Pitchfork reviews Regina
Pitchfork reviews the new Regina album "Soita mulle": http://pitchfork.com/reviews/albums/15833-souta-mulle/
Pitchfork reviews the new Regina album "Soita mulle": http://pitchfork.com/reviews/albums/15833-souta-mulle/
The Silent Ballet reviews Jasper TX's latest album "The black sun transmissions": http://thesilentballet.com/dnn/Home/tabid/36/ctl/Details/mid/384/ItemID/4424/Default.aspx
The new Korallreven single "As young as yesterday" got Best New Music'd in the Pitchfork track list: http://pitchfork.com/reviews/tracks/12409-as-young-as-yesterday-ft-victoria-bergsman/
Pitchfork gives high marks to Finnish black metal act Circle of Ouroborus: http://pitchfork.com/reviews/albums/15815-eleven-fingers/
Drowned in Sound is super stoked on the new Årabrot album "Solar anus": http://drownedinsound.com/releases/16487/reviews/4143516
Pitchfork says The Field's new album "Looping state of mind" is 'Best New Music': http://pitchfork.com/reviews/albums/15790-looping-state-of-mind/
Quite possibly the first online review of the new Opeth record "Heritage" over at the MSN Headbang blog: http://t.co/PIxvAxa
PopMatters has a capsule review of Swedes Baron Bane: http://www.popmatters.com/pm/review/145879-baron-bane-lpto/
It's old-school Swedish death metal time again and Stockholm quartet Morbus Chron are dishing out other people's riffs like they're going out of style. This hits me on four levels. All at once they're great, good, mediocre, and awful. You may wonder how that's possible, so allow me to disclose: Firstly, there's a killer, super-heavy and flawless production courtesy of Nicke Andersson. That's the great part. Secondly, they offer (via artist Raul Gonzalez) an oddly colorful piece of cover art that's quite like a fantasy retake on John Carpenter's "The thing". That's the good part. Thirdly, there's the music itself which, as enjoyable as it can be, is nothing more than a rehash of old Swedish riffs from days of yore. There are constant references to stuff that the band have either subconsciously 'borrowed' or blatantly ripped off and I have no idea which is true. Maybe it's neither; maybe it's a bit of both. If you want just one example, however, grab your copy of Dismember's vastly-superior "Massive killing capacity" album, crank up "Hallucigenia" and then have a blast of the main riffs in both Chron's "The hallucinating dead" and "The lidless coffin". That's the mediocre part; the complete lack of originality. And the awful part? Well, I'm never really one to have a pop at image but, guys, seriously. Unless you've had to squeeze the photo shoot in on a quick break from a day's hard graft down a coalmine, there's no excuse. To sweeten what might seem like a harsh review, I must add that Robba's vocals are pretty damn cool. Keep the sound and write something that hasn't been done by every other Swedish death metal band over the last 20 years and Morbus Chron could be onto a winner.
- John Norby
Still Single reviews the Glöm Da!/Makabert Fynd split 12" on : http://still-single.tumblr.com/post/9479332805/glom-da-makabert-fynd-split-lp-sorry-state
Dusted gets a little pervy about Norwegian youngsters Razika: http://dustedmagazine.com/reviews/6650
When this kicks off, it feels as though Walk Through Fire could be one of any number of bands proffering their blend of sludgy doomladen dischord, so pedestrian is their take on the genre. It must be said, however, that while the first half of "Furthest from heaven" offers absolutely nothing in the way of ingenuity, it does display a good command of marrying beauty with ugliness. However, the Swedes really hit the nail on the head with the closing duo of "The dying sun" and "The dead sun". They're like a different band on this final part, with "The dying sun" offering a foreboding intro to what is one of the most pummelling creations within the genre. Not only does "The dead sun" prove that these guys have what it takes to become monsters within the style, but it's as heavy as a blow to the cranium with a sock full of pool balls. Let's hope that they'll explore this dark avenue more thoroughly in the future.
- John Norby
Pitchfork reviews the latest Swedish hype I Break Horses and their debut record "Hearts": http://pitchfork.com/reviews/albums/15747-hearts/
PopMatters reviews Danish electro/pop hype When Saints Go Machine: http://www.popmatters.com/pm/review/146515-when-saints-go-machine-konkylie/
Pitchfork reviews the debut album from Norwegian teen indie/post-punk act Razika: http://pitchfork.com/reviews/albums/15730-program-91/