"In the large deserted woods on both sides of the Swedish-Norwegian border, Finnish people settled down in the 15th- and 16th century. These areas are now called "Finnskogen", the Finnish woods. The settlers came from difficult times in Finland, and burned down forest to cultivate rye in the ashes. In these vast forests it was hard to tell if you were in Sweden or Norway. Culture does not know borders either, and the music is a common Swedish- Norwegian tradition.
So reads the intro text on "Finnskogen brinner", the collaboration between Swedish fiddle artist Patrik Andersson and his Norwegian counterpart Vegar Vårdal. I am by no means attuned to the many regional differences in Scandinavian folk tradition, so I can't begin to explain how the music of Finnskogen, but these gentlemen play beautifully together. Some of the more minimal folk records I've been listening to as part of my "Listen to Norway" exploration (this is #5) can get grating, especially with the uncertain harmonies of the Hardanger Fiddle, but this one never falters. Two players and their instruments, maybe a little foot-tapping; that's all you need. "Dette var sagt at når Halteguten, Ola Porkkala, spilte denne valsen kunne ikke folk la vaere å gråte."
My apologies for not keeping up with weekly posts in this series, but my dayjob workload has been astounding. Rest assured, there will be lots more music (folk and otherwise) posted in weeks to come.
Listening to Norway, part 2. I'm still concentrating mostly on traditional folk records because that's more where my mood's at, but I am pulling a few other selections from the stacks, especially the ones that fall under the category "heard of, but never heard." Trinacria is a band I've always wanted to check out and I even remember hearing about them when they first got going, but somewhere along the line I dropped the ball and never investigated further. Not sure why though 'cuz their album "Travel now journey infinitely" is killer. For the uninitiated, here is a summation of the band as lifted straight from their bio: "Trinacria was originally a composition by Ivar Bjørnson (Enslaved), Maja S. K. Ratkje and Hils Sofie Tafjord (both from Fe-mail), commissioned by Rikskonsertene for a concert series. The line-up was completed by Grutle Kjellson, Ice Dale (both from Enslaved), Iver Sandøy (Emmerhoff) and Espen Lien. In short: after working together briefly, the composition turned into a vital project which, after touring, became a fully welded band." So yeah, in short: Enslaved + Fe-mail = awesome. Hardly a surprise, though sometimes the marriage of metal and noise is not so hot. Neurosis and Man is the Bastard were the first bands I ever saw who did it and did it well, many others followed. Cult of Luna is one, Pig Destroyer is another, and of course Bastard Noise continues to bring the brutality as only they can provide (check out the new Endless Blockade split if you haven't already!). Naturally, Trinacria lean more towards the epic, blackened end of the metal spectrum as would befit their pedigree, but song-wise, the structure is more postrock-like as they build the pieces into huge crescendos over repetitive riffs and escalating chaos. Any of the six tracks contain therein would probably make for a suitable intro to the band, but I think the title-track closer is best as it's the most epic of all this epicness. Definitely an overlooked gem.
The good folks at MIC Norway sent me a big box of CDs earlier this week as part of their "Listen to Norway" music promotion program, so to oblige them I will attempt to do some sort of weekly feature on one of the contents therein. I'm planning on listening to most of it anyway, so why not give it focus? Now as for the types of discs they sent me, there's a good selection of pop, rock, indie and metal stuff that I've either heard before or at least somewhat familiar with, so I decided to jump into the other stuff first. I know some Norwegian jazz, mostly through artists affiliated with or , and we'll get to those in coming weeks, but it's definitely the folk music that intrigued me the most. As regular readers should know by now, I love traditional Scandinavian folk, especially when it's done in contemporary fashion ala Detektivbyrån, but I'm also quite fond of the trad stuff, it's just that I barely know where to start with it so let us consider this to be a mutual exploration. There's a lot of folk music out there and I've listened to a damn lot of Hardanger fiddle this week and while I couldn't begin to tell you the history of the style or anything about the various regional variations, I know what I like and Valkyrien Allstars are a group I definitely can get into. According to the liner notes of their self-titled debut (2007), the trio got their start as the house band at The Valkyrien Restaurant in Oslo though they definitely seemed to have moved beyond that now, having been nominated for a Norwegian Grammy and toured Japan (and released a new album "To måner", which I do not have yet). Musically speaking, they are at their essence, a Hardanger fiddle trio, though they do mix it up by adding a few extra instruments and vocals. But what I like best about them is their energy and enthusiasm, a similar trait I heard in Swedish act Hedningarna, the band that first got me interested in Nordic folk. "Å gjev du batt meg" is one of the group's mellower tracks, but I just love the vocal on it, especially frontwoman Tuva Livsdatter Syvertsen's rough-edged tone. It reminds me of Hajen/Jaw Lesson a bit, in fact they even kinda look similar as far as hairstyle is concerned. Anyhow, it's those little cracks at the edges that make it, and that's why I'm sharing this song today.
Expect more folk discoveries and other new (to me) tunage in weeks to come.