Presenting "Rock Science", a new rock'n'roll boardgame featuring artwork and a themesong by Nicke Andersson of Imperial State Electric/The Hellacopters/Entombed. Check it: http://www.rockscience.tv/

Black and white - Linnea Jönsson (Those Dancing Days)
Bad hands - Nina Kinert
Northern lights - Britta Persson & Karl Larsson (Last Days of April)
Kick you out - Nicke Andersson (The Hellacopters) & Howlin' Pelle (The Hives)
Andra relationen - Subbah
Close enough - Choir of Kiemi
We love blood - Henric de la Cour (Strip Music)
Cartoon wolf - David Sandström
I can do it - Therese Johansson (Lowood)
Sillodill - Britta Persson

The day started off well enough. I woke early and had a good stroll around central Göteborg and managed to get myself fairly oriented to city. I also had a surprise run-in with Viktor Sjöberg in an empty parking lot and his dog Douglas suprised me right back, sending my cup of coffee flying through the air. Things were off to a good start! The majority of my afternoon was spent exploring the Konstmuseum (I think I'll be needing an Ivar Arosenius print at some point) and then it was time to meet more friends and start the Way Out West concert experience.

I missed openers Function, but Low exceeded expectations with their set at Trädgär'n. I'm only moderately familiar with their catalog, but what I saw was understated, elegant and quite powerful. Following them was another American act, Woven Hand. Naturally, I came to WoW primarily to see Swedish acts, but since Woven Hand tours Sweden far more often than the US, I made sure to make this show and they did not disappoint one bit. Frontman David Eugene Edwards has an incredibly intense stage presence, on par with Neurosis, easily one of the most emotionally demanding bands I've ever been fortunate enough to see.

Knowing fully well that there would be no way to top Woven Hand, I still set out to Pustervik to catch some more bands for my evening's entertainment. ...And You Will Know Us By Our Trail of Dead was packed solid and admitting no new patrons, so I went upstairs to check out Last Days of April. The wait was slightly longer than expected, but Håkan from Division of Laura Lee/Carcrash Records kept things interesting from his position behind the DJ booth. As for LDOA when they did finally take the stage, they were 100% solid despite a less-than-stellar placement in the lineup. I couldn't help but feel underwhelmed. Another time, another place perhaps.
(AR)

Friday

At last, the start of the 'real' festival and the Boredoms set things off right. I was bit hesitant, having been disappointed by a show sometime around the period of "Super Æ", but this was something else entirely. My impression is that today's music was based on (or at least similar to) the recent "77 drummers" performance. It featured a steady onslaught of three pounding drummers and the reappearance of Eye's percussive guitar tree. The meandering psychedelia of years ago was vanquished from my mind and I let myself get lost in the endless hypnotic beat. I still can't say that I'll always be into everything the Boredoms do, but it's undeniable that they are always interesting and this performance certainly lived up to the hype.

I tried my best to avoid Salem Al Fakir's weak Billy Joel impression at one of the many beer tents before securing myself a proper position up front for Hello Saferide. The show was everything I'd hoped for: charming and sweet; equally balancing the upbeat, poppy material with the darker, more soulful (and often far more satisfying) ballads. All of the proper album highlights were played as well as a brand new track and the recent "I was definitely made for these times" single. It wasn't quite the transcendent experience I had hoped for, but it was quite nice to finally hear the songs in-person from the band's own instruments.

After Hello Saferide, it was proper time again for more beer and meeting friends. Finally got a chance to meet up with contributor Simon Tagestam (his SMS: "Hey Avi! You at the festival? Watching rubbish Laleh...") as well as a multitude of other folks. The next band to catch my attention: The Hellacopters. An experience made all that much greater from standing next to Fredrik Holmgren of Startracks who would constantly interrupt himself to yell things like "Oh my god! This fucking song! Yes!". Yeah, they were pretty good. And then The Hives - jeez, now there's a band that know's how to work a crowd of 16,000. Performing a few tracks from the forthcoming "The black & white album" as well as a plethora of classics, Pelle and the boys put on a proper show. Even if said record ends up being a total disaster, they are still a band not to be missed on tour. That's been obvious ever since the first time I saw them blow The (International) Noise Conspiracy off the stage.

Having now hooked up with another IAT contributor, a certain Jonas Appelqvist along with photographer companion Sofia Qvarnström, we decided it was a good time to exit the main festival grounds, seek nourishment from something besides weak Swedish lager and headed up to Sticky Fingers for Juvelen and Laakso. Once we arrived, it became instantly obvious that we made the right decision because the venue filled up right after our arrival. The unmistakable Ebbot Lundberg kept the people entertained from behind the decks as we waited patiently for the show to get underway.

Juvelen proved himself to be a considerably bigger draw than I anticipated and the crowd gushed with adoration as he strutted back and forth across the stage. No backing band, just lights, smoke and a guitar. That's all he needed. The females in attendance didn't seem to mind that he kept shedding layers of clothing as well. Impressive, for sure!

Of course, the big draw of the evening, especially for me, was Laakso and they were absolutely everything I had hoped them to be. Anthemic and glorious, perhaps even a bit cathartic. They played the hits and then they played some more. Annika Norlin came out and joined them for a rousing version of "Italy vs Helsinki". The band performed with fiery vigor and not a single moment was wasted. Some say that Laakso is currently Sweden's best band. I'm inclined to agree.

I should've called it a night following Laakso, but instead I set out on a fool's errand for a proper after-after-party. A wasted effort and a long walk home, but a good way to clear my jetlagged-rattled head and wind down. Lesson learned!
(AR)

Due to a wedding on the Saturday I was only able to attend Way Out West on Friday and I also had to leave early (halfway through The Hives' decent set) which meant I missed all the club nights too. Instead of getting to see Moneybrother, Regina Spektor, Juvelen, Laakso, TTA, Säkert!, Kanye West, Franke etc I was treated to the dire 'talents' that are Salem Al Fakir, Laleh, Albert Hammond Jr and the now questionable lot of The Hellacopters. Salem Al Fakir and Laleh could have been the worse festival combo I've ever witnessed, I was in shock by their horrible performances. Thankfully, Hello Saferide turned out to be a hint of sunshine in the rain, her set was much better than I expected it to be (I'm half a fan). The weather was rubbish, it was humid and rained most of the time, but the festival itself was nice. I love festivals near city centres! I'm definitely coming back if there will be a WoW in 2008, as long as I can go to the day when all the good bands are playing (no weddings then, please).
(ST)

Anticipations for the forthcoming album by The Hives are sky-high worldwide. And by all means, they should be. We're talking about a band putting up with a lot of pressure from, like, everywhere; the media, the record label and, most of all, the fans. And they know it. 'Cause what we saw was a hungry band eager to show off some new tunes and live up to the live rumor they've earned. After being locked up in studios around the globe for a long, long time it was quite obvious that Howlin' Pelle, Chris Dangerous, Vigilante Carlstroem, Dr. Matt Destruction and Nicholaus Arson wanted to kick ass. And maybe that's what made it come off as overkill. Sure, the band is a really tight one; the entertainment is top notch (especially Howlin' Pelle's banters wherein he heckles the crowd while stating that what we're watching is the greatest band in the world) but there's a downside to the enthusiasm. The new songs suffer from the furious tempo on stage. And frankly, those songs were the ones I wanted to hear. The new single "Tick tick boom" is a good choice for the first one out from "The black and white album" with its hooks and easy sing-along, but as a whole, the other new ones tleft me a bit disappointed. The patented Hives-sound was all over and that's what I'm having problems with. Been there, done that. But hey, don't worry; the gig as a whole wasn't a disappointment. It's when these guys from Fagersta play the wonderful "AKA I.D.I.O.T" from my favorite album "Barely legal" the show starts for real! Elegant as always, they deliver punk rock for the masses with crowd pleasers such as "Walk idiot walk" and "A little more for little you" (dedicated to Nicke Andersson from The Hellacopters who was celebrating a birthday). Pelle had the crowd right where he wanted them, following his every move. And guess what?! His voice lasted the whole show. A seldom heard thing.

To be honest, I'm not a huge fan of electronic dance music, or Prince for that matter. But I can tell when competent music is performed and this was one show that proved me wrong. Performing inside a club and not on a stage at an outdoor festival definitely improved Juvelen since his music is made for the dance floor. And the crowd danced! And that's what it's all about I guess. The live show is secondary in this case and it should be, as long as you have great music to back things up. The hit single "Hannah" is a perfect example of that. Sung in a high falsetto over samples and a hot-tempered distorted guitar, the tune almost gets me down on the dance floor myself. And that is perhaps the best review you can get from me, seeing that I very rarely do such a thing! I have problem with the fact that a lot of the songs get kind of monotonous, but this one man show was a small success. At least if you're dancing.

Entering the stage 1:30 am and what a show they put on! Laakso's "Mother, am i good looking?" is one of this year's best records this far and Avi, photographer Sofia and me weren't the only ones at the venue with that opinion. Right from the first chords of "Worst case scenario", the band kickstarts into a euphoric journey full of Markus Krunegård's lyrical anguish with the added glam touch and disharmonic guitar licks of Bear Quartet's Jari Haapalainen. You could definitely tell that the band really loved this gig as they repeatedly stated that the clock was too much. The wonderful storytelling on "Västerbron", the heavy metal shouts on "In my blood", the reckless drumming on "Hang me in the Christmas Tree" and, of course the duet with Annika Norlin on "Italy vs Helsinki"; all that made this gig a tremendous experience.
(JA)

Saturday

The euphoria of the previous evening must've still been with me because I rose early again, ready and raring to go despite very few hours of sleep. I had some doubts about passing on The Pogues the previous night, but those fears were allayed from friends who declared the performance to be a pathetic travesty of a freakshow. No thank you! So with that, it was off for another long day of performances, starting off with Florence Valentin who were a perfect, rousing way to start the afternoon. The band's ample membership filled the Linné stage and their considerable energy got the crowd moving. That's some classic Göteborg indiepop done right and I'm glad they're back.

From Florence Valentin, it was back to the beer tent for refreshment after a quick glimpse at Shout Out Louds who were just as exciting as expected (read: not very). Caught a few songs from Sparta somewhere in there, then back for more beers to allay the boredom of the mid-afternoon lull. It was quite telling that the random dude Devandra Banhart invited up to perform a song far outshined the man himself. Moneybrother, sadly, proved to be equally lackluster, especially when compared to the full band with strings show I saw at Umeå Open two years ago. Again: no thanks.

Peter Bjorn and John on the other hand, delivered a strong and confident set, no doubt a testament to their endless tour schedule. Seeing as how they are still a small-stage act in their native Sweden, the set was all top-shelf material of wall-to-wall hits. Once again, Annika Norlin came out for a duet, this time filling in for Victoria Bergsman on the ubiquitous "Young folks". Well done! Funny that I had to travel thousands of miles to finally see these guys in the flesh, but I know it won't be for the last time. A small taste here at Way Out West whetted my appetite for the band's forthcoming club tour in the US this fall.

A break now for dinner (including a decent Swedish microbrew! shocking!) and then back in time for Säkert!, yet another festival highlight. Obviously I'm a big fan of Hello Saferide, but seeing Annika with the good folks of Isolation Years (plus Henrik Oya of The Spacious Mind and Jakob Nyström's sister Lovisa on keys/backing vocals) was fantastic. No gueststars today as all duets were aptly handled in-band, not that it mattered. They wrapped up the Parksommar tour here in top-notch style. The driving stomp of set-closer "Allt som är dit" was perfection and the crowd responded in kind. After that, I wandered over to catch the tail-end of The Ark's set, but was driven to seek shelter by the pounding rain. Had I been up front with sympathetic souls, I'm sure I would've loved it, but I opted for the easier (and drier) choice of watching from the safety of the beer tent. Hearing Ola Salo deliver a verse from "Känn ingen sorg för mig Göteborg" during one of their triumphant breakdowns was a nice touch.

Lily Allen replacement Teddybears STHLM proved to be far better than expected. Despite having a softspot for the band's obnoxious early years as a hardcore band, there's no denying the group's reinvention as the new century's biggest hitfactory. Each and every song, another solid gold single. It also must be said that the overwhelmingly surreal experience of thousands singing along to final track "Punkrocker" was a capper. "Cuz I'm a punkrocker, yes I am!" Oh, really?

The spectacle of Kanye West was alluring, even moreso with the promise of a PB&J cameo, but my friends and I opted instead for the elusive Franke. Bad move! Not that Kanye West would've been much better (reports have not been flattering), but Franke was absolutely dreadful. The sound was shit and so was the performance. By far the biggest disappointment of the entire festival. Wisely, we decided to cut our losses and headed back to the Norrländska Generalkonsulatet for late-night Randy and Bruce Springsteen singalongs plus plenty of Norrlands Guld. Now that is a proper way to end an evening and a perfect conclusion to the Way Out West experience.
(AR)

Anders Wendin has been a class act entertainer ever since the days he fronted the sadly missed Monster. Something that's oh so obvious at this gig as well. As with The Hives, Moneybrother also have a new record due to be released and the focus is concentrated on material from that one, "Mount pleasure". Apart from the first single "Just another summer" ,I have not yet heard the record, but what they presented live sounded great and familiar. And that is, as always, a problem. The songs sound a bit too alike live. But when putting on such a live show, you're excused. This, the only Moneybrother festival gig this year, was a pure discharge after just recently completing a summer tour. And with hits like "They're building walls around us", "The pressure" and the marvelous final number "Reconsider me", you just can't go wrong. Too bad the guys (presented by Anders as the most attractive band out there) had some difficulties with the sound at times, but that's a problem I can overlook. I can't wait to see this again in a more intimate club venue some time soon.

I'm sure everyone knows about Annika Norlin's Säkert! by now. But I could never imagine that she'd bring such an all-star team to Way Out West. The fellow musicians were, among others, Mats Hammarström and Jakob Nyström from Isolation Years, Henrik Oja from David Sandström Overdrive and Tonteknik and other studios way up north (he's like the Swedish equivalence to Steve Albini, lots of great records bear his mark)! Aware of this fact or not, the crowd was euphoric and sang along to every song. The feeling in that big tent was a warm and fuzzy one and just what this, in Annika's own words, more outspoken cousin to Hello Saferide deserves. As much as I adore HS, I must say that Säkert! gets to me in a more direct way. And that's not at all just about me understanding the words, the music is more exposed and in your face. This is exactly why this was a really nice experience. With only one record out, the band can only do so much, but what they did was more than enough. Hearing Jakob singing Martin Hanberg's part on "Sanningsdan" is something I will remember as one of the finest things from this festival. The only downside was that Juliette & the Licks drowned some of the more mellow songs with their mediocre rock n' roll. Definitely nothing that Annika can be held responsible for. All in all, one of the finest shows at the festival!
(JA)

What can I say? Way Out West was a smashing success. And I nearly missed it. Who could have thought that this rookie-festival would sell out as fast as it did? With such a strong line up, it was a matter of time really, but several weeks ahead? And with me being quite lazy, well, Friday came and I still had no ticket. I did try though, I even went to the black market, but no. The Hives, Hello Saferide, The Hellacopters, and I wasn't there. Saturday came and I was about to lose all hope when luck finally came about. 200 extra tickets where released on demand and I got one. Off to the festival then!

Even though I couldn't make it the day before, I wasn't all bummed out. Saturday actually held a couple of really good and exciting Scandinavian bands as well. I missed Shout Out Louds due to my ticket problem, but since I've already seen them on just about every festival this summer, I couldn't care less. A little part of me felt sad for not being able to see the Saturday opening act Florence Valentin though. Instead, I arrived right on time to catch the one and only Moneybrother. In 2003 I saw Anders Wendin perform on one of the smaller stages on Accelerator, The Big One. Some had heard of Monster, none had heard of Moneybrother. And the gig was great. The two following records, "Blood panic" and "To die alone" were also great. Moneybrother was here to stay. But things change - sometimes you can only push things to a limit and thereafter it becomes boring. Anders Wendin and his colleagues give their best, but the news songs simply won't stick to my mind. No, more of the old Anders and less of Bruce Springsteen/Ulf Lundell.

Peter Bjorn and John. I've given these guys a hard time in the past, I know. I still think "Writers' Block" is a mediocre record, but live these guys rock! The place is crowded and I even forgive those who wait for that one special song alone. There's no Victoria Bergman on guest vocals today, but Annika Norlin from Säkert!/Hello Saferide still manages to give a golden touch to the indie anthem "Young folks". The gossip of today is, or course, what will Peter Bjorn and John pull off when they are to play with Kanye West this evening? Speaking of Annika Norlin, I was quite sceptical of her new project Säkert! when I heard the first single "Vi kommer att dö samtidigt", but yet again, I'm overwhelmed by the outcome live. It just sounds great. A little bit more raw and intense, exactly how I like my music. Annika Norlin is truly something special.

I skipped Timo Räisänen to get something to get something to eat and a new set of dry clothes (the sky opened up during the Regina Spektor concert, of course). I wasn't that sad about it, you've heard one Timo song, you've heard them all. Come to think of it, having already released two records, with a third on the way, and still getting to play just about anywhere, the guy must be doing something right. But you can't argue with hunger and cold. The Ark played about every festival I've been to this summer as well, but I still haven't been to an entire concert up to now. Why you ask? Well, it tends to become quite static after a while. This time it's different. As Ola Salo points out, it's the almost the end of the summer and soon enough it's back to school or to the old job. And we don't want that. So they play and we sing along.

Lilly Allen had to cancel, say hello to Teddybears STHLM! I've never been too fond of this band either (I know, I sound like a grumpy old man), but you can't argue with the hits. Who can say no to "Cobra style", "Punkrocker" and "Hey boy"? But there's Way Out West for you, bands you didn't expect to do well, did awesome instead.

I really wanted to get in the day before as well, but the Saturday alone gave me the chills. Too bad I was trapped inside a manic crowd during Kanye West (and yeah, Peter Bjorn and John did play "Young folks" again. This time it sucked though), I really wanted to see a couple of songs with Franke. Next time perhaps.
(CS)

Who's who:

CS: Christian Stenbacke

ST: Simon Tagestam

AR: Avi Roig

JA: Jonas Appelqvist

Pics by Sofia Qvarnström]]> Fri, 17 Aug 2007 00:00:00 -0400 articles fest http://www.itsatrap.com/n/27836-death-breath-morbid-mind http://www.itsatrap.com/n/27836-death-breath-morbid-mind http://www.itsatrap.com/n/27836-death-breath-morbid-mind#comments Almost every review of Death Breath that I've read so far seems entirely too preoccupied with how they compare to some other classic death-metal throwback. Who cares? All that matters is that "Stinking up the night" rips! It's by no means a life-changing classic, but that was never the point. The story: Nicke Andersson (The Hellacopters, ex-Entombed) was inspired by Decibel magazine editor Albert Mudrian's book "Choosing death: The improbable history of death metal and grindcore" and decided to explore his roots. It harkens back to a time when death-metal meant bands like Autopsy or Possessed, before Entombed made their mark on the scene. The horror of the lyrics is kitchsy, like an old b-movie. It's meant to be fun, not scary. Death Breath is pure nostalgia, but it's also more than a few old, tired dudes trying to relive their youth. They recapture the energy and vitality of those early days and I love it.]]>
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Tue, 09 Jan 2007 00:00:00 -0500 mp3s http://www.itsatrap.com/n/3467 http://www.itsatrap.com/n/3467 http://www.itsatrap.com/n/3467#comments Death Breath's video for their namesake song is now online: http://www.deathbreath.se/site/death_breath_video.asp
Death Breath is the old-school death-metal revival act of Nicke Andersson (Hellacopters, ex-Entombed). As for the clip, the ending is kinda meh, but the concept is hot.]]> Mon, 04 Dec 2006 00:00:00 -0500 news http://www.itsatrap.com/n/4946 http://www.itsatrap.com/n/4946 http://www.itsatrap.com/n/4946#comments Death Breath, the old-school death-metal band of Entombed/Nihilist/Hellacopters founder Nicke Andersson has officially signed with Relapse Records. The band's debut album "Stinking up the night" will be released October 17.]]> Fri, 04 Aug 2006 00:00:00 -0400 news http://www.itsatrap.com/n/5482 http://www.itsatrap.com/n/5482 http://www.itsatrap.com/n/5482#comments Black Lodge has announced the signing of Death Breath, the new death-metal band of Nicke Andersson (The Hellacopters, ex-Entombed). Their as-yet untitled debut album is finished and is currently being prepped for a late August/early September release. The band will also release a three-song 7" single very soon featuring the a-side "Death breath" b/w two exclusive tracks: "Corpses of death" (featuring Markus Karlsson of I Quit on vocals) and "Matricide". Listen to a short sample track at myspace: http://www.myspace.com/deathbreathdeathmetal]]> Fri, 09 Jun 2006 00:00:00 -0400 news http://www.itsatrap.com/n/6466 http://www.itsatrap.com/n/6466 http://www.itsatrap.com/n/6466#comments Deathbreath, the new retro death-metal project of Nicke Andersson (The Hellacopters, ex-Entombed), has posted the rough mix of a song for streaming on myspace: http://www.myspace.com/deathbreathdeathmetal
I was expecting much of the typical Swedish/Sunlight Studios sound ala Bloodbath (who totally rule btw), but this is different and totally awesome in its own way.]]> Mon, 27 Mar 2006 00:00:00 -0500 news http://www.itsatrap.com/n/6772 http://www.itsatrap.com/n/6772 http://www.itsatrap.com/n/6772#comments The new Nicke Andersson (Hellacopters, ex-Entombed) death-metal project now has a name: Death Breath. The band also features Jörgen Sandström (Viscious Art, ex-Entombed/Grave) on vokills and Robert Persson (Hellacopters, Thunder Express) on guitar. Look for their debut album later this year.]]> Mon, 06 Mar 2006 00:00:00 -0500 news http://www.itsatrap.com/n/6947 http://www.itsatrap.com/n/6947 http://www.itsatrap.com/n/6947#comments The new Backyard Babies album "People like people like people like us" has been confirmed for release on April 12. The record was produced by Nicke Andersson of The Hellacopters/Entombed and the band will support the release with a Scandinavian tour beginning in mid-April.]]> Mon, 20 Feb 2006 00:00:00 -0500 news http://www.itsatrap.com/n/8091 http://www.itsatrap.com/n/8091 http://www.itsatrap.com/n/8091#comments Hellacopters frontman Nicke Andersson has been selected to produce the next Backyard Babies album, tentatively due out next spring.]]> Thu, 01 Dec 2005 00:00:00 -0500 news http://www.itsatrap.com/n/8424 http://www.itsatrap.com/n/8424 http://www.itsatrap.com/n/8424#comments Entombed has revealed that "Serpent saints" will be the title of their forthcoming album, due on June 6, 2006 via their own Threeman Recordings. Rumor has it that ex-drummer Nicke Andersson (The Hellacopters) might contribute to the songwriter and recording now that Uffe is gone, but nothing is confirmed yet.]]> Wed, 02 Nov 2005 00:00:00 -0500 news http://www.itsatrap.com/n/8561 http://www.itsatrap.com/n/8561 http://www.itsatrap.com/n/8561#comments Ex-Entombed drummer/current Hellacopters frontman Nicke Andersson has announced that he is working on a throwback death-metal project. Read more: http://www.rocket.fm/rockoversweden/news/?ID=558]]> Fri, 21 Oct 2005 00:00:00 -0400 news http://www.itsatrap.com/n/9404 http://www.itsatrap.com/n/9404 http://www.itsatrap.com/n/9404#comments When Nicke Andersson first left Entombed to concentrate 100% on The Hellacopters, the future of his old band was left totally up in the air. C'mon, what do you do when one of your founding members and main songwriters leaves? The pressure was on, to say the least. So when the new album "Same difference" finally was released in 1998 with new drummer Peter Stjärnvind, a lot of people were especially critical of the record. Now, I'm not gonna come out and say that everyone was wrong, but I do think they were unjustly harsh. While it's obviously not the best thing they've ever done, it's still nowhere near as bad as a lot of those initial reviews would have you believe. Coming out after the fuzzy death n' roll onslaught of 1997's "To ride, shoot straight and speak the truth", "Same difference" was a study in contrasts. The production was significantly cleaner and the playing was much more subdued, though tighter. It was the sound of a band in transition, trying to figure out where to go next. Yeah, there's some definite clunkers on the record, but I think that it hold up well regardless. It doesn't help that the tracklist is totally front-loaded, but it works just fine on shuffle. And ignore those five bonus tracks on the US version - they were much better off left as a separate disc on the "TRSSASPTT" limited edition digipack. So anyhow, as you should know, I love me some country music along with my death metal. So when Entombed throws some downtuned slide guitar into the mix, you bet your ass I'm all about it as on today's track "Clauses". It still might not be enough to redeem all of "Same difference", but hopefully it'll at least make you go back and rethink it.]]> Fri, 19 Aug 2005 00:00:00 -0400 news http://www.itsatrap.com/n/9863 http://www.itsatrap.com/n/9863 http://www.itsatrap.com/n/9863#comments Ex-Entombed drummer/current Hellacopters frontman Nicke Andersson filled in on guitar with his old bandmates at the Peace & Love Festival in Borlänge last weekend as regular guitarist Uffe Cederlund was on tour with his other band Disfear.]]> Tue, 12 Jul 2005 00:00:00 -0400 news http://www.itsatrap.com/n/12383 http://www.itsatrap.com/n/12383 http://www.itsatrap.com/n/12383#comments Aftonbladet lists the top picks of the year from quite a few high-profile Swedish artists such as Marit Bergman, Per Gessle, Ola Salo, Magnus Uggla, Ebbot Lundberg, Nicke Andersson and so on: http://www.aftonbladet.se/vss/noje/story/0,2789,578772,00.html (in Swedish)]]> Wed, 22 Dec 2004 00:00:00 -0500 news http://www.itsatrap.com/n/13222 http://www.itsatrap.com/n/13222 http://www.itsatrap.com/n/13222#comments Swedish rock n' roll label Wild Kingdom has announced that they will release the brand new album "Constant Reminder" from The Sewergrooves on October 20. They'll also be putting out The Wonderfools' new album "Future Classic" the very same day. As for the future, look for something new from The Doits who are currently in the studio working with Nicke Andersson (The Hellacopters) behind the board.]]> Fri, 15 Oct 2004 00:00:00 -0400 news http://www.itsatrap.com/n/14766 http://www.itsatrap.com/n/14766 http://www.itsatrap.com/n/14766#comments Howlin' Pelle from The Hives will be guesting with a reunited MC5 for two dates in Japan. The Hellacopters' Nicke Andersson will be guesting on some European tourdates, as he has done before.]]> Thu, 10 Jun 2004 00:00:00 -0400 news http://www.itsatrap.com/n/19221 http://www.itsatrap.com/n/19221 http://www.itsatrap.com/n/19221#comments A new song from Marit Bergman on the right today. She was kinda vanilla to me at first, but the album has really started to grow on me. Nothing mindblowing, but still a good listen.

Curious about the new Bjön Olsson album that comes out today? Read all about it.

Check out this video of Supersilent playing live from The Wire's website.

Randy will do five dates in their native Sweden before heading out on the road across Europe in support of their forthcoming album. The itinerary so far:

4/24 - Melkweg Amsterdam (NL)
4/25 - W 2 Den Bosch (NL)
4/26 - Groezrock Meerhout (BE)
4/27 - Live Music Hall Cologne (GER)
4/29 - Logo Hamburg (GER)
4/30 - Columbia Fritz Berlin (GER)
5/01 - Musikzentrum Hannover (GER)
5/02 - Alter Stadsbanhof Schweinfurt (GER)
5/03 - Exil Trier (GER)
5/04 - Backstage Munchen (GER)
5/06 - Conrad Sohm Dornbin (AUT)
5/07 - Arena Vienna (AUT)
5/08 - Orpheum Graz (AUT)
5/09 - La Gabbia Bassano (IT)
5/10 - Leoncavallo Milan (IT)
5/13 - Kaserne Basel (CH)
5/14 - Remise Wil (CH)
5/15 - Abart Zurich (CH)
5/16 - MJC Lyon (F)
5/17 - Mephisto Barcelona (ESP)
5/18 - Gruta 77 Madrid (ESP)
5/20 - Roxy Valencia (ESP)
5/21 - Nashville Vigo (ESP)
5/22 - Cafe Albenitz Gijon (ESP)
5/23 - Atzavara Girona (ESP)
5/24 - Le Fuzz La Roche Sur (F)
5/24 - Mondo Bizarro Rennes (F)
5/26 - Festival Tours (F)
5/28 - Wedgewood Room Portsmouth (UK)
5/29 - Academy Birmingham (UK)
5/30 - Josephs Well Leeds (UK)
5/31 - King Tuts Wah Hut Glasgow (UK)
6/03 - Garage London (UK)

Here's the official press release regarding Håkan Hellström's departure from Broder Daniel.

Johan Bergqvist started recording a new single for the song "This Could Be Our Time" this past weekend. He may even film a video for it, too. Candidates for b-sides include "Waiting" and "Endure", but nothing has been decided yet. Look for it around May.

Sahara Hotnights are doing the Carson Daly show on February 27. Wanna be in the audience? The show tapes that Thursday afternoon at 30 Rockefeller Center in NYC. It's free, but also first-come-first-served, so send an email to lastcallaudience@nbc.com with the subject 'Hotnights' plus your full name, age and number of tickets desired in the body. Oh, and it's limited to people 16 and older.

Finland's HIM have set what they declare to be the final tracklist for the new album "Love Metal":

01. Buried Alive By Love
02. The Funeral of Hearts
03. Beyond Redemption
04. Sweet Pandemonium
05. Soul on Fire
06. The Sacrament
07. This Fortress of Tears
08. Circle of Fear
09. Endless Dark
10. The Path

A limited edition version will include the bonus track "Love's Requiem". The album comes out on April 14 for most of Europe.

Norweigan singer/songwriter Askil Holm gets to have about a minute of his music featured in the new film "Agent Cody Banks" directed by Harald Zwarts. It stars Frankie Muniz of "Malcolm in the Middle" fame and premieres March 8 in LA.

Here's the winners of the Spelleman Awards which took place in Norway on Saturday:

Best Spellemann: Röyksopp
Pop group: Ephemera - "Balloons and Champagne"
Best newcomer: Gåte - "Jygri"
Electronica: Salvatore - "Tempo"
Best video: Röyksopp - "Remind Me"
Metal: Satyricon - "Volcano"
Pop soloist: Thomas Dybdahl - "That Great October Sound"
Rock: Madrugada - "Grit"
Hip-hop: Paperboys - "No Cure For Life"

A full list of winners can be found here.

No, Soundtrack of Our Lives did not win a Grammy and I'm really not surprised. The competition was tough and Coldplay won the 'best alternative album' category. Still, it's pretty cool that they were even nominated. Next time, eh?

"SATANIC! SICK! UGLY!" Arch Enemy's Michael Amott has posted a new studio report on their website. Check it out.

Crystal Committee just released their new album and the response has been great, including record of the week on Swedish student and national radio. They're also planning on doing a full Swedish tour in spring, but for now you can check 'em at these two dates in Stockholm:

3/1 - Debaser
3/11 - Kafe 44

From Timo Isoaho / Sonera Plaza Kaista by way of Blabbermouth:

Swedish high-energy thrashers The Haunted have fulfilled their contractual obligations to Earache Records and have no intentions of re-signing with the label, according to frontman Marco Aro. "Earache are lying to us all the time," he told Finland's Kaista. "According to them, we have sold only ONE thousand copies of the last album in the States even though we've done headlining tours over there. You know, Earache doesn't keep any records that would reveal how many albums have been pressed and so on, so we have no idea how many albums we have actually sold.

"When we signed to Earache, we actually [inherited] At the Gates' old contract [as per the leaving member's clause in the agreement]," he added. "So when we got some royalties from our first album, all that money went to pay back the debts that At the Gates had with the label.

"Entombed's situation with Earache was the 'funniest'," Aro continued. "Earache was built from the money that they made by selling the early records from Napalm Death and Entombed. Anyway, [former Entombed drummer] Nicke Andersson saw some of the Earache guys when he was doing a show in London with The Hellacopters, and he asked them if he should perhaps be collecting some money from them in back royalties. The Earache guys were like, 'Yeah, sure.' Guess what Nicke got from them later? 25 pounds and one 'Monkey Puss' live video! (laughs)"

According to Aro, it was Earache's unwillingness to properly fund the group's recently-released DVD, "Caught On Tape", that resulted in the final product not being of the high standard that the band had hoped for.

"Well, it's ok, there's two shows and everything," Marco said of the DVD. "But it could have been better, too. We were supposed to get really good digital video camera from our record company when we went to tour US with Cannibal Corpse and Dimmu Borgir. We were supposed to shoot some material for the DVD... Well, we got that camera when there was two shows left in the tour. And then, when we asked if we could shoot some material from the summer festivals with that camera, we were told that this was not OK and we had to return the camera to the record company. By the way, our first idea was to release the live DVD and live album in one package at a special price. But that was not OK with Earache..."

Of course, this really shouldn't sound all that new to you if you follow the metal scene. Earache Records has been notorious for ripping bands off in the past and many, many allegations have been tossed their way. I was under the impression they were trying to make up for past mistakes, but I guess that's not the case. I only hope that other promising, young bands like Cult of Luna don't get crushed by the label.

Speaking of jumping labels, In Flames is apparently shopping around for a new contract now that they've furfilled their obligation to Nuclear Blast. Do I see a major in their future? I don't doubt it - the band is really doing quite well over here in the States. Expect negotiations to be wrapped up around spring they say. In other news, the band is currently filming a video for the track "Trigger" and plan to have it ready by the end of March.]]> Mon, 24 Feb 2003 00:00:00 -0500 news