff playfulness and complexity that this record embodies. I dare anyone to listen to the daycare-singalong second track and not smile.</p>
<p>06. <b>Hello Saferide</b> - More modern short stories from Hello Saferide (Razzia)<br/>
If you'd asked me in the beginning of the year, I'd probably have predicted this album to top my year-end list. Well, it hasn't completely gotten me hooked yet, though I totally agree with all the praise for Annika's development. And <i>"Lund"</i> has already become a personal favorite of mine.</p>
<p>05. <b>Bobby and Blumm</b> - Everybody loves... (Morr Music)<br/>
This record is just so playful -- there's so much to discover in <b>F.S. Blumm</b>'s guitar work and Ella's charming voice. It makes me wish I could see them live again.</p>
<p>04. <b>V. Sjöberg New Jazz Ensemble</b> - Do nothing 'til you hear from me (iDEAL)<br/>
Another great record, though it needs patience and concentration to really enjoy it as a whole. It's just great how it builds up all this tension with its drones and suspense curves only to then release the listener with a soothing return to tonality in the next to last track.</p>
<p>03. <b>The Radio Dept.</b> - Freddie and the Trojan Horse (Labrador)<br/>
Too bad their album was delayed until next year. This EP showed such potential with all its <b>Prefab Sprout</b>'ish moments and melodies. And it even delivered some nostalgia to me as a long-time fan when I listen to the hidden track's distortion and overdrive.</p>
<p>02. <b>Vapnet</b> - Döda fallet (Hybris)<br/>
It's amazing: This record is such an instant classic that I almost didn't think of it as a 2008-release. And doesn't that already say all there is to say?</p>
<p>01. <b>Auton</b> - Anywhere out of this world (Structures Sonores)<br/>
This record is just so good (which is why my review of it is just so overdue). Incredibly virtuosic yet never overbearing musicians that shift from straight-out jazz to drone to post-rock to Satie-like piano moments with such casualness and grace. My Scandinavian record of the year. Go to the label website now and order copies to give away as christmas presents ;-)</p>

<h3>Nancy Baym</h3>
<p>10. Don't I wish I could put something here. Like the <strong>Caesars</strong>. What a bummer that record was.</p>
<p>09. <b>Mikko Singh</b> - Uskotko että siellä on kukkia? (self-released)<br/>
An almost-entirely instrumental record that's somewhere between pop and new age, equally well suited to a massage or mellow downtime at home. Very pretty with some nice elements of fun.</p>
<p>08. <b>Violent Years</b> - s/t (Playground)<br/>
A fine contribution to the southern gothic alt country genre with many outstanding moments and at least one truly great song.</p>
<p>07. <b>Kusowsky</b> - Något speciellt (self-released)<br/>
<b>Kusowsy</b> are so unabashedly singalong guitar pop that I feel a little guilty enjoying them, but everytime a song from this EP showed up on shuffle this year I found myself stopping to smile.</p>
<p>06. <b>The Social Services</b> - It's nothing personal, it's national security (Stereo Test Kit)<br/>
Only 1/3 Scandinavian, but she's the singer so she gets extra credit. It's a smart, eclectic, cynical, funny, and loose indie pop album.</p>
<p>05. <b>Tiger Lou</b> - A partial print (Startracks)<br/>
I really wanted to love this record, but don't. As background music its dark, hypnotic and self-contradictory sound is stunningly close to perfect, but on close listening its repetitiveness becomes abrasive in ways I don't think were intended.</p>
<p>04. <b>Markus Krunegård</b> - Markusevangeliet (V2/Universal)<br/>
On his solo record, Krunegård avoids most of <b>Laakso</b>'s glam excesses to deliver a powerful and rich electronically-driven yet organic and seductive sonic environment.</p>
<p>03. <b>Vapnet</b> - Döda fallet (Hybris)<br/>
They don't stray too far from the distinctive, poppy, and borderline corny sound of their previous recordings on this one, but that's a good thing because they are one of the most calming make-you-happy bands going today. I highly recommend this as a soundtrack for either hanging out on a warm beach or cleaning house, cooking, and other mundane chores of daily life.</p>
<p>01. <b>Madrugada</b> - s/t (Virgin/EMI)<br/>
Faced with the sudden death of their guitarist and an album 80% completed, <b>Madrugada</b> did the right thing by finishing it up. Even without the tragic back story, it's a powerful and mature rock album that I am still listening to regularly almost a year after its release.</p>
<p>01. <b>Detektivbyrån</b> - Wermland (Danarkia)<br/>
In a very disappointing musical year, this instrumental genre-collapsing folk album based on accordion and glockenspiel was the one extraordinary surprise. Everyone I've played it for ran out and got it immediately. You should too.</p>

<h3>Simon Tagestam</h3>
<p>10. <b>Nordpolen</b> - s/t (Sincerely Yours)</p>
<p>09. <b>Joel Alme</b> - A master of ceremonies (Sincerely Yours)</p>
<p>08. <b>Envelopes</b> - Here comes the wind (Brille)</p>
<p>07. <b>Håkan Hellström</b> - För sent för edelweiss (Dolores)</p>
<p>06. <b>Markus Krunegård</b> - Markusevangeliet (V2/Universal)</p>
<p>05. <b>Love Is All</b> - A hundred things keep me up at night (What's Your Rupture?)</p>
<p>04. <b>Afasi & Filthy</b> - Fläcken (P.O.P.E.)</p>
<p>03. <b>Frida Hyvönen</b> - Silence is wild (Licking Fingers)</p>
<p>02. <b>Moto Boy</b> - s/t (Songs I Wish I Had Written)</p>
<p>01. <b>Vapnet</b> - Döda fallet (Hybris)</p>]]></content:encoded>
	<pubDate>Mon, 15 Dec 2008 00:00:00 -0800</pubDate>
	<category>articles</category>
	<category>top10s</category>
</item>
<item>
	<title>Top 10s for 2008: Max J Hansson (Cut City)</title>
	<link>http://www.itsatrap.com/n/25790-top-10s-for-2008-max-j-hansson-cut-city</link>
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	<description><![CDATA[To present this year's insults in a pile of ten random things that moved me or marred me feels strangely satisfying. Put me on a throne sprung form 1's and 0's and I'll direct the shit-flinging fan ambiguously in a spin-the-bottle-kind of way. Bigmouth reeks again. I'll chew those urinal cakes and get to it:

01. ESCAPE FROM PARIS - Paris' Zombie Zombie knows just what icing to put on the cake. Their record "A land for renegades" (Versatile, 2008) puts all the ingredients of the Neue Deutsche Welle-era, late 70's/early 80's John Carpenter with all the Snake Plissken you can muster and grinds that shit with some German monotonous kraut to pull fresh from the oven a contemporary goldie.

02. RELEASE THE BATS - Gothenburg can definitely be a dump and taking a dump on a dump will amount to nothing I guess. I have no idea if there are any fecal matters guiding We Live In Trenches as they continue to stir our musical cesspool but they've got their shit straight at least. So far only a single seven-inch, "Autonomy clinic" (Instigate, 2008), has surfaced but chances are that much more will follow in 2009. It's more of a progressive take on Black Flag than a Black Flag-take on prog-rock and I'm happy to say that.

03. ASPERA AD ASTRA -   Back in a decade when fashion equaled velour and pants you could hide entire families in, Space emerged out of Marseilles and sold more records than you ever will. "Magic fly" (UA, 1977) is all you ever wanted, but never had. Period. You can easily see the line of heritage when listening to other French acts of today and it's a good thing.

04. CURSED SINCE BIRTH - I had to rewrite this entry since it took a whole other dimension this past Sunday (Nov. 30th) when I watched Fucked Up dump six persons worth of musical equipment into a foyer the size of a toilet stall (give or take an inch or two). An audience comprised of sweaty crusties and equally sweaty hipster scenesters and barely oxygen enough for two people hyperventilating, it was an ideal setting for an f'ed up kind of show. Though the entirety of the show, the sum of it, was an instant ejaculation, I must point out a few highlights that might have made your pants feel tighter around the groin: Pink Eyes stripped thirty-something seconds into the first song because apparently it must have been "too hot" (I've noticed from several clips floating around that it must be pretty hot everywhere they play because this loving pattern repeats itself wherever they play); he felt a sudden urge to sing one song from inside one of the bathroom which was neatly located adjacent to the stage; played pinball while the rest of the band dutifully finished the song without him; carried several members of the audience on his shoulders through the crowd just 'cause it had to be done. Ranting and raving but never did I think 'less talk, more rock' because there was all the rock you needed to get your yearly fix. Thank you: Pink Eyes, 10,000 Marbles, Mustard Gas, Mr Jo, Gulag and Young Governor!

05. SMELL NIGHT - Little did I know that, due to a severely sprained ankle, I was about to miss out on several good shows that coming Saturday at Way Out West. Still from knowing what I know now it mattered very little. On Thursday the 7th of August I was two steps shy of getting rear-ended by the bouncers at the Pustervik venue while they tried their very best to milk some extra cash from an audience that had already spent a small fortune on tickets. That, too, mattered very little. As I witnessed The Mae Shi, Health and No Age tear an ecstatic crowd new assholes, I could do nothing more than smile. The rest of this year I've looked in the rear-view-mirror and I know I saw something of definite worth that night.

06. BEFORE INTELLIGENCE - Carefully plotted jittery stemming from an unknown auxiliary den of creativity I know these kids-come-men dubbed Alarma Man have multiple things up their sleeves/skirts. Fuck me if this sees the light of day before the end 2008. It doesn't matter. It never did. As a working title for their recorded new long-player they chose "Swedish intelligence" and if in the end it stays just a draft, it still shows the importance of being unfuckwithable, a nice display the of wit they possess.

07. PEYOTE DUBBING - Joining an over-extended and much needed Summer of Love-vacation, the brains of Wooden Shjips conjure music to charm snakes to. It's undeserted desert rock, found under a San Francisco-ean pile of rubble. The self-titled ep/album(?) (Holy Mountain, 2008) clocks in at thirty-three-something minutes and comprises only five songs but, hey, who's counting. "Station to station" was only six songs and it's beautiful gem. Droning guitars? Check! Sinister organ? Check! Steady Kraut-pulse? Check! Do I love it? Check!

08. WORSE MEN - Let's rid this paragraph from drug-induced allegories of how prog-rock rules. just listen to Bad Dudes and their sophomore album "Eat drugs" (Deleted Art, 2008). Or better yet, check out the video with the same name.  It's a classic on paper and it's a classic in its full flower.

09. THE HORROR, THE HORROR -  I'm partial but that shouldn't deter anyone from dive head-first into the shallow end looking for these guys; Cat Party put out an astonishing 7" (Rich Bitch, 2008) and even more astonishing split 7" (Monoton Studios, 2008) and they will be hot shit in 2009. These guys are from San Clemente (same town that once housed the drummer from Battalion of Saints) and they carry a torch so light it'll blind your eyes. It's Easy Being Gay!

10. J IS FOR GENIUS - Ten is the amount of fingers you have on your hands. One, two, three, four, five, six, seven, eight, nine and ten. Ten!



---------------------------
Max J Hansson is the singer and guitarist of Gothenburg's Cut City, an orchestra which 2008's whopping rap sheet include one postponed European tour, five rehearsals and the rear-ending of another van at the speed of 150 kilometers per hour (Americans please consult nearest metric converter) on the German Autobahn. Also, they released a split 7" which contained one new song. Busy boys.
www.cut-city.com
www.myspace.com/cutcity]]></description>
	<content:encoded><![CDATA[<p>To present this year's insults in a pile of ten random things that moved me or marred me feels strangely satisfying. Put me on a throne sprung form 1's and 0's and I'll direct the shit-flinging fan ambiguously in a spin-the-bottle-kind of way. Bigmouth reeks again. I'll chew those urinal cakes and get to it:</p>

<p>01. ESCAPE FROM PARIS - Paris' <b>Zombie Zombie</b> knows just what icing to put on the cake. Their record <i>"A land for renegades"</i> (Versatile, 2008) puts all the ingredients of the Neue Deutsche Welle-era, late 70's/early 80's John Carpenter with all the Snake Plissken you can muster and grinds that shit with some German monotonous kraut to pull fresh from the oven a contemporary goldie.</p>

<p>02. RELEASE THE BATS - Gothenburg can definitely be a dump and taking a dump on a dump will amount to nothing I guess. I have no idea if there are any fecal matters guiding <b>We Live In Trenches</b> as they continue to stir our musical cesspool but they've got their shit straight at least. So far only a single seven-inch, <i>"Autonomy clinic"</i> (Instigate, 2008), has surfaced but chances are that much more will follow in 2009. It's more of a progressive take on Black Flag than a Black Flag-take on prog-rock and I'm happy to say that.</p>

<p>03. ASPERA AD ASTRA -   Back in a decade when fashion equaled velour and pants you could hide entire families in, <b>Space</b> emerged out of Marseilles and sold more records than you ever will. <i>"Magic fly"</i> (UA, 1977) is all you ever wanted, but never had. Period. You can easily see the line of heritage when listening to other French acts of today and it's a good thing.</p>

<p>04. CURSED SINCE BIRTH - I had to rewrite this entry since it took a whole other dimension this past Sunday (Nov. 30th) when I watched <b>Fucked Up</b> dump six persons worth of musical equipment into a foyer the size of a toilet stall (give or take an inch or two). An audience comprised of sweaty crusties and equally sweaty hipster scenesters and barely oxygen enough for two people hyperventilating, it was an ideal setting for an f'ed up kind of show. Though the entirety of the show, the sum of it, was an instant ejaculation, I must point out a few highlights that might have made your pants feel tighter around the groin: Pink Eyes stripped thirty-something seconds into the first song because apparently it must have been "too hot" (I've noticed from several clips floating around that it must be pretty hot everywhere they play because this loving pattern repeats itself wherever they play); he felt a sudden urge to sing one song from inside one of the bathroom which was neatly located adjacent to the stage; played pinball while the rest of the band dutifully finished the song without him; carried several members of the audience on his shoulders through the crowd just 'cause it had to be done. Ranting and raving but never did I think 'less talk, more rock' because there was all the rock you needed to get your yearly fix. Thank you: Pink Eyes, 10,000 Marbles, Mustard Gas, Mr Jo, Gulag and Young Governor!</p>

<p>05. SMELL NIGHT - Little did I know that, due to a severely sprained ankle, I was about to miss out on several good shows that coming Saturday at Way Out West. Still from knowing what I know now it mattered very little. On Thursday the 7th of August I was two steps shy of getting rear-ended by the bouncers at the Pustervik venue while they tried their very best to milk some extra cash from an audience that had already spent a small fortune on tickets. That, too, mattered very little. As I witnessed <b>The Mae Shi</b>, <b>Health</b> and <b>No Age</b> tear an ecstatic crowd new assholes, I could do nothing more than smile. The rest of this year I've looked in the rear-view-mirror and I know I saw something of definite worth that night.</p>

<p>06. BEFORE INTELLIGENCE - Carefully plotted jittery stemming from an unknown auxiliary den of creativity I know these kids-come-men dubbed <b>Alarma Man</b> have multiple things up their sleeves/skirts. Fuck me if this sees the light of day before the end 2008. It doesn't matter. It never did. As a working title for their recorded new long-player they chose <i>"Swedish intelligence"</i> and if in the end it stays just a draft, it still shows the importance of being unfuckwithable, a nice display the of wit they possess.</p>

<p>07. PEYOTE DUBBING - Joining an over-extended and much needed Summer of Love-vacation, the brains of <b>Wooden Shjips</b> conjure music to charm snakes to. It's undeserted desert rock, found under a San Francisco-ean pile of rubble. The self-titled ep/album(?) (Holy Mountain, 2008) clocks in at thirty-three-something minutes and comprises only five songs but, hey, who's counting. <i>"Station to station"</i> was only six songs and it's beautiful gem. Droning guitars? Check! Sinister organ? Check! Steady Kraut-pulse? Check! Do I love it? Check!</p>

<p>08. WORSE MEN - Let's rid this paragraph from drug-induced allegories of how prog-rock rules. just listen to <b>Bad Dudes</b> and their sophomore album <i>"Eat drugs"</i> (Deleted Art, 2008). Or better yet, check out the video with the same name.  It's a classic on paper and it's a classic in its full flower.</p>

<p>09. THE HORROR, THE HORROR -  I'm partial but that shouldn't deter anyone from dive head-first into the shallow end looking for these guys; <b>Cat Party</b> put out an astonishing 7" (Rich Bitch, 2008) and even more astonishing split 7" (Monoton Studios, 2008) and they will be hot shit in 2009. These guys are from San Clemente (same town that once housed the drummer from <b>Battalion of Saints</b>) and they carry a torch so light it'll blind your eyes. It's Easy Being Gay!</p>

<p>10. J IS FOR GENIUS - Ten is the amount of fingers you have on your hands. One, two, three, four, five, six, seven, eight, nine and ten. Ten!</p>

<div class="spacer"></div>

<p>---------------------------<br/>
<b>Max J Hansson</b> is the singer and guitarist of Gothenburg's <b>Cut City</b>, an orchestra which 2008's whopping rap sheet include one postponed European tour, five rehearsals and the rear-ending of another van at the speed of 150 kilometers per hour (Americans please consult nearest metric converter) on the German Autobahn. Also, they released a split 7" which contained one new song. Busy boys.<br/>
<a href="http://www.cut-city.com/" target="_blank">www.cut-city.com</a><br/>
<a href="http://www.myspace.com/cutcity" target="_blank">www.myspace.com/cutcity</a></p>]]></content:encoded>
	<pubDate>Tue, 09 Dec 2008 00:00:00 -0800</pubDate>
	<category>articles</category>
	<category>top10s</category>
</item>
<item>
	<title></title>
	<link>http://www.itsatrap.com/n/24934</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/24934</guid>
	<comments>http://www.itsatrap.com/n/24934#comments</comments>
	<description><![CDATA[Here's the playlist for this week's radio show:
01. Tomas Halberstad - Travel as I wait
02. TALK 1
03. Robert Svensson - 1991
04. Auton - El Dorado
05. Parken - Jag har varit vilsen, Lisa
06. TALK 2
07. Tiger Lou - Trust falls
08. Promise and the Monster - Night out
09. Park Hotell - Black hole
10. TALK 3
11. Sort Sol - Excalibur
12. Convoj - The shovel
13. Satyricon - Black crow on a tombstone
14. On Volcano - Out of sight
15. TALK 4
16. Hello Saferide - Anna
17. Him Kerosene - Ventilate
18. Tobias Hellkvist - Ships of the North Atlantic
19. TALK 5
20. Division of Laura Lee - LAX
21. Oskar Schönning - Nino casino
22. Haust - Success
23. TALK 6
24. Passiv Dödshjälp - Helvetet, tur och retur
Reminder: my show airs every week on Sundays and Mondays at 11pm ET on Sirius XM U. That's channel 26 on Sirius, 43 on XM and 831 for DirecTV subscribers.]]></description>
	<content:encoded><![CDATA[<p>Here's the playlist for this week's radio show:</p>
<p class="indent">01. <b>Tomas Halberstad</b> - Travel as I wait<br/>
02. TALK 1<br/>
03. <b>Robert Svensson</b> - 1991<br/>
04. <b>Auton</b> - El Dorado<br/>
05. <b>Parken</b> - Jag har varit vilsen, Lisa<br/>
06. TALK 2<br/>
07. <b>Tiger Lou</b> - Trust falls<br/>
08. <b>Promise and the Monster</b> - Night out<br/>
09. <b>Park Hotell</b> - Black hole<br/>
10. TALK 3<br/>
11. <b>Sort Sol</b> - Excalibur<br/>
12. <b>Convoj</b> - The shovel<br/>
13. <b>Satyricon</b> - Black crow on a tombstone<br/>
14. <b>On Volcano</b> - Out of sight<br/>
15. TALK 4<br/>
16. <b>Hello Saferide</b> - Anna<br/>
17. <b>Him Kerosene</b> - Ventilate<br/>
18. <b>Tobias Hellkvist</b> - Ships of the North Atlantic<br/>
19. TALK 5<br/>
20. <b>Division of Laura Lee</b> - LAX<br/>
21. <b>Oskar Schönning</b> - Nino casino<br/>
22. <b>Haust</b> - Success<br/>
23. TALK 6<br/>
24. <b>Passiv Dödshjälp</b> - Helvetet, tur och retur</p>
<p>Reminder: my show airs every week on Sundays and Mondays at 11pm ET on Sirius XM U. That's channel 26 on Sirius, 43 on XM and 831 for DirecTV subscribers.</p>]]></content:encoded>
	<pubDate>Mon, 17 Nov 2008 11:36:03 -0800</pubDate>
	<category>news</category>
	<category>sirius</category>
</item>
<item>
	<title>MP3: Auton - El Dorado</title>
	<link>http://www.itsatrap.com/n/28468-mp3-auton-el-dorado</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/28468-mp3-auton-el-dorado</guid>
	<comments>http://www.itsatrap.com/n/28468-mp3-auton-el-dorado#comments</comments>
	<description><![CDATA[Still hung up on crust and jazz. Yep, crust and jazz. Last night: went and saw Corrupted, Asunder, Thrones and Samothrace here in Oly and while none of those bands fit into IAT's geographical coverage area, the wardrobe of choice was black with dreadlocks. Maybe not as ripe as those upcoming Amebix reunions will be, but there were definitely some folks there in need of a shower. Anyhow, back to the jazz. Malmö threesome Auton isn't a traditional jazz combo playing on the standard set of acoustic instruments, but their music is most certainly in the jazz tradition. Like label-head Viktor Sjöberg's own New Jazz Ensemble, the sounds are slow and drifting and the track "El Dorado" captures the group at their best. Melodies come and go, interweave and shift across voices, trade back and forth. It's a gorgeous piece of music; incredibly moody, yet also warm and lush, gentle and floating. It's the rare that I find a song ends too soon, but Auton never ever overstays their welcome, never overplays their hand. Viktor said that touring with them this past month was "special" and I can't think of another word that describes them better. It's rare to hear new groups in jazz with a fresh, distinct sound, but Auton pulls it off.]]></description>
	<content:encoded><![CDATA[<p>Still hung up on <a href="http://www.itsatrap.com/mp3.php?t=837">crust</a> and <a href="http://www.itsatrap.com/mp3.php?t=838">jazz</a>. Yep, <a href="http://www.itsatrap.com/reviews.php?r=919">crust</a> and <a href="http://www.itsatrap.com/mp3.php?t=846">jazz</a>. Last night: went and saw <b>Corrupted</b>, <b>Asunder</b>, <b>Thrones</b> and <b>Samothrace</b> here in Oly and while none of those bands fit into IAT's geographical coverage area, the wardrobe of choice was black with dreadlocks. Maybe not as ripe as those upcoming <b>Amebix</b> reunions will be, but there were definitely some folks there in need of a shower. Anyhow, back to the jazz. Malmö threesome <b>Auton</b> isn't a traditional jazz combo playing on the standard set of acoustic instruments, but their music is most certainly in the jazz tradition. Like label-head <b>Viktor Sjöberg</b>'s own <a href="http://www.itsatrap.com/reviews.php?r=917">New Jazz Ensemble</a>, the sounds are slow and drifting and the track <i>"El Dorado"</i> captures the group at their best. Melodies come and go, interweave and shift across voices, trade back and forth. It's a gorgeous piece of music; incredibly moody, yet also warm and lush, gentle and floating. It's the rare that I find a song ends too soon, but <b>Auton</b> never ever overstays their welcome, never overplays their hand. Viktor said that touring with them this past month was "special" and I can't think of another word that describes them better. It's rare to hear new groups in jazz with a fresh, distinct sound, but <b>Auton</b> pulls it off.</p>]]></content:encoded>
	<enclosure url="http://www.itsatrap.com/playlist/auton-el_dorado.mp3" length="7614464" type="audio/mpeg" />
	<pubDate>Tue, 04 Nov 2008 11:16:58 -0800</pubDate>
	<category>mp3s</category>
</item>
<item>
	<title></title>
	<link>http://www.itsatrap.com/n/24741</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/24741</guid>
	<comments>http://www.itsatrap.com/n/24741#comments</comments>
	<description><![CDATA[Here's the playlist for this week's radio show:
01. Detektivbyrån - Partyland
02. TALK 1
03. Björn Kleinhenz - At night we die
04. Hjertestop - Illegalt signal
05. Idoru - Chase
06. TALK 2
07. Fever Ray - If I had a heart (instrumental edit)
08. Champagne Riot - Scandinavian warfare
09. Caesars Palace - Only you
10. José González - How low
11. TALK 3
12. Alarma Man - Nightwolf
13. Adolf Filter - 1982
14. Brick - Ha ha ha
15. TALK 4
16. Auton - El Dorado
17. Gutted String - Feeling small
18. The Bombettes - It ain't me babe
19. Tiger Lou - Trust falls
20. I'm from Barcelona - Headphones
21. TALK 5
22. Kite - Ways to dance
Reminder: my show airs on Sirius Left of Center (channel 26) at 11pm ET with repeats on Monday at the same time.]]></description>
	<content:encoded><![CDATA[<p>Here's the playlist for this week's radio show:</p>
<p class="indent">01. <b>Detektivbyrån</b> - Partyland<br/>
02. TALK 1<br/>
03. <b>Björn Kleinhenz</b> - At night we die<br/>
04. <b>Hjertestop</b> - Illegalt signal<br/>
05. <b>Idoru</b> - Chase<br/>
06. TALK 2<br/>
07. <b>Fever Ray</b> - If I had a heart (instrumental edit)<br/>
08. <b>Champagne Riot</b> - Scandinavian warfare<br/>
09. <b>Caesars Palace</b> - Only you<br/>
10. <b>José González</b> - How low<br/>
11. TALK 3<br/>
12. <b>Alarma Man</b> - Nightwolf<br/>
13. <b>Adolf Filter</b> - 1982<br/>
14. <b>Brick</b> - Ha ha ha<br/>
15. TALK 4<br/>
16. <b>Auton</b> - El Dorado<br/>
17. <b>Gutted String</b> - Feeling small<br/>
18. <b>The Bombettes</b> - It ain't me babe<br/>
19. <b>Tiger Lou</b> - Trust falls<br/>
20. <b>I'm from Barcelona</b> - Headphones<br/>
21. TALK 5<br/>
22. <b>Kite</b> - Ways to dance</p>
<p>Reminder: my show airs on Sirius Left of Center (channel 26) at 11pm ET with repeats on Monday at the same time.</p>]]></content:encoded>
	<pubDate>Mon, 03 Nov 2008 12:17:56 -0800</pubDate>
	<category>news</category>
	<category>sirius</category>
</item>
<item>
	<title></title>
	<link>http://www.itsatrap.com/n/24660</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/24660</guid>
	<comments>http://www.itsatrap.com/n/24660#comments</comments>
	<description><![CDATA[Gbg-based hardcore act We Live In Trenches is reportedly in talks with a German label concerning an upcoming full-length. More details when I get it. Otherwise, the latest issue of MRR (the one with the Sista Sekunden interview) has a favorable review of their excellent "Autonomy clinic" 7" -- folks looking to snag a copy should go here: [click]]]></description>
	<content:encoded><![CDATA[<p>Gbg-based hardcore act <b>We Live In Trenches</b> is reportedly in talks with a German label concerning an upcoming full-length. More details when I get it. Otherwise, the latest issue of MRR (the one with the <b>Sista Sekunden</b> interview) has a favorable review of their excellent <i>"Autonomy clinic"</i> 7" -- folks looking to snag a copy should go here: <a href="http://www.itsatrap.com/store/product.php?productid=586">[click]</a></p>]]></content:encoded>
	<pubDate>Mon, 27 Oct 2008 14:04:09 -0700</pubDate>
	<category>news</category>
	<category>general</category>
</item>
<item>
	<title>MP3: Thee Gutted String - Feeling small</title>
	<link>http://www.itsatrap.com/n/28456-mp3-thee-gutted-string-feeling-small</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/28456-mp3-thee-gutted-string-feeling-small</guid>
	<comments>http://www.itsatrap.com/n/28456-mp3-thee-gutted-string-feeling-small#comments</comments>
	<description><![CDATA[Hopefully you've heard of Viktor Sjöberg by now. If not through his involvement with Jens Lekman as a member of his backing band, perhaps you saw this recent feature in Dagens Nyheter? Or maybe you've been following all the praise being heaped on him on behalf of folks such as myself and other corners of the interweb like Digfi and so on. Through it all, let me say this: he deserves it. He's not only a superb musician who excels in every genre, he's also a perfect gentleman and I'm honored to be of his acquaintance.
When I set out on this Gbg Spotlight feature at the beginning of 2008 Viktor was at the top of my list - it was never matter of "if", only "when". And that time is now.

You moved to Gbg for school, right? How long has it been now? Think you'll stick around once you finish your dissertation?
Well, not exactly, I grew up in Pixbo just outside Gothenburg so I have pretty much always been here. I lived down south for little over a year though, which is where I met many of the people that are my closest friends today. Some of them has since then moved to Gothenburg, such as Johan (Gustavsson, aka Tsukimono). I have been living in central Gothenburg since around 2004 and I don't think that I would want to live anywhere else in Sweden, at least not in any other city. I am finishing up school right now (for real this time!) and who knows what the future holds? But I can safely say that if I were to leave Gothenburg I would go to California rather than anywhere else in Sweden or Europe.
What do think is the most charming aspect of Gbg? On the other hand, is there anything about the city you wish you could change?
My mother, my dog and a lot of my dear friends live here. That's fairly charming. I think it has a lot of possibilities and it can certainly be a beautiful place when it wants to be. I could get into a discussion on how right now I think that we probably have more things going on musically than Malmö or Stockholm, but that feels kind of irrelevant. It rains a lot and it's very windy and more than often overcast. These conditions make for creative indoor activities and good friendships.
As far as music goes, you seem to be involved with both the pop and experimental scenes. Is there a lot of crossover between the two? What characteristics do they both share, if any?
I don't what to say, really. I guess there are a few artists that walk this line separating "pop" and "experimental". Personally, I think that this a hard thing to do and I think very few people succeed. Thinking more about it, I find that I generally think it works best when so called "experimental" artists incorporate popular music into their work, rather than the other way around. (If this is done in a non-ironic manner that is.) Pop music with an presumably experimental edge is generally just a bad make-up job and one of the worst things in the world. One big exception that actually lives in Gothenburg is Erik de Vahl, who to me is an excellent pop artist that not only writes beautiful songs, but also is sonically restless. It seems to me that he explores new areas because he needs to, not because he wants to make up for something that isn't there. I have been listening to his unreleased new album for almost a year now and I think it's the best thing he's ever done. I hope he decides to put it out some day.
You always seem to have a ton of amazing projects going on all the time - what are you currently working on now? What about stuff your friends are doing; got any tips on artists I should be paying more attention to?
I am finishing up my follow up album to "On a winter's day", entitled "Breakfast in America". I have been working on it for pretty much two years and it's definitely my most fully realised project so far. It is very much a pop album and it is inspired by the feeling of greatness that pop music can provide you with at certain points in your life. It's about seeing America out of a train window with your oldest childhood friend, catching all those youthful dreams and finding new ones. It's about finding love in people, in the landscape and in the golden sunshine. Basically, loving life.
I am working with my New Jazz Ensemble in different ways, we just did a show as a quartet last week and we are doing another one as a septet this week. After that there'll be a small tour with Malmö popjazztrio Auton. We are playing Copenhagen, Malmö, Gothenburg and Stockholm. I am also putting out their debut album on my label, Structures Sonores this week, so there is a lot of work going on with that.
Gothenburg artists that you should check out? Well, I hope you listened to the song "Feeling small" by Johan Gustavsson's Gutted String project. He has another one that is called "Ferry from here" that is also fantastic and I know that he is working on some spectacular things. There's more things going on I guess, but that's the last thing that seriously blew me away. Oh yeah, and I like Madamm. She has the best guitar sound in town.
So do you have a song to share either from yourself or another artist you admire? Tell us about it.
Johan sent me this music while I was in California over the summer. I was sitting at the Escondido Public Library working on a paper when I suddenly got a hold of the library wifi and checked my email. I found this song in my inbox and I began listening to it over and over again. The idea of Johan singing his heart out on the other side of the globe was very appealing, but even more so it was a completely brilliant song. That the key line is dealing with drowning in noise is very fitting in so many ways. I hope to hear more things from Thee/The Gutted String asap.]]></description>
	<content:encoded><![CDATA[<p>Hopefully you've heard of <b>Viktor Sjöberg</b> by now. If not through his involvement with <b>Jens Lekman</b> as a member of his backing band, perhaps you saw <a href="http://www.dn.se/DNet/jsp/polopoly.jsp?d=2198&a=836830" target="_blank">this recent feature in Dagens Nyheter?</a> Or maybe you've been following all the praise being heaped on him on behalf of folks such as myself and other corners of the interweb like Digfi and so on. Through it all, let me say this: he deserves it. He's not only a superb musician who excels in every genre, he's also a perfect gentleman and I'm honored to be of his acquaintance.</p>
<p>When I set out on this Gbg Spotlight feature at the beginning of 2008 Viktor was at the top of my list - it was never matter of "if", only "when". And that time is now.</p>
<div class="spacer"></div>
<p><strong>You moved to Gbg for school, right? How long has it been now? Think you'll stick around once you finish your dissertation?</strong></p>
<p>Well, not exactly, I grew up in Pixbo just outside Gothenburg so I have pretty much always been here. I lived down south for little over a year though, which is where I met many of the people that are my closest friends today. Some of them has since then moved to Gothenburg, such as Johan (Gustavsson, aka <b>Tsukimono</b>). I have been living in central Gothenburg since around 2004 and I don't think that I would want to live anywhere else in Sweden, at least not in any other city. I am finishing up school right now (for real this time!) and who knows what the future holds? But I can safely say that if I were to leave Gothenburg I would go to California rather than anywhere else in Sweden or Europe.</p>
<p><strong>What do think is the most charming aspect of Gbg? On the other hand, is there anything about the city you wish you could change?</strong></p>
<p>My mother, my dog and a lot of my dear friends live here. That's fairly charming. I think it has a lot of possibilities and it can certainly be a beautiful place when it wants to be. I could get into a discussion on how right now I think that we probably have more things going on musically than Malmö or Stockholm, but that feels kind of irrelevant. It rains a lot and it's very windy and more than often overcast. These conditions make for creative indoor activities and good friendships.</p>
<p><strong>As far as music goes, you seem to be involved with both the pop and experimental scenes. Is there a lot of crossover between the two? What characteristics do they both share, if any?</strong></p>
<p>I don't what to say, really. I guess there are a few artists that walk this line separating "pop" and "experimental". Personally, I think that this a hard thing to do and I think very few people succeed. Thinking more about it, I find that I generally think it works best when so called "experimental" artists incorporate popular music into their work, rather than the other way around. (If this is done in a non-ironic manner that is.) Pop music with an presumably experimental edge is generally just a bad make-up job and one of the worst things in the world. One big exception that actually lives in Gothenburg is <b>Erik de Vahl</b>, who to me is an excellent pop artist that not only writes beautiful songs, but also is sonically restless. It seems to me that he explores new areas because he needs to, not because he wants to make up for something that isn't there. I have been listening to his unreleased new album for almost a year now and I think it's the best thing he's ever done. I hope he decides to put it out some day.</p>
<p><strong>You always seem to have a ton of amazing projects going on all the time - what are you currently working on now? What about stuff your friends are doing; got any tips on artists I should be paying more attention to?</strong></p>
<p>I am finishing up my follow up album to <i>"On a winter's day"</i>, entitled <i>"Breakfast in America"</i>. I have been working on it for pretty much two years and it's definitely my most fully realised project so far. It is very much a pop album and it is inspired by the feeling of greatness that pop music can provide you with at certain points in your life. It's about seeing America out of a train window with your oldest childhood friend, catching all those youthful dreams and finding new ones. It's about finding love in people, in the landscape and in the golden sunshine. Basically, loving life.</p>
<p>I am working with my <b>New Jazz Ensemble</b> in different ways, we just did a show as a quartet last week and we are doing another one as a septet this week. After that there'll be a small tour with Malmö popjazztrio <b>Auton</b>. We are playing Copenhagen, Malmö, Gothenburg and Stockholm. I am also putting out their debut album on my label, Structures Sonores this week, so there is a lot of work going on with that.</p>
<p>Gothenburg artists that you should check out? Well, I hope you listened to the song <i>"Feeling small"</i> by <b>Johan Gustavsson</b>'s <b>Gutted String</b> project. He has another one that is called <i>"Ferry from here"</i> that is also fantastic and I know that he is working on some spectacular things. There's more things going on I guess, but that's the last thing that seriously blew me away. Oh yeah, and I like <b>Madamm</b>. She has the best guitar sound in town.</p>
<p><strong>So do you have a song to share either from yourself or another artist you admire? Tell us about it.</strong></p>
<p>Johan sent me this music while I was in California over the summer. I was sitting at the Escondido Public Library working on a paper when I suddenly got a hold of the library wifi and checked my email. I found this song in my inbox and I began listening to it over and over again. The idea of Johan singing his heart out on the other side of the globe was very appealing, but even more so it was a completely brilliant song. That the key line is dealing with drowning in noise is very fitting in so many ways. I hope to hear more things from <b>Thee/The Gutted String</b> asap.</p>]]></content:encoded>
	<enclosure url="http://www.itsatrap.com/playlist/gutted_string-feeling_small.mp3" length="4230693" type="audio/mpeg" />
	<pubDate>Sat, 18 Oct 2008 00:00:00 -0700</pubDate>
	<category>mp3s</category>
	<category>interviews</category>
	<category>gbg</category>
</item>
<item>
	<title></title>
	<link>http://www.itsatrap.com/n/24469</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/24469</guid>
	<comments>http://www.itsatrap.com/n/24469#comments</comments>
	<description><![CDATA[Check out the video for "Slagskepp" from Malmö-based electronic trio Auton: http://vimeo.com/1827557
The group's new album "Any where out of the world" is out now on Structures Sonores.]]></description>
	<content:encoded><![CDATA[<p>Check out the video for <i>"Slagskepp"</i> from Malmö-based electronic trio <b>Auton</b>: <a href="http://vimeo.com/1827557" target="_blank">http://vimeo.com/1827557</a><br/>
The group's new album <i>"Any where out of the world"</i> is out now on Structures Sonores.</p>]]></content:encoded>
	<pubDate>Mon, 13 Oct 2008 14:26:17 -0700</pubDate>
	<category>news</category>
	<category>multimedia</category>
</item>
<item>
	<title></title>
	<link>http://www.itsatrap.com/n/23805</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/23805</guid>
	<comments>http://www.itsatrap.com/n/23805#comments</comments>
	<description><![CDATA[Structures Sonores, the label of IAT.MP3 artist Sonores, will be putting out the debut album "Any where out of the world" from Swedish electronic act Auton. The label had originally been planning on releasing a comp of contemporary Swedish music entitled "While we're learning to forget", but has since decided to sideline that as Auton's material is said to be far stronger. Listen to samples: http://www.myspace.com/aut0n]]></description>
	<content:encoded><![CDATA[<p>Structures Sonores, the label of IAT.MP3 artist <b>Sonores</b>, will be putting out the debut album <i>"Any where out of the world"</i> from Swedish electronic act <b>Auton</b>. The label had originally been planning on releasing a comp of contemporary Swedish music entitled <i>"While we're learning to forget"</i>, but has since decided to sideline that as <b>Auton</b>'s material is said to be far stronger. Listen to samples: <a href="http://www.myspace.com/aut0n" target="_blank">http://www.myspace.com/aut0n</a></p>]]></content:encoded>
	<pubDate>Mon, 25 Aug 2008 15:00:12 -0700</pubDate>
	<category>news</category>
	<category>general</category>
</item>
<item>
	<title></title>
	<link>http://www.itsatrap.com/n/23755</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/23755</guid>
	<comments>http://www.itsatrap.com/n/23755#comments</comments>
	<description><![CDATA[Now in stock and ready to order: We Live in Trenches - Autonomy clinic (7")
Those of you keeping up with our weekly Göteborg Spotlight no doubt already have the title track from this post, now it's time to pick up their debut release on Instigate Records!]]></description>
	<content:encoded><![CDATA[<p>Now in stock and ready to order: <a href="http://www.itsatrap.com/store/product.php?productid=586"><b>We Live in Trenches</b> - Autonomy clinic (7")</a><br/>
Those of you keeping up with our weekly Göteborg Spotlight no doubt already have the title track from <a href="http://www.itsatrap.com/mp3.php?t=754">this post</a>, now it's time to pick up their debut release on Instigate Records!</p>]]></content:encoded>
	<pubDate>Wed, 20 Aug 2008 17:06:09 -0700</pubDate>
	<category>news</category>
	<category>sitenews</category>
</item>
<item>
	<title></title>
	<link>http://www.itsatrap.com/n/23433</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/23433</guid>
	<comments>http://www.itsatrap.com/n/23433#comments</comments>
	<description><![CDATA[Here's the playlist for this week's radio show:
01. Laakso - Worst case scenario
02. TALK 1
03. The Kid - Mayhem troopers
04. We Live In Trenches - Autonomy clinic
05. Detektivbyrån - Om du möter varg
06. TALK 2
07. I'm From Barcelona - Paper planes
08. Wired for Mono - The man behind the wall
09. The Amazing - Dragon
10. TALK 3
11. Pugh Rogefeldt - Surabaya Johnny
12. Opeth - The lotus eater
13. The Knife - Silent shout
14. TALK 4
15. Culkin - Allegiance
16. Haust - Desperate living
17. Lack - Behead
18. Nitad - Ge mig ge mig
19. TALK 5
20. Kamraterna - Det här är ditt land
Reminder: my show on Sirius Left of Center (channel 26) airs Sundays at 11pm ET with repeats on Monday.]]></description>
	<content:encoded><![CDATA[<p>Here's the playlist for this week's radio show:</p>
<p class="indent">01. <b>Laakso</b> - Worst case scenario<br/>
02. TALK 1<br/>
03. <b>The Kid</b> - Mayhem troopers<br/>
04. <b>We Live In Trenches</b> - Autonomy clinic<br/>
05. <b>Detektivbyrån</b> - Om du möter varg<br/>
06. TALK 2<br/>
07. <b>I'm From Barcelona</b> - Paper planes<br/>
08. <b>Wired for Mono</b> - The man behind the wall<br/>
09. <b>The Amazing</b> - Dragon<br/>
10. TALK 3<br/>
11. <b>Pugh Rogefeldt</b> - Surabaya Johnny<br/>
12. <b>Opeth</b> - The lotus eater<br/>
13. <b>The Knife</b> - Silent shout<br/>
14. TALK 4<br/>
15. <b>Culkin</b> - Allegiance<br/>
16. <b>Haust</b> - Desperate living<br/>
17. <b>Lack</b> - Behead<br/>
18. <b>Nitad</b> - Ge mig ge mig<br/>
19. TALK 5<br/>
20. <b>Kamraterna</b> - Det här är ditt land</p>
<p>Reminder: my show on Sirius Left of Center (channel 26) airs Sundays at 11pm ET with repeats on Monday.</p>]]></content:encoded>
	<pubDate>Mon, 21 Jul 2008 18:47:30 -0700</pubDate>
	<category>news</category>
	<category>sirius</category>
</item>
<item>
	<title>MP3: We Live In Trenches - Autonomy clinic</title>
	<link>http://www.itsatrap.com/n/28376-mp3-we-live-in-trenches-autonomy-clinic</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/28376-mp3-we-live-in-trenches-autonomy-clinic</guid>
	<comments>http://www.itsatrap.com/n/28376-mp3-we-live-in-trenches-autonomy-clinic#comments</comments>
	<description><![CDATA[If it's Saturday you know that means we're due for another entry in our ongoing Göteborg Spotlight Series. This week's guest: Robert Samsonowitz, esteemed web developer, graphic designer and musician. Chances are high you've seen his work before as he's done artwork and/or websites for a number of high profile Swedish artists -- just check out his portfolio at rbrt.org for examples. As for his own music, he did time with Satanic Surfers back in the day and has just recently resurfaced with We Live in Trenches, a band that takes the sound of "Damaged"-era Black Flag and runs with it. In other words, old-man hardcore. You know I'm all about it. Anyhow, Robert was kind enough to answer a few questions for us and here's what he had to say:
First off, the standard: How long have you lived in Gbg, what brought you there and what keeps you there?
I've lived in Gothenburg for nine years and five months (since January 1999). I moved here to study web design. I got a job and a new band, so that pretty much kept me here. Nowadays I have a new job and a new band and that pretty much still keeps me here. And also Gothenburg is a pretty rad city to be in at the moment with a lot of nice people and some great things happening, music and otherwise.
You're involved in a lot of different artistic endeavors - which one currently takes precedence? like if someone asks "what do you do?", how do you respond?
Right now I'd probably say "play music", because that's where my heart is at the moment. I think I'm currently in some kind of work-denial state. Like acting really busy on work hours while making plans and stuff for the band, which probably isn't that good in the long run as I'm self employed.
I know there's a lot of other Swedish musicians who double as visual artists, but are there any in particular that you admire? Or what about visual artists who dabble in music?
One of the artists I admire is my old friend Johannes Heldén (www.johanneshelden.com). He's a visual artist (MFA, Valand Academy of Fine Arts, Gothenburg) a writer and a musician. His work is truly awesome. I give him credit for bringing Sci-Fi and mysticism into art and music. Well done, my friend!
How does the city of Gbg influence you and your art? Could you ever see yourself living somewhere else? What benefits does Gbg offer and on the flipside of that, what are the city's detriments?
Hard to tell how this city influences me. I don't even know if influences me at all. Or maybe it does more than I'll ever know. I can't really see myself living in another Swedish city. I've spent a lot of time in Malmö, I have a lot of friends there. There is one specific area there ("Möllan") which consists of... I don't know... maybe 8 blocks of houses and a square, and that area is fantastic. But the rest of Malmö is a terrible, aggressive, cold, cold place to be. They can keep it. If I'd move I'd probably go abroad, maybe Berlin or Barcelona (all my friends reading this are going "yeah, that'll probably happen..." haha), or Montreal, one of my favorite cities. One of the benefits with Gbg I guess is the size, both in people and area. It's not too big and it's not too small either. It's big enough for great things to happen, and it's small enough to actually notice them.
Tell me about the new band - how did you guys get together and what are your plans? Did you form with any particular goals in mind?
My new band is We Live in Trenches and here are all the boring details. Me and David Augustsson (drums, ex-C.Aarmé) formed the band in February 2007 after having played together in the brief punk adventure Haveri, which had broken up due to too hot weather and the fact that the other guys needed more time with their other endeavors (Cut City and Alarma Man). I was also on drum duties in Satanic Surfers, but we had a break at the moment (a break from which we never recovered, we broke up in March 2007). We initially formed as Trenches and I guess it sort of was the second coming of Haveri at first, only I'd switched from bass to guitar. As only two wrongs don't make a right, we needed some more humans to help sink the ship. I met my old friend Ulf Stöckel on a tram and convinced him to jump aboard as I knew of his screaming skills from previous bands (Comatose, Blå Ångest, The Virgins). We later got Oskar Karlsson on bass in May (also in Icos, ex-Last Security) and the Trenches line-up was finally complete. We recorded one song for a hardcore comp on Deleted Art (still not released) during the summer. Oskar turned out to be too busy with Icos as well as being a busy live sound tech for bands on tour (Burst, Red Sparrowes etc.) and he decided to quit the band a couple of months later. During the time without a bass player we started to record all of our songs in our rehearsal space. Anna Knutsson joined our merry bunch in November, halfway through the recording session, and we changed our name to We Live in Trenches shortly after. Now we finally have a booking agent and some upcoming shows, and we will promote ourselves in search for a record label to work with. Our plan is to rock as hard and often as possible, and our goal is to avoid a normal way of life as much as possible.
Lastly, got a song you'd like to share? Either from one of your own band(s) or otherwise? Something that's reflective of Gbg perhaps?
Yes. "Autonomy clinic" by We Live In Trenches. Because self promotion rocks!]]></description>
	<content:encoded><![CDATA[<p>If it's Saturday you know that means we're due for another entry in our ongoing Göteborg Spotlight Series. This week's guest: <b>Robert Samsonowitz</b>, esteemed web developer, graphic designer and musician. Chances are high you've seen his work before as he's done artwork and/or websites for a number of high profile Swedish artists -- just check out his portfolio at <a href="http://www.rbrt.org/" target="_blank">rbrt.org</a> for examples. As for his own music, he did time with <b>Satanic Surfers</b> back in the day and has just recently resurfaced with <a href="http://www.myspace.com/weliveintrenches" target="_blank"><b>We Live in Trenches</b></a>, a band that takes the sound of <i>"Damaged"</i>-era <b>Black Flag</b> and runs with it. In other words, old-man hardcore. You know I'm all about it. Anyhow, Robert was kind enough to answer a few questions for us and here's what he had to say:</p>
<p><strong>First off, the standard: How long have you lived in Gbg, what brought you there and what keeps you there?</strong></p>
<p>I've lived in Gothenburg for nine years and five months (since January 1999). I moved here to study web design. I got a job and a new band, so that pretty much kept me here. Nowadays I have a new job and a new band and that pretty much still keeps me here. And also Gothenburg is a pretty rad city to be in at the moment with a lot of nice people and some great things happening, music and otherwise.</p>
<p><strong>You're involved in a lot of different artistic endeavors - which one currently takes precedence? like if someone asks "what do you do?", how do you respond?</strong></p>
<p>Right now I'd probably say "play music", because that's where my heart is at the moment. I think I'm currently in some kind of work-denial state. Like acting really busy on work hours while making plans and stuff for the band, which probably isn't that good in the long run as I'm self employed.</p>
<p><strong>I know there's a lot of other Swedish musicians who double as visual artists, but are there any in particular that you admire? Or what about visual artists who dabble in music?</strong></p>
<p>One of the artists I admire is my old friend <b>Johannes Heldén</b> (<a href="http://www.johanneshelden.com/" target="_blank">www.johanneshelden.com</a>). He's a visual artist (MFA, Valand Academy of Fine Arts, Gothenburg) a writer and a musician. His work is truly awesome. I give him credit for bringing Sci-Fi and mysticism into art and music. Well done, my friend!</p>
<p><strong>How does the city of Gbg influence you and your art? Could you ever see yourself living somewhere else? What benefits does Gbg offer and on the flipside of that, what are the city's detriments?</strong></p>
<p>Hard to tell how this city influences me. I don't even know if influences me at all. Or maybe it does more than I'll ever know. I can't really see myself living in another Swedish city. I've spent a lot of time in Malmö, I have a lot of friends there. There is one specific area there ("Möllan") which consists of... I don't know... maybe 8 blocks of houses and a square, and that area is fantastic. But the rest of Malmö is a terrible, aggressive, cold, cold place to be. They can keep it. If I'd move I'd probably go abroad, maybe Berlin or Barcelona (all my friends reading this are going "yeah, that'll probably happen..." haha), or Montreal, one of my favorite cities. One of the benefits with Gbg I guess is the size, both in people and area. It's not too big and it's not too small either. It's big enough for great things to happen, and it's small enough to actually notice them.</p>
<p><strong>Tell me about the new band - how did you guys get together and what are your plans? Did you form with any particular goals in mind?</strong></p>
<p>My new band is <b>We Live in Trenches</b> and here are all the boring details. Me and <b>David Augustsson</b> (drums, ex-<b>C.Aarmé</b>) formed the band in February 2007 after having played together in the brief punk adventure <b>Haveri</b>, which had broken up due to too hot weather and the fact that the other guys needed more time with their other endeavors (<b>Cut City</b> and <b>Alarma Man</b>). I was also on drum duties in <b>Satanic Surfers</b>, but we had a break at the moment (a break from which we never recovered, we broke up in March 2007). We initially formed as <strong>Trenches</strong> and I guess it sort of was the second coming of <b>Haveri</b> at first, only I'd switched from bass to guitar. As only two wrongs don't make a right, we needed some more humans to help sink the ship. I met my old friend <b>Ulf Stöckel</b> on a tram and convinced him to jump aboard as I knew of his screaming skills from previous bands (<b>Comatose</b>, <b>Blå Ångest</b>, <b>The Virgins</b>). We later got <b>Oskar Karlsson</b> on bass in May (also in <b>Icos</b>, ex-<b>Last Security</b>) and the <b>Trenches</b> line-up was finally complete. We recorded one song for a hardcore comp on Deleted Art (still not released) during the summer. Oskar turned out to be too busy with <b>Icos</b> as well as being a busy live sound tech for bands on tour (<b>Burst</b>, <b>Red Sparrowes</b> etc.) and he decided to quit the band a couple of months later. During the time without a bass player we started to record all of our songs in our rehearsal space. <b>Anna Knutsson</b> joined our merry bunch in November, halfway through the recording session, and we changed our name to <b>We Live in Trenches</b> shortly after. Now we finally have a booking agent and some upcoming shows, and we will promote ourselves in search for a record label to work with. Our plan is to rock as hard and often as possible, and our goal is to avoid a normal way of life as much as possible.</p>
<p><strong>Lastly, got a song you'd like to share? Either from one of your own band(s) or otherwise? Something that's reflective of Gbg perhaps?</strong></p>
<p>Yes. <i>"Autonomy clinic"</i> by <b>We Live In Trenches</b>. Because self promotion rocks!</p>]]></content:encoded>
	<enclosure url="http://www.itsatrap.com/playlist/we_live_in_trenches-autonomy_clinic.mp3" length="0" type="audio/mpeg" />
	<pubDate>Sat, 12 Jul 2008 00:00:00 -0700</pubDate>
	<category>mp3s</category>
	<category>interviews</category>
	<category>gbg</category>
</item>
<item>
	<title></title>
	<link>http://www.itsatrap.com/n/9869</link>
	<guid isPermaLink="true">http://www.itsatrap.com/n/9869</guid>
	<comments>http://www.itsatrap.com/n/9869#comments</comments>
	<description><![CDATA[Finnish psych-folk weirdos Lau Nau, Hertta Lussu Assä, Pekko Käppi, Tomutonttu, Taikuri Tali, Islaja and Kuupuu will be playing the US together alongside American acts The Skaters and  Davenport as part of the "Voyages on Vinlandia" tour. Here's the dates so far:08/21 - A/V Space, Rochester08/23 - 345 Eldert St Rooftop, New York City 08/24 - Tommy's Tavern, New York City 08/25 - Tommy's Tavern, New York City 08/26 - P.A.'s Lounge, Boston 08/27 - Nom D'Artiste, Boston 08/28 - tba, Autonomous / Gladtree Collectives Present 08/29 - tba08/30 - The Church, Portland 08/30 - Special broadcast of Finnish WFMU recordings at 3:00pm Eastern08/31 - The Church, Portland 09/01 - Private Party, Providence 09/02 - AS220 8:00PM, Providence 09/03 - tba, Philadelphia 09/04 - tba, Philadelphia 09/05 - the Nightlight, Chapel Hill 09/06 - Harvest Records, Ashville 09/07 - tba, Knoxville 09/08 - tba, Nashville 009/09-10 - Spooky Action Palace, St Louis 09/17 - Nottingham Coop, Madison09/18 - the Empty Bottle, ChicagoPlease note that not every act is playing each show, so be sure to check with your local venue if there's a particular band you want to see.]]></description>
	<content:encoded><![CDATA[<p>Finnish psych-folk weirdos <b>Lau Nau</b>, <b>Hertta Lussu Assä</b>, <b>Pekko Käppi</b>, <b>Tomutonttu</b>, <b>Taikuri Tali</b>, <b>Islaja</b> and <b>Kuupuu</b> will be playing the US together alongside American acts <b>The Skaters</b> and  <b>Davenport</b> as part of the "Voyages on Vinlandia" tour. Here's the dates so far:<p class="indent">08/21 - A/V Space, Rochester<br>08/23 - 345 Eldert St Rooftop, New York City <br>08/24 - Tommy's Tavern, New York City <br>08/25 - Tommy's Tavern, New York City <br>08/26 - P.A.'s Lounge, Boston <br>08/27 - Nom D'Artiste, Boston <br>08/28 - tba, Autonomous / Gladtree Collectives Present <br>08/29 - tba<br>08/30 - The Church, Portland <br>08/30 - Special broadcast of Finnish WFMU recordings at 3:00pm Eastern<br>08/31 - The Church, Portland <br>09/01 - Private Party, Providence <br>09/02 - AS220 8:00PM, Providence <br>09/03 - tba, Philadelphia <br>09/04 - tba, Philadelphia <br>09/05 - the Nightlight, Chapel Hill <br>09/06 - Harvest Records, Ashville <br>09/07 - tba, Knoxville <br>09/08 - tba, Nashville <br>009/09-10 - Spooky Action Palace, St Louis <br>09/17 - Nottingham Coop, Madison<br>09/18 - the Empty Bottle, Chicago<br><p>Please note that not every act is playing each show, so be sure to check with your local venue if there's a particular band you want to see.]]></content:encoded>
	<pubDate>Tue, 12 Jul 2005 00:00:00 -0700</pubDate>
	<category>news</category>
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